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283287 Los(e)/Seite
Los 513
A COLLECTION OF PORTRAIT MINIATURES Comprising; seven male portraits and two female, watercolour on ivory and paper, various sizes, 19th/20th century, smallest 4 x 3.5cm to 10 x 8cm (9) CITIES certificate in placeCITES submission reference: 24604108956 Condition Report:Available upon request
Los 962
BRITISH SCHOOL (20TH CENTURY) PORTRAIT OF A WOMAN WEARING A HAT AND DECORATIVE SHAWL Oil on canvas laid on panel, 59 x 49cm (23 x 19") Condition Report:The panel appears bowed in a convex manner and there is fine craquelure evident over the darker passages. There is a horizontal incised score line in the pigment located top left area.
Los 208
A BOHEMIAN GLASS VASE the cranberry body overlaid with white glass and cut back with a roundel, painted with the portrait of a young woman, 20.5cm high, together with a Bohemian glass with painted enamel decoration and a continental bonbon dish, amber flashed and etched with stag hunting scene (3) Condition Report:Available upon request
Los 249
Beaton (Cecil), Cecil Beaton's New York, Batsford, 1938, first edition, original cloth; idem, Portrait of New York, Batsford, 1948, first thus, dust jacket; idem, Time Exposure, Scribner's & Batsford, 1946, first edition, dust wrapper; idem, Near East, Batsford, 1943, first edition, dust wrapper (4)Not collated, Cecil Beaton's New York lacking dust jacket, three remaining dust jackets with tears, creases and staining, all pages with foxing
Los 22
Studentika Fotoalbum mit Wappen "Corps Rhenania Freiburg", Deckblatt mit Widmung "Max Reichelt s./l. Freund und Leibbursch Vicki Klammroth z. frdl. Erg. Freiburg S. 1920", innen gemalte "Studenten Silhouette" und 9 diverse Portrait Photographien, unkomplett, beigegeben ein Bierzipfel mit Silber 800 Montierung, gewidmet an "V. Klammroth 1919/1920", 6x33x 22cm, leichte Alters- und Gebrauchsspuren
Los 1059
Bock, Arthur (1875-1957) Bronze Plakette "Portrait des Dichters Detlev von Liliencron (1844-1909)" mit einem Zitat aus seinem Epos „Poggfred“. Die Platte hing bis zur Zerstörung des Hauses im 2.Weltkrieg an der Fassade des Pilsener Bierhauses Deeke (Gr. Bäckerstr./Hamburger Altstadt), das im Epos erwähnt wird, 73x59cm, ca. 25kg
Los 32
EDUARDO ARRANZ BRAVO (Barcelona, 1941)."Portrait.Oil on canvas.Signed in the lower right corner.Size: 130 x 81 cm; 134 x 84 cm (frame).Eduardo Arranz Bravo trained at the Sant Jordi School of Fine Arts in Barcelona between 1959 and 1962. He made his individual debut in 1961, at the University Club of Barcelona, but the exhibition that made him known to the Barcelona critics was the one organised by the Barcelona Athenaeum in 1961. Between 1968 and 1970 he formed part of the group made up of Gerard Sala, Robert Llimós and Rafael Lozano Bartolozzi. He continued to collaborate with the latter until 1982, alternating joint and solo exhibitions. His contact with these artists influenced his initially abstract style, which approached the new figuration and pop art.He had exhibitions all over Spain, as well as in Paris, Amsterdam, Venice, São Paulo and Rio de Janeiro. In 1983 he held an anthological exhibition of his work at the Sala Gaspar in Barcelona, and between 1986 and 1988 he was in charge of the artistic direction of Jaime Camino's films "El balcón abierto" and "Luces y sombras". He took part in the VIII Salón de Mayo in Barcelona and in the exhibitions "Muestra de Arte Nuevo" (Barcelona, 1971), "Picasso 90" (Louvre Museum, 1971), "Experiencias conceptuales" (Barcelona, 1971-72), among others. In 1989 he presented an exhibition of the work of his last three years at the Museum of Modern Art in São Paulo, and an anthological exhibition at the Palau Robert in Barcelona. His prizes include the II Bienal Internacional del Deporte, the figure award of the Bienal Estrada Saladich, and the Ynglada-Guillot drawing prize. His work can be found in the Reina Sofía Museum in Madrid, the Fine Arts Museums of Vitoria and Seville, the Museum of São Paulo and the Museum of Modern Art in New York.
