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283284 Los(e)/Seite
![Antique oil painting on canvas; depicting portrait of a seated gentleman. Fitted within a gold wooden frame. [Frame-82x70cm]](https://cdn.globalauctionplatform.com/70fcd7fb-a797-4b74-aba4-b0b600a8fc48/ed773695-8bba-4c82-a056-b0b800b95556/468x382.jpg)
![Album of Tropical Times Football player panel portrait cards. [25x9.5cm] album shown in its entirety](https://cdn.globalauctionplatform.com/70fcd7fb-a797-4b74-aba4-b0b600a8fc48/6550459f-4658-4477-9779-b0b800bc0fb1/468x382.jpg)
Los 73
A 19th century Italian Grand Tour gilt gesso on wood ecclesiastic religious icon altarpiece. The icon depicting a later ink & pencil on paper depiction of the Madonna with Child with gilt halos. The portrait held within an altarpiece shaped frame with triangular head piece over serpentine columns to each side and Christian crosses decoration below. Labels to back reading ' Della Marra Luigi, Doratore & Verniciatore, Roma '. Measures approx. 51 x 27 x 5cm.
Los 580
A late 18th century Irish oil on canvas portrait painting depicting Esther Charlotte Letablere. Artist unknown. Depicting Letablere in middle age dressed in black and wearing a white ruffled collar and bonnet. Early 19th century family label to verso detailing provenance. Esther Charlotte Letablere (d.1842) married officer of the 37th foot Edward Litton Esq. on the 23d June 1783 at St. Anne's Cathedral, Dublin. She was the daughter of Dr. Daniel Letablere, Dean of Tuam, and the granddaughter of Rene de la Donespe, Lord of the Manor of Lestablere, Lower Poitou, France. Unframed. Measures approx. 76cm x 64cm.
Los 134
A pair of mid 19th century Victorian oil on canvas portrait paintings depicting a noble man and woman. The lady with coiffured hair, depicting in a white dress with blue ribbons; the gent bearded and wearing cravat and jacket. Each of the portraits presented in gilt casseta frame produced by Robert Hay, Gilder & Frame Maker of Edinburgh. Unsigned, sitters unknown. Measures approx. 75cm x 62cm, 102cm x 89cm to include frame.
Los 120
RICHARD WILSON RA (1713 - 1782) Portrait of Major Richard Callis, c. 1741 The sitter is dressed in the uniform of the First - or King's - Dragoon Guards. Oil on Canvas 76.2 x 63.5 cm (30" x 25") Richard Wilson began his career as a portraitist. Born at Pengoes in Wales and trained in London under Thomas Wright (1728-37), Wilson had a respectable practice by 1744, but faced stern competition from other established London masters and decided to travel to Italy to seek new patronage. He arrived in Venice in 1750 and later moved to Rome, where he resolved to start anew as a landscape artist, for which he is most renowned. Works such as the Portrait of Major Richard Callis demonstrate that Wilson's talent in portraiture is not to be underestimated. In particular the broad and clear use of colour and the preference for strokes of white in pastel - here employed in the wig - have parallels in the landscapes where the white pigments are similarly impastoed in the clouds. In the 20th century, the portrait was acquired by The Hon. Mrs. Nellie Ionides, the fourth daughter of Sir Marcus Samuel Viscount Bearsted, whose painting collection forms the Bearsted Collection at Upton House. Some of Mrs. Ionides' paintings are still in family ownership, others in galleries including the Victoria and Albert Museum. PROVENANCE: The Collection of Mr and Mrs Basil Ionides, Buxted Park, Sussex: By family descent to 2004 when acquired by current owner at Chomè Fine Art, Bath.
Los 501
Perlmutt-Tabatière mit Porträt des Herzogs Christian-Ludwig von Mecklenburg-Schwerin18 kt Gelbgold, Gouache auf Elfenbein. Runde Form mit hoher zylindrischer Wandung und leicht gewölbtem Deckel aus Perlmuttplatten mit gedrechseltem Ozier-Relief. Profilierte à cage-Goldmontierung mit muschelförmigem Drücker und vier die Wandung gliedernden, ziselierten korinthischen Pilastern. Innenseiten poliert. Im Deckel unter Glas montiert Miniatur in Tondoform mit Brustbildnis des Herzogs Christian Ludwig II. v. Mecklenburg-Schwerin im Brustharnisch über reich besticktem Samtrock, mit hermelinverbrämtem Mantel, dekoriert mit blauer Schärpe und Bruststern des dänischen Elefantenordens, in den er 1737 aufgenommen worden war. Nicht gestempelt. Miniatur mit minimalen punktförmigen Feuchtigkeitsspuren. H 3,5 cm. Durchmesser 6 cm. Gewicht 118,27 g.Berlin, um 1743. Die Dose wohl Werkstatt Louis Buyrette Witwe; die Miniatur wohl Johann Harper.Christian Ludwig II. von Mecklenburg-Schwerin (Grabow 1683 - 1756 Schwerin) wurde 1747, nach dem Tod seines Vaters Friedrich I., regierender Herzog. Seine Amtszeit zeichnete sich durch eine hohe kulturelle Blüte aus. Er war er ein passionierter Kunstsammler und eine seiner Leidenschaften galt den schimmernden Konchylien, für deren Beschaffung er ein großes Netzwerk aufbaute und verschiedene Spezialisten an den Hof berief. Aus den Archivalien geht hervor, dass der Herzog am 4. März 1743 den in Stockholm gebürtigen Miniaturmaler Johann Harper beauftragte, vier Tabatièren herstellen zu lassen, deren Deckelinnenseiten Porträts der herzoglichen Familie zieren sollten. Darunter auch eine, die nicht aus massivem Gold sein sollte sondern "an den Seiten herum von sauber ausgearbeitetem PerleMutter auch der Deckel von ebensolcher Materie und mit Golde zierlich eingefasst seyn...oder, wanns seyn kan noch besser u. netter gefaßt, worzu das Original von Smi hohen Portrait employiret werden soll" (cit. Böller/Blübaum, S. 202). Die Herstellung der Dosen, die im August 1743 fertig waren, übernahm die Berliner Goldschmiede Louis Buyrette Witwe, zu deren Auftraggebern auch König Friedrich II. von Preußen gehörte.LiteraturSiehe Möller/Blübaum, Schimmern aus der Tiefe: Muscheln, Perlen, Nautilus, Staatliches Museum Schwerin 2013, S. 202 ff. Abb. 54 zeigt mit ziemlicher Sicherheit unsere Tabatière in einer Schwarz-Weiß-Aufnahme aus den 1920er Jahren.Dieses Objekt wurde unter Verwendung von Materialien hergestellt, für die beim Export in Ländern außerhalb der EU eine Genehmigung nach CITES erforderlich ist. Wir machen darauf aufmerksam, dass eine Genehmigung im Regelfall nicht erteilt wird.
