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283284 Los(e)/Seite
Los 563
A LARGE POSTCARD/CUTTINGS ALBUM, containing over one thousand postcards, photographs and other ephemera from the Victorian / Edwardian era, the album contains topographical, historical, natural, portrait, religious and advertising material, mainly from Continental Europe, but also Great Britain and the United States
Los 234
Milton H. Greene (American 1922-1985) Marilyn Monroe, Double portrait from the Black Sitting With embossed stamp lower right : Milton H. Greene Edward Weston Collection also stamped verso, numbered 9/99, and dated 1992 Bromoil gelatin silver print 27 x 35cm With a further photograph by Milton H. Greene of Marilyn by a swimming pool stamped lower right with the same embossed stamp 35 x 27cm (2)
Los 27
‡ Frank O. Salisbury (1874-1962) Field Mice Signed Oil on canvas laid on board 162 x 123cm Provenance: By descent from the artist Literature Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.18, illustrated The models are the artist's twin daughters, Monica and Sylvia. This is the original version of the 1910 work sold at Christie's, London, 5 March 1987, The field mice nutbrown maidens, the twins. The Christie's work contained a mouse, reputed to be a later addition painted by Sylvia. Frank O. Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate'. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.
Los 29
‡ Frank O. Salisbury (1874-1962) The Bride, Mrs Leonard Norris Signed, dated 1929, and titled and further inscribed to verso Oil on canvas 112 x 87cm Provenance: By descent from the artist Literature Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.127, illustrated The sitter is the artist's daughter Monica. Frank O. Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate'. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.
Los 30
‡ Frank O. Salisbury (1874-1962) Portrait of Mrs Leonard Norris, née Monica Salisbury, daughter of the artist Oil on canvas Signed and dated Aug 14 1930 112 x 87cm Provenance: By descent from the artist Literature Frank O Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p126, illustrated Frank O Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate' Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more However, his most frequent subjects were his family, in particular his twin daughters Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27) By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead He filled the walls with his own work, in both fresco and oil A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440) Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him
Los 363
‡ John Bratby RA (1928-1992) Self portrait surrounded by bottles, busts and a clock Signed and dated 76+78, and further inscribed To Jack Merrill with every good wish John Bratby (to stretcher) Oil on canvas 91.2 x 61cm Provenance: Purchased from the artist by John Merrill; by descent to his son; Woolley and Wallis, Modern British & 20th Century Art, 7 June 2017, lot 259; Private Collection, UK Exhibited: National Portrait Gallery, London, John Bratby Portraits, March-May 1991, no. 24
Los 365
‡ John Bratby RA (1928-1992) Self portrait standing at his easel in y-fronts Signed Oil on canvas, executed 1974-1975 1272 x 102cm Provenance: Patti Bratby, the artist's wife; by whom sold, Grand Auctions, Folkestone, 8 May 2017, lot 252; Private Collection, UK Exhibited: National Portrait Gallery, London, John Bratby Portraits, March-May 1991, no 22; WKP Kennedy Public Gallery, Ontario, no 10; Redpath Gallery, Vancouver
Los 368
‡ John Bratby RA (1928-1992) Portrait of Sir Charles 'Chay' Blyth (b.1940) Signed Oil on canvas 40.7 x 35.5cm Provenance: John Nicholson's, Haslemere, 11 October 2017, lot 437; Private Collection, UK Chay Blyth is a Scottish yachtsman, and in 1971 was the first person to sail single-handed non-stop westwards around the world.
