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A WW I Casualty group to include bronze memorial plaque, naming Patrick Callaghan, 1914-15 Star, British War and Victory, 10761 PTE. P. CALLAGHAN R. DUB. FUS., together with a portrait photograph and badge. (6) Private Patrick Callaghan 1Bn Royal Irish Fusiliers was killed in action 06/05/15 the second day of the Gallipoli Landings at the age of 25 and is remembered with honour at V Beach Cemetery.Please be aware that it has been suggested that the naming on these medals may be later or official replacements, on close inspection I would suggest that the BWM at least has been re-named.
2001 Britannia Silver £2 Coin Benham cover. A £2 Britannia Silver coin, on the reverse combines Britannia, now shown wearing the more British Northern European dress, with the British Lion. Obverse of the coin bears the Ian Rank-Broadley portrait of H.M. The Queen. Four GB stamps featuring flags. Rule, Britannia, Rule the Waves, Edinburgh 22nd October 2001 postmark. New Britannia £2 Coin, Douglas, Isle of Man 15/10/01 postmark. Good Condition Est.
THE PEGGY O'KEEFE STEINWAY GRAND PIANO A Steinway & Sons early 20th century overstrung rosewood patent boudoir grand piano, 88 notes model O with square tapering legs, frame numbered 24/2 .05 681, legs stamped 429, 117603, 173cm long x 143cm wide x 90cm high with a two-seater piano stool, her personal collection of vinyl LPs, mostly Jazz and Classical including three rough cuts of Peggy O'Keefe's BBC Sessions from August 1962, a quantity of sheet music, cassette tapes and reel to reels including the Master tape for Peggy O'Keefe's Portrait, 1979 Peggy O'Keefe (1928 - 2019) was a much-loved pianist, musical director, television and radio presenter, who lived in Glasgow for much of her life and worked for both ITV and the BBC. In the 1960s she travelled from her native Australia to London, where Peggy played in the hotspots of the days, with artists like Sammy Davis Jr., Tony Bennett, Dizzy Gillespie, Oscar Peterson and Cleo Laine. From London she moved to Glasgow, where Peggy's career flourished in every type of venue and context: orchestral concerts, royal performances and charity shows in theatres and cathedrals, castles and concert halls, cruise ships, radio OBs and recording studios. She became a household name and covered a wide variety of musical idioms including opera, light classics, jazz, covers of popular standards, Scots and Gaelic. Condition Report: Available upon request
FRANCIS CAMPBELL BOILEAU CADELL RSA, RSW (SCOTTISH 1883-1937) PORTRAIT OF IAIN V. R. HARRISON Oil on panel, signed and dated (19)32, 42.5 x 34.5cm (16 3/4 x 13 1/2") Inscribed 'Iain V. R. Harrison painted at Croft House Oct. 1932' 'Absorbent ground never varnish' on panel verso Condition Report: On close inspection there are pin size holes in the panel, two in the top right hand, two in the top left hand, two in the bottom right hand and four in the bottom left hand quarter sections, located fairly centrally within each section. There are very small vertical cracks noticeable over the middle section of the panel in the areas above the head, the face and neck and the upper body, from the top to the bottom slip seemingly made more visible by what appears to be a greenish brown mould attaching to most of them. .
•JOZEF SEKALSKI ARE, SSA (POLISH 1904-1972)PORTRAIT OF A WOMAN TAKING TEAOil on canvas, signed and dated 1945, 61 x 51cm (24 x 20")Please note - The portrait is believed to be of Roberta Hodge, the artist's wife Condition Report: On inspection the canvas is loose on the stretcher and is uneven and slightly scuffed looking, as a result of what looks like pressure from an object to the front of the canvas, in an area in proximity to the bottom left corner. There is a very small hole in the canvas with an accompanying small amount of paint loss, located in the top left hand quarter section to the left of the face.
