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Dreweatts 1759
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Susan Ryder Kitchen Drinks, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) A professional painter , a member of the Royal Society of Portrait Painters and the New English Art Club. Inspired by the interiors of Edward Vuillard. Lamplit rooms are my passion.   Exhibitions   Byam Shaw school of Art, London Neac Critics Prize. Commission to paint Diana Princess of Wales in her wedding dress and HM the Queen in 1997   Gallery Representation   Panter and Hall, London, the Mall Galleries, Sarah Samuels , Cheshire.   About the postcard artwork   My two watercolours on postcard show my love of lamps and flowers and glass  

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Susan Ryder Drawing Room Flowers, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) A professional painter , a member of the Royal Society of Portrait Painters and the New English Art Club. Inspired by the interiors of Edward Vuillard. Lamplit rooms are my passion.   Exhibitions   Byam Shaw school of Art, London Neac Critics Prize. Commission to paint Diana Princess of Wales in her wedding dress and HM the Queen in 1997   Gallery Representation   Panter and Hall, London, the Mall Galleries, Sarah Samuels , Cheshire.   About the postcard artwork   My two watercolours on postcard show my love of lamps and flowers and glass  

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Nina Mae Fowler This Is Your Life, 2021 Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.)     Known for her sumptuously detailed large-scale drawings and installations, Nina Mae Fowler's work interrogates themes of celebrity, beauty, power and sexuality. Fowler often uses subject matter from a seemingly bygone era to throw into relief strikingly similar contemporary narratives, such as abuses of power across industries and our own role as a consumer of celebrity culture. Education Graduated with a first in Fine Art Sculpture in 2003 from Brighton University Exhibitions/Awards Luminary Drawings: Portraits of Film Directors by Nina Mae Fowler, National Portrait Gallery, London, UK, 2019 The National Portrait Gallery awarded Fowler this major commission which features drawn portraits of British Film Directors, sitters included, Amma Asante, Ken Loach, Sir Ridley Scott, Sir Sam Mendes, Asif Kapadia and Sally Potter. The portraits form part of the museum's permanent collection. Fowler has also been shortlisted for numerous prizes and awards, including the Jerwood Drawing Prize (2015 & 2010), The Discerning Eye Drawing Bursary Award (2016), Aesthetica Art Prize (2014), Drawing Now Award (2014), Young Masters Prize (2012) and the BP Portrait Award (2008).   Her works have been exhibited within the context of cultural institutions and museums including; Kunstsaele Berlin, Germany (Drawing WOW, 2020) and Neuer Kunstverein Aschaffenburg, Germany (Starke Frauen, 2013).   Fowler has exhibited in galleries internationally, which includes frequent solo and group exhibitions in London (Cob Gallery, Lazarides), Paris (Galerie Suzanne Tarasieve, Galerie Dukan), Hamburg, Berlin (artnow Gallery), Leipzig and Hong Kong (Contemporary by Angela Li). Her works are held in notable private and public collections including; The National Portrait Gallery (UK), Balliol, Magdalen and New Colleges Oxford (UK), ColecciónAl Limite (Chile), Imago Mundi, Luciano Bennetton Collection (Treviso, Italy) and the ' Try-me' Collection, (Virginia, USA). In 2018, film director David Lynch's establishment Silencio in Paris held a retrospective of Fowler's work. Gallery Representation Cob Gallery, UK, Suzanne Tarasieve, France, art Now Gallery, Germany About the postcard artworks The life of actress Frances Farmer has been subject to dramatic fictionalisation, relentless scrutiny and mistruths. Having found fame in the 1930's she struggled with the image Hollywood forced upon her and spent the next decade in and out of psychiatric hospitals where she was mistreated and abused. She subsequently suffered from mental health issues for the rest of her life and was subject to a rumour that she had been lobotomised during one of her involuntary institutionalisations. In 1958 she appeared on "This is Your Life" to dispel years of speculation and innuendo. It is devastating to watch as she feels forced to explain herself, relive the worst times of her life and respond with perfect rationality. Her agony is writ large upon her face as she continues to be probed and pushed in front of an eternally unquenchable audience. This drawing is after a still from the broadcast."  

