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283287 Los(e)/Seite
Los 118
12 BOTTLES AUSTRALIAN SHIRAZPeter Gajewski The Big Juice 2019 and Juicy's 2020; Glenlofty Estate 2017 and The Ridge Block 2017, Orlando Wines Centenary Hill 2015; Asda Extra Special 2020; The Butterfly Effect 2020; De Bortoli 2019, Windy Peak 2018 and Deen Vat 8 2018; Langmeil Winery Valley Floor 2019; Peter Lehmann Portrait 2019
Los 133
12 BOTTLES AUSTRALIAN SHIRAZFowles Wine Ladies Who Shoot Their Lunch Wild Ferment 2019; Lake Cooper Well Bin 1962 2019; Miles From Nowhere Best Block 2019; Jim Barry The Lodge Hill 2019 and The Forger 2018; Dandelion Vineyards Firehawk Farm Shiraz 2019; Wild Folk Natural 2021; Just Wine 2018; Nugan Estate 2019; Peter Lehmann Barossa Portrait 2019; Wakefield Jaraman 2019; Zilzie Limited Edition 2019
Los 218
Charles Elder (1821-1851) Portrait of Donald Nicoll esq. Sheriff of London, oil on canvas, framed, 90cm x 64.5cm; together with Sydney Marks, portrait of Donald Nicoll, engraving, framed and glazed, 58cm x 38cm (2)Oil painting with bubbling and roughness to the canvas, frame with chips; engraving discoloured particularly to the mount, with chips to the frame
Los 395
A 19th century English school head and shoulder portrait of a young girl with long hair reclining in bed, oil on board, unsigned, 46cm x 29cm (shaped)Some bubbling to the surface, particularly in the black shades above the girl's head; the painting overall possibly just a sketch; the painting set in a gilt frame in need of replacement or restoration.
Los 605
Donald Pass (b.1930), oil on canvas, Portrait of Cherie Hewson, signed, 60 x 50cm with an Exhibition catalogue and a related charcoal sketch, Note: Cherie (pronounced Sherry) was originally from British Guiana, where she met Richard Hewson, who was serving there with the Grenadier Guards. She came over to the UK where they married and lived in Brighton. It is believed they became friends of Donald Pass during his drinking period. Cherie often sang with the big bands at this time. I understand that around that time, he often did paintings to pay his debts. It is not know if this was done as a friend or to pay a debt.
Los 132
A collection of Royal Mint Coins and Sets including £2 Britannia 2000 x2, Silver Britannia 1999, Falklands Island £2 1991, The Royal Portrait Crown Collection, Equestrian Crown Collection, 1983 Uncirculated Set, most in sleeves or boxes CONDITION REPORT 1999 Silver Britannia is damaged as images show and the 2000 Britannia's are in a similar condition
Los 254
Chris Calle (American, B. 1961) "Home on the Range - Portrait of a Cowboy" Signed lower right. Original watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover of the U.S. 29c Home on the Range stamp issued October 18, 1994. The character of the West was molded by a wide variety of rugged individualists: trappers, traders, prospectors and enterprisers. But the men and women who gave it permanency were the first settlers. Buying cattle from the Mexicans in Texas, these hardy souls drove the herds northward across the Great Plains to the Rocky Mountains. They built ranches, put down roots and made the land productive. For the most part, they were tough, singleminded business people on horseback who knew how to survive in an isolated, inhospitable region that offered only wild prairie grass and an occasional free flowing stream. They learned how to cope with solitude, failure and backbreaking toil, while battling the hazards of nature and each other. Some survived and some didn't. But many of those who did -- men like Texans Charles Goodnight and Richard King, Wyoming's Francis Warren, New Mexico's John Chisum and Montana's Conrad Kohrs -- became legendary and accumulated enormous power and wealth. The years between 1866 and 1886 were the glory days of Western ranching, when more than 10 million cattle and one million sheep were shipped to markets in the East. Land was cheap -- sometimes even free for the taking. Life was often cheap, too, as cattle rustlers and horse thieves were shot on sight or hanged without a trial. By the 1870s, barbed wire was closing in the open range and newcomers were plowing up the earth. Some cattlemen overextended, overgrazed and overstocked. Image Size: 19.25 x 14.5 in. Overall Size: 23 x 20 in. Unframed. (B14837)
Los 437
Impressive Portrait Painting Attributed to Captain Edmund Butterworth 3rd Royal Lancashire Militia Painted by E Greenwood (1808-74) in 1851, the oil on canvas portrait shows Butterworth in full military dress uniform with high collar, single winged epaulette, white cross belt with regimental cross belt plate to the centre and regimental pattern coatee buttons. Painting shows the subject as a young man. Housed in a gilt decorative frame. No visible signature, but not been inspected outside of the frame. Details of the sitter and the artist are inked to the reverse of the canvas. The canvas measures 64 x 76cms, frame 84 x 98cms. Painting shows evidence of conservation and has a receipt to confirm this. We are unsure of the age of this painting, we advise all interested parties to arrange personal viewing to satisfy themselves as to the age and condition. Due to size the item is sold as seen. We are not able to offer in house post and packing on this lot, specialist shipping required or personal collection. At the time of going to press, we have only been able to find one record of Edmund Butterworth’s service and that is his appointment as a Captain in the 3rd Royal Lancashire Militia. It would appear that he did not serve in any other regiments and was not involved in any overseas service. More detailed research required. See the proceeding lot for a portrait of his brother Lieutenant Henry Butterworth 32nd Regiment of Foot.