Los 83
Henri Gaudier-Brzeska (French 1891-1915) Portrait of Germaine Black chalk 47.4 x 31.2cm Provenance: Jim Ede, Kettle's Yard, Cambridge; anonymous sale. Swann Galleries, New York, 8 March 2001, lot 220; anonymous sale. Doyle, New York, 13 March 2018, lot 60; Christie's, London, Modern/British & Irish Art, 16-23 November 2018, lot 343
Los 87
‡ Doris Zinkeisen (Scottish 1898-1991) Portrait of Lola Montez riding Signed Oil on canvas 63.5 x 76cm Together with a letter from the artist discussing the subject (2) Provenance: Purchased from the artist by Mrs Randolph (the recipient of the letter) The subject of the present work is Marie Dolores Eliza Rosanna Gilbert, Countess of Landsfeld (1821-1861), a dancer and actress, better known by her stage name Lola Montez. In the accompanying letter Doris Zinkeisen describes her as 'a very indifferent dancer but got away with it because she was extremely beautiful and attractive'.
Los 629
Friedrich Wirnhier (1868-1952) - A portrait of a female farm worker showing her basket of harvest produce, oil on canvas, signed lower right, 88 x 67 cmProv: By repute found in one of the houses on Obersalzberg, and believed to be personal possession of Adolf Hitler; shown in Hitler's exhibition in Haus der Deutschen Kunst, Munich 1940 (label on frame)Collection John Horne; Collection Ernest Cockburn; Collection Prince HohenzollernPublished and explained in 'Sinnblinde Materie oder geistige Gestalt? Das Antlitz des Menschen im Spiegel der Wissenschaft, Kleines Symposion der C Goethe Akademie zu Frankfurt am main 2013 (copy available for perusal)Good condition,some surface crackelure overall but no obvious defects
Los 1101
Basnage, Henri Les Oeuvres de Maître Henri Basnage, Ecuyer, Seigneur du Franquesnei, Avocat au Parlement, Contenant ses Commentaires sur La Coutume de Normandie, et son Traité des Hipotéques, 4th ed., pub. Knapen, Leboucher & Humblot, Rouen 1778, two vols., old full cat's paw calf with spine in compartments, morocco labels and gilt floral decoration, marbled end papers, portrait plate after title vol.1, woodcut head-pieces, folio. (2)
Los 1102
Basnage, Henri Les Oeuvres de Maître Henri Basnage, Ecuyer, Seigneur du Franquesnei, Avocat au Parlement, Contenant ses Commentaires sur La Coutume de Normandie, et son Traité des Hipotéques, 4th ed., pub. Rouen 1778, vol.1 only, old full cat's paw calf with spine in compartments, morocco label and gilt floral decoration, marbled end papers, portrait plate after title vol.1, woodcut head-pieces, folio.
Los 135
Two Continental silver snuff boxes the first with import marks for Boaz Moses Landeck, Chester 1908, of oval form, with repoussé decoration to sides and cover, the sides with floral and foliate design centred by female portrait, the cover with a quadriga chariot, opening to reveal a gilt wash interior, 3 1/8in. (8cm.) wide; together with a shaped triangular snuff box, with plain decoration to cover with rubbed initials, the underside with floral design, unmarked, gross weight 3.8 tr.oz. (2) *Condition: The first good, nothing to note, the shaped version having small dents and wear.
Los 296
Culpeper, Nicholas Culpeper's Complete Herbal, to which is now added, upwards of One Hundred Additional Herbs..., pub. Richard Evans, London 1814, engraved portrait frontispiece, general index and 40 hand-coloured plates at rear, old quarter calf with marbled boards, wear to boards, corners bumped, splitting at top and bottom of spine, a little marginal soiling and light foxing. *Condition: Wear to boards, corners bumped and rubbed, splitting and chipping at top and bottom of spine and to edges of boards, a little marginal soiling and light foxing to pages. Two oil marks to front end paper. Foxing and pencil inscription to title. Plates good with some light foxing and a couple of larger finger soil marks.
Los 381
A 1947 Mexico Gold 50 Pesos coin 900 fineness, weighing 41.8 grams, the Mexican 50 Pesos is a large and very interesting gold bullion coin. On the obverse, a portrait of the Winged Victory (El Angel) is featured alongside the year 1821, marking the first year of Mexico's independence. The reverse features the Mexican coat of arms, with an eagle holding a serpent in its beak while perched atop a cactus. The coins were minted between 1921 and 1947. *Condition: Appears good, comes loose, not in capsule.
