283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 203
MENESES, D. Luís de (Conde da Ericeira).- HISTORIA | DE | PORTUGAL | RESTAURADO...- Lisboa: Na Officina de Antonio Pedrozo Galraõ, 1698-1710.- 2 vols.; 33 cm.- E., D. Luís de Meneses (1632-1690), 3rd Count of Ericeira, military and politician, born in Lisbon, was one of the most notable historians of the Restoration of Independence; he would commit suicide on May 26, 1690. First edition, the most appreciated and in the largest format, of this important title in Portuguese historiography, which reports on the political-military events that took place in Portugal between 1640 and 1668. The collation of the two volumes is the following: volume I - [12], 908, [31, 1 br.] p.: 1 engraved frontispiece, 1 portrait; volume II - [20], 975, [1 br.] p. The first volume is from the second edition, as it is dated 1710 (the first is dated 1679), and preserves not only the engraved frontispiece, but also the portrait of the author (signed Fred. Bouttats) which is missing in most of the copies. The second volume, dated 1698, was printed by Miguel Deslandes. Ex-libris of Emílio Monteiro. Carminated edges. Non-contemporary bindings, painted full sheepskin. Provenance: Emílio Monteiro Library (Auction nº 19, May 1990, Silva's/Pedro de Azevedo, lot nº 943); Important Private Library: part IV (Auction nº 34, Dec. 1999, Silva's/Pedro de Azevedo, lot nº 606). Inocêncio, V, p. 307. Arouca, M 302.
Los 212
ANDRADE, Manuel Carlos de.- Luz da liberal e nobre arte de cavallaria.- Lisboa: Na Regia Officina Typografica, 1790.- XXVI, 454, [1, 1 br.] p.: 93 gravuras, 1 retrato; 35 cm.- E., Good copy, very clean and complete (retains the final errata page, with the blank verso), of one of the most beautiful books printed in Portugal in the 18th century and, certainly, one of the most sought after. Inocêncio states that some intended to attribute the work to the 4th Marquis of Marialva, chief equerry, but this has not yet been confirmed. The 93 engravings, of which 22 are foldable (all well folded and placed), represent mainly attitudes of the horse in teaching and are opened on copper plate by several engravers, mainly Luís Fróis, but also Manuel Alegre, Luís Fernandez Piedra and others, according to originals by Joaquim Carneiro da Silva (Ernesto Soares, História, 1076). Print 76 (p. 390) presents a curious inscription: Silva del. — H. Queverdo aqua forti et terminé par J. J. Droüet 1792 (engravers not mentioned by E. Soares). The prince regent, future king D. João VI, is represented in engravings 21, 29, 53 and 59 (E. Soares and Ferreira Lima, Dictionary of Iconography, 1549 B). Allusive vignettes at the beginning of books I and VI. Portrait of the Prince Regent with a slight stain on the lower margin, a smaller stain on the lower edge of approximately 30 pages in the middle of the volume and a small tear on the fold of the last engraving, without lack of support. 19th century binding, fully sheepskin, with painted patina, preserving the original marbled paper endpapers. Inocêncio, V, 386. Ameal, 108. Torrecilla, 25 ([Edición] digna de las magníficas ediciones ilustradas del caballero Pluvinel y del duque de Newcastle).
Los 205
PACHECO, Francisco Pinto.- TRATADO | DA | CAVALARIA | DA GINETA, | COM A DOCTRINA DOS MELHORES | Authores.- Lisboa: Na officina de Ioam da Costa, 1670.- [16], 210, [1, 1 br.] p.: 1 retrato equestre, il.; 20 cm.- E., Original edition of a rare chivalric treatise illustrated in the text with seven full-page woodcuts. The author († 1668) was a knight of the Order of Christ and captain-in-chief of the city of Tangier, where he was born. From page 181 onwards, a chapter entitled “Art and dexterity of tovrear” is included. Cropped copy, with light handling, but clean, preserving the very rare equestrian portrait of the author, engraved on copperplate, at the beginning (signed A.P.), which is missing in most known copies. Alfred Barmore MacLay's bookplate, dated 1927, representing a snaffle bit. Binding from the 19th/20th century, full fleeced sheepskin. Fernando Palha’s catalogue gives the following indication: «Livre rare. Manque le portrait qu'on trouve dans quelques exemplaires». Inocêncio, III, p. 37 (the work rarely appears on the market). Arouca, P 6.