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Tinsel Edwards Bathroom Self Portrait with Toothbrush, 2021 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tinsel Edwards (b.1979) is an artist based in Glasgow. She originates from the Midlands and studied Fine Art at Goldsmiths College London. Tinsel lived in London for 19 years before moving to Scotland in 2017. Predominantly a painter, Tinsel's practice also extends to printmaking, working with found materials, installation and public art stunts. Tinsel's art responds to a wide variety of contemporary social and political issues whilst also referencing her everyday experience. An imaginative and emotional exploration into the seemingly mundane details of domestic life, her paintings offer biting social commentary entwined with humour, emotion and honest autobiographical narrative. In the Noughties Tinsel was a singer in glam-garage band The Fairies Band, and later co-founded indie record label Pushing Pussy Records. Painting has always been her main thing however, and Tinsel's art has been exhibited extensively in the UK and internationally. Banksy is amongst her collectors and invited her to create work for Dismaland in 2015. Tinsel has worked with Paxton Glew, Jealous Gallery, Stella Dore Gallery, Print Club London, Pavement Licker, Pictures on Walls and Tina Ziegler of Moniker Art Fair. She is also a regular at The Art Car Boot Fair in London alongside collaborator Twinkle Troughton. In 2012 Tinsel co-founded A-side B-side, a gallery and art studios in Hackney, London. In 2017 she wrote Priced Out, a book exploring the housing crisis in London, which was published by Dunlin Press.   Education   Ba Hons Fine Art - Goldsmiths College   Exhibitions/Awards   2013 - 'A Mini Retrospective' Duo show with Twinkle Troughton at Michaela Stock Gallery, Vienna and A-side B-side Gallery, London 2009 - 'It was the Best of Times, It was the Worst of Times' Duo show with Twinkle Troughton at Steal from work, Bristol 2008 - 'A Year of Private Views' at The Pure Evil Gallery, London and Artport, Kolonie Wedding, Berlin 2006 - 'This is modern art' This Way Up Gallery, Dragon Bar, London 2006 - 'An Urban Myth' The Fairies exhibition, Tomtom Gallery, London   GROUP EXHIBITIONS (SELECTED) 2020 - Isolated Observations, Candida Stevens Gallery, Chichester 2020 - Vitamin Sea with Paxton Glew, Brighton 2020 - Oh Bondage Up Yours, Resort Studios, Margate 2019 - Urban Miniatures with Paxton Glew, Brighton 2019 - The Art Car Boot Fair, Margate 2019 - Making a Mark, Dulwich College, London 2017 - The Spirit House, Geddes Gallery, London 2016 - The Art Conference, Tanner Street, London 2015 - Dismaland, Banksy's Bemusement Park, Weston-Super-Mare 2015 - The Art Car Boot Fair, Brick Lane 2015 - London Original Print Fair, The Royal Academy 2014 - Moniker Art Fair with Jealous Gallery 2014 - Affordable Art Fair with Jealous Gallery 2013 - 'Black, White and Red all over' Jealous Gallery, London 2013 - 'I Love you Because' A-side B-side Gallery, London (curated by Harry Pye) 2011 - Flag Stop art Fair, South Bay Lexus, 24777 Crenshaw Blvd. Torrance, CA 90505 USA 2011 - Hackney WICKED festival 2011 - 11:11, East Gallery, Brick Lane, London 2011- Momac curated by Roberta Moore and Lisa Mackenzie, Gloucester 2011 - She Said, The Outside World Gallery, Shoreditch, London 2010 - 'Multiplied' Christies Artfair, in association with Printclub London 2010 - 'The Pursuit of Happiness', Touring show in Poland: The Arsenal Gallery, Poznan 2009 - 'Tate the Biscuit', Shoreditch Town Hall, London 2009 - 'Rosetta Stone', Jena Kunsverein, Jena, Germany 2009 - 'Secret Blisters' curated by Printclub, MC Motors, London 2008 - Stella Dore group show, Sebastian Guiness Gallery, Dublin 2007 - 'AlterNATIVITY' Studio 57, London 2007 - 'Light Sentence' Augsberg, Germany 2006 - Banksys 'Santas Ghetto' London   AWARDS Longlisted for The John Ruskin Art Prize 2016 - Recording Britain Now: Society   About the postcard artworks   My recent work is inspired by the domestic setting, the absurdity of everyday rituals and routine. I paint from memory and imagination, interpreting my everyday environment and personal experience."  

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Anna Jung Seo Martin Eden, 2021 Egg Tempera on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anna Jung Seo a Korean artist based in London. Her paintings developed out of an interest in the intimate moments of people, which unveiled the different layers of human relationships. She embraces the painting practice as a form of understanding, like a palimpsest. Following quick observations through daily encounters in the streets, pubs and markets in London or Seoul, the viability of the anecdotes, recalls her personal memories as well as her previous study, literature.   Education   Turps Studio Programme, Turps Art School (2015-17) / BA(Fine Art) at City&Guilds of London Art School(2011) / PhD (French Literature), Yonsei University, Seoul (1999)   Exhibitions/Awards   Anna has exhibited in UK and abroad; her works have been selected for various shows including the RA summer shows and the Discerning Eye exhibition, Lynn Painter-Stainers Prize, Sluice Art Fair, Ruth Borchard Self-Portrait Competition.   About the postcard artworks   '88Club' and 'Who are you?' are from her ongoing project in Korea. They are based on her visit to a place where old Korean people have fun while they do dancing together. -'Between 'Then' and 'Not Yet' ' is from 'Moral Disorder' by Margaret Atwood. -'Martin Eden' is based on a film, 'Martin Eden'  

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Anna Jung Seo 88 Club, 2021 Egg Tempera on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anna Jung Seo a Korean artist based in London. Her paintings developed out of an interest in the intimate moments of people, which unveiled the different layers of human relationships. She embraces the painting practice as a form of understanding, like a palimpsest. Following quick observations through daily encounters in the streets, pubs and markets in London or Seoul, the viability of the anecdotes, recalls her personal memories as well as her previous study, literature.   Education   Turps Studio Programme, Turps Art School (2015-17) / BA(Fine Art) at City&Guilds of London Art School(2011) / PhD (French Literature), Yonsei University, Seoul (1999)   Exhibitions/Awards   Anna has exhibited in UK and abroad; her works have been selected for various shows including the RA summer shows and the Discerning Eye exhibition, Lynn Painter-Stainers Prize, Sluice Art Fair, Ruth Borchard Self-Portrait Competition.   About the postcard artworks   '88Club' and 'Who are you?' are from her ongoing project in Korea. They are based on her visit to a place where old Korean people have fun while they do dancing together. -'Between 'Then' and 'Not Yet' ' is from 'Moral Disorder' by Margaret Atwood. -'Martin Eden' is based on a film, 'Martin Eden'  

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Anna Jung Seo Who Are You?, 2021 Egg Tempera on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anna Jung Seo a Korean artist based in London. Her paintings developed out of an interest in the intimate moments of people, which unveiled the different layers of human relationships. She embraces the painting practice as a form of understanding, like a palimpsest. Following quick observations through daily encounters in the streets, pubs and markets in London or Seoul, the viability of the anecdotes, recalls her personal memories as well as her previous study, literature.   Education   Turps Studio Programme, Turps Art School (2015-17) / BA(Fine Art) at City&Guilds of London Art School(2011) / PhD (French Literature), Yonsei University, Seoul (1999)   Exhibitions/Awards   Anna has exhibited in UK and abroad; her works have been selected for various shows including the RA summer shows and the Discerning Eye exhibition, Lynn Painter-Stainers Prize, Sluice Art Fair, Ruth Borchard Self-Portrait Competition.   About the postcard artworks   '88Club' and 'Who are you?' are from her ongoing project in Korea. They are based on her visit to a place where old Korean people have fun while they do dancing together. -'Between 'Then' and 'Not Yet' ' is from 'Moral Disorder' by Margaret Atwood. -'Martin Eden' is based on a film, 'Martin Eden'  

