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283287 Los(e)/Seite
Los 32
Harry Kernoff RHA (1900-1974) PORTRAIT OF HERMAN (THE ARTIST`S BROTHER), 1925 oil on panel signed and dated upper right; with dedication ["To my darling Winnie with love, K"] inscribed in pencil on reverse 29.845 by 20.955cm., 11.75 by 8.25in. P "The collection of Winifred Gorry; Thence by descent to the present owner" possibly exhibited at `Exhibition of Painting and Sculpture (Radical Club Painters` Group)`, Daniel Egan`s Salon, Dublin, 3-17 May 1926, catalogue no. 2 [as Head of the Artist`s Brother by Harry A. Kernoff] "It would appear that in 1925 the artist painted several works with his family as the subject. The Harry Kernoff Memorial Exhibition at the Dublin City Gallery, The Hugh Lane (14 December to 30 January 1977) included two works dating to 1925 both of which depicted the artist`s father in his workshop, one by day the other by night (catalogue nos. 51 and 52 respectively).Miss Winifred Gorry was romantically linked to Harry Kernoff’s brother, Herman (affectionately known as “Hymie” or “K”). Lots 32 to 34 are testament to their relationship which was clearly one of great affection. Owing to their differing religious backgrounds marriage was never a possibility for the couple and like his brother Harry, who similarly never married, Herman’s relationship with Winifred was never legally bound. Miss Gorry was a lady of independent means and formed part of a strong fashion team with Arnotts department store in Dublin where she was responsible for buying hats and jewellery. She retired in 1975 and is remembered fondly in Arnotts 1843-1993 as “inventive, quiet and politely confident”, “[a] modest but extremely clever buyer with outstanding taste”.
Los 34
Harry Kernoff RHA (1900-1974) A COLLECTION OF KERNOFF EPHEMERA books; (6); photographs; (8); negative; (1); exhibition catalogues; (2); calendars; (4); miscellaneous; (6) variously signed, inscribed, annotated and dated; some of the texts with pencil sketches within 0 by 0cm., by in. L "The collection of Winifred Gorry; Thence by descent to the present owner" "Collection contains personal photographs showing Herman ["Hymie"] and his companion Miss Gorry, catalogues (Harry Kernoff exhibitions, group exhibitions, RHA (1941) and IELA (1955) among others, calendars designed by Kernoff (1968 and 1974), an Order Form for woodcuts, reading material including; The Crown Jewels, Semi Precious Stones (both first editions) and Edible Fungi (revised, 1948) as well as Psychology and Psychotherapy by Willuam Brown (1921). Also with sketches by the artist within. Humorous notes such as “I AM THE GREAT KERNOFF!” on one page. Van Gogh by Paul Colin (1926) contains several portrait sketches including a self portrait and a portrait of Herman. A rare, exciting and desirable collection.