Los 460
An early 17th century portrait miniature of a boy oil on copper, oval, the boy in a black doublet, the sleeves and front slashed to reveal white, with a white lace collar and short, centre parted hair, dated '1630' to upper left, 6.7 x 5.5cm., in a later 19th century ebonised frame. *Condition: Several small paint chips to left hand edge and four other minute paint flakes to the back ground either side of the boy's head. Later varnish shows under UV but no retouching or repainting. Has been stuck onto cloth in a later 19th century ebonised frame - the card backing is glued, not the actual copper plate.
Los 498
A unique Victorian love heart shaped horn snuff box engraved portrait of a gentleman to one side, the other inscribed ' Brig Washington - 1895 ', the side with hinged flap opening to reveal void for snuff, brass fittings, 3¼in. (8.3cm.) long. *Condition: Horn sides re-glued, wear and knocks throughout.
Los 507
A scarce 18th century full length 'dressed' silhouette portrait picture probably German, the figure of a noblewoman in a fitted bodice with capped sleeves and bustle back skirt dressed a la polonaise, her dress in fabric with overlaid black paper outlining, her light headdress is black gauze, depicted carrying a vase of flowers, the vase cut from printed paper with German text, on laid paper, 9 5/8 x 7 3/8in. (24.5 x 18.7cm.), in a period giltwood frame, ink inscription verso, "Dressed picture in silhouette, Probably German 1745, Reproduced in Mr. Nevill Jackson's "The History of Silhouettes" 1911". *Condition: Sheet toned evenly. Some dirty marks, small stains and small fox marks to fabric on costume. Frame has old overpainting in gold which is flaking and crazing, some small losses. Very original overall.
Los 696
Miss Dickinson (British, late 19th century) Portrait of a young girl oil on canvas, exhibition label verso, 'Art Exhibition 1883. Miss Dickinson, 9 Chesterfield St. W., "Study of a Child"' 18 x 14in. (45.75 x 35.5cm.) *Condition: Small tear to canvas with old patched repair verso (now partially detached), three other small pinholes. A little light craquelure, has been cleaned in recent past. No retouches or repainting visible under UV.
Los 716
David Jagger (British, 1891-1958) Portrait of Dorothy Hart oil on canvas, signed 'JAGGER' lower right, further signed 'D. JAGGER' and inscribed 'DOROTHY HART 1928' verso, unframed 36 x 28in. (91.5 x 71cm.) * Dorothy Hart, widow of the financier Geoffrey Hart moved to Villa Millbrook, St. Lawrence, Jersey in the early 1960s, the house forming the perfect backdrop for probably the finest collection of art and antiques in the Channel Islands. The Harts had started their collection before the war at Wych Place, Sussex and Dorothy continued collecting after her husband's death in 1946, moving to their London home at 9, Hyde Park Gardens and later to Jersey. ** Label applied verso , 'The Property of the Estate of the Late Mrs. Dorothy Hart, formerly of Villa Millbrook and Millbrook Place, Jersey, by Order of the Executors'. *** Accompanied by a signed Christmas card from Dorothy Hart and a newspaper cutting from the Jersey Evening Post, dated Feb. 24th 1965, featuring a tour of the collection. **** Condition: A few tiny retouches. Canvas is loose to lower half of the canvas and would benefit from attention to stretching. Some frame abrasions to margins and small dent/abrasion to canvas to left of head, with several other small indentations in the same area. Long light scratch to lower left and another horizontal scratch centre right. Would benefit from a clean.