Los 438
Impressive Portrait Painting of Lieutenant Henry Butterworh 32nd (Cornwall Light Infantry) Regiment of Foot Grenadier Company, Veteran of the Peninsular War and the Battle of Waterloo Where He Sustained Three Wounds But Refused to Leave the Battlefield, a fine quality oil on canvas portrait painting of Henry Butterworth in full scarlet dress coatee uniform with white high collar, grenadier company winged epaulettes, cross belt plate with Grenadier Company regimental shoulder belt plate and proudly wearing his medals for Waterloo and Military General Service medal with six bars. Painting shows him as an elderly gentleman with well detailed features to the face. Does not appear to be signed, similar work can be found of this officer believed to have been painted by Edwin Greenwood (1808-74), this painting possibly copied from this work. Housed in a gilt work frame. Painting shows evidence of conservation and has a receipt to confirm this. Canvas measures 64 x 76cms, frame 84 1/2 x 96cms. We are unsure of the age of this painting, we advise all interested parties to arrange personal viewing to satisfy themselves as to the age and condition. Due to size the item is sold as seen. We are not able to offer in house post and packing on this lot. Specialist shipping or collection required. An obituary for Lieutenant Henry Butterworth gives the following information, “Henry Butterworth Esq, of Heybrook, near Rochdale, a magistrate of the county palastine of Lancaster. In the year 1805 he obtained a commission in the 1st Royal Regiment of Lancashire Militia, from which he volunteered for the regular army, and on the 25th of August 1807, was appointed to the 32nd or Cornwall Regiment of Foot, taking with him 32 men (the same number as the regiment he joined) from the 1st Royal Lancashire. Shortly after joining the 32nd Regiment he was ordered to the Peninsula, and was in the battles of Roleia, Vimiera, Talavera, Salamanca (where a musket ball passed through his body), Pyrenees, Nevill, Nive and others; also at the lines of Torres Vedras, and in several minor affairs, for which he received the Peninsula medal with eight bars. Served also in the campaign of 1815, and was at the battle of Waterloo, for which he also received a medal, and, although there wounded three times, did not quit the field. For 12 years he was a Lieutenant in the 32nd Regiment, nine years in actual service, and during that period he was wounded seven times, three being severe body wounds.” The obituary also sates that 14 veterans of the Waterloo and Peninsula campaign attended his funeral wearing their medals. Interesting to note that some old records state entitlement to eight clasps for the Military General Service medal, but the roll only states the six clasps he is wearing in this painting. The Book “Wellington’s Men Remembered” gives the following details about his severe wound during the battle of Salamanca, “He was well liked by his men and he when he was severely wounded at Salamanca, one of his men, Private Ashbridge from Smallbridge carried him to find medical assistance”. See previous lot for portrait of his brother in the 3rd Royal Lancashire Militia
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Los 220
Attributed to Frances Hodgkins (New Zealand, 1869-1947), Portrait of a Lady Reading, watercolour and body colour, inscribed in pencil verso, Framed, 26 cm x 19.5 cm Condition Report: The grandfather of the consignor (gallery owner in London 1921-31) knew Frances Hodgkins for a number of years and wrote a book about her. A note to the reserve of the picture states that the picture was acquired in Tetbury in 2010.
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283287 Los(e)/Seite