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283284 Los(e)/Seite
Los 228
The Royal Mint- The 2011 UK Gold Proof Sovereign Four Coin Set, 22ct, ltd 10/200, proof struck, obv. IRB portrait ERII, rev, Pistrucci's George & dragon, comprising Double Sovereign 15.97g, Sovereign 7.98g, Half-Sovereign 3.99g and Quarter-Sovereign 1.99g, plastic capsules, certificate, fitted wooden box and out box
Los 243
Eleven various Royal Mint Silver Proof issue: 1992-93 EC Piedfort 50p, 1994 Piedfort £2 Tercentenary Bank of England, UK 2008 £1, UK 2008 £1 Royal Shield of Arms £1, 2007 UK £1, 2006 UK £1, and 1907-2007 'Be Prepared' 50p, UK 2006 £2 Brunel (bridge), UK 2006 £2 Brunel (portrait), UK 2007 £2 Bi-centenary Abolition of Slave Trade, UK 2007 £2 300th Ann Act of Union, all in plastic capsules with boxes and certificate, (11)
Los 251
Westminster- History of The Royal Family Coloured Portrait Collection 2009-2010- 12x 24ct gold-plated One Dollar coins with certificates, together with 4x similar coins from Coronation Jubilee 2013 and 4x Diamond Jubilee, in plastic capsules with certificates and display box (20x gold-plated colour portrait coins in total)
Los 70
An unusual .935 silver-cased wristwatch, appears to be converted from a fob watch, the front of the case with hinged cover relief moulded with a portrait of Field-Marshal Sir John French, the white enamel dial with Arabic numerals denoting hours and subsidiary seconds dial, in silver Brevet case, on black leather strap
Los 402
JOHN CLOSTERMAN (GERMAN 1660-1711) THREE QUARTER LENGTH PORTRAIT OF JOHN PACKER (1660-1771) in blue Oil on canvas(127cm x 102cm (50in x 40in))Provenance: Collection of Dr. John A. Packer, EdinburghFootnote: Provenance: Groombridge Place, Kent Note: The sitter was the second son of Philip Packer and his first wife Isabella Berkeley of Spetchley. He inherited Groombridge from his father in 1686.
Los 407
16TH/17TH CENTURY ENGLISH SCHOOL THREE QUARTER LENGTH PORTRAIT OF KING HENRY VIII Oil on panel(28cm x 23cm (11in x 9in))Footnote: Provenance: The Property of the late 5th Duke of Sutherland, George Granville Sutherland-Leveson-Gower (1888-1963), Christie’s, London, 3rd November 1972, lot 191, as 'Holbein, Portrait of King Henry VIII, small half length', stencil number verso. Note:The present work relates to the now lost original by Hans Holbein the Younger for the mural at the Palace of Whitehall, destroyed by fire.
Los 413
ALLAN RAMSAY (SCOTTISH 1713-1784) HALF LENGTH PORTRAIT OF MRS GRANT OF PRESTONGRANGE Signed, inscribed and dated 1749, oil on canvas, feigned oval(76cm x 63.5cm (30in x 25in))Footnote: Provenance: By family descent through the sitter's son-in-law Sir George Suttie Sotheby's 14th April 1948 bt. Doig Wilson & Wheatley Dowell's 6th December 1963 bt. Gordon & Gordon Note: The daughter of the Rev. William Miller of Neilston, Renfrew, she married William Grant, Lord Prestongrange c.1729 Literature: Alistair Smart, Allan Ramsay 1999, p.169, fig.319
Los 505
Y PORTRAIT MINIATURE OF POPE INNOCENT XII EARLY 19TH CENTURY oil on ivory, the subject seated in a red velvet chair, dressed in white, red and cold papal regalia, his left hand resting on the triregnum, his right hand pointing to the note 'A.S.S./ PAPA SISTO V./ Gan***netti?', in a Florentine giltwood frame(20cm x 15.5cm)Footnote: Note: Innocent XII served as Pope from 1691-1700. The note in his lap to which he is pointing is a reference to Pope Sixtus V, who served 1585-1590. Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Los 569
GERMAN VIOLIN, LOUIS LOWENDALL, DRESDEN DATED 1883 the two piece curly maple back stamped 'DRESDEN' and 'REGISTERED' and painted with a portrait of the violinist Ludwig Spohr, the button with a Registration stamp and number 390660, the back of the scroll branded 'LOWENDALL'S ARTIST VIOLIN'; the front of ash with interior label 'Louis Lowendall/ fecit Dresdæ. Anno 1883'; TOGETHER WITH a bow stamped GERMANY and branded initials ACHM in a cross, 740mm long; in a baize-lined wood case with extra keys, frets, strings, and tailpiece(back 358mm long, upper bout 170mm, lower bout 214mm)Footnote: Note: Ludwig Spohr, 1784 -1859, was a German composer, violinist, and conductor. Highly regarded during his lifetime, he toured extensively through Europe, and made six tours of England beginning in 1820. He composed more than one hundred and fifty works in the Romantic style, but fell into obscurity for most of the 20th century, but has experienced a rediscovery over the last few decades.