Los 37
William Conor OBE RHA RUA ROI (1881-1968) PORTRAIT OF A RED HAIRED GIRL WEARING A GREEN BLOUSE oil on canvas 59.69 by 48.895cm., 23.5 by 19.25in. P "Collection of the artist, by whom bequeathed to the Linen Hall Library, Belfast; Sold on their behalf by the Bell Gallery, Belfast, to Mr. Courtenay Thompson, Belfast, prior to May 1978 (Certificate of Provenance from the Bell Gallery, dated 30 June 1989); Whyte`s, 21 September 2004, lot 56; Whence purchased by the present owner "Accompanied by a signed manuscript letter from the artist`s biographer, Judith C. Wilson, who researched the history of the painting on behalf of Mr. Courtenay Thompson, in January 1991. Also with numerous photocopied newspaper clippings and photographs. The sitter in this portrait has been variously identified as `Red-Haired Kitty`, `Lily`, ‘Miss Y’, and ‘Mrs T. Walker’. It seems likely that she is actually all of the above. A photograph exists in Conor’s papers (now in the Ulster Folk and Transport Museum), that would appear to be the basis of the present portrait. It is squared up in preparation for transfer to a larger composition, and on the reverse is written: “To Billy with best love from Lily”. The same woman appears in a crayon drawing, in exact mirror image to the present work (see Young Woman in Yellow Dress, catalogue no. 78 in the Conor exhibition, `Children of Ulster`, held at the McClelland Galleries, Belfast, in 1969, illustrated on p.9 of the catalogue). Judith Wilson traced two further portraits of the same sitter. The first known, simply titled Kitty, was exhibited at the Royal Society of Portrait Painters in London, 1930, and was illustrated on the front cover of Colour magazine (Vol. III, No. 2, December 1930). This work is now in the collection of the Ulster Folk and Transport Museum. A second portrait of the same woman, this time leaning against a table, was painted circa 1930, and reproduced in The Daily Express, 10 December 1930, where it titled as Mrs T. Walker. It was used to illustrate an article by R. Stephen Williams, for part of a series by him on “Beauty in Ulster”. Conor was asked to select the representative beauties and paint their portraits, after which Williams interviewed them. The portrait was later exhibited as Red-Haired Kitty at the Royal Academy in London, 1931, and was illustrated in the accompanying catalogue. The following year it appeared on the front of G.F.S. Magazine, along with a short ‘puff’ by journalist May Cunningham, eulogising the sitter’s “charming and racy” looks. Conor evidently liked the work too, for he showed it again, this time in Dublin at the 1936 RHA, where it was enigmatically titled “Miss Y” and illustrated in a review of the exhibition. The present work was presumably a favourite of the artist’s, as gallery owner Nelson Bell recollects that it formerly hung over the fireplace in Conor’s dining room in his home on Salisbury Avenue, Belfast.
Los 43
Charles Edward Perugini (1839-1918) LOVERS IN A GARDEN oil on canvas laid on board signed in monogram lower right 116.205 by 140.97cm., 45.75 by 55.5in. L "Private collection, New York; Private collection, Westport , Co. Mayo" ""Elegance, purity, and correctness of draughtsmanship, perfect refinement and dignity, grace and charm, delicacy in colour, and the tenderness of harmonious line - these are the qualities of his academic art which are now, it must be recognised outside, the sweep of the modern movement, but which has delighted two generations of picture-lovers who look for sound scholarship severely disciplined and veiled by melodious sweetness and distinction."From Perugini`s obituary recorded in The Times on 23 December 1918.Although Charles Edward Perugini was a boy when the Pre-Raphaelite movement began in 1848, its effects had far-reaching consequences and were felt late into the 1890s with the beginning of the Arts and Crafts movement; a development which had its roots in England but which spread rapidly throughout Ireland and the British isles. The Pre-Raphaelite Brotherhood was a secret society formed by artist`s who had found themselves disenchanted by the Royal Academy and who, in their disillusionment, turned to the art of the early Renaissance and late medieval age, finding solace in its moral message, truthful depictions of nature and minute attention to detail all of which were in stark contrast to the mass industrialisation of their own era.Perugini, born "Carlo" in Naples relocated with his family to London at an early age but he returned to his native Italy and later Paris to begin his artistic training. While on the Continent he met Lord Frederick Leighton, an associate of the Brotherhood, to whom he would become protégé. Under Leighton`s tutorage from the 1850s Perugini submitted to the RA, garnered numerous commissions and gained financial success. In 1873 Perugini married Charles Dickens` daughter, Kate, an artist and muse to members of the Brotherhood including John Everett Milliais (1829-1896) and widow of Charles Allston Collins, also a Pre-Raphaelite. An accomplished portrait and genre painter, Perugini, was her second husband who she both posed for and collaborated with on artistic projects during their marriage. It is possible that the lovers depicted here are an idealised portrayal of husband and wife, the figure of the man with his distinctly Italianate colouring and aquiline nose point to a possible self-portrait while images of Kate are comparable to the present "child-bride".Lovers in a Garden may date to the late 1880s or early 1890s. The classical setting and abundance of delicate foliage complement the tender romantic scene between the man and his young love and are comparable with the setting for The Green Lizard 1902 which he exhibited in the RA that year. The subject and sitters` dress echo literary inspirations of the time and while not as overt in their affections as depicted by his Irish counterpart, Sir Frederic William Burton in The Meeting on the Turret Stairs, 1864 (National Gallery of Ireland) for example, theirs is a shared sentiment.