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Anna Jung Seo Between 'Then' and 'Not Yet', 2021 Egg Tempera on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anna Jung Seo a Korean artist based in London. Her paintings developed out of an interest in the intimate moments of people, which unveiled the different layers of human relationships. She embraces the painting practice as a form of understanding, like a palimpsest. Following quick observations through daily encounters in the streets, pubs and markets in London or Seoul, the viability of the anecdotes, recalls her personal memories as well as her previous study, literature.   Education   Turps Studio Programme, Turps Art School (2015-17) / BA(Fine Art) at City&Guilds of London Art School(2011) / PhD (French Literature), Yonsei University, Seoul (1999)   Exhibitions/Awards   Anna has exhibited in UK and abroad; her works have been selected for various shows including the RA summer shows and the Discerning Eye exhibition, Lynn Painter-Stainers Prize, Sluice Art Fair, Ruth Borchard Self-Portrait Competition.   About the postcard artworks   '88Club' and 'Who are you?' are from her ongoing project in Korea. They are based on her visit to a place where old Korean people have fun while they do dancing together. -'Between 'Then' and 'Not Yet' ' is from 'Moral Disorder' by Margaret Atwood. -'Martin Eden' is based on a film, 'Martin Eden'  

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Diana Copperwhite Edna, 2021 Oil on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) Diana Copperwhite, lives and works in Dublin.   Exhibitions/Awards   Copperwhite has exhibited widely in Ireland and abroad.   Recent Solo shows include: Proto Fiction and the Sleep of Reason, Kevin Kavanagh, Dublin, 2019, The Clock Struck between time, 532 Gallery Thomas Jaeckel, New York, 2019, Driven By Distraction at the Royal Hibernian Academy, RHA, Dublin 2016.   Upcoming Group shows include: The National Gallery of Ireland, New Acquisitions, 2021.   Her recent publication Fake New World published by the RHA to coincide with her exhibition features a recent biography written by Distinguished Professor Gail Levin.   Her work is held in many important public collections including the National Gallery of Ireland, The Dublin City Gallery, The Hugh Lane, The Irish Museum of Modern Art, the Rothko Center Daugavpils, Latvia, the Arts Council of Ireland, Limerick City Gallery of Art, the Office of Public Works Ireland as well as private collections in Ireland, across Europe, Australia and in the United States.   She has been reviewed widely in Hyperallergic, The Brooklyn Rail, Art Forum, The Sunday Times and in 2007 she was the recipient of the AIB Art Prize Ireland. She has had solo presentations at Volta NY, 2013 and at PULSE NY, 2015 where she was nominated for the PULSE prize.   Gallery Representation Kevin Kavanagh Dublin, Thomas Jaeckel, New York   About the postcard artwork   Edna is part of an ongoing investigation into memory, identity, perception and the human portrait.  

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Aly Helyer Untitled, 2021 Pencil Signed verso 15 x 10cm (5¾ x 3¾ in.) Painter based in London, primarily interested in the portrait and the figure, relying on the interplay of from, colour and pattern through the reinvention of a traditional format   Education   MA Chelsea College of Art   Exhibitions   Recent exhibitions, 'Silent Charmers" at The Cabin, Los Angeles, USA, curated by Danny First, Autumn 2020 and group show 'Melancholympics' at The Wunderwall, Belgium, curated by Sasha Bogojev 2020   About the postcard artwork   Drawing is an important part of my daily practice, it allows me to think and breath. I make small pencil drawings in my moleskin sketchbook at night, I'll start with an eye or a mouth that acts as an anchor, their construction is all about balance, tension and moving across the paper, I don't have an idea or a plan.  

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Aly Helyer Rider, 2021 Pencil Signed verso 15 x 10cm (5¾ x 3¾ in.) Painter based in London, primarily interested in the portrait and the figure, relying on the interplay of from, colour and pattern through the reinvention of a traditional format   Education   MA Chelsea College of Art   Exhibitions   Recent exhibitions, 'Silent Charmers" at The Cabin, Los Angeles, USA, curated by Danny First, Autumn 2020 and group show 'Melancholympics' at The Wunderwall, Belgium, curated by Sasha Bogojev 2020   About the postcard artwork   Drawing is an important part of my daily practice, it allows me to think and breath. I make small pencil drawings in my moleskin sketchbook at night, I'll start with an eye or a mouth that acts as an anchor, their construction is all about balance, tension and moving across the paper, I don't have an idea or a plan.  

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Ofelia Andrades M 'Blanquita' Artist's Cat, 2021 Graphite on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Ofelia Andrades was born on September 29th, 1982 in Santiago, Chile. From 1984 to 1992 she lived in Buenos Aires, Argentina. From an early age Ofelia attended art workshops where she learned the different techniques of painting and drawing, with particular emphasis on oil painting. She started to paint with oils at the age of ten years Old.   Education   She began her professional studies at the Experimental Art School (1997-2000) where she obtained a technical degree in Visual Arts with a major in painting and graphics. Ofelia later obtained a Bachelor's degree in Visual Arts with a painting emphasis (2003-2007) at the University of Chile where she was finally granted the title of professional painter in 2010. Between 2012 and 2014 she lives in London, United Kingdom. Back in Chile she fund ""El taller de Ofelia"" workshop to teach ancient to Contemporary painting techniques. She currently lives and works in Santiago, Chile.   Exhibitions/Awards   2021 ""Día internacional de la mujer"" 8 of march. Invited & curated by MEAM, European Museum of Modern Art. Barcelona, España. INTERNATIONAL WOMEN GROUP SHOW. 2020-21 ""The human dimension in Latin American Art"" MIFA Gallery. Miami USA. CURRENT GROUP SHOW 2019 ""Painting Today"" Woman's day. MEAM, European Museum of Modern Art. Barcelona, España. Curated by Didi Menendez of Poets&Artists. INTERNATIONAL WOMEN GROUP SHOW. 2018 ""NARCISA"" Casa Brandon Gallery. Buenos Aires, Argentina. SOLO SHOW 2018 ""Painting the figure now"" Curated by Poets&Artists. WMOCA. Wausau Museum of Contemporary Art. Wisconsin, USA. INTERNATIONAL GROUP SHOW. 2016 ""12 x 12"" best artists promises of the year. Chilean curators. GROUP SHOW 2016 ""Ch.ACO"" Art fair, Santiago, Chile. 2016 ""ART LIMA"" Art fair, Perú. 2015 ""First place"" in jung art competition. Galería ARTESPACIO. Santiago, Chile. GROUP SHOW/AWARD 2017 ""Alegorías"" Galería ARTESPACIO. Santiago, Chile. SOLO SHOW 2014 ""Variaciones sobre un mísmo tema"" Sala GASCO Arte contemporáneo, Santiago, CHILE. SOLO SHOW 2013 ""Exhibition"" MRA, From April to October. London, UK. SOLO SHOW 2012 ""Inauguración"" Galería Temporal"" Santiago, Chile. SOLO SHOW 2011 ""Lo inconsolable del cotidiano"", Sala Blanca, Pontificia Universidad Católica. Chile. SOLO SHOW 2010 ""proyecto MOSAICO"", Sala Juan Egenau, Facultad de Artes de la Universidad de Chile. SOLO SHOW 2010 Tesis: ""figuras del original"", Una aproximación a la parodia, Sala Juan Egenau. Chile. SOLO SHOW 2009 ""figuras del original"" Biblioteca de Santiago. Junio. Chile. SOLO SHOW 2009 ""figuras del original"", Galería Bech. Chile. SOLO SHOW I was represented by Galería ARTESPACIO during a period in Chile. I am currently more independent by now but and at the same time working with MIFA GALLERY in Miami, USA during the show ""The human dimension in Latin American Art"".   About the postcard artwork   My drawing it is a portrait of my cat ""Blanquita"" wich is 16 years Old. She is a constant model for my scenes, it is part of my family. This could be a portrait Studio for future paintings and scenes.  

