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283284 Los(e)/Seite
AN ASSORTMENT OF EARLY 20TH CENTURY YELLOW METAL JEWELLERY, to include a yellow metal floral portrait brooch/pendant, unmarked, a yellow metal foliage hinged bangle, stamped 9ct metal core, a faceted pattern hinged yellow metal bangle, stamped 9ct gold bronze core, a yellow metal locket, stamped 9ct B&F, together with additional jewellery items, (condition report: general moderate wear, overall condition good)
A QUANTITY OF PICTURES AND PRINTS ETC, to include a unsigned interior study of two female figures sorting through clothes, oil on canvas, approximate size 60cm x 90cm, a rural scene with thatched cottage signed G W Freezov, oil on card, a woodblock print of ducks in flight, indistinctly signed, Norman Hirst 'Portrait of a Lady' mezzotint with facsimilie signature, a framed Biblical tapestry together with an assortment of prints etc Condition: the paintings are in good condition, most of the prints are in fair to poor condition, most items are very dusty (two boxes and loose)
TWO CAMEO BROOCHES, JET PENDANT AND AN OMEGA WATCH, a cameo brooch, depicting a lady in profile, set in a yellow gold mount of rope and open work scalloped detail, fitted with a safety chain and pin, approximate length 30mm x width 25mm, hallmarked 9ct gold Birmingham 1955, approximate gross weight 5.4 grams, together with an AF cameo brooch in a plain polished yellow metal mount, unmarked, a single cameo earring with screw back fittings, stamped 9ct, approximate gross weight 8.8 grams, an AF jet pendant/earring drop with a portrait of a young girl, and a gold plated omega wristwatch, fitted with a red leather strap and buckle clasp, (condition report: shell in the second cameo brooch is cracked, the jet pendant is missing its bail and has damage around the hole for the fitting, watch not currently running, not tested)
Newcourt, (Richard) - Repertorium Ecclesiasticum Parochiale Londinense; an ccclesiastical parochial history of the Diocese of