Los 45
Lady Blanche Lindsay (née Fitzroy) (c.1844-1912) PORTRAIT OF A YOUNG GIRL oil on board with faintly inscribed label on reverse detailing artist`s name, address [41 Hans P., Chelsea] and price [ten?] 10.16 by 10.16cm., 4 by 4in. L "Caroline Blanche Elizabeth (née FitzRoy), Lady Lindsay daughter of Hon. Henry Fitzroy (the son of Lord Southhampton) and Hannah Mayer de Rothschild was an amateur painter, poetess, musician and wife of Sir Coutts Lindsay whom she married in1864. Together they founded the Grosvenor Gallery in 1877 which was heralded at the time as a favourable alternative to the Royal Academy and a chief artistic and social venue for second-generation pre-Raphaelites among other artists of the day. Although only thirteen years in operation the Lindsays` innovations in terms of their exhibition practices had far reaching effects. The couple later separated but Lady Lindsay continued to play a vital role in the arts community, hosting gatherings which included Mary Shelley, Browning, Eliot and Tennyson among others at her home in 41 Hans Place, Chelsea.A portrait miniature of Lady Lindsay was painted by Dickens` daughter Kate Perugini (see lot 43).
Los 91
Ernest Columba Hayes RHA (1914-1978) SEPTEMBER WIND, 1950s oil on canvas signed and indistinctly dated lower left; with title and catalogue no. [288] on reverse; also with typed exhibition label preserved on reverse 76.2 by 60.96cm., 30 by 24in. P Estate of Hildegard Hayes, the artist`s wife "A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 92
Ernest Columba Hayes RHA (1914-1978) YOUNG TREE, 1977 oil on canvas signed and dated lower right; with title on reverse; with typed exhibition labels also on reverse 35.56 by 27.94cm., 14 by 11in. P Estate of Hildegard Hayes, the artist`s wife "A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 93
Ernest Columba Hayes RHA (1914-1978) GARDEN, 1963 oil on canvas board signed and dated lower left 48.26 by 40.64cm., 19 by 16in. P Estate of Hildegard Hayes, the artist`s wife "A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 94
Ernest Columba Hayes RHA (1914-1978) LANDSCAPE WITH PINK FLOWERS, 1964 oil on canvas board signed and dated lower right; with another work on reverse 22.86 by 30.48cm., 9 by 12in. L Estate of Hildegard Hayes, the artist`s wife "A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
![Ernest Columba Hayes RHA (1914-1978) STILL LIFE, 1960 oil on board signed and dated [26 October] lower right; with sketch and](http://lot-images.atgmedia.com/SR/10092/2856665/95-2012225124824_468x382.jpg)
Los 95
Ernest Columba Hayes RHA (1914-1978) STILL LIFE, 1960 oil on board signed and dated [26 October] lower right; with sketch and inscriptions on reverse 24.13 by 34.29cm., 9.5 by 13.5in. L Estate of Hildegard Hayes, the artist`s wife "A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 96
Ernest Columba Hayes RHA (1914-1978) STUDY FOR "THE BLUE WINDOW", 1961 oil on board signed lower right; with sketch of cottages on reverse 20.955 by 15.24cm., 8.25 by 6in. P Estate of Hildegard Hayes, the artist`s wife "The finished oil for this study was exhibited in the Dublin Sketching Club, 1961, no. 106, at the RHA in 1979, Memorial Panel, no. 103 and at the Hugh Lane exhibition in 1992 (illustrated p. 58 of catalogue).A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 98