Los 41
Edward Hughes (British 1832-1908), mid length portrait depicting a young lady wearing a white gown, oil on canvas (laid on board), 41cm x 56cm, signed and dated 1894 verso, gilt frame 52cm x 67cm. Condition - canvas has been cut down and stuck to board, signature and date is on a piece of canvas which has been stuck to reverse of board, no evidence of restoration, minor losses.
Los 43
Paul O. Croeber (German, b.1874), half length portrait depicting Captain Lancelot Raimes of 5th Bn., Durham Light Infantry, Curate at Barnet, died of wounds in battle at Bailleul 1916, oil on canvas oval, 55cm x 64cm, signed and annotated verso, moulded frame 67cm x 86cm. Condition - craquelure and minor losses, canvas slack upper left, various wear to frame including split to bottom, losses etc.
Los 517
A Victorian scrap book album circa 1865, presented from Robert Hindmarsh Grundy (1816-1865), to his niece Lucy Grundy on the occasion of her Birthday, wife to Thomas Leeming Grundy and later second wife to Edwin Landseer Grundy, son of the engraver John Clowes Grundy (1806-1867), godson and named after Sir Edwin Landseer (1803-1873), the album comprising mainly original watercolours and sketches by Edwin Landseer Grundy and Robert Hindmarsh Grundy among other works, verses and autographs, most notably an original hand written poem entitled 'The Ways of Heaven', addressed to Lucy Grundy from the Manchester poet Charles Swain (1801-1874), other notable works include a pencil sketch by William Wardlaw Laing and an untitled sketch depicting Laing playing the violin, a portrait depicting Lord Byron monogrammed R.H.G. and also signed by Lord Byron, a page of autographs including Sir Robert Peel (1788-1850), over 100 pages, together with a further book of original sketches by Edwin Landseer Grundy depicting scenes mainly from maritime travel. Condition - embossed and gilt leather bound, gilt edge paper, 24cm x 29cm, lacking spine, most of the pages are still held together, the extra album of sketches has only one board,
Los 11
* Cameron (Julia Margaret, 1815-1879). A Study of The Cenci, circa 1870, albumen print portrait of May Prinsep posing as Beatrice Cenci, wearing a patterned headscarf wrapped around her head and shoulders, 32 x 26 cm, pasted on board, framed and glazedQty: (1)NOTESNo other copies of this portrait have been located. Photographs of May Prinsep posing in a plain headscarf for the same study of The Cenci are found in Cox and Ford Catalogue Raisonné, nos. 409-412. These were photographed in 1870, two years after studies of the same subject by Kate Keown, nos. 988-989, seen wearing the same patterned headscarf. Beatrice Cenci was a 16th-century Roman woman who plotted the death of her tyrannical, abusive father, Count Francesco Cenci. The subsequent, lurid murder trial in Rome gave rise to an enduring legend about her. She was condemned and beheaded for the crime in 1599. A symbol to the people of Rome of resistance against the arrogant aristocracy, and the subject of a number of literary and musical works, notably Percy Bysshe Shelley's first drama The Cenci: A Tragedy in Five Acts (1819).