BRITISH SCHOOL (18TH CENTURY) PORTRAIT OF A LADY IN A SILK GOWN Oil on canvas, 76 x 63.5cm (30 x 25") Condition Report:On inspection there is cracking in the pigment over the entire surface area of the canvas with there being stretcher bar lines with accompanying cracking visible on each of the four sides. There are six tares with resultant holing in the canvas, the largest measuring approximately 4 by 3 centimetres and the smallest 2.5 by 1 centimetre. The tares are located at the top edge, right, at the edge of the head, right, adjacent to the neck, right, upper chest, canvas centre, above the flowers in proximity to the right edge and at the edge of the gown cuff, bottom, left of centre. There is a vertical pressured crack line, approximately 2.5 centimetres in length, in proximity to the top right corner area. Generally there are random erroneous small marks and chips to the pigment.
AFTER SIR THOMAS LAWRENCE PRA, FRS (BRITISH 1769-1830) PORTRAIT OF SIR JOHN MOORE (MOORE OF CARUNNA) Oil on canvas, 76 x 63.5cm (30 x 25") Condition Report: On inspection there are a number of small damage/chip and scratch marks over the surface area of the canvas with the largest one, approximately no more than one centimetre square in area which has resulted in an indentation to the surface of the canvas, being located right of centre close to the bottom edge. There is light cracking in the pigment over most of the surface area being more apparent in the lighter areas of the jacket and face and being most noticeable over the area of the forehead. There is an area of what appears to be slight bubbling in the pigment with very small areas of paint loss adjacent to this, located left of centre in proximity to the bottom edge. .
REMBRANDT HARMENSZOON VAN RIJN (DUTCH 1606-1669) PORTRAIT OF JAN UYTENBOGAERT Etching and engraving, signed 'Rembrandt f.' in plate (top left), 22.5 x 18.6cm (8 4/5 x 7 5/16") Inscribed and signed poem by Hugo Grotius recto Condition Report: There is a lighter shaded area of what appears to be mould, approximately one centimetre square in area close to the left edge, lower middle. There are areas of light brown discolouration overall noticeable in the margins, running along the bottom of the image from the left to the right edge, top right at the margin edge, smaller areas generally over the surface of the margins, and the largest of which, located in the top left quarter section impinges over the plate signature and to a lesser degree the image. There is a small diagonal crease in the paper located at the top right corner.
A LARGE BRONZE MEDALLION PRESENTED TO SIR JOSEPH DALTON HOOKER designed by John Pinches, the obverse cast bust portrait of Frank Bowcher in relief and inscribed J.D.H., LXXX, the reverse inscribed To Sir Joseph Dalton Hooker MDRN GCSI CB DCL LLD PPRS FLS FGS in recognition of services to sciences from the Linnean Society of London, 1898, 7.5cm diameter Condition Report: Available upon request
A PAIR OF ROYAL DOULTON COMMEMORATIVE STONEWARE VASES celebrating the Coronation of King Edward VII and Queen Alexandra in 1902, the body of the vases with applied portrait plaques linked by intertwining foliate scrolls, 28.5cm high (2) Condition Report: One vase has a chip to the top rim .5cm wide x 1.3cm deep with a crack running approx 6cm down. The other vase has a small flat chip to the base rim.
GUIDO BACH (German, 1828-1905) watercolour - fine romantic full portrait of a gypsy lady and her daughter standing beside a brook with Continental buildings beyond, both wearing traditional costume and the mother with a basket upon her head containing an infant playing with rosary beads, the daughter holding a basket containing two ducks, unsigned, 61 x 47cms Provenance: private collection of vendor's late-husband, our opinion by this artist
HENRY BONE (1755-1834) enamel plaque - after Frederico Baroccio, The Virgin Mary in prayer, believed to be 'Madonna of the Annunciation', signed bottom right, handwritten inscriptions verso including artist's signature and address as 15 Berners Street, in good believed original gilded frame with glazed door (locked) recto, 15 x 12cmsAuctioneer's Note: Henry Bone was officially employed as an enamel painter by George III, George IV and William IV. It is believed that the original pencil drawing is in the possession of the National Portrait Gallery - https://www.npg.org.uk/collections/search/portrait/mw119826

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