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Jennifer McRae Lionheart, 2020 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Jennifer McRae is one of Scotland's best contemporary artists, her work can be found in several public collections including the National Portrait Gallery, the Scottish National Portrait Gallery and Reading Museum amongst others and is also included in private collections both in Europe and the US.   Education   Grays school of art Aberdeen (1st class honours , Fine Art   Exhibitions/Awards   Sunday Times watercolour,BP travel award, Ondaatje gold medal royal society of portrait painters, painter Stainers 1st prize winner, Ruth Borchard Collection Thackeray gallery & Fine art society   About the postcard artwork   Representing the fragility but also connections between us all in the everyday.  

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Anne-Marie Butlin Signs of Spring I (Apple Blossom), 2021 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne-Marie works from her garden studio in Crouch End, North London. She produces large flower/garden paintings, as well as regular portrait commissions. She is primarily represented by Thackeray Gallery in Kensington and Brian Sinfield Gallery in Burford, and also has work on an on-going basis at Cambridge Contemporary Art, Mall Galleries online, and Beside the Wave Gallery, Falmouth.   Education   Loughborough College of Art, Middlesex University   Exhibitions   Recent solo exhibitions at Thackeray Gallery, Kensington (2020) and Brian Sinfield Gallery, Burford (2019). Numerous group exhibitions over 30 years, including The Royal Academy Summer Exhibition, and annual exhibitions at The Royal Society of Portrait Painters, The Royal Watercolour Society, The Royal Society of British Artists, and ING Discerning Eye.   Gallery Representative   Thackeray Gallery Kensington   About the postcard artwork   Winifred Nicholson described flowers as 'the secret of the cosmos', and I can understand this desire to connect with their magical, mysterious and timeless presence. I wanted to portray two spring stalwarts - snowdrops and apple blossom - just as we are waiting for all the new growth of spring. My small portraits are likewise an attempt to capture fleeting moments in the lives of my daughters as they grow into young women.  

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Anne-Marie Butlin Signs of Spring II (Snowdrops), 2021 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Anne-Marie works from her garden studio in Crouch End, North London. She produces large flower/garden paintings, as well as regular portrait commissions. She is primarily represented by Thackeray Gallery in Kensington and Brian Sinfield Gallery in Burford, and also has work on an on-going basis at Cambridge Contemporary Art, Mall Galleries online, and Beside the Wave Gallery, Falmouth.   Education   Loughborough College of Art, Middlesex University   Exhibitions   Recent solo exhibitions at Thackeray Gallery, Kensington (2020) and Brian Sinfield Gallery, Burford (2019). Numerous group exhibitions over 30 years, including The Royal Academy Summer Exhibition, and annual exhibitions at The Royal Society of Portrait Painters, The Royal Watercolour Society, The Royal Society of British Artists, and ING Discerning Eye.   Gallery Representative   Thackeray Gallery Kensington   About the postcard artwork   Winifred Nicholson described flowers as 'the secret of the cosmos', and I can understand this desire to connect with their magical, mysterious and timeless presence. I wanted to portray two spring stalwarts - snowdrops and apple blossom - just as we are waiting for all the new growth of spring. My small portraits are likewise an attempt to capture fleeting moments in the lives of my daughters as they grow into young women.  

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Anne-Marie Butlin Spring Morning, 2021 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne-Marie works from her garden studio in Crouch End, North London. She produces large flower/garden paintings, as well as regular portrait commissions. She is primarily represented by Thackeray Gallery in Kensington and Brian Sinfield Gallery in Burford, and also has work on an on-going basis at Cambridge Contemporary Art, Mall Galleries online, and Beside the Wave Gallery, Falmouth.   Education   Loughborough College of Art, Middlesex University   Exhibitions   Recent solo exhibitions at Thackeray Gallery, Kensington (2020) and Brian Sinfield Gallery, Burford (2019). Numerous group exhibitions over 30 years, including The Royal Academy Summer Exhibition, and annual exhibitions at The Royal Society of Portrait Painters, The Royal Watercolour Society, The Royal Society of British Artists, and ING Discerning Eye.   Gallery Representative   Thackeray Gallery Kensington   About the postcard artwork   Winifred Nicholson described flowers as 'the secret of the cosmos', and I can understand this desire to connect with their magical, mysterious and timeless presence. I wanted to portray two spring stalwarts - snowdrops and apple blossom - just as we are waiting for all the new growth of spring. My small portraits are likewise an attempt to capture fleeting moments in the lives of my daughters as they grow into young women.  

