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283287 Los(e)/Seite
A late 18th century portrait miniature of oval form, waist length profile study of a woman, inscribed indistinctly verso, Mrs Bosham, 10cm oval in gilt frame, together with an early 19th century silhouette portrait miniature - profile of a lady in lace trim bonnet inscribed verso - Barbara (Baby) Campbell, 9cm max in black frame with brass mounts
Cecil Rochfort D'Oyly John (1906-1993)studio remnantsPhoto albums with press cuttings, images of the artist and his family, a portrait of the artist by Stephen Ward, (illustrated Kelleway & Mayhew - D'Oyly-John - Living in the Sun, p.20) a pastel sketch of the artist's wife Joan and a travelling easel.See four lots in our sale of the 25th June for artworks owned by Cecil Rochfort D'Oyly John (1906-1993)
CHOISEUL-GOUFFIER, Marie Gabriel August Florent. Voyage pittoresque de la Grece.Paris, [J.J. Blaise], 1782-1809-1824. Very good example of the first edition of one of the most celebrated Voyages pittoresques. Choiseul-Gouffier's masterpiece is the first publication of a travel voyage that is composed mainly of illustrations of places which are complementary to a narrative and descriptive text. This work established the model for later "Voyages pittoresques" not only in format but also by the employment of different artists. Notable artists used in this work include Saint-Aubin and Moreau le Jeune. Volume 1 contains a discourse on Greek history and the struggle for liberty. Primarily, though, it is an account of the author's travels through Greece and is heavily illustrated with maps, views of natural wonders and classical ruins. The first part of the second volume is a reconstruction of the Troad, that area of the Mediterranean associated with the "Iliad". It reflects the author's reduced circumstances and is sparsely illustrated. The second part, published after Choiseul-Gouffier's death by his friends from notes left by him, is a much more luxurious effort, probably as the result of subsidy, and is again heavily illustrated. First edition, third issue of first volume, 2 volumes in 3, large folio. Portrait, 3 engraved titles, 2 maps, 285 engraved plates, table, contemporary calf-backed marbled boards, vellum tips, rebacked, scattered light foxing, a very good set. Atabey 241; Blackmer 342; Cohen-de-Ricci 238; Millard French Books, 51; Brunet, I, 1847; Koç, Constantinople I, 145.
ALLOM, Thomas. China: in a series of views displaying the scenery, architecture, and social habits of that ancient empire.London, Fisher, Son, & Co., [ca.1843]. Thomas Allom (1804-1872) the noted topographical artist, at a time of increased interest in China, presented the Western world with the most complete portrait of China and Chinese culture up to the middle of the nineteenth century. The engravings show architecture and scenic views, mainly of the South-East (Hong Kong, Canto, Macao, Nanjing, and Shanghai) but also include several images of Peking and Yehol. As well as his own observations, Allom includes some images based on the work of earlier artists such as Lieutenant Frederick White, R.M., Captain Stoddart, R.N. and R. Vaughan. The text was by George Wright, a protestant missionary who had spent a considerable time in China. 4 volumes bound in 2, 4to., engraved title-page to each volume, 124 finely engraved steel-plates after Allom. Contemporary black half-morocco gilt, gilt centrepiece to upper cover, all edges gilt, occasional light spotting, overall a clean, fresh copy. Cordier 80-81; Lust 363; Lowendahl 986.
HARDY, Thomas. The Works.London, Macmillan, 1919 A fine set of the preferred edition of Hardy's work, named after the mythical Dorset town of his fiction. Mellstock edition, limited to 500 sets signed by Hardy, 37 volumes, 8vo., portrait frontispiece by W. Strang, original blue cloth gilt, spines decorated in elaborate gilt floral motif, gilt medallion to upper covers, all edges uncut, a near-fine set.
δ Salvador Dali (1904-1989)Portrait de Calderón (from Calderón: La Vie est un songe) (M&L 515a; Field 73-1-D)Etching with aquatint printed in colours, 1971, signed and inscribed 'E.A.' in pencil, an artist's proof aside from the edition of 150, on Richard de Bas wove paper, printed by Ateliers Rigal, with full margins, 340 x 250mm (13 3/8 x 9 7/8in) (PL) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

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283287 Los(e)/Seite