Los 1321
Nancy Vicious (nee Spungen, Sid Vicious's wife), two unframed oils on canvas of Sid Vicious and Johnny Rotten (one painting a.f.) and two singles Signed and titled to the reverse of the Sid Vicious canvas. Purchased in 1977 in Camden, by the current vendor directly from Nancy Vicious. By repute, the hole in the portrait of Johnny Rotten was damage from an air rifle pellet shot by Sid Vicious. Both 61 x 91cm
Los 425
A GROUP OF BOXED ENESCO HARRY POTTER ITEMS, comprising a Harry Potter cookie jar (glasses loose), Harry Potter and Hermione Granger book buddy bookends, three limited edition magic trinket boxes: Fat Lady in the Portrait, Norbert and Scabbers, four limited edition secret boxes: Harry Potter, Hermione the Bookworm, Harry and Hagrid at Gringotts and Golden Snitch, and a Harry Potter Storyteller Figurine (11+ 11 boxes) (Condition Report: pieces appear in good overall condition, obvious specific damage as stated, sd to boxes)
Los 567
TWO MID VICTORIAN PORTRAITS, the first depicts a seated half-length portrait of an older gentleman, his hand is resting on the arm of a chair, no visible signature, oil on canvas, approximate size 74cm x 62cm, the second depicts a female figure depicted half-length, she appears to be against an outdoor backdrop and is wearing a cloak and head scarf, no visible signature, approximate size 75cm x 62cm, Condition Report: both have light surface mould, both are relined, the gentleman shows signs of some restoration and over painting across the whole surface, the Lady has several obvious repairs to the chest area and along the top edge with over painting across the whole surface, small hole to the middle of the lower half (2)
Los 399
A SET OF LATE VICTORIAN WALNUT, BRASS AND LEATHER BELLOWS CARVED WITH PORTRAIT OF CHARLES I, length 68cm, together with a Marcus Designs plaster wall plaque of Charles I, a 1960s oval pottery platter decorated with Charles I, the base inscribed CAE '67, length 41.5cm and an early 20th century hexagonal vase with tube lined decoration of a cavalier, monogrammed (4) (Condition Report: bellows show wear to the leather and have small holes but are useable, minor scuffs to wall plaque, otherwise ok)
Los 611
A BOX CONTAINING A PLAYSTATION, EPHEMERA AND CERAMICS, to include a Sony PlayStation with controllers, school photographs from Handsworth Grammar School, Liverpool Bluecoat School and The Royal Grammar School High Wycombe from the 1960s, a signed postcard of Linda Lusardi, two portrait photographs, and two tureens in the Korti pattern by Forester and Hulme, etc (1 box) (sd, PlayStation untested)
Los 175
George Belcher (1875-1947) etchings, three caricatures - Fresh Cod, 1922, signed within the plate below, 31cm x 24cm, Mrs Harris of Follop Yard, 1918, signed within the plate and below, 28.5cm x 19.5cm, and Untitled portrait, 23cm x 15.5cm, signed within the plate and below. All unframed, two with mounts. (3)
Los 93
British school, unsigned oil on canvas, self portrait in a mirror, 61cm x 51cm, unframedPlease see images which best illustrate the condition. The stretcher is mis-shapen and not a perfect rectangle. The canvas is unfinished and is torn top and bottom, however it still has a good look about it.
Los 17
English School, late 18th/early 19th century monochrome watercolour - portrait of Sir John Throckmorton Bt., (1753-1819), 20cm x 15cm, in glazed maple veneered frameThe colours are faded uniformly overall although the glass is very dirty and shows marks there are also odd marks to the paper. Small loss to the gilt mouldings on the slip. Old adhesive to the frame on the lower edge.
Los 402
HORATIUS FLACCUS, Quintus - The Poems of Horace, consisting of odes, satyres, and epistles, rendered in English and paraphrased by Several Persons, cont. calf, rubbed, lacking front paste down, lacking engraved portrait, final few pages soiled, 8vo, second, printed by H. A. for Brome, 1671. * sold with all faults not subject to return
Los 273
A black and white photograph of the Royal Navy Corvette HMS Volage: inscribed to mount 'HMS Volage 1875-79' framed and glazed, 40 x 56cm. *Notes- HMS Volage was a Volage-class corvette that served much of her time as part of the Flying Squadron circumnavigating the world. This is an example of one of the earliest ship portrait photographs.
Los 152
Gerhard WINDISCH (1895-1961) Ballet Dancer Etching Signed 11.5cm x 9cm, Together with a portrait study etching by the same artist, 24.5cm x 18cm and a further signed limited-edition etching of 100 by Ernst BUSCH (act.1920), 27cm x 12cm Postage is available on this lot from £25.22 to a UK address.
Los 183
Dick GILBERT (1935-2008) Five works together with a sketch attributed to Alethea Garstin (1894-1978) The Bay from Hayle Towans / Rough Seas off Godrevy / Portrait of a girl Mixed media on paper, signed and dated '05, 29 x 39cm. Mixed media on paper, dated '96, 28 x 40cm. Together with three other works by the same hand. Together with an Alethea Garstin pencil sketch Inscribed with the artist's name together with a very brief sketch of a boy to the verso 29cm x 22cm Provenance: W H Lane, Penzance. (6) Postage is available on this lot from £32.50 to a UK address.
Los 26
Dorothy HALLIDAY (1923–2001) Portrait Oil on canvas Signed and dated 1951 60cm x 50cm Postage is available on this lot from £32.50 to a UK address. Edinburgh City Art Centre and People's Palace and Winter Gardens each hold examples of her work, perhaps best known under her married name, Dorothy Dunnett, and known for her historical fiction writing. Dunnett is most famous for her six novel series set during the 16th century, which concern the fictitious adventurer Francis Crawford of Lymond.
Los 198
Vicar Ian Grant CAMERON (1874-1966) Portrait Oil on canvas mounted onto board, with accompanying 'List Of Subscribers To The Rev Ian Grant Cameron, M.A' 30.5cm x 28.5cm Together with a late 19th Century still life, oil on canvas, signed Higham, 34cm x 44cm. Postage is available on this lot from £32.50 to a UK address.
Los 261
Ivan Zadok BRAY (1967) Memore, 2004 Watercolour Signed and titled to the verso 28.5cm x 22cm Together with eight other original unsigned works by different hands, including an oil on card of a black cat, attributed to Michael 'Mouse' Roberts, 15cm x 20cm, and a watercolour portrait attributed to Michael Rees, 13.5cm x 8.5cm Postage is available on this lot from £32.50 to a UK address.
Loading...-
283284 Los(e)/Seite