Ernest Columba Hayes RHA (1914-1978) LANDSCAPE WITH HAYSTACKS oil on canvas signed lower right 25.4 by 35.56cm., 10 by 14in. L Estate of Hildegard Hayes, the artist`s wife "A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 99
Ernest Columba Hayes RHA (1914-1978) NORMA, ITALY, 1969 watercolour signed and dated lower right; with inscribed and typed exhibition labels on reverse; catalogue no. 403 23.495 by 32.385cm., 9.25 by 12.75in. L Estate of Hildegard Hayes, the artist`s wife "Combridges Fine Art, Dublin, c.1960; exhibited in May 1978 (5 months before the artist`s death); (catalogue untraced)" "A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 100
Ernest Columba Hayes RHA (1914-1978) STANDING WOMAN IN RED SHAWL AND TWO OTHER FIGURE STUDIES IN OIL oil on canvas; (unstretched) the first indistinctly inscribed in the margin upper right 58.42 by 30.48cm., 23 by 12in. P Estate of Hildegard Hayes, the artist`s wife "Dimensions of other figure studies, 9.5 by 9in. approx. (3 works total).A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 101
Ernest Columba Hayes RHA (1914-1978) NUDE, 1938 oil on canvas; (unstretched) signed and dated lower left 55.88 by 50.8cm., 22 by 20in. P Estate of Hildegard Hayes, the artist`s wife "A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 102
Ernest Columba Hayes RHA (1914-1978) STILL LIFE WITH JAMESON BOTTLE and A COLLECTION OF SKETCHES oil on canvas; (unstretched); (1); oil on board; (4); pencil on board; (1) variously inscribed on reverse 43.18 by 45.085cm., 17 by 17.75in. L Estate of Hildegard Hayes, the artist`s wife "Sketches include, landscapes one of which is a sketch for The Windmill, 1962. Work in pencil depicts the artist`s wife (squared up for transfer), another inscribed "Sketch by George Wycliffe Yeats (Dentist) Brilliant Amateur. After 1930 I think".A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 107
Ernest Columba Hayes RHA (1914-1978) STUDY FOR "THE EVENING HOUR", 1975 pencil variously inscribed in the margin; 23.495 by 31.75cm., 9.25 by 12.5in. L Estate of Hildegard Hayes, the artist`s wife Ernest Hayes the Wild Garden, Paintings and Drawings from a Mountain Field in Ireland, Privately published, Ormond Printing, Dublin, 1984 (illustrated) "With a copy of folios from the publication affixed on reverse.A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 109
Ernest Columba Hayes RHA (1914-1978) STUDY FOR "SLAVES IN THE FORUM", c.1940 and A COLLECTION OF EARLY FIGURE DRAWINGS watercolour; (1); pencil and chalk on tinted paper; (10); (some double-sided); (all unframed) variously inscribed 20.32 by 30.48cm., 8 by 12in. L Estate of Hildegard Hayes, the artist`s wife "Hayes had a keen interest in classical subject matter evidenced in several canvases exhibited circa 1940 including, The Coliseum and Slaves in the Forum (1940) both later shown at the Royal Academy Winter Exhibition at Burlington House, London.A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 111
Ernest Columba Hayes RHA (1914-1978) COLLECTION OF PORTRAIT SKETCHES pencil; (7); (all unframed) variously signed, inscribed and dated 40.64 by 30.48cm., 16 by 12in. P Estate of Hildegard Hayes, the artist`s wife "Two of the portraits in the collection are dated March and November 1937 and one 1936. All but one depict female sitters, one of which is Hildegard Hayes, the artist`s wife, inscribed [5 May `60 Connemara] on reverse. A sketch of Eithne Murphy is also included and possibly a Miss Elizabeth Hayes. Average size of portraits given.A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 112
