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A NINETEENTH CENTURY FRENCH SCHOOL pastel on canvas - three quarters portrait of a lady in elaborate dress, holding a fan and pearls, her hair dressed up with tiara, unsigned, verso a Parisian art materials stamp and an inscription on an old label to the stretcher 'Princesse Waldburg', 79 x 62cms
A CONTINENTAL PORCELAIN COMPORT on a gilt metal stand, the interior of the porcelain decorated with a Romanesque portrait & with Grecian key border, the stand with ball & claw raised supports & Grecian key decoration to the handles & mounted supports, 30cms diamIts generally in good shape there is general wear, ie surface scratches and gilt wear, there is no damage
A RARE 1952 LINHOF TECHNICA QUARTER -PLATE CAMERA with original case, five glass plate-slides, two lenses (Scheider 1:3 5/105 & Xenar 1:5 5/105), lens hood, Linhof Super Rollex roll-film back (6 x 9cms) and sports viewer. The Technica was the ultimate camera of its time and an exceptional portrait camera Provenance: the vendor, Mr Peter Cook is a former Fleet Street photographer / photo-journalist and portrait specialist known for his work photographing The Beatles amongst other celebrities.
NAIVE NINETEENTH CENTURY FRENCH MARITIME SCHOOL oil on panel - portrait of a two masted vessel with figures & tricolour flag, unsigned, circa 1820, 38 x 54cms Provenance: Estate of Helen Zienkiewicz Deceased (1926-2016) late wife of Olgierd Cecil Zienkiewicz CBE FREng, FRS (1921 - 2009) acclaimed Polish-British mathematician & civil engineer https://en.wikipedia.org/wiki/Olgierd_Zienkiewicz
Chronology of the Sovereigns of England. A series of 16 paper counters engraved with 32 portraits of British monarchs from William the Conqueror to George III, printed recto verso, many hand-coloured, each captioned with name, dates and length of reign, 41mm diameter, in brass box, the top with relief portrait of George III, the base with the title of the series, c.1800
Dugdale, William. The Antiquities of Warwickshire, 2 volumes, second edition, engraved portrait frontispiece, 15 double-page engraved plates and views, 5 single-page, 5 double-page engraved maps, numerous engravings in text, many full-page, some spotting and browning, contemporary mottled calf, worn, boards detached, folio, London: John Osborn and Thomas Longman, 1730
Adams, Isaac. Persia by a Persian, first edition, portrait frontispiece, original cloth gilt, 8vo, New York: Privately Published, 1900; Sykes, Ella C. Persia and Its People, first edition, 20 plates, folding map, original cloth gilt, 8vo, London: Methuen & Co., 1910; Dickson, W.E.R. East Persia, first edition, plates, original cloth, 8vo, London: Edward Arnold & Co., 1924; Forbes-Leith, F.A.C. Checkmate. Fighting Tradition in Central Persia, first edition, plates, original cloth, 8vo, London: George Harrap, [n.d.]; and 24 others, similar, v.s. (28)
Cothonay, R.P.M. Bertrand. Trinidad, portrait frontispiece, later boards, 8vo, Paris: Victor Retaux et fils, 1893; [Anon] Handbook of Trinidad and Tobago, plates, 3 maps in pocket at end, original cloth, 8vo, Trinidad: Government Printing Office, 1924; Russell, A.D. Legends of the Bocas, spotting, original cloth, 8vo, London: Cecil Palmer, 1922; and 2 others, v.s. (5)
Heilprin, Angelo. The Eruption of Mt Pelée, first edition, half-title, portrait frontispiece, plates, tissue guards, original cloth, joints cracked, folio, Philadelphia: J.B. Lippincott, 1908; Mont Pelée and the Tragedy of Martinique, third edition, plates, original pictorial cloth, 8vo, Philadelphia: J.B. Lippincott, 1905 Miller, J. Martin. The Martinique Horror and St. Vincent Calamity, illustrations, original cloth, 8vo, Halifax: Globe Publishing, [c.1908] (3)
Livingstone, David. Missionary Travels and Researches in South Africa, first edition, folding frontispiece, reapired, engraved portrait, 22 wood-engraved plates, one folding map only, modern morocco-backed cloth boards by Stoakley, 8vo, London: John Murray, 1857; The Last Journals..., 2 volumes, tenth thousand, 2 frontispieces, 2 folding maps, one in pocket at end, 20 plates, some spotting, original cloth gilt, 8vo, London: John Murray, 1880 (3)
Lumisden, Andrew. Remarks on the Antiquities of Rome and Its Environs, first edition, half-title, engraved portrait frontispiece, folding engraved map, folding engraved plan, 10 engraved plates, 3 folding, EXTRA-ILLUSTRATED with hand-coloured aquatint additional title and 61 hand-coloured aquatint plates of views of Rome after J. Merigot, heavy waterstaining through text pages, but additional plates only slightly affected, contemporary straight-grained morocco gilt by H. Walther, with his ticket, all edges gilt, 4to, London: W. Bulmer and Co., 1797 The additional plates are from James Merigot's A Select Collection of Views and Ruins in Rome, London, 1796-1797.