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Anne-Marie Butlin Afternoon Sun, 2021 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Anne-Marie works from her garden studio in Crouch End, North London. She produces large flower/garden paintings, as well as regular portrait commissions. She is primarily represented by Thackeray Gallery in Kensington and Brian Sinfield Gallery in Burford, and also has work on an on-going basis at Cambridge Contemporary Art, Mall Galleries online, and Beside the Wave Gallery, Falmouth.   Education   Loughborough College of Art, Middlesex University   Exhibitions   Recent solo exhibitions at Thackeray Gallery, Kensington (2020) and Brian Sinfield Gallery, Burford (2019). Numerous group exhibitions over 30 years, including The Royal Academy Summer Exhibition, and annual exhibitions at The Royal Society of Portrait Painters, The Royal Watercolour Society, The Royal Society of British Artists, and ING Discerning Eye.   Gallery Representative   Thackeray Gallery Kensington   About the postcard artwork   Winifred Nicholson described flowers as 'the secret of the cosmos', and I can understand this desire to connect with their magical, mysterious and timeless presence. I wanted to portray two spring stalwarts - snowdrops and apple blossom - just as we are waiting for all the new growth of spring. My small portraits are likewise an attempt to capture fleeting moments in the lives of my daughters as they grow into young women.  

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Jennifer McRae Knowledge, 2020 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Jennifer McRae is one of Scotland's best contemporary artists, her work can be found in several public collections including the National Portrait Gallery, the Scottish National Portrait Gallery and Reading Museum amongst others and is also included in private collections both in Europe and the US.   Education   Grays school of art Aberdeen (1st class honours , Fine Art   Exhibitions/Awards   Sunday Times watercolour,BP travel award, Ondaatje gold medal royal society of portrait painters, painter Stainers 1st prize winner, Ruth Borchard Collection Thackeray gallery & Fine art society   About the postcard artwork   Representing the fragility but also connections between us all in the everyday.  

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Sophie Ruigork Self Portrait After A Picnic (Effortlessly Achieve Your Life Path Potential), 2021 Soft Pastels on Pastel Card Signed verso 15 x 10cm (5¾ x 3¾ in.) "Sophie Ruigrok is an artist working in drawing and painting, and is currently exploring sound. She graduated from The Drawing Year at the Royal Drawing School in December 2019, and has since been selected for New Contemporaries 2020. In 2020, she exhibited in London and Amsterdam and took part in a residential programme at ecological co-op, Montemero, in Almería, Spain. Throughout 2021 she will be an artist in residence and community facilitator at Proposition's Studio's Eco-Syntax residency in Derbyshire, UK. Sophie writes art criticism and has contributed to frieze, Apollo, Dazed, Elephant and thisistomorrow.   Exhibitions 2021 The Sunday Painter, London, UK (forthcoming) 2021 Bloomberg New Contemporaries, South London Gallery, London, UK (forthcoming) 2021 The gifts of lockdown, DB Gallery, online: https://www.db-gallery.com/the-gifts-of-lockdown 2020 Pending, San Mei Gallery, London, UK 2020 Onward & Upward: Art in Times of Uncertainty, Droog, Amsterdam, Netherlands 2020 Curated for Covid, online https://www.curatedforcovid.com 2019 The Drawing Year 2018-19, The Royal Drawing School, London, UK 2019 Drawing Year Open Studios, Space, Mare Street, London, UK 2019 Best of the Drawing Year, Christie's, London, UK 2019 Collaborative Drawing - Painting Clubb with 650mAh, Arcade Gallery, London, UK 2019 The Greek Street Art Show, Gallery Maison Bertaux, London, UK   Awards Selected for New Contemporaries, 2020 Trustees Prize, the Royal Drawing School"

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Vanessa Mitter Leda and the Swan (Part one), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London.   Education   BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London   Exhibitions/Awards   Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen).   Mitter was a joint winner of the Hackney Wicked Art Prize in 2015.   She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London   About the postcard artworks   Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?  

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Dreweatts 1759
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Vanessa Mitter Leda and the Swan (Part two), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London.   Education   BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London   Exhibitions/Awards   Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen).   Mitter was a joint winner of the Hackney Wicked Art Prize in 2015.   She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London   About the postcard artworks   Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?

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Dreweatts 1759
Los 415

Vanessa Mitter Leda and the Swan (Part three), 2021 Japanese Watercolour, Pencil, Pen and Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Vanessa Mitter is a painter and a performance artist, who lives and works in London. Mitter co-founded the all-female international artist collective, LaLa, with the artist Paige Perkins in 2019. Alice Butler (Frieze Writer's Prize, 2012) writes that 'in Vanessa Mitter's paintings, the personal is treated as a pliant material, a source of affect and investigation, but also of fiction and performance. Collage, paint and pigment find a way on to the canvas in ephemeral expressive gestures.' Mitter's work is held in private collections in Europe and America, including the Helen Rowe Collection, London and the collection of Dexter Dalwood, London.   Education   BTEC Higher National Diploma: Foundation Art and Design - Kingston University, Surrey BA Honours Fine Art: Painting, Central Saint Martins College, London Postgraduate Diploma and MA in Fine Art, Chelsea College of Art and Design, London   Exhibitions/Awards   Selected exhibitions include: With Love, Paint Talk, Objects of Desire, ASC Gallery (London), The Lore of the Land, Churchgate Gallery (London), Mother Art Prize, Mimosa House (London), Velvet Ropes, David Risley Gallery (Copenhagen), Velvet Ropes at Athina Art Fair (Athens) through 0-0 Gallery (Los Angeles), Ornamental Neon at ASC Gallery (London), You Are Here, Stockport War Memorial Art Gallery, The Lore of the Land, Churchgate Gallery (Somerset), Frivolous Convulsions, Turf Projects (London), I Am A Beautiful Monster, Arthouse1 Gallery (London), The Painting Game, K Projects (Berlin), de Kooning, de Kooning, de Kooning, David Risley Gallery (Copenhagen).   Mitter was a joint winner of the Hackney Wicked Art Prize in 2015.   She has been shortlisted for: The Mother Art Prize 2018, The Ruth Borchard Self-Portrait Prize 2017, The Red Mansion Foundation Art Prize 2011 and GAM - Gilbert de Botton Art Prize 2010 and longlisted for: 100 Painters of Tomorrow (Beers Gallery) 2013. Unit G Gallery, London and Procreate Project, London   About the postcard artworks   Leda and the Swan is a story and subject in art from Greek mythology in which the god Zeus, in the form of a swan, seduces or rapes Leda. In this triptych, I wanted to convey a sense of Leda being both overwhelmed and enveloped by the swan (Zeus), but also for her not to seem completely powerless. The images are layered and complex. There is an ambiguity about the eroticism and about who is doing what. Where do the swan and Leda begin and end? Is this an entirely unpleasurable and violent experience or not? I mean unpleasure in the psychoanalytic sense of inner pain, discomfort, or anxiety, which results from the blocking of an instinctual impulse by the ego. Is Leda completely overcome, or is she an active participant in what is happening?