Los 59
19th Century oil on canvas, half length portrait titled Edward Ollenshaw, label to verso Great Uncle of Thomas S. Furniss, died 1852, approx 83 x 74 cms, framed. Provenance: Property of a lady, London. Note: Note: Extended family of Henry Sanderson Furniss, 1st Baron Sanderson (1868-1939) English educationalist and politician and the third principal of Ruskin College Oxford.
Los 57
19th century oil on canvas, half length portrait of a gentleman, entitled Thomas Sanderson (1775-1836) maternal great grandfather of Lord Sanderson, approx 81 x 74 cms. Provenance: Property of a lady, London. Note: Extended family of Henry Sanderson Furniss, 1st Baron Sanderson (1868-1939) English educationalist and politician and the third principal of Ruskin College Oxford.
Los 60
19th Century English school oil on canvas, half length portrait of a young woman, entitled Maria Hudson daughter of Thomas Sanderson (1810-1871), approx 81 x 74 cms, framed. Provenance: Property of a lady, London. Note: Extended family of Henry Sanderson Furniss, 1st Baron Sanderson (1868-1939), English educationalist and politician and the third principal of Ruskin College, Oxford.
Los 62
19th Century English school oil on canvas, half length portrait of a gentleman, entitled John Sanderson, maternal grandfather of Lord Sanderson, approx 81 x 74 cms. (lifted from stretcher and relined in 1974). Provenance: Property of a lady, London. Note: Extended family of Henry Sanderson Furniss, 1st Baron Sanderson (1868-1939) English educationalist and politician and the third principal of Ruskin College, Oxford.
Los 56
16th Century oil laid down on panel, portrait of a well dressed gentleman standing before a blue drape, dressed in velvet with mink trim, a sword at his side, approx 43 x 34 cms. Paper label to verso: Tudor Exhibition - Title: John Winchcombe, lent by Walter Money. Provenance: Sudeley Castle & Gardens, Winchcombe, Gloucestershire. Footnote: John Winchcombe (1489-1565?) is the son of the famous Berkshire clothier commonly known as Jack O'Newbury. The Walter Money in this case may be the the author of The Popular History of Newbury in the County of Berkshire [...]. Leslie Stephen states in the Dictionary of National Biography (1885-1900) Vol.62 publ. Elder Smith & Co that an original portrait of John Winchcombe, erroneously ascribed to Holbein, belongs to Mrs. Webley Parry, a copy to Mrs Dent of Sudeley, and another original portrait to Mr. Walter Money, all three were exhibited at the Tudor Exhibition, catalogue Nos. 448, 201, 218.
Los 61
19th Century English school oil on canvas, half length portrait, entitled James Sanderson, label to verso Great Uncle of Thomas and Mary Sanderson (1783-1853) and Great Uncle of Laura Sanderson, approx 81 x 74 cms, framed. Provenance: Property of a lady, London. Note: Extended family of Henry Sanderson Furniss, 1st Baron Sanderson (1868-1939) English educationalist and politician and the third principal of Ruskin College Oxford.
Los 55
After Sir Joshua Reynolds, oil on canvas, portrait of Admiral Viscount Augustus Keppel (1725-1786), depicted in a formal pose dressed in uniform, gold trimmed coat, white frilled cravat, powdered hair en queue, 30 x 24 cms, framed, label to verso: Purchased from the Christies Sale - Lot 184 9th July 1948 A.G Doyle Sydenham. Provenance: The Late Lord Ashcombe, Sudeley Castle & Gardens, Winchcombe, Gloucestershire Condition Report * Small bruise beneath the chin.
Los 63
19th Century English school oil on canvas, half length portrait of Edward Fischer Sanderson (1800-1866), label to verso Maternal Grandfather of Lord Sanderson (painted in New York) inscribed copy from the original canvas of Rembrandt Peale, New York, dated 1831, approx 81 x 74 cms, framed. Provenance: Property of a lady, London. Note: Extended family of Henry Sanderson Furniss, 1st Baron Sanderson (1868-1939) English educationalist and politician (Socialist Fabian Society) and the third principal of Ruskin College, Oxford. -
Los 583
The drunken sailor, early 20th century oil on canvas, unsigned, 51cm x 41cm, 19th century portrait of a Venetian boy, 45cm x 35cm, and still life flower study, 33cm x 42cm (3)The 2 portraits are in untouched dirty condition, sailor has small patch repair and a light canvas impression, needs cleaning, Venetian boy has several horizontal creases in the canvas and small holes, still life has several paint flakes
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283284 Los(e)/Seite