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283287 Los(e)/Seite
Los 98
Gerald Leslie Brockhurst (1890-1978) print, half length portrait of a young woman, signed to the plate and dated 1926, 22 x 18cm, glazed frame Please see images now uploaded to our website illustrating the work removed from the frame. It has been trimmed and fully stuck down. NB: it has been pointed out that this is not an original etching and has been taken from the book, "Modern Masters of Etching", which was published in 1928.
Los 175
Porträtmaler, 2. H. 19. Jh./ um 1900Damenbildnis. Öl auf Leinwand, re. u. Signaturfragment, Firnis stockig, partiell Übermalungen/ Retuschen. Re. ob. Ecke min. Abplatzungen. Gerahmt. Ra. 61,5 x 51,5 cm A ladie's portrait, oil/ canvas, remains of signature lower right, retouchings/ overpaints in places. Frame. 61,5 x 51,5 cm
Los 272
Hinterglasgemälde Damenbildnis, China, um 1900/ 1920Für europäischen Markt. Bildnis einer jungen Frau, Europäerin. Malerei auf Glasplatte, gerahmt im Holzrahmen, Holzrückwand. Messing-Aufhängung. 58,5 x 43 cm Ra. Glas painting, portrait of a (european) lady, China, ca. 1900/ 1920. Wooden frame with brass hanger assembly. 58,5 x 43 cm
Los 169
Unbekannter Künstler, 20. Jh.Bildnis einer Dame in Violett mit Blumenstrauß. Öl und Kohle (?) auf Malpappe, 1975. Schwer lesbar signiert (Dieter Poesgen ?) und datiert unten rechts. Rückseitig von unbekannter Hand bezeichnet, Auktionsetikett Christie's. Ungerahmt. 57 x 47 cm. Etwas berieben. Interieur mit Frau und farblich abgestimmtem Blumenschmuck in ungewöhnlichem, pastellhaften Farbauftrag. Unknown artist, 20th century. Portrait of a Lady in violet with flowers. Oil and charcoal (?) on cardboard, 1975. Hard to read signed and dated bottom right. Backside with remarks by unknown, auction label Christie's. Unframed. A bit rubbed. Interior with a Lady in dress that matches the colours of the bunch of flwoers behind her. Unusual colouring.
Los 163
Unbekannter Bildnismaler, 19. Jh.Porträt einer jungen Frau. Öl auf Leinwand, doubl., großflächig unschöne Übermalungen, re. u. spätere Sign. und dat. 1910. Gerahmt. Ra. 90,5 x 78,5 cm. Min. Rahmenschaden an der Stuckverzierung. Portrait painter, 19th ct.: portrait of a young woman, oil/ canvas, relined, retouchings/ overpaints in many places. Later signature and date "1910" lower right. Framed. 90,5 x 78,5 cm
Los 7
Maler des Biedermeier, um 1830/40Bildnis einer Frau mit weißer Haube und schwarzem Kleid, Pastell, am re. Rand unleserl. sign. und dat., im Rahmen d. Zt. mit Eckauflagen hinter Glas gerahmt. Ra. 44,5 x 40 cm Portrait of a woman, ca. 1830/40, pastel drawing, unclearly signed and dated, framed with glass. Frame: 44,5 x 40 cm
Los 37
Reusing, Fritz (1874 Mühlheim am Rhein - 1956 Haan)Portrait eines Herrn mit Schnauzbart und gescheiteltem Haar. Kohle und Farbkreide, 1925. Signiert und datiert oben links. Hinter Glas in Biedermeierrahmen. 110 x 82 cm (Ra). Leicht angegilbt und etwas lichtrandig, vereinzelt fleckig. Großformatiges Bildnis eines sitzenden Herren im Anzug. Portrait of a Gentleman with moustache. Charcoal drawing with pastels, 1925. Signed and dated top left. Framed behind glass. A bit tanned by the sunlight, more visible at the margins. Some spots.