Los 724
Alfred G. (Jim) Foster (American, fl. 1940s-50s) 'Lower Manhattan' pen and ink, signed and inscribed 8¾ x 6½in. (22.25 x 16.5cm.); together with four other pen and ink works by the same hand, including 'Diver', 'Branch Brook Park II' and two others. (5) *Condition: - Lower Manhattan: Very faint mount burn. Otherwise very good. - Diver: Mount burn and light toning to paper. Otherwise good. - Branch Brook Park II: Some foxing. - Portrait of George Pettengill III: Some toning and foxing. - Christmas card: Good with very minor foxing.
Los 740
18th century English School, after Sir Godfrey Kneller Portrait of Queen Anne, full length, in robes, holding the orb and sceptre oil on canvas, inscribed "Queen Anne by Kneller" to stretcher and canvas verso, in an 18th century giltwood foliate and floral decorated frame 28¼ x 19¾in. (71.75 x 50.25cm.) *Condition: Canvas has not been lined. Stretcher line visible to right side, surface is dirty and would benefit from cleaning. Surface appears stable across the vast majority of the canvas, with even craquelure. However, the lower 1in. above the lower margin has heavier craquelure to the left hand side and centre and the canvas is bulging slightly here. Several of the wedges are missing from the corners. Minor abrasions around the margins from contact with frame. Frame has some small losses and has old gold overpainting which has darkened over time.
Los 742
English School, 18th century Portrait of a young girl, three quarter length, standing beside a window, holding a posy, in a blue off the shoulder dress with lace trim, a floral garland in her hair oil on canvas, in an 18th century carved giltwood frame 29¼ x 24¼in. (74.25 x 61.5cm.) *Condition: Old relining. Surface is stable and even. Heavy old varnish which has discoloured throughout. It has also caused a wide, horizontal stripe to appear across the top of the canvas, through the girl's hair, which also shows heavier craquelure than the rest of the surface. Due to the heaviness of the varnish, retouching is difficult to make out under UV - however, it is visible in places around the margins and some scattered retouches are visible across the canvas.
Los 757
John Saint-Helier Lander (Jersey, 1869-1944) Portrait of Elsie Esther Cornish, aged 7, seated at a table with her doll and tea set oil on canvas, signed and dated 'J.H. Lander/Nov 15 1889' (lower left) 36¼ x 40in. (92.1 x 101cm.) * Provenance: Christie's Interiors including paintings, drawings and watercolours from the collection of the late John Appleby, London South Kensington, 1st March 2011, lot 492 *Condition: Good condition with no faults.
Los 760
Edmund Blampied, RE (Jersey, 1886-1966) Self Portrait in traditional Tyrolean costume, smoking an Austrian pipe pen and ink on toned paper, inscribed by the artist, "To friend Ged from Blampi E. Just back from Aus. Tyrol" 7¾ x 5¼in. (19.6 x 13.2cm.) * Executed when the artist and his wife Marianne drove with their French friends Philippe and Lucie Lizon from Paris to Seefield in the Austrian Tyrol, July 1936 ** Provenance: Selective Eye Gallery, St. Helier, Jersey, August 1994 *Condition: Good condition.
Los 860
An 18th century heart shaped gold, silver and ruby portrait pendant probably Continental, the portrait of a young lady in watercolour on ivory, wearing a yellow and white low cut dress and blue shawl and choker necklace, behind bevelled glass in a silver and yellow gold pendant mount, the bezel set with rectangular cut rubies, with pierced foliate hinged bale, 4.25 x 3.1cm.
![* Lewis (John Frederick). Collection of 11 views from Lewis's Sketches and Drawings of the Alhambra, [1835], hand-coloured ti](https://cdn.globalauctionplatform.com/f5399dcd-9895-4006-9620-ab1400ddab44/a5f087dc-cfc8-4a3d-a654-ab14011cb306/468x382.jpg)
Los 152
Churchill (Winston Spencer). Ian Hamilton's March, 1st edition, Longmans, Green, & Co., 1900, portrait frontispiece, folding map, 2 leaves of publisher's advertisements and 32pp publisher's catalogue (dated 7/00) at rear, minor spotting, original dark red cloth gilt, a little rubbed and slightly faded on spine, lower joint partly split, 8vo (Qty: 1)NOTESWoods A5.