Los 126
* Cody (William Frederick 'Buffalo Bill', 1846-1917). A full-length portrait of Cody in buckskins seated on a chair, circa late 1870s, oval albumen print, pasted on card, 12.5 x 9.5 cm, framed and glazed, together with two gelatin silver print snapshots of Native American Indians from Buffalo Bill's Wild West passing on horseback in front of the Jennison Hardware Store, Bay City, Michigan, 22 August 1899, each 7.5 x 7.5 cm, inscribed in Czech in pencil to versosQty: (3)
Los 127
* Copland (Aaron, 1900-1990). Portrait of the composer Aaron Copland, photographed by Gordon Parks (1912-2006), c. 1955, printed c. 1980, gelatin silver print, Copland seated and smiling with photographs on the wall behind him, image 24 x 16 cm, red ink stamp of the Toni Parks Collection to versoQty: (1)
Los 142
Frith (Francis, 1822-1898). Egypt & Palestine Photographed and Described, volume 1 (of 2), 1st edition, James S. Virtue, [1858], with oval albumen print portrait of Frith in Turkish dress and 36 (complete) other mounted albumen prints, images 15.5 x 22.5 cm or the reverse, each with guards and printed descriptions, some scattered spotting, contents shaken and a few leaves detached, contemporary green half morocco gilt, some edge wear and a little wear to spine, folio (43.5 x 31.5 cm)Qty: (1)NOTESFirst edition of Frith’s earliest work. Blackmer 1942; Gernsheim Incunabula 88; Goldschmidt & Naef 61.
Los 166
* Kernot (Peter, 1937-1995). Bill Brandt and Model, 1980, large gelatin silver print, 50 x 40 cm, together with a portrait of Bill Brandt in polo neck and jacket, circa 1980, gelatin silver print, 38 x 26 cm, indistinct stamps of the unidentified photographer (? Patrick Booth) to verso, both contained in a distressed Ilford photographic paper box with remains of Marlborough Gallery label and inscription for Barbara Lloyd from KernotQty: (2)
Los 172
* Lord Snowdon (1930-2017). Portrait of Oliver Messel, 1956, giant vintage bromide print, 75 x 100 cm, framed and glazedQty: (1)NOTESProvenance: Oliver Messel. Lord Snowdon's portrait of his uncle, Oliver Messel, was taken in Venice in 1956. The photographer has written that Oliver Messel taught him 'to use my eyes'. C.T. Messel, Oliver Messel in the Theatre of Design, New York, 2011, illustrated opposite foreword by Lord Snowdon.
![* Barve (Man[a]har, 1910-). Master Manhar Barve, infant prodigy of music, Bombay, India, circa 1920, a full-length portrait o](https://cdn.globalauctionplatform.com/d1caae13-8ef2-4e3e-b0cf-ad1800d548c7/0cc588dd-4266-4445-8ba4-ad1a00bf3c16/468x382.jpg)
Los 176
* Barve (Man[a]har, 1910-). Master Manhar Barve, infant prodigy of music, Bombay, India, circa 1920, a full-length portrait of the seated musician playing a type of sitar, image 14.5 x 10cm, on original photographer's card mount with embossed border, printed credit of the photographers' Wiele & Klein, Madras and printed caption at foot, framed and glazed, 29 x 21.5cm overallQty: (1)NOTESFor further early biographical information about Master Manahar Barve see Ethel Rosenthal, The Story of Indian Music and Its Instruments, Willam Reeves, 1928, especially pp. 141-9.
Los 180
* Military Ambrotypes. A group of 4 quarter-plate ambrotypes, including portrait of a young bandsman, probably Royal Company of Archers, by R.B. Bustin, Hereford, circa 1858, hand coloured, leather case; a soldier of the 76th Foot, circa 1860, some flaking to red paint on tunic, leather half case; a sergeant of the Royal Artillery, circa 1860, beveled gilt wooden frame, detached; a uniformed police sergeant, circa 1865, some black emulsion loss to backing, glazedQty: (4)NOTESProvenance: Collection of Jack Webb (1923-2019), London.