Los 200
Verhoeven, Jan. 1870-1941Doppelbildnis. Öl auf Leinwand, re. u. sign., doubl., oberflächlich stark verschmutzt. Keilrahmenetikett/ Einlagerungsetikett "Barnby Bendall & Co. Depository Cheltenham". 50 x 60 cm, gerahmt. Ra. 62,5 x 72 cm Jan Verhoeven: double portrait, oil/ canvas, signed lower right, relined, old label at stretcher: Barnby Bendall & Co. Depository Cheltenham. 50 x 60 cm, frame 62,5 x 72 cm
Los 166
Unbekannter Portraitist, 1. Hälfte 19. Jh.Knabenbildnis des Julius von Rohrscheidt junior. Unsigniert. Rückseitig bezeichnet. In goldgefasstem Schmuckrahmen. 42 x 38 cm (Ra). Fleckig und mit Krakeluren. Deutliche Klimakante. Leicht melancholische Schilderung eines kleinkindlichen Jungen mit weißem Tuch in roten Kissen. Unknown artist, 1st half 19th century. Toddler's portrait of Julius von Rohrscheidt jun. Unsigned. Backside with remark of the portrayed person. In gilt ornamental frame. Paint spotty and with craquelures. Stretcher marks. Melancholy description.
Los 240
Janssen, Horst. Hamburg 1929 - 1995Selbstbildnis für Griffelkunst. 1966. Lithographie/ Bütten, monogr., dat. "15/2/66" und betitelt i. St., sign. in Blei. Blattrand min. knickspurig, li. unt. Ecke min. Eselsohr. 63,5 x 49 cm (Bl), hinter Glas gerahmt. Janssen, Horst, self portrait, 1966, lithograph, signed in pencil, framed with glass. Slight margin wear. 63,5 x 49 cm, frame: 87 x 67 cm
Los 69
Bildnismaler, 1. H. 19. Jh.Porträt einer jungen Frau. Öl auf Holz, großflächig Übermalungen, Hitze(?)schaden. Tafel leicht verzogen. Gerahmt im Florentiner Rahmen, min. schadhaft. Ra. 80,5 x 69 cm unknwon artist, 1st half of 19th ct.: portrait of a young woman, oil/ panel, overpaints and heat damage in places. Frame with minor damages. Frame 80,5 x 69 cm
Los 119
Monogrammiert J. E. H.Preußischer Kavallerist mit seinem Pferd. Öl auf Leinwand, 1873. Unten rechts monogrammiert und datiert sowie ortsbezeichnet "Df" für Düsseldorf. Gerahmt. 70 x 50 cm. Nahsichtige Schilderung eines Militärs in nachdenklicher Haltung, wohl in einer Ruhepause in sommerlicher Landschaft. Monogrammed JEH. Prussian cavallerist and his horse. Oil on canvas, 1873. Monogrammed and dated bottom right, as well as located Dusseldorf. Framed. Age-appropriate condition. Close genre portrait in summerly scenery.
Los 1
Ptolemaic Period, Ca. 332-30 BC. A brightly painted in polychromy cartonnage mummy mask made from layers of linen covered with plaster. The idealised portrait of a deceased features a voluminous tripartite wig checkered in blue and gilt, and multicoloured striped pectoral. The rounded face and ears are gilded. The facial details are picked out in the same pigment as the wig, large eyes bear black pupils. The reverse of the mask is hollow to fit over the head of a mummy. For a similar see: The Indianapolis Museum of Art, Accession Number 28.243. Item comes with a professional historical report from Ancient Report Specialists. Piece is accompanied by the Art Loss Register Certificate Search no. S00218448. Size: H:500 mm / W:340mm / ; 2.5kg Provenance: Previously with Oxfordshire Collector M.D.; formerly in a collection of N.H., owned by descent; previously in an old Canadian collection formed in the 1970s.