Roosevelt, Theodore. The Rough Riders, first edition, half-title, portrait frontispiece, tissue guard, 43 plates, original cloth gilt, 8vo, New York: Charles Scribner's, 1899; Taylor, Bayard. Colorado: A Summer Trip, first edition, some staining and spotting, later morocco-backed boards, 8vo, New York: G.P. Putnam, 1867 (2)
Blanford, William Thomas, editor. The Fauna of British India, volumes 1-4 only (Birds), first edition, original cloth gilt, 8vo, London: Taylor and Francis, 1889-1898; Hume, Allan O. The Nests and Eggs of Indian Birds, 3 volumes, second edition, portrait plates, original cloth gilt, 8vo, London: R.H. Porter, 1889; and 21 others, Indian ornithology, v.s. (28)
Culpeper, Nicholas. English Physician; and Complete Herbal, 2 parts in one volume, engraved portrait frontispiece, repaired with loss to margins, 29 hand-coloured botanical plates, 12 [of 13] sepia-tinted plates, some browning and spotting, modern cloth, 4to, London: W. Lewis, 1813; The English Physician, Crosby's Improved Edition, 8 hand-coloured plates, some browning and spotting, modern calf, 8vo, London: E. and H. Hudson, 1814 (2)
Lilford, Thomas L. Powys. Coloured Figures of the Birds of the British Islands, 7 volumes, first edition, photogravure portrait frontispiece, 421 chromolithographed plates, some finished by hand, guards, some spotting, contemporary crushed half morocco, top edge gilt, 8vo, London: R.H. Porter, 1885-1897; and a copy of Lord Lilford on Birds, 1903
Ackermann, Rudolph. A History of the University of Cambridge, its Colleges, Halls and Public Buildings, 2 volumes, first edition, half-titles, engraved portrait frontispiece, 79 hand-coloured aquatint plates, including 15 of costumes, tissue guards, lacking the 16 plates of Founders, modern crushed full morocco by Bayntun, all edges gilt, 4to, London; R. Ackermann, 1815 A FINE COPY.
[Campan, Jeanne Louise Henrietta] The Private Life of Louis XV, 4 volumes, engraved portrait frontispiece, some browning, contemporary calf, joints cracked, spines chipped, 8vo, London: Charles Dilly, 1781; Mosheim, John Lawrence. An Ecclesiastical History, 5 volumes, contemporary calf, joints cracked, 8vo, London: A. Millar, 1758; Clarendon, Edward. The History of the Rebellion and Civil Wars in England, 6 volumes, engraved portrait frontispieces, spotted, contemporary panelled calf, 8vo, Oxford: Printed at the Theatre, 1717 (15)
Cervantes, Saavedra Miguel de. The Life and Exploits of the Ingenious Gentleman Don Quixote, 4 volumes, portrait frontispiece, engraved plates, some off-setting and spotting, contemporary diced calf gilt, joints cracked and chipped, 8vo, London: William Miller, 1801; Ireland, John. Hogarth Illustrated, 2 volumes, second edition, engraved titles, plates, somewhat spotted, contemporary calf, neatly rebacked, preserving original spines, 8vo, London: J and J Boydell, 1793; and 6 others, v.s. (12)
Hawkins, John. The English School-Master Compleated, additional engraved title, engraved portrait frontispiece, 4 engraved plates, cropped with loss to running title, pagination and signatures, browned, early calf, worn, 8vo, London: Company of Stationers, 1727; Walton, Isaac. The Compleat Angler... edited by Moses Browne, eighth edition, 2 engraved frontispieces and 8 engraved plates (?only), wood-engravings in text, some browning, contemporary calf, rubbed, upper board detached, 8vo, London: Richard and Henry Causton, 1772; and 2 others, 8vo (4)
Clarendon, Edward Hyde, 1st Earl. The History of the Rebellion and Civil Wars in England, Begun in the Year 1641, 3 volumes bound in six, 6 engraved portrait frontispieces, 3 half-titles, some staining and spotting, contemporary panelled calf, rubbed, volume 6 chipped at head, 8vo, Oxford: At the Theatre, 1707