Los 85
PACO PEREGRÍN; (Almería, 1976)."Efimera,II".Caja de luz, 2018.Digital photography. Round LED light box 100 cm in diameter. Fine art print on Samba canvas with water-repellent and fireproof latex inks mounted with black phenolic wood profile Banova. Material and inks 100% ecological.Current edition of 10 copies plus an artist's proof. Copy 1/10.Enclosed certificate issued by the artist.Signed and numbered by the artist.Measurements: 100 cm (diameter).Exhibitions: Artificio position, retrospective of Paco Peregrín curated by Rafael Doctor Roncero at the Centro Andaluz de la Fotografía. Almería, 2018. Catalogue.Photo that belongs to a polyptych made up of 10 photographic works of different sizes, like a cosmology, where different periods and dimensions of the life cycle are symbolically captured. The series "Ephemeral" deals with the unknown and imperfect beauty. Focusing on the various interconnected artistic views of an androgynous female model, these images evoke the four ages of human beings (through aspects such as birth, breastfeeding, adolescent rebellion, maturity, ageing and death). Concepts such as existence, destruction, life and death are treated symbolically in this project, thus proposing a reflection on loneliness and the transience of life. This international and innovative project, which combines 3D computer graphics with digital photography, delves into the unknown origin and end of the human being and the fragile imperfect beauty as a metaphor for the ephemeral nature of beauty and life.The series focuses on a face that acts as a changing and versatile entity (plays of colour and light, marked features with unconventional make-up, movement and constant evolution). The face, the protagonist, stands out against a neutral background and alludes to a particular concept of beauty (sometimes unusual, alien and even monstrous), to its ephemeral nature and to the passage of time. Make-up, a symbol of consumerism, also functions as a mask, moving away from conventionalisms and the traditional representation of the portrait, reflecting on the idea of identity and constituting a proposal of make-up as a contemporary mask that camouflages and protects us and also helps us to construct a superego. With a dramatic and creative aesthetic, Efímera is a reflection on the passing of time, but also a powerful ode to diversity and freedom.Paco Peregrín is a visual artist and photographer from Andalusia, currently considered one of the world's leading talents in artistic, editorial and advertising photography, always highlighting his experimental side in all his work, characterised by its strength and forcefulness. He studied Fine Arts in Seville, adopting then a mystical sensibility of compositional schemes and chromatisms inspired by baroque art. He later trained at leading centres such as the International Center of Photography (New York) and the Central Saint Martins College of Art and Design (London). It is possible that it has been his theatrical experience that has allowed him the ability to direct the models in front of his camera, the development of his spatial perception and to show the body, presence and time in his work. He currently lives in Madrid, a detail that, together with his time in important cultural capitals, has added contemporaneity and freshness to his unique work. It is also important to highlight his wide experience in design, communication, theatre and painting. He alternates fashion photography for magazines such as Vogue, Harper's Bazaar or L'Officiel with commercial work for brands such as Dior, Chanel, Saint Laurent, L'Oréal Paris, Adidas, Nike, Gant, Toyota, Lancôme, Shiseido... with signature photography, having exhibited his work in galleries in New York, Paris, Barcelona, Beijing, Madrid, Berlin, Seville, San Sebastian, etc. and
Los 31
NO RESERVE Hayward (Sir John) The First part of the life and raigne of King Henrie the IIII. Extending to the end of the first yeare of his raigne, title with woodcut square of fleurons, woodcut head- and tail-pieces and decorative initials, with final blank, title rather soiled with ink ownership inscriptions to head, 1599 [i.e. ?1638] bound with The Life and Raigne of King Edward the Sixt, fine engraved pictorial title and portrait of the author, verso of final f. with woodcut printer's device and head-piece, S4 holed with loss to a few words of text, [by Eliot's Court Press, and J. Lichfield at Oxford?] for Iohn Partridge, 1630, together 2 works in 1 vol., light damp-staining and occasional soiling, contemporary calf, old, sympathetic reback, extremities rubbed, [STC 12997a & 12998], small 4to.⁂ Provenance: Richard Almack (possibly 1799-1875, Suffolk solicitor and antiquary); Lucy Melford (ink inscriptions).