Los 116
Ca. 300 BC A gold fitting composed of a discoid plaque with a looped attachment to the rear. The upper face is decorated with a highly naturalistic portrait of Alexander the Great. He is depicted looking left, with flowing locks and a serious expression. After conquering much of the known world in the later 4th century BC, Alexander the Great, king of Macedonia remained a major historical figure and subject of admiration for much of the rest of antiquity. He was commonly viewed as a model for aspiring generals and politicians. Item comes with a professional historical report from Ancient Report Specialists. Size: L:14.1mm / W:14.8mm ; 2.28g Provenance: Property of a London Art gallery; formerly in NYC collection; Ex. Edward H. Merrin Gallery, Inc., NYC., 1970s-1980s.
Los 2
Late Dynastic, 26th Dynasty, Ca. 664-525 BC. A wooden sarcophagus mask showing the frontal view of the idealised portrait of the deceased, the face is modelled with a cream-painted skin tone, long fake beard, the eyes almond in shape, heavy arched eyelids, outlined with bronze, the mouth with a gentle smile, which for the Egyptians held a symbolic belief that it would assist in a peaceful and solemn afterlife. The mask houses a rounded headdress which sits low on the forehead. The reverse flat, with holes for dowels connecting the mask to the coffin. The mummy mask was an essential part of burial and acted as protection but would also act as a substitute for the mummified head should it be lost or damaged. The Egyptians hoped to be able to continue their lives after death, through a strong belief in an afterlife. For this to be achieved, the deceased needed to be given a proper burial.The image of the deceased was essential to gain entry to the afterlife; Without eyes, the deceased will not see, without ears, the deceased is unable to hear the questions being ask, without a mouth the deceased is unable to say their name during the Final Judgment. Item comes with a professional historical report from Ancient Report Specialists. Size: L:420mm / W:260mm ; 2.05kg Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection
Los 240
Ca. 1800 AD A carnelian intaglio with a finely engraved portrait of a laureate male, possibly Emperor Tiberius, facing left, wearing draped garment held together at his shoulder. The glyptic is set in a nicely formed frame with a suspension loop at the top. Tiberius Caesar Augustus was the second Roman emperor, reigning from 14 to 37 AD. He succeeded his stepfather Augustus. Size: L:28mm / W:26mm ; 9.19g Provenance: Property of a London Art gallery; formerly acquired on the US Art market; previously in US collection I. G. formed before 1970.
Los 426
Ca. 800-1000 AD A silver cruciform pendant comprising round arms and suspension bar. One face displays a portrait of a nimbate figure of a Warrior Saint, surrounded by a beautiful scroll decoration, while the other side displays a standing and nimbate figure of Christ. Size: L:55mm / W:40mm ; 35.8g Provenance: Private UK collection; From an old London collection formed in the 1990s
Los 77
The portrait shows the emperor William II (1859-1941) as a young man. His gaze goes up, the eyes looking into the distance. He wears a blue uniform with a red collar, and a military coat draped over his shoulders. A burgundy sash with green edges stretches across his chest. The composition lends a slight dynamism to the prince, who seems calm and almost dreamy.His chest is decorated with various medals and awards. The Hohenzollern royal lineage hangs on a chain. Prussian orders are also on display: the Order of the Red Eagle, the Order of the Black Eagle, and the Order of the Cross. The three stars on his collar indicate that he has already been awarded the highest military rank of Major General.Oil on canvasSize 71 × 52 cm
Los 40
The portrait shows a noble gentleman in a casual, silk dressing gown (morning robe), called a robe de chambre in French. He looks at the viewer in a friendly, yet somewhat distant way. He has a high powdered wig on his head. The flushed cheeks point to the liveliness and hedonistic nature of the portrait subject. A voluminous scarf wraps around his neck and chest. It is said that this type of clothing (banyan) was especially popular with intellectuals, who often had themselves painted in it. Benjamin Rush (1745/46–1813) wrote: "Loose dress contributes to the easy and vigorous exercise of the powers of the mind. This observation is so obvious and so generally known that we find thoughtful men always painted in dress when sitting in their libraries." The color of the dress in our portrait is very restrained, designed in a purple-gray tone, so that the face, with red tones, stands out as the main accent.Oil on canvasSize 80 × 65 cm
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283287 Los(e)/Seite