Los 188
* Paris Commune, 1871. A collection of 35 mounted albumen print photographs on rectos and versos of three large album leaves, featuring 28 mostly carte-de-visite size, portrait of the major pickers in France at the time of the commune including Rossel, Manteuffer, Olivier, Emperor Napoleon, McMahon, Bazaine, Favre, Trochu, Joinville, Chambord, Courbet, Grousset, Thiers, Rochefort, Gambetta, Blanc, Dombroski, et al, also a similar size photograph of the Vendome Column in ruins and six architectural photographs mostly showing damage, neatly pasted onto stiff card mounts with extensive manuscript captions in English, each leaf 39 x 30cmQty: (3)
Los 190
* Poll (Willem van de, 1895-1970). A group of 14 gelatin silver print photographs, circa 1950s, including 10 portrait studies of the heads of two young women including two duplicates, together with two photographs of a family picnic and two still life studies, all with ink credit stamps to versos, 20 x 25 cm (the last two 28 x 23 cm), together with two studio portraits of women by the Belgian photographer Edmond Moulu (1894-1962), including one Gevalux print, 29 x 23 cm & 21.5 x 16 cm, both with signature in red to lower marginsQty: (16)
Los 2
* Ambrotypes. A pair of quarter-plate ambrotypes, circa 1870s, half-length seated portraits of a middle-aged man and woman, possibly his wife, a little colour tinting and some gilt jewellery highlights on the woman's portrait, white and gilt passe-partout mounts with moulded wall frames, minor chipping, glazed, together with a third hand-coloured ambrotype of a seated woman with a baby on her lap, gilt highlights, tortoiseshell passe-partout mount in moulded wall frame, plus a fourth half-plate ambrotype, three-quarter length portrait of a seated man reading a paper with a top hat on the table beside him, half case with eye-hook, slightly distressed, glazedQty: (4)
Los 210
* Stereoviews. A group of approximately 200 mostly travel & topographical stereoviews, plus a group of approximately 30 portrait cabinet card photographs, many of politicians and mostly signed, subjects include Lord Milner, Joseph Parker, Lord Salisbury, H.H. Asquith, Earl Londonderry, Lord Avebury, etc., plus a late 19th-century album of albumen prints of British topographical views and three snapshot albums, early 1920s, including Tonbridge Grammar School and Bedford College for Women sports teams' photographsQty: (a carton)
Los 28
* Crimean War. Portrait of Captain Richard Surtees Sherwood, Turkish Cavalry Contingent, 17th Bombay Lancers, circa 1855, albumen print, three-quarter length in regimental uniform with gouache highlighting, 19 x 15.5 cm, mounted as the centre of triptych with a pen and ink drawing en grisaille by Edward Wray mounted to the left, 17 x 25 cm, signed on the mount and captioned in ink 'The grave of Captain Sherwood at Arglie (?), Crimea, sketched on the spot by one of his friends', and with a true copy contemporary manuscript letter mounted to the right of the portrait, from R.J.H. Vivian, Lieutenant General Commanding Turkish Contingent, Headquarters, Kertch, 21 December 1855, to E.B. Ramsay, Secretary of State at the War Department, concerning the death of Captain Sherwood, 'This officer was engaged in a skirmish that took place on the 16th inst. between a detachment of our cavalry and a party of the Russian Cavalry, his gallantry in this affair was most conspicuous as is reported to me by the officers who commanded the detachment. Captain Sherwood was severely wounded and was carried off by the Russians and as I have since learned died on the 19th inst. from his wounds - I deplore his loss for he was an intelligent and very promising young officer - I have reason to believe that the treatment he received from the Russians was most humane and considerate', framed and glazed, 33.5 x 81 cm overallQty: (1)NOTESRichard Surtees Sherwood (1832-1855) was educated at Cheltenham College; Cornet, 1st Bombay Lancers 1849; Lieutenant 1853; Brevet Captain 1855. There is a memorial to Sherwood at Christ Church, Cheltenham. His sister married General Sir Sam Browne, V.C.