Ernest Columba Hayes RHA (1914-1978) COLLECTION OF 54 SKETCHES FROM LATE 1940s - LATE 1960s watercolour; (5); pencil; (31); biro; (14); charcoal (4); (all unframed, contained in sketching folder) variously signed, inscribed, titled and dated 43.815 by 33.655cm., 17.25 by 13.25in. P Estate of Hildegard Hayes, the artist`s wife "An eclectic collection of sketches from the late 1940s-1960s. Themes include, landscapes [Ireland and Italy], still life studies, a portrait of the artist`s first wife [Irma], animal and figure studies in an array of medium. All contained in the artist`s wife [Hildeegard`s] portfolio case.A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 113
Ernest Columba Hayes RHA (1914-1978) COLLECTION OF LANDSCAPE, MARINE & STILL LIFE SKETCHES oil on canvas (unstretched); (3); watercolour; (4) variously signed, inscribed and dated 35.56 by 40.64cm., 14 by 16in. L Estate of Hildegard Hayes, the artist`s wife "Among the sketches include early pastoral landscapes (1935-36), a still life sketch from the artist`s studio, a maritime sketch of a tall ship (1935), and a "rough sketch only (for professional ref.)" dated 20 December 1946, also includes notes on reverse relating to wind and sun direction at 1.30pm on the day of execution.A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 114
Ernest Columba Hayes RHA (1914-1978) THE ARTIST`S LAST DRAWING, 1978 oil on panel; (unfinished; unframed) inscribed by the artist`s wife in pencil upper right 35.56 by 27.94cm., 14 by 11in. P Estate of Hildegard Hayes, the artist`s wife "A Dublin born artist, Hayes was a student at the Dublin Metropolitan School of Art in the years 1931 to 1934, where he studied under Seán Keating and had his first painting accepted by the Royal Hibernian Academy while still a student there. He went on to regularly show at the RHA for the rest of his life. He joined the Dublin Sketching Club in 1935 later becoming the clubs secretary. He had his first one-man show at the Victor Waddington Galleries, Dublin in 1937. In 1942 he was elected Associte of the RHA and three years later in 1945 became a full member. That same year he married Irma Verona Maguire (née Stranger-Jones) a pianist and divorcée in London. From 1946 to 1956 he was President of the Dublin Sketching Club after this period he relocated to London an in 1958 he completed a large portrait of the Duchess of Gloucester, now in St Botolph’s Hall, which was exhibited in the Royal Society of Portrait Painters’ Exhibition at the Royal Institute Galleries. Irma died in Dublin in 1959 after battling with cancer. Later that year Hayes met Hildegard von Hob in Gelting, Germany whom he married in 1960. From this point until 1977 he travelled extensively throughout Europe working in Italy, France and Germany.A year after his death the RHA commemorated Hayes in a memorial section. Thirteen years later, in 1992 a memorial exhibition was held at the Hugh Lane Municipal Gallery of Modern Art some examples from this exhibition are included in this collection. Hayes made his home in County Wicklow from the mid-1960s.Anne Crookshank highlighted his love of the land in the exhibition catalogue for Hayes’ 1992 Hugh Lane exhibition, “We can be proud with Ernest Hayes of our lovely East coast as well as of the West which so many of his contemporaries preferred. He is a painter of everyday people and everyday places but he see them and makes us see them as poetry.”