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Dreweatts 1759
Los 435

Claudette Johnson Ink Study No.4, 2021 Ink and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   Claudette Johnson (born 1959) is a British visual artist. She is known for her large-scale drawings of Black women and involvement with the BLK Art Group. She was described by Modern Art Oxford as "one of the most accomplished figurative artists working in Britain today Education 1992-1994 Post Graduate Certificate in Education (F.E), University of Greenwich, 1979-1982 BA Hons Fine Art, University of Wolverhampton, 1978-1979 Foundation course in Art and Design, Manchester Polytechnic Exhibitions Upcoming 2021 Hollybush Gardens, London [solo], 2023 People of Colour: Black Portraiture Now, National Portrait Gallery, London [group]   Selected solo exhibitions 2019 I Came to Dance, Modern Art Oxford, UK 2017 Claudette Johnson, Hollybush Gardens, London 1999 Studio Show, Deborah House Studios, London 1995 Portraits from a Small Room, 198 Gallery, London [artist in residence] 1992 In This Skin, The Black Art Gallery, London 1990 Pushing Against The Boundaries, Rochdale Art Gallery [artist in residence] Claudette Johnson, The Tom Allen Centre, London 1986 Claudette Johnson - Recent Works, The City Art Gallery Manchester [artist in residence] 1984 Claudette Johnson - Drawings, The Drill Hall, London  

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Dreweatts 1759
Los 55

Amanda Doran Breast Tattoo, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Amanda Doran   Education:   B.A. Honours Degree in Fine Art Painting from the National College of Art and Design, Dublin, Ireland   Exhibitions/Awards:   Zurich Portrait Prize Exhibition (shortlisted artist,) The National Gallery of Ireland, Dublin, Ireland, 2020. Beep Painting Prize (shortlisted artist,) Elysium Gallery, Wales, 2020. Open Submission 2020 (shortlisted artist,) Highlanes Gallery, Ireland, 2020. Pretty Fleshy Pain Things, (with Sheila Rennick,) Hilsboro Fine Art, Dublin, Ireland, 2019. Familiar Faces, (Paul Funge Residency Award solo show,) Periphery Space, Gorey School of Art, Wexford, Ireland, 2019. Flora & Fauna, Ashford Gallery, Royal Hibernian Academy, Dublin, Ireland, 2019. Beep Painting Prize V (shortlisted artist,) London, UK, 2016. Flesh and Soul, BYCR Gallery, Milan, Italy, 2016. Tales of the Unexpected, Transition Gallery, London, UK, 2013. New Order: British Art Today, Saatchi Gallery, London, UK, 2013. Saatchi Gallery and Channel 4's New Sensation Award (shortlisted artist,) Saatchi Gallery, London 2012.   About the postcard artworks:   I wanted to include the subject matter that I address in my work but also ensuring that there was a message of empowerment and positivity clearly embodied for AOAP.  

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Dreweatts 1759
Los 56

Amanda Doran Senorita, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Amanda Doran   Education:   B.A. Honours Degree in Fine Art Painting from the National College of Art and Design, Dublin, Ireland   Exhibitions/Awards:   Zurich Portrait Prize Exhibition (shortlisted artist,) The National Gallery of Ireland, Dublin, Ireland, 2020. Beep Painting Prize (shortlisted artist,) Elysium Gallery, Wales, 2020. Open Submission 2020 (shortlisted artist,) Highlanes Gallery, Ireland, 2020. Pretty Fleshy Pain Things, (with Sheila Rennick,) Hilsboro Fine Art, Dublin, Ireland, 2019. Familiar Faces, (Paul Funge Residency Award solo show,) Periphery Space, Gorey School of Art, Wexford, Ireland, 2019. Flora & Fauna, Ashford Gallery, Royal Hibernian Academy, Dublin, Ireland, 2019. Beep Painting Prize V (shortlisted artist,) London, UK, 2016. Flesh and Soul, BYCR Gallery, Milan, Italy, 2016. Tales of the Unexpected, Transition Gallery, London, UK, 2013. New Order: British Art Today, Saatchi Gallery, London, UK, 2013. Saatchi Gallery and Channel 4's New Sensation Award (shortlisted artist,) Saatchi Gallery, London 2012.   About the postcard artworks:   I wanted to include the subject matter that I address in my work but also ensuring that there was a message of empowerment and positivity clearly embodied for AOAP.