Los 29
* Daguerreotypes. A group of 10 daguerreotypes of men and women, circa 1850s/1860s, including 5 one-sixth plate daguerreotype, one by Kilburn of a young woman with gilt highlights in leather case, a double case with a young woman and now invisible portrait facing, plus 5 one-ninth plate daguerreotypes including one of a woman by Beard & Foard, Manchester & Liverpool, with solarised edges, most images with some solarisation and other marks, all but one in leather cases with some rubbing and wearQty: (10)
Los 46
* Framed Photographs. A large-format portrait of a young woman reading a letter, circa 1910, carbon print, 59 x 42 cm, bevelled wooden frame, glazed, together with an assortment of late 19th and early 20th century photographs, mostly portraits including the Prince of Wales driving a car, 1902, and Franklin D. Roosevelt, horizontal crease, signed in the image, various sizes, all framed and all but one glazedQty: (16)
Los 7
ARR * Beaton (Cecil, 1904-1980). H.R.H. The Princess Margaret, 1955, vintage bromoil gelatin silver print, seated and half-length in profile with full face and hands resting on the back of the chair in front of her, 37 x 28.5 cm, original mount signed and dated by the sitter in brown ink at foot, 'Margaret 1957' and with Cecil Beaton ink stamp to mount verso, overall 51 x 35.5 cm, together with: Wilding (Dorothy, 1893-1976). Queen Elizabeth II, 1952, gelatin silver print on tissue and card mount with photographer's facsimile signature at foot, image 24 x 19 cm, framed and glazed with desk supportQty: (2)NOTESThe first portrait was taken by Beaton in Clarence House, London, as an official portrait in advance of Princess Margaret's 25th birthday on 21 August 1955.
Los 71
* Nadar (1820-1910). Self portrait in a hot air balloon basket, produced in his studio, c. 1863, albumen print carte de visite, together with three other cartes-de-visite by Nadar of an unidentified couple, Mrs Mallock and Jack Preston (both identified in pencil to versos), red rule borders with initial lower right and photographer's imprint details to versos, plus three Nadar cabinet cards, circa 1890s, all studies of the same man, possibly an actor, posing in different historical costumesQty: (7)NOTESGaspard-Félix Tournachon (1820-1910), better known by the pseudonym Nadar, was a French photographer, caricaturist, journalist, novelist, balloonist and proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. This is from a series of similar photographs taken by Nadar of himself in a balloon basket in his studio.
Los 72
* Naval Album. A British naval photograph album, 1870s, 48 mounted albumen prints including ships and crews of HMS Ariadne, Signet, Agincourt, Devastation, plus views in Portsmouth, Gibraltar, Malta, Italy, Maderia, Pompeii and Palermo, images 15 x 20 cm and similar sizes, plus 12 cartes-de-visite sizes, mostly mounted singly to rectos and occasionally back-to-back, calligraphic title with vignette portrait photograph of A.W. Ainsley, contemporary cloth, rubbed and frayed on spine, oblong small folioQty: (1)
![* Nightingale (Florence, 1820-1910). Full-length portrait [by Goodman of Derby], c. 1867, albumen print, visible image size 2](https://cdn.globalauctionplatform.com/d1caae13-8ef2-4e3e-b0cf-ad1800d548c7/8054ad24-de9f-4037-9948-ad1a00bed2eb/468x382.jpg)
Los 124
GROUP OF REVERSE GLASS MEZZOTINTS 17TH - EARLY 19TH CENTURY to include RURAL HAPPINESS, HEALTH FILICITY AND CONTENTMENT, printed for Carington Bowles, 1773; THE PRUDENT MOTHER, printed by Thomas Burford; DOMESTIC EMPLOYMENT. NEEDLEWORK, printed by Robert Sayer & John Bowles & Son; THE MILKING MAID, published by Simon, after Berkam; PORTRAIT OF A LADY, printed by J. McArdell, after Francis Cotes, 1756; LORD NEWBATTLE & LADY ELIZABETH KARR, printed by Robert Sayer; THE LORD EUSTON, by John Smith, after Kneller, 1689; THE 1ST DUKE OF DORSET & LADY MARY SACKVILLE, after Kneller; LORD WILLIAM VILLIERS & HIS SISTER LADY MARY VILLIERS, after Kneller; WILLIAM III, by John Smith, after Kneller; and TWO HUNTING SUBJECTS, after Carle Vernet; most in period giltwood frames(largest 27cm x 38cm)Property of a Scottish Borders family
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283284 Los(e)/Seite