Los 250
Frederick Henry Stonham FRSA (1923-2004) MRS JUNE STONHAM (THE ARTIST`S WIFE), 1957 oil on canvas laid on board "signed and dated lower right; with inscribed exhibition labels on reverse detailing artist`s address [Quarr, Ashmore Green, NR Newbury, Berkshire]; with artist`s studio label also on reverse 152.4 by 91.44cm., 60 by 36in. P "Christies, 11 January 2006, lot 869; Private collection" The Royal Society of Portrait Painters, c.1957
![Frederick Henry Stonham FRSA (1924-2003) PORTRAIT OF REVEREND A. HALLINSON [SIC], 1962 oil on canvas laid on board signed and](http://lot-images.atgmedia.com/SR/10092/2856665/255-2012225124428_468x382.jpg)
Los 255
Frederick Henry Stonham FRSA (1924-2003) PORTRAIT OF REVEREND A. HALLINSON [SIC], 1962 oil on canvas laid on board signed and dated lower right; with inscribed Royal Society of Portrait Painters on reverse detailing artist`s address and title; also with studio label on reverse 130.81 by 85.09cm., 51.5 by 33.5in. P
Los 301
Man Ray (1890-1976), lot de 6 photographies noir et blanc d’époque comprenant 5 clichés de Serge Lifar dans Zéphyr et Flore (1925), Barabau (1925), Roméo et Juliette (1926) ainsi qu’un portrait en rayogramme signé au crayon Man Ray de la vicomtesse Marie-Laure de Noailles, illustre mécène d’artistes, de 20x13,5 cm à 23x17 cm (1 photographie déchirée)
Los 305
Portraits de Serge Lifar, lot de plus de 100 photographies représentant S.Lifar à diverses époques de sa vie comprenant entre autres une radio cranienne de 1934, S.Lifar posant devant son portrait en Icare, au Lido, au retour de la pêche ou devant le masque de Toutankhamon au Musée du Caire. Tampons de l’Académie Nationale ou de l’Université de la danse au dos de certaines photographies. Plusieurs photographies également annotées ou signées par S.Lifar. Photographies: T.Piaz, S.Lido, Studio Harcourt, A.Garimond, Studio Lipnitzki, E.Marcovitch, R. Le Duc Dimensions: de 5,5x4 à 30x23 cm
Los 311
Jacques Rouché, directeur de l’Opéra de Paris de 1914 à 1945, lot de 27 photographies en noir et blanc de J.Rouché dans ses fonctions, entre autre cliché de J.Rouché en compagnie de S.Lifar devant l’Opéra Garnier, J.Rouché parmi la troupe, dans son bureau ou avec la danseuse étoile Lycette Darsonval... On joint un portrait à la gouache de J.Rouché par S.Lifar, un dessin à l’encre de l’Opéra de Paris signé et daté Serge Lifar 1955 et un livre Jacques Rouché (1937), dédicacé par son auteur, A.Boll, à S.Lifar son ami. Photographies: Lipnitzki, M.Erlanger de Rosen Dimensions: de 14x13 cm à 30x24.5 cm
Los 371
Exercices à la barre, rare et intéressant ouvrage utilisé par Cecchetti, professeur de Lifar recommandé par Diaghilev, pour faire travailler son élève. Ce document livre les thèmes mélodiques et rythmiques joués ainsi que les pas de danse techniques travaillés à cette époque. Il est dédicacé par Cecchetti à Lifar et daté 1926. On joint une photographie de Lifar, une lettre autographe et un télégramme de Cecchetti à Diaghilev, ainsi qu’un portrait par B.Grosser de Enrico Cecchetti et Serge Lifar, encre sur papier, signée et titrée, 38x27 cm
Los 433
Léon Bakst, 1 lettre manuscrite autographe et 1 carte postale, toutes 2 adressées à Serge de Diaghilev écrites à l’encre noire, signées, portant le tampon de la collection Lifar 1) Lettre datée de 1917 et située à Paris, sur papier à en-tête LB surmonté d’une étoile, 2 pages, 19x15 cm: Bakst écrit à Diaghilev qu’il ne souhaite pas le suivre en Amérique du Sud au en pleine guerre: «je considère comme pure folie d’aller à ce moment, extrêmement dangereux, sur la mer - donc risquer la vie et aussi risquer toute ma fortune, que représente une exposition de cinquante ou soixante tableaux de moi»...»Comment peux-tu commettre une déplorable imprudence de risquer ta vie et celle de toute la troupe!!» 2) Photographie-carte postale d’un portrait de Bakst, située à Nice, demandant à Diaghilev la raison d’une commande qui lui est parvenue, 14x9 cm