Los 140
NO RESERVE Berkeley (George) The Works... to Which is Added an Account of his Life, 2 vol., first collected edition, engraved portrait frontispieces and 2 plates (1 folding), occasional spotting, bookplate to front pastedowns, contemporary red straight-grain morocco, arms of Trinity College Dublin in gilt to upper covers, rubbing and scuffing, g.e., 4to, Dublin, John Exshaw, 1784.⁂ The collected works by the Irish philosopher with the arms his alma mater Trinity College, on of the institutions with which he has become most closely associated. Provenance: John Rhodes (bookplate).
Los 112
NO RESERVE Butler (Samuel) Hudibras, 3 parts in 2 vol., engraved portrait frontispiece and 18 plates, 2 folding (1 defective), C6 working loose, light foxing, attractive contemporary red morocco, richly gilt, spines gilt in compartments, corners a little bumped, g.e., 12mo, for R. Chiswell, J. Tonson, T. Horne & R. Wellington, 1710.
Los 162
NO RESERVE Byron (George Gordon Noel, Lord) The Works, 16 vol., engraved frontispieces and vignette titles, some light foxing, contemporary half calf, spines gilt in compartments, covers rubbed, John Murray, 1832-3 § Johnson (Samuel) The Works, 12 vol., new edition, engraved portrait frontispiece, offset, foxing, contemporary calf, sympathetically rebacked, spines gilt in compartments with morocco labels, 1 label detached, rubbed, 1820; and 40 others, similar, 8vo (68)
![NO RESERVE Hieronymus (Eusebius) [Saint Jerome]. Divina Bibliotheca [Opera Omnia], 5 vol., engraved portrait frontispiece, en](https://cdn.globalauctionplatform.com/f2b2d7fe-1eb2-4d47-9ea5-aefa00caa4aa/453a7e53-de22-4bb8-acf9-aefb00c3b95c/468x382.jpg)
Los 99
NO RESERVE Hieronymus (Eusebius) [Saint Jerome]. Divina Bibliotheca [Opera Omnia], 5 vol., engraved portrait frontispiece, engraved folding map of the Holy Land (?only of 3), engraved vignettes, light marginal foxing, bookplate to front pastedowns, contemporary calf, rebacked, corners worn, rubbed, folio, L. Roulland; U. Coustelier, 1693-1706.⁂ A monumental work and an important contribution to Biblical criticism, overseen by Benedictine scholar Jean Martiany.Provenance: William van Mildert (bookplate).
Los 164
NO RESERVE Dickens (Charles) The Life and Adventures of Nicholas Nickleby, engraved portrait frontispiece and 39 etched plates, lower hinge weak, contemporary half calf, spine gilt in compartments, light rubbing to extremities, 1839; Bleak House, 2 vol., half-title, engraved frontispiece, title and 38 plates by Hablot K. Browne, occasional foxing or marginal toning to plates, some gatherings pulling, contemporary half calf, rubbed, 1853, first editions in book form; and 8 others, Dickens, 8vo (12)
Los 42
NO RESERVE Raleigh (Sir Walter) The Historie of the World in Five Bookes, title with engraved vignette portrait, 8 double-page engraved plates, with the initial "Minde of the Front" leaf but lacking engraved additional title, marginal worming, occasional damp-staining and light browning, contemporary calf, rebacked and partly recornered, with part of original spine laid down, gilt stamp to foot of spine corners worn, rubbed, new endpapers, [Wing R162], folio, [for Sam. Cartwright], [1652].⁂ Thomas William Chester Master (1841-1914, Conservative politician; gilt stamp to foot of spine).