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Dreweatts 1759
Los 57

Amanda Doran Sacred Heart, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Amanda Doran   Education:   B.A. Honours Degree in Fine Art Painting from the National College of Art and Design, Dublin, Ireland   Exhibitions/Awards:   Zurich Portrait Prize Exhibition (shortlisted artist,) The National Gallery of Ireland, Dublin, Ireland, 2020. Beep Painting Prize (shortlisted artist,) Elysium Gallery, Wales, 2020. Open Submission 2020 (shortlisted artist,) Highlanes Gallery, Ireland, 2020. Pretty Fleshy Pain Things, (with Sheila Rennick,) Hilsboro Fine Art, Dublin, Ireland, 2019. Familiar Faces, (Paul Funge Residency Award solo show,) Periphery Space, Gorey School of Art, Wexford, Ireland, 2019. Flora & Fauna, Ashford Gallery, Royal Hibernian Academy, Dublin, Ireland, 2019. Beep Painting Prize V (shortlisted artist,) London, UK, 2016. Flesh and Soul, BYCR Gallery, Milan, Italy, 2016. Tales of the Unexpected, Transition Gallery, London, UK, 2013. New Order: British Art Today, Saatchi Gallery, London, UK, 2013. Saatchi Gallery and Channel 4's New Sensation Award (shortlisted artist,) Saatchi Gallery, London 2012.   About the postcard artworks:   I wanted to include the subject matter that I address in my work but also ensuring that there was a message of empowerment and positivity clearly embodied for AOAP.

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Dreweatts 1759
Los 58

Amanda Doran Butterfly, 2021 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Amanda Doran   Education:   B.A. Honours Degree in Fine Art Painting from the National College of Art and Design, Dublin, Ireland   Exhibitions/Awards:   Zurich Portrait Prize Exhibition (shortlisted artist,) The National Gallery of Ireland, Dublin, Ireland, 2020. Beep Painting Prize (shortlisted artist,) Elysium Gallery, Wales, 2020. Open Submission 2020 (shortlisted artist,) Highlanes Gallery, Ireland, 2020. Pretty Fleshy Pain Things, (with Sheila Rennick,) Hilsboro Fine Art, Dublin, Ireland, 2019. Familiar Faces, (Paul Funge Residency Award solo show,) Periphery Space, Gorey School of Art, Wexford, Ireland, 2019. Flora & Fauna, Ashford Gallery, Royal Hibernian Academy, Dublin, Ireland, 2019. Beep Painting Prize V (shortlisted artist,) London, UK, 2016. Flesh and Soul, BYCR Gallery, Milan, Italy, 2016. Tales of the Unexpected, Transition Gallery, London, UK, 2013. New Order: British Art Today, Saatchi Gallery, London, UK, 2013. Saatchi Gallery and Channel 4's New Sensation Award (shortlisted artist,) Saatchi Gallery, London 2012.   About the postcard artworks:   I wanted to include the subject matter that I address in my work but also ensuring that there was a message of empowerment and positivity clearly embodied for AOAP.

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Forum Auctions
Los 24

Rembrandt van Rijn 1606-1669Self Portrait in a Cap and Scarf with the Face Dark: BustEtching, 1633, a well inked but later impression of New Hollstein's fifth state (of five), printing with plate tone on laid paper without watermark, platemark 134 x 104 mm (5 1/4 x 4 1/8 in), sheet 146 x 115 mm (5 3/4 x 4 1/2 in), hinged into mount, printers' creases and minor surface dirt (unframed)Provenance: Unidentified collector's stamp "KB" on verso (L. 4786)Literature:New Hollstein 120 v/v

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Forum Auctions
Los 31

Rembrandt van Rijn (1606-1669)Self Portrait with SaskiaEtching, 1636, a good but later impression of New Hollstein's third state (of four), on laid paper with partial watermark, sheet 106 x 94 mm (4 3/16 x 3 3/4 in), trimmed to or just within the platemark, some touches of black ink within the image, small area of loss restored in the upper centre, (unframed)Literature:New Hollstein 158 iii/iv

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Duke's
Los 304

BOXING INTEREST: TWO MONOCHROME PORTRAITS OF PUGILISTS James 'Deaf' Burke and Tom Sayers BOXING INTEREST: TWO MONOCHROME PORTRAITS OF PUGILISTS James 'Deaf' Burke (1809-1845) and Tom Sayers (1826-1865), each 33.5cm x 23.5cm; and a smaller dual portrait of Sayers and John Camel Heenan (1834-1873) depicted facing each other, 19cm x 26cm (3)

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Duke's
Los 305

BOXING INTEREST: A FRAMED SET OF PORTRAITS OF PUGILISTS a full-length portrait of 'Gentleman' John Jackson flanked by head and shoulders portraits of Ned Turner, Ned Painter, George Cooper and Bob Gregson, monochrome engravings, 33cm x 41cm; a coloured etching 'A Visit to the Fives Court', 18.5cm x 23cm; a coloured etching 'Art of Self Defence' 12.5cm x 17.5cm; a cover of Sportsman's Magazine featuring Phelps and Martin, No.32, Vol III, October 3rd 1846, coloured, 26cm x 19.5cm; a humourous work after Henry Mayo Bateman 'Hair and Art', 24cm x 17.5cm; and a reproduction of 'The Great Fight between Broome and Hannan' 24.5cm x 34cm (6)

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Duke's
Los 81

ELIZABETH II 2015 GOLD SOVEREIGN a fifth portrait in original box and capsule, with certificate of authenticity No 6443

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Hansons Auctioneers and Valuers
Los 271

A pair of cultured pearl and 9ct gold dress studs, total gross weight approx 2.2gms , in original box along with a miniature portrait on ivory with hair reverso

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Hansons Auctioneers and Valuers
Los 290

A collection of late 19th Century early 20th century gilt framed miniature portraits to include an 18ct gold framed Edwardian portrait of a child, scrolled leaf decoration to frame with hair compartment reverso, size approx 55 x 45mm, total gross weight approx 24.2gms ( this has been modified a/f) along with a gilt framed portrait brooch and later portrait a/f (1 bag)  

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Hansons Auctioneers and Valuers
Los 305

A collection of costume jewellery to include a Victorian mourning brooch with hair compartment, unmarked yellow metal, vintage paste set jewellery including brooches necklaces, earrings and buckle, along with plastic bead necklaces, faux pearl necklace, various pins, rolled gold bangle, gold plated chains, cufflinks, a box containing white metal figures, a miniature portrait, a letter opener etc 1 bag    

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Hansons Auctioneers and Valuers
Los 3128