AN EXCEPTIONAL GREAT WAR HUSBAND & WIFE M.C., M.I.D. MEDAL GROUP & FAMILY ARCHIVE namely a group of four medals to Captain A.H. Sampson, Surrey Yeomanry, later West Yorkshire Regiment, comprising the Military Cross, engraved (Captain A.H. Sampson. West Yorkshire Regiment), brooch-mounted, in case of issue, the 1914-15 Star (1830 Pte. A.H. Sampson. Surr. Yeo.), British War Medal 1914-20 and Victory Medal (both Capt. A.H. Sampson), all officially impressed, bar-mounted for wearing; together with a corresponding group of miniature medals, bar-mounted for wearing; also his Officer's Record of Services book (Army Book 439); and a manuscript pocket notebook, with notes on trench construction, mining, road repairs and other matters; together with various brass cap badges, buttons and shoulder titles; an Inter-Troop Shooting Challenge Cup medal, 1913; and pre-war skating medals; also a group of three medals to I.M. Carpenter, Voluntary Aid Detachment, comprising the 1914-15 Star, British War Medal 1914-20 and Victory Medal (all I.M. Carpenter. V.A.D.), officially impressed, bar-mounted for wearing; together with a joint scrapbook containing (briefly) portrait photographs, some during training; sketches of billets, trenches, and other field studies; Christmas cards; postcards; printed ephemera; a German map (Arras sector); Capt. Sampson's Mention in Despatch certificate (7th Nov. 1917); his commission as a 2nd Lieutenant (22 Dec. 1915); V.A.D. and Red Cross certificates to Irene Carpenter / Sampson; and additional material; also a 'trench art' carved oak picture frame, with two notes verso, the first 'Cloth Hall Ypres (1200-1304) / German Bombardment April 1915 / Carving of this frame found among ruins October 1917', the second 'Sent to me by Father from France when he was in the Army & invade Yrpes [sic] (first World War)', 26.5cm x 25.5cm.
POSTCARDS - ASSORTED Approximately 110 cards, including real photographic views of Sibford Gower; The Old Square, Warwick; Castle Street, Warwick; Leicester Hospital, Warwick; University Buildings, Bournbrook; Mason Croft, Stratford-on-Avon; and Todenham House; with views of The Park Hotel and Grounds, Droitwich; Post Office and Church, Headley; Somerton Church (by Taunt); and Kirtlington Church (by Taunt); also a hold-to-light; Kainit potash advertising card; 'Vote for Foster, 1906' political portrait (plain back, unposted); Suffragette artist-drawn comic; Louis Wain artist-drawn comic black cat seaside group (worn); and others, (album and loose).
POSTCARDS - ASSORTED FOREIGN Approximately 125 cards, including real photographic views of A Quail Shoot, Southern California [a group portrait in and around a motor car, with dead game]; a chalet interior, Gruyere; Mesures de Ble, Gruyeres; and a round-up of estate ponies, Angoume; with views of Place et Fontaine de la Fidelite, Fribourg; Vu de la Place des Tisserands, Fribourg; Le Chateau, Angoume; Fischmarktbrunnen, Basel; Le Boulevard Dugommier, Marseille; Banque Vaudoise, Lausanne; and Place Stanislas, Nancy; also four Landes farming portraits; the General Steam Navigation Company ship 'Fauvette', Bordeaux; and others, (loose).
POSTCARDS - READING (BERKSHIRE), SOCIAL HISTORY Approximately thirty-eight real photographic cards, including a group portrait of Reading Borough Police (by May of Reading); four charabanc groups, including one 'Silver Queen'; two amateur football teams; a group of workers at the gas works; a group of schoolboys before a railway locomotive (plain back); a horse and carriage; an advertising card for E.J. Maynard, Launch Proprietor, showing the steam pleasure boat 'Queen of the Thames'; and four river boat passenger groups, (loose).
