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283284 Los(e)/Seite
Los 1
Follower of Bernardo Strozzi Portrait of a Gentleman head and shoulders wearing black with a fur lined coat oil on canvas unframed 64 by 50.3 cm.; 25 /8 by 19.75 in. Provenance Le Hardy-de Vaumorel-Collas Collection The Lodge Clarendon Road St Helier Jersey (according to a label on the reverse).
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Roman School 17th Century Portrait of a gentleman head and shoulders wearing black with a white ruff; Portrait of a gentleman head and shoulders wearing red with a white ruff; Portrait of a Lady head and shoulders wearing black with a black hat the former inscribed on the reverse: Cavr: Marino a set of three all oil on copper each: 6.2 by 5 cm.; 2.5 by 2 in. (3)
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Follower of Jens Juel Self portrait of the artist and his wife Rosine Doschel both seated at an easel oil on board unframed 54 by 42.3 cm.; 21.25 by 16.625 in. An early 19th century copy after Juel's original which was painted in 1791 to comemmorate his marriage to Rosine Doschel the daughter of the head gardener at Bernstorff in 1790 (see E. Poulsen Jens Juel Katalog Copenhagen 1991 vol. I pp. 155-6 cat. no. 534 reproduced vol. II fig. 534).
Los 1
Mario Zanelli Active in Italy during the 18th Century Portrait of Achille Michele Ettore Gloria fourth Duke of Centigloria aged 44 full length in a landscape inscribed upper right: ACHILLE MICHELE / ETTORE GLORIA / IV. duca di Centigloria / cente d'Arca Torre Paradiso / 5. pr. di Gralsano signed lower right : Mario Zanelli pinx. and dated to the upper left: -1751- / det.44 gouache on paper laid down on panel 45 by 36.5 cm.; 17.75 by 14.375 in. The Order appears to have been added later.
Los 1
A rare Martin Brothers terracotta plaque self portrait by Robert Wallace Martin in wooden frame incised R W Martin & Bros London & Southall and R W Martin Sc circa 1883 33cm. square Malcolm Haslam The Martin Brothers Potters Richard Dennis Publications page 81 plate 100 for an illustration of this actual plaque.
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A VIENNA STYLE PORTRAIT PLATE Late 19th Century, painted and signed Wagner with a young woman with long dark wavy hair falling over a Holbeinesque and white frilled dress, her face with a wistful expression, all within a blue and grey border, finely gilded with oak and other foliate sprays, blue shield mark and inscribed 'Meditation' on reverse, 24.5cm diameter, with wooden stand (2).
Los 1
FRENCH SCHOOL (19TH CENTURY) "Portrait miniature of A Lady wearing a blue dress with her curled hair falling over her shoulders", oval, 5.5cm high, framed and contained in a folding leather and velvet case, also another French miniature of "A Lady, wearing a blue dress and white head scarf", oval, 4cm high, in a gilt metal frame (2).
Los 1
edouard Vuillard, 1868-1940 (i) eTUDE POUR UN SUJET POUR UN DES PANNEAUX DU FOYER DE LA COMeDIE DU THeaTRE DES CHAMPS-eLYSeES (ii) eTUDE POUR LE PORTRAIT DE LUCIEN GUITRY each stamped with the initials (Lugt 909c) (i) pencil on paper (ii) pencil and coloured crayon on paper (i) 16.5 by 9.8cm.; 6.5 by 3.875 in. (ii) 19.3 by 10.7cm.; 7.625 by 4.25in. (I) Drawn in 1912. (II) Drawn circa 1921. The authenticity of these works has been confirmed by Antoine Salomon.
Los 1
Bernard Buffet, 1928-1999 LA FERME DE NANSE signed and dated 51 oil on canvas 113.6 by 146.2; 44.875. by 57.5in. Painted in 1951. Bernard Buffet came to the attention of the Paris art world in 1946 at the age of eighteen, when his self-portrait was shown at the exhibition Des Moins de Trente Ans at the Galerie des Beaux-Arts. In 1951 the artist's friend Jean Giono, let him a small house in Manosque in Haute-Provence where he lived for a short time before moving to an old 'bergerie' in Nanse, near Reillanne.. This work depicts the farmhouse in the dull grey tonality which typifies Buffet's work at the beginning of the 1950s.. BuffetÕs work of this period exuded a consistently sombre mood which matched the atmosphere of the post-war years. Provenance Madame Jules Masurel, Lille Thence by descent to the present owner To be included in the forthcoming Buffet Catalogue raisonne being prepared by Maurice Garnier.
Los 1
Giles, Herbert, A., Gems of Chinese Literature, Shanghai, Kelly and Walsh Limited, 1922, 4to (280mm x 205mm.), portrait frontispiece of the author, contemporary two tone cloth, spine and front cover with title labels pasted on, silk bookmark, No. 648 of 700 Limited Edition copies signed by the author With George Moore s The Passing of the Essenes (London, 1931)
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English School (19th century) Portrait of Hortense Eugenie Cecile de Beauharnais Watercolour on ivory (now in two sections) Inscribed and dated Paris 1807 lower right 12.5cm x 11cm within a gilt-metal foliate frame and glazed box, the reverse bearing ink inscription including painted by Bouvier Hortense de Beauharnais (1783-1837), daughter of Alexandre de Beauharnais (1760-94) and Josephine de Beauharnais (1763-1814) [nee Marie Josephe Rose Tascher de la Pagerie]. Her aristocratic father, though he embraced the Republic, was executed during the Terror on trumped up charges for his failure to relieve Metz. Her mother went on to marry Napoleon Bonaparte and as the latter s step-daughter she was persuaded to marry his brother Louis, King of Holland (1806-10), the youngest of their three children becoming Napoleon III.
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English School (mid 20th century) Portrait of a lady, full length, in mid 19th century dress standing beside an urn of flowers Oil on canvas 67cm x 52cm Unframed Bouvier Duncan Gray cam here to woo Lithograph s. 30.5cm x 25.5cm In a maple veneered frame and quantity of other pictures including three Japanese woodblock prints
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Barrow, John, Travels in China, containing Descriptions, Observations, and Comparisons, made and collected in the course of a short residence at the Imperial Palace of Yuen-Min-Yuen and on a subsequent journey through the country from Pekin to Canton, London, printed for T. Cadell and W. Davies, 1806, 4to (260mm x 200mm.), hand-coloured aquatint frontispiece oval portrait of Van-ta-qin, 2 double-page engraved plates, and 5 hand-coloured aquatint plates (plates from drawings by William Alexander), index, text leaves with occasional spotting, contemporary presentation inscription on front free endpaper, contemporary panelled calf gilt, front cover detached, Second Edition, Abbey Travel 531, Tooley 84.
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283284 Los(e)/Seite