Los 157
Churchill (Winston Spencer). General Election poster, printed by Tulip Press and published by Col. W.H. Barlow-Wheeler, [1959], printed in black on white paper with central portrait of Churchill's head with letterpress above and below, 'General Election 1959, Woodford Parliamentary Division, Vote for [Churchill] on Thursday, 8th of October 1959', small crease to lower left corner, 38 x 23 cm, together with four copies of a related poster printed by Maysigns and published by Barlow-Wheeler, [1959], showing the blue silhouette of Sir Winston Churchill's head with trademark cigar, imprint details to lower margin, 38 x 25 cm, glued together as one block at upper margin, plus a related letter on Chartwell letterhead, dated October 1959, with facsimile blue signature, one page, 4to (Qty: 6)
Los 160
Camden (William). Britannia: or a chorographical description of the flourishing kingdoms of England, Scotland, and Ireland, and the Islands Adjacent; from the earliest antiquity..., enlarged by the latest discoveries, by Richard Gough, 4 volumes, 2nd edition, London:John Stockdale, 1806, printed title to each volume, portrait frontispiece to volume one, 48 folding maps by John Cary, all with contemporary hand colouring in outline, 3 uncoloured folding maps and 5 single sheet maps, 103 engraved plates (including 7 folding), variable spotting and offsetting, most hinges cracked, 19th century half calf gilt, joints cracking or cracked, volume one front board detached, worn and rubbed, folio (Qty: 4)
Los 178
Warwickshire. An illuminated presentation album, containing watercolours of Warwickshire landmarks & views by Herbert Edward Cox, October 1904, presented to F.G. Green Esq. H.M.I. on his retirement as an inspector of schools from local teachers' associations October 1904, comprising 2 leaves of thick board with presentation title and address signed by association members, and 18 watercolours by H.E. Cox of Warwickshire landmarks & views, each window mounted on 8 thick board leaves (including circular, oval and rectangle portrait & landscape formats, mounted back-to-back), views include Coventry, St. Michael's Spire, St Mary's Hall, Ford's Hospital, Royal Pump Room, Henwood Mill, Griff House, Solihull Church, Coton Church, Warwick Castle, Leamington Bridge, Adelaide Bridge, Guy's Cliffe, Kenilworth Castle, Leicester's Hospital, Stratford-on-Avon Church, Shakespeare's Birthplace, and Ann Hathaway's Cottage, each signed by the artist and dated 1904, dimensions vary from approximately 15 x 11 cm to 9 x 10.5 cm, occasional light finger-soiling to margins and few marks, all edges gilt, marbled endpapers with black calf leather hinges, contemporary black calf, upper board with five roundels containing watercolour armorials of Warwickshire, Coventry, Royal Leamington Spa, Warwick and Stratford-on-Avon, neatly rebacked, extremities rubbed, covers slightly scuffed, oblong folio, leaf size 24.7 x 37.6 cm (Qty: 1)NOTESHerbert Edward Cox (1870-1941) was born in Coventry, the fifth of seven children born to James and Sarah Cox. He attended the Grammar School, and after the death of his father in 1887 he trained to paint at the Municipal School of Art in Coventry, becoming a designer and draughtsman. The family moved in 1901 to Eastbourne, where his mother kept a lodging house and he took up textile design. Herbert returned to the Midlands after marrying fellow Coventrian, Margaret Shilton, a secondary school teacher, in Yorkshire. He taught painting at the Coventry Technical Institute and became recognised locally as an accomplished artist, recording street scenes of pre-war Coventry and many surrounding villages and towns.