Wilfred Brambell signed small 2 x 32 inch scruffy portrait photo. 22 March 1912, 18 January 1985 was an Irish film and television actor best known for his role in the British television series Steptoe and Son. He also performed alongside the Beatles in their film A Hard Day s Night, playing Paul McCartney s fictional grandfather. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95.
FRANCIS CAMPBELL BOILEAU CADELL R.S.A., R.S.W. (SCOTTISH 1883-1937) PORTRAIT STUDY OF NAN IVORY Signed, signed and inscribed on stretcher verso, oil on canvas 47.5cm x 39.5cm (18.75in x 15.5in) Note: This striking portrait of Nan Ivory features the soft, feathery brushstrokes of F.C.B. Cadell's pre-war technique, before he moved into a more design-focused, Deco-influenced approach. It has an Edwardian flair, with flashes of Whistler and Singer Sargent, and the close-crop perspective and soft technique add a personal, intimate feeling, compounding the fact that this is a portrait of a known sitter, rather than the use of a model for dramatic effect. Whereas after the war, Cadell began to focus on design in both his compositional decisions and painting, getting sparser in his brushstroke, and utilising women as glamorous props to offset the grandeur of the rooms he is depicting, rather than as engaging subjects in themselves. As a an earlier work, Portrait Study of Nan Ivory retains an intimacy and personality, yet the elegance we so strongly associate with Cadell is fully evident, in the sitter's distant gaze, sweeping hat, fashionable jewellery and the artist's confident handling of the paint. It was originally thought that Cadell painted this elegant portrait of Nan Ivory as a wedding gift for the sitter's new husband, the artist's close friend and long-standing patron, Ted Stewart. However, since the appearance of that suggestion in the most recent issue of our magazine International View, new information has come to light. It has been revealed that before she married Ted Stewart in February 1916, Nan had been briefly engaged to another close friend of Cadell's, James Hamilton-Henderson in 1914. The family of Ted and Nan were unaware of the portrait and feel it unlikely that such a striking portrait of their grandmother would have voluntarily have left the family. Knowing that she was engaged previously, and particularly to a friend of Cadell's, it seems now that the portrait may in fact have been a gift for her previous intended. It would also explain why it had left the original family; the moving on of a reminder of a union that was not to be.
*Henry VII, Profile Issue, testoon, type 2/II, m.m. lis, obv., die 4,(large lis) henric? septim? di’ gra’ rex angl’ z fr’, single saltire stops, crowned bust right, single arched crown with six jewels, beaded border, beaded and wire-line inner circles, rev., die 3, (large lis) posvi / devm a / divtor / e’ mevm, single saltire stops, square-topped shield over long cross fleury with cross-ends no. 11 having slipped trefoils at terminals, beaded border, beaded and wire-line inner circles, 9.08g (Potter & Winstanley, B.N.J. 1962, type 2/II, dies 4/3; N.1745; S.2253), a few surface and edge marks, good fine to very fine and with an attractive, clear portrait, extremely rare
Henry VIII, First Coinage, groat, London, m.m. crowned portcullis, portrait of Henry VII, 3.05g (N. 1762; S. 2316), centrally pierced by a punch from reverse, otherwise very fine; with halfgroat, Canterbury, m.m. lis, Archbishop Warham’s issue reading civitas cantor, 1.44g (N. 1767; S. 2322), reverse poorly struck, obverse good very fine and another of the same issue, m.m. pomegranate, 1.39g, chipped and creased, fine (3)
*Henry VIII, Third Coinage (1544-47), testoon, m.m. lis / two lis, reads henric’ viii di’ gra’ agl’fra’ z hib’ rex, facing bust, rev., crowned rose with crowned h – r at sides, 6.85g (cf. N. 1841; cf. S. 2364), a genuine coin in relatively good silver which has been skilfully tooled and worked to produce an idealised portrait of the aging King, neatly pierced for suspension as a pendant
*Edward VI (1547-53), First Period (1547-49), pattern shilling, 1547, in fine silver, m.m. arrow on reverse, obv., crowned bust of the King right within plain inner circle, with stylised cinquefoil or rose before legend reading timor . domin . fons . vite . m.d.xl7 divided by large square stops, rev., square-topped Royal shield within beaded inner circle on long cross fourchée with elaborate cross-ends, posvi / deu’.ad / ivtor / e’.mev’., similar large square stops, diameter 28mm, 6.23g (N. 1954), obverse double-struck and the portrait rather weak, fine, reverse more clearly defined and very fine or better, interesting and extremely rare

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283287 Los(e)/Seite