Los 83
NO RESERVE English Civil War.- Burnet (Gilbert) The Memoires of the Lives and Actions of James and William, Dukes of Hamilton and Castleherald, etc. In which an Account is given of the Rise and Progress of the Civil Wars of Scotland, first edition, engraved portrait to half-title verso, engraved portrait of Charles I, vignette portrait to p. 380, full-page portrait to p. 416, without the 'Addenda' leaf inserted between a5 and a6, light soiling to title and margins, contemporary calf, rebacked, rubbed, corners worn, [Wing B5832], by J. Grover, 1677; and 4 others, English Civil War, folio & 4to (5)
Los 89
*** Please note, the description of this lot has changed *** NO RESERVE Stillingfleet (Edward) The Unreasonableness of Separation: Or. an Impartial Account of the History, Nature, and Pleas of the Present Separation From the Communion of the Church of England, first edition, occasional light browning, the odd rust-hole to text, signatures 3I - 3L misbound after 2Z4, ink inscription to endpaper, contemporary calf, extremities rubbed, [Wing S5675], by T. N., 1681 § Barrow (Isaac) A Treatise of the Pope's Supremacy. To Which is Added a Discourse Concerning the Unity of the Church, engraved portrait frontispiece, title page printed in red and black, some light marginal toning, ink ownership inscription to head of title and recto of frontispiece, contemporary calf, repairs to spine and corners, wear to extremities, [Wing B961 & B932] by Miles Flesher, 1680 § Hall (Joseph) Contemplations upon the Remarkable Passages in the Life of the Holy Jesus, lacking final advertisement f., title a little soiled, shaved at head and laid down, light foxing or browning, T4-X1 lower margins restored, touching catch-words, contemporary calf, rebacked, rubbed, wear to extremities, later endpapers, [Wing H376], by E. Flesher, 1679; and 3 others, similar, 4to (6)
Los 36
NO RESERVE Symmons (Edward) A Vindication of King Charles: Or, a Loyal Subjects Duty. Manifested in Vindicting his Soveraigne from those Aspersions Cast Upon Him by certaine persons in a scandalous Libel, engraved portrait frontispiece, woodcut initials and head-pieces, occasional light damp-staining to upper margin, the odd spot or light marginal soiling but a good, clean copy generally, 18th century calf-backed boards, joints a little cracked, light rubbing, [Wing S6350A], small 4to, n.p., 1648.⁂ Symmons was chaplain to Charles I.
Los 48
NO RESERVE Gassendi (Pierre) The Mirrour of True Nobility & Gentility. Being the Life of the Renowned Nicolaus Claudius Fabricius Lord of Peiresk, Senator of the Parliament at Aix, first edition, engraved portrait frontispiece (neatly laid down, corner repaired), lacking blank f. O8, light browning and occasional soiling, shaved at head affecting headlines and first word of title, some minor worming to lower margin, ink ownership inscription and bookplate to front pastedown, later calf, rebacked, rubbed and scuffed, [Wing G295], 8vo, J.Streater for Humphrey Moseley, 1657.⁂ Nicolas-Claude Fabri de Peiresc (1580-1637) French astronomer and antiquary.Provenance: Charles Edward Doble (1847-1914, Assistant Secretary to the Oxford University Press; bookplate); Henry Layard Smith (1869-1949, author and Evelyn scholar; ink inscriptions).