Two Victorian miniature portrait of a Lady gilt framed daguerreotypes together with letters, receipts, keepsakes, mainly addressed to Mabel Lampard of Richmond or Miss Marjorie Norman to include: receipt for Gentleman's hunting saddle (George Smith 151 Strand, 22/7/ (18) 90;  Dance invitation 9th January 1895; Keepsake for Wedding Bouquet 11/11/1891; locket of Majorie aged 2 1/2 hair; letters from an Aunt to Miss Norman together with unprinted calling cards, painted ebonised snuff box and an inlaid fruitwood match box holder (Q) 

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Hansons Auctioneers and Valuers
Los 1026

A late Victorian Royal Commemorative Doulton Lambeth jug, commemorating Queen Victoria's Diamond Jubilee 1897, inscribed 'She Wrought Her People, Lasting Good', bearing portrait roundels depicting the Young and Old Victoria Heads, silver rim, numbered to base '7505', 17cm high, together with a Doulton Lambeth 'Silicon' stoneware jug, the body in the form of a copper barrel, numbered to base '8319', 20cm high (2)

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Clarks Auction Rooms Ltd
Los 250

A small antique oil portrait twinned with other prints & pictures

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Beeston Auctions
Los 1418

A collection of 10 (5 pairs) of framed and glazed miniature portrait prints. In varying sizes. Largest frame size approx. 23cm x 14cm.

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Cheffins
Los 118

Jacques-Joseph-Génie Vidal (French, 1795–1850), Portrait miniature of a lady in a black dress, signed centre right 'Vidal 1829', watercolour on ivory, 6.5 x 5cm; together with English School, 19th century, Portrait of a gentleman, inscribed to reverse 'John, b. 1798 / m. 1825 Charlotte daughter of John / d. 1864', watercolour on ivory, 7.5 x 5.7cm (2)

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Cheffins
Los 217

English school, 19th century portrait of an elderly lady, 74 x 54cm

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Cheffins
Los 218

English school, 19th century portrait of an elderly lady, 74 x 54cm

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Cheffins
Los 219

Miss Cumberland; The Young Fisherman; Youth; and a portrait of a girl 53 x 38cm and smaller

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Cheffins
Los 256

Belgian School, Portrait of a pianist, signed indistinctly with initials and date 1886(?) lower left, inscribed on the sheet of music 'Huberti', oil on panel, 59 x 44.5cm. Notes: The sheet of music presumably refers to the Belgian composer Gustave Huberti (1843-1910)

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Cheffins
Los 259

George Herbert Buckingham Holland (British, 1901-1987) Portrait of a young man holding binoculars, oil on canvas

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Cheffins
Los 261

Portrait of a lady in blue, beside an urn, holding a wreath of flowers, varnished reproduction print on canvas, 119 x 93cm framed

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Cheffins
Los 262

Portrait of John, Annabella and Augusta Annesley, all seated full length in a high back chair with King Charles Spaniel signed lower left 'F M Bennett 1928' and inscribed 'after Hurlstone 1846' oil on canvas 126 x 100cm

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Cheffins
Los 280

Attributed to Antoine-Louis Bonnetti (French, b. 1788, fl. early 19th Century), Portrait of a young man, charcoal heightened with white, inscribed to the reverse. 20 x 14.5cm, 38 x 30cm framed. Notes: Born in Entrevaux, Bonnetti was a pupil of Jacques-Louis David. He was an accomplished draughtsman and taught drawing in Toul (Meurthe-et-Moselle).

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Cheffins
Los 329

Philip Hermogenes Calderon (British, 1833-1898), Portrait of a girl, signed lower left 'PH Calderon 1853', inscribed to the stretcher 'P. H. Calderon no. 2', oil on canvas, 64 x 50cm; 91 x 76cm framedCondition report: Unlined. Brittle, flaking paint with several paint losses. Requires restoration. Frame has several losses and needs attention. Please contact our Paintings Department for further advice on restoration.

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Cheffins
Los 335

An oval portrait miniature of Georgiana, Duchess of Devonshire, watercolour on ivory, signed lower right 'Audrey' and set within a rectangular gilt and silk woven frame, 8 x 6cm; together with another of a French lady, signed indistinctly centre right, 9 x 7.5cm (2)

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Cheffins
Los 347

A pastel child head portrait (stained); an etching of a classical Muse (Clio, the Muse of history), holding a trumpet, 19.5 x 11.5cm; a French pencil cartoon strip dated 1919, and two modern watercolour garden views (5)

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Cuttlestones Auctioneers
Los 117

A DIXON (XIX). A circular portrait miniature on ivory of Miss Diddons (see note verso), signed middle to lower right, framed in circular decorative brass frame with strut back, Dia. 4 cm

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Cuttlestones Auctioneers
Los 118

(XVIII-XIX). Miniature portrait study of a young woman, see inscription on white metal plaque verso, unsigned, watercolour, framed and glazed, 7 x 5 cm

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Cuttlestones Auctioneers
Los 120

(XIX). Portrait miniature on ivory, study of a young woman, unsigned, framed and glazed, frame with painted black brass finial, 6 x 5 cm

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Cuttlestones Auctioneers
Los 121

(XIX). Oval portrait miniature study of an officer in full dress, indistinctly signed middle to lower left, watercolour on paper, framed and glazed, 11 x 7 cm

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Cuttlestones Auctioneers
Los 122

(XVII-XVIII). A portrait miniature study of a gentleman with moustache and beard, framed in a decorative papier mache frame, unsigned, oil on board, framed, 6.5 x 5 cm

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Cuttlestones Auctioneers
Los 123

(XIX). A portrait miniature study of  a Mughal Prince / Persin ruler?, unsigned, mixed media on board, framed and glazed, 9 x 7 cm

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Cuttlestones Auctioneers
Los 124

(XIX). An oval portrait miniature of a Georgian gentleman in black jacket, silhouette study verso, unsigned, watercolour on card, framed and glazed, frame with acorn finial, 9 x 7 cm

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Cuttlestones Auctioneers
Los 125

(XIX). An oval portrait miniature on ivory study of DULEEP SINGH as a young man, see verso, unsigned, framed and glazed, 9 x 6 cm

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Cuttlestones Auctioneers
Los 126

J.H. FIELDING. An oval portrait miniature study of a military officer, signed and dated 1816 lower middle,watercolour, framed and glazed, 7 x 6 cm

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