Los 440
Aleksei Mikhailovich Remizov (1877-1957), Portrait de Serge Lifar en «Vitiaz», encre sur papier donnée par Remizov à Serge Lifar lors de l’exposition Pouchkine à Paris 1937, 20x14 cm Ce don est repertorié sur le manuscrit de Remizov présenté dans la vente. On joint une encre sur carton du même artiste, Danseuses sur scène, 11x12 cm
Los 443
Aleksei Mikhailovich Remizov (1877-1957), 2 Albums pour l’exposition Pouchkine à Paris de 1937, manuscrits en cyrillique, l’un reprenant notamment 6 fragments d’oeuvres littéraires de Pouchkine, enrichi d’une suite de 7 dessins hors texte à l’encre, gouache et collage, 40x28 cm et 31x24 cm. Un des Album a été spécialement conçu pour l’hommage à Pouchkine organisé par Serge Lifar en 1937 avec le concours de Jean Cocteau. On joint un portrait de Pouchkine au crayon par le même artiste, 14x9 cm
Los 466
Jean Cocteau (1889-1963), Pouchkine, portrait au crayon de graphite, signé, daté janvier 1937, dédicacé à l’encre «à mon cher Serge Lifar» et annoté «Comme on ne peut ôter une fleur de la mer, on ne peut traduire Pouchkine. Je suppose qu’il ne s’agit pas d’une «musique des poèmes», il doit s’agir d’une goutte de sang nègre du dynamisme de Harlem, de la pulsation du band, du rythme noir», 32x24 Porte le tampon de la Collection Lifar
Los 504
Portrait de Maximilien Gardel (1741-1787), miniature ronde à la gouache sur ivoire montée sur une boîte en écaille de tortue et cerclée d’un bandeau d’or portant les noms de Ballets dans lesquels Gardel s’est produit. Danseur et chorégraphe, Gardel est directeur du Ballet de Paris (1781-1787) et s’est illustré en dansant sans masque ni perruque en 1772 dans Castor et Pollux de Rameau pour se démarquer de son rival Gaëtan Vestris, diam. 8 cm
Los 592
Louis Marcoussis (1883-1941), Portrait de Pouchkine, gravure, signée et annotée «2e état 1/2», 34x26 cm. On joint une photographie de Serge Lifar posant à coté du Lot et un dessin au lavis sépia de Vladimir P. Nechoumoff (?-1977), Pouchkine devant la statue de Pierre Ier à St-Petersbourg, signé, daté 1944 et dédicacé «A mon cher Modest Gofman», 30x41 cm
Los 715
*Plaques d’ivoire sur cadre-panneau d’ébène avec incrustations commémorant la bataille de Zenta, portraits de plusieurs chefs de guerre identifiés par des tituli distribués autour d’un portrait ovale, probablement d’Eugène de Savoie Carignan, timbré d’une couronne sur un cartouche portant la date de la bataille. Ornements de rinceaux, trophées militaires, dextrochères armés et armes de Hongrie: fascées de geules Arpád et à la croix patriarchale pattée, un cartouche historié représentant la rencontre au bas de la composition. Objet réalisé probablement peu après la bataille (11 sept. 1697), 53x43 cm (quelques manques)
Los 898
Portrait posthume de l’empereur Aurangzeb, gouache opaque sur papier avec rehauts d’or, le souverain représenté debout de profil, richement vêtu, une fleur à la main, la tête cernée d’un nimbe, école moghole, XVIIIe s., deux inscriptions à la plume au revers, l’une en nastal’iq, l’autre en devanagari (fragment de poème érotique), 23x15 cm
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283287 Los(e)/Seite