Los 136
NO RESERVE Vertue (George) A Description Of Nine Historical Prints, Representing Kings, Queens, Princes, &c. Of The Tudor Family, 11 double-page engraved plates, final two plates window-mounted, the last with short repaired tear, occasional scattered foxing or light toning, 19th century half calf, joints cracked, spine chipped and worn, rubbed, folio, Society of Antiquaries of London, 1776.⁂ With two additional plates supplied at end: Van Dyke's portrait of Charles I and Henrietta Maria and "A View of the Courts of Wards and Liveries...".
Los 52
NO RESERVE Parival (Jean Nicolas de) The Historie of His Iron Age, second edition, engraved portrait frontispiece and 10 plates only (of 11), 2E1 with portion of loss to lower corner touching text, occasional foxing and staining, some browning, contemporary panelled calf, spine ends and corners bumped, rubbed, [Wing P361A], for J. Crook, 1659 § Strada (Famiano) De Bello Belgico, The History of the Low-Countrey Warres, first English edition, engraved portrait frontispiece and 11 plates only (of 13), frontispiece laid down with some marginal repair, occasional staining, 20th century leather, spine ends chipped, extremities rubbed, [Wing S5777], for Humphrey Moseley, 1650, folio (2)
![NO RESERVE [Micanzio (Fulgentio)] The Life of the most Learned Father Paul [Sarpi], of the Order of the Servie..., translated](https://cdn.globalauctionplatform.com/f2b2d7fe-1eb2-4d47-9ea5-aefa00caa4aa/e23fb8ba-65e5-41c6-b55b-aefb00c3c065/468x382.jpg)
Los 41
NO RESERVE [Micanzio (Fulgentio)] The Life of the most Learned Father Paul [Sarpi], of the Order of the Servie..., translated out of the Italian by [John Saint-Amard], first edition, engraved portrait frontispiece, 4pp. advertisements at rear, tear to M2 running through text, upper hinge broken, contemporary sheep, rubbed, [Wing M1959], 8vo, Humphrey Moseley & Richard Marryat, 1651.⁂ Scarce biography of Paolo Sarpi by his friend and secretary Micanzio. Sarpi (1552-1623), a Venetian scientist, historian and statesman who corresponded with Francis Bacon and William Harvey. He was a friend and patron of Gelileo Gelilei who is mentioned in the present work.
Los 110
NO RESERVE Prayer books.- Tillotson (John) A Form of Prayers, Used by his late Majesty K. William III, fourth edition, engraved portrait frontispiece, contemporary morocco, gilt, a little rubbed, g.e., J. Barnes, 1704; and 2 others, prayer books, including one in an unusual sombre binding, 12mo & 8vo (3)
Los 90
NO RESERVE Presentation copy.- Baxter (Richard) The Catechizing of Families: a Teacher of Housholders how to Teach their Housholds. Useful also to School-Masters and Tutors of Youth, first edition, presentation copy from the author with ink inscription "T. Foley ex Dono Authoris" to blank leaf facing title, engraved portrait frontispiece, bookplate to pastedown, contemporary calf, rebacked, later endpapers, rubbed, wear to extremities, [Wing B1205], 8vo, T. Parkhurst and B. Simmons, 1683.⁂ A presentation copy from the author to his friend and supporter. Thomas Foley (1617-77) was an industrialist who inherited his father's business in the iron industry. He built Whitley Court in Worcestorshire and founded Old Swinford Hospital (a school at Stourbridge). Foley acquired church patronage around Kidderminster and through this link became acquainted with Baxter. Baxter referred to Foley as "a truly honest man ... who from almost nothing did get about 5,000l. per ann. or more by ironworks, and that with so just and blameless dealing that ever he had to do with that ever I heard of magnified his great integrity and honesty, which was questioned by none."Provenance: Thomas Foley (1617-77, presentation inscription); "Foley" armorial bookplate.
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283287 Los(e)/Seite