Los 188
Phillips (John). Memoirs of William Smith, LL.D., Author of the "Map of the Strata of England and Wales", by his Nephew and Pupil John Phillips, 1st edition, London: John Murray, 1844, engraved portrait frontispiece, four profile portrait plates (including one in silhouette), illustrations and diagrams to text, publisher's list at rear, a few minor spots, light toning to fore-edge margins, front endpaper with 20th century ownership signatures, hinges cracked, original brown blindstamped cloth, spine torn and head and foot with loss (2 cm at foot & 6 cm at head), 8vo, together with Sheppard (Thomas) , William Smith: His Maps and Memoirs, Hull: A. Brown & Sons, 1920, black & white plates and folding plans, illustrations and tables, original cloth, frayed at head & foot of spine, joints split, 8vo (Qty: 2)NOTESPhillips: Only 500 copies printed.
Los 193
Foà (Edouard). After Big Game in Central Africa..., translated from the French, with an Introduction by Frederic Lees, 1st edition, Adam & Charles Black, 1899, additional half title, portrait frontispiece, numerous black and white illustrations throughout, single page map of Africa and half-tone illustrations and advertisement at rear, one plate detached and crudely taped in, slight spotting to title, manuscript presentation inscription to verso of front endpaper, top edge gilt, publisher's blue cloth with gilt elephant motif to upper siding, spine a little faded, worn and rubbed at extremities, 8vo, together with Macintyre (Major-General Donald, V.C.), Hindu-Koh: Wanderings and Wild Sport on and beyond the Himalayas, new edition 1891, additional half title, frontispiece of a collection of big game trophies with key plate, numerous illustrations throughout, two manuscript ownership inscriptions to first front blank, publisher's blue cloth gilt, a little worn at extremities, 8vo, with Arbuthnot (Thomas S.). Grand Safari, William Kimber, 1854, additional half title, numerous illustrations throughout, publisher's cloth gilt, dust jacket worn and frayed, torn with some loss and stained with old sellotape marks, 8vo, plus Manners (Harry). Kambaku!, 1st English edition, Frederick Muller, 1981, additional half title, numerous illustrations throughout, map of Mozambique endpapers, publisher's cloth gilt, dust jacket price clipped, 8vo, and Sanches-Ariño (Tony). On the Trail of the African Elephant, 1st edition, Rowland Ward, 1988, additional half title, colour portrait frontispiece, title signed by author numerous colour and black & white illustrations, 'zebra-pattern' endpapers, publisher's cloth gilt, dust jacket, 8vo with ' Doctari'. Nyati a guide to Hunting Zimbabwe's most dangerous big game, The Southern Buffalo, Mag-set publications 1996, additional half title, numerous colour illustrations throughout, publisher's leatherette gilt, dust jacket, slim 8vo (Qty: 6)
Los 200
Radcliffe (F.P. Delmé). The Noble Science: A few general ideas on fox-hunting, for the use of the rising generation of sportsmen, and more especially those of the Hertfordshire Hunt Club, 1st edition, R. Ackermann, 1839, engraved frontispiece, additional title, engraved portrait, wood-engraved illustrations, a little minor spotting, presentation inscriptions at front, bookplate, top edge gilt, contemporary maroon half morocco, spine lettered in gilt with fox mask decorations, edges slightly rubbed, 8vo (Qty: 1)
![[Law]. Sammelband of English legal tracts, [c.1590]-1610, comprising: 1. Salter[e]n (George), Of the Antient Lawes of Great B](https://cdn.globalauctionplatform.com/f5399dcd-9895-4006-9620-ab1400ddab44/9152996e-22f5-4390-bae7-ab14011ce58f/468x382.jpg)
Los 214
[Law]. Sammelband of English legal tracts, [c.1590]-1610, comprising: 1. Salter[e]n (George), Of the Antient Lawes of Great Britaine, 1st edition, London: for John Jaggard, 1605, retaining initial blank [A1] with manuscript list of contents in a contemporary hand recto, 2. Smith (Sir Thomas), The Common-Wealth of England, and the Maner of Governement thereof ... Newly corrected and amended, London: for John Smethwicke, 1609, with final blank, 3. Clerke (William), The Triall of Bastardie: that Part of the Second Part of Policie, or maner of Governement of the Realme of England: so termed, Spirituall, or Ecclesiasticall. Annexed at the end of this Treatise, touching the Prohibition of Marriage, a Table of the Levitical, English, and Positive Canon Catalogues, their Concordance and Difference, 1st edition, London: Adam Islip, 1594, woodcut tables, small spill-burn in H1 affecting a letter either side, 4. [Egerton, Thomas, 1st Baron Ellesmere], The Speech of the Lord Chancellor of England, in the Eschequer Chamber, touching the Post-nati, 2nd edition, London: for the Societie of Stationers, 1609, with the initial and final leaves (blank but for box-rules) 5. [Selden, John], The Duello or Single Combat: from Antiquitie derived into this Kingdome of England, with severall kindes, and ceremonious formes thereof from good authority described, 1st edition, London: by G. E. for J. Helme, 1610, title-page with early ink annotations verso (including date 1683), 6. [Morice, James], A Brief Treatise of Oathes exacted by Ordinaries and Ecclesiasticall Judges, to answere generallie to all such Articles or Interrogatories, as pleaseth them to propound. And of their forced and constrained Oathes ex officio, wherein is proved that the same are Unlawfull, 1st edition, [Middleburg: Richard Schilders, c.1590], with final blank, manuscript list of contents in contemporary hand to initial blank of first work, with ownership inscriptions 'Jackson' and 'Mr Jumper', 17th-century blind-ruled calf, small section of wear on front joint, 4to (19.2 x 13.5 cm) (Qty: 1)NOTESProvenance: Private Collection, Shropshire. Beale T327 (Clerke), T261 (Morice); ESTC S116514 (Salteren), S117647 (Smith), S108078 (Clerke), S100270 (Egerton), S117105 (Selden), S112894 (Morice); Pforzheimer 951 (Smith); STC 21635 (Salteren), 22862 (Smith), 5411 (Clerke), 7540.5 (Egerton), 22171 (Selden), 18106 (Morice); Sweet & Maxwell I pp. 41.29 (Salteren), 475.8 (Clerke), 156.19 (Egerton, erroneously calling for a portrait), 44.14 (Selden), 568.4 (Morice). These are the only editions of the works by Salteren, Clerke and Morice. Sir Thomas Smith's Common-wealth of England was first printed in 1583 as De republica Anglorum .
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Donne (John). Poems, by J. D. with Elegies on the Authors Death, 3rd edition, London: printed by M. F. for John Marriot, and are to be sold at his shop, 1639, engraved portrait frontispiece by William Marshall possibly after Nicholas Hilliard, short closed tear to lower margin of V4, spine lined with a contemporary manuscript fragment, contemporary sprinkled sheep ruled in blind, second spine-compartment lettered in gilt, restoration to spine-ends, joints rubbed, 8vo (14.8 x 9 cm) (Qty: 1)NOTESProvenance: 1) 'Sum e libris Samuelis Mee e Coll Wadd: 87' (contemporary ink inscription to front free endpaper). 2) Sir Geoffrey Keynes (1887-1982), bibliographer of Donne; given to his wife Margaret Darwin (1890-1974) as an engagement present in 1916 (ink inscription 'G. L. K. to Margaret Darwin, 16 Dec 1916' to front pastedown). 3) Purchased by John Lawson (1932-2019) direct from Keynes presumably after 1974 (laid-in note in John Lawson's hand: 'GLK's engagement gift to Margaret Darwin (Charles's grandaughter). Geoffrey had just finished erasing the date when I spotted what he was doing and bought it off him'). ESTC S1702; Grolier Wither to Prior 288; Keynes 80; Pforzheimer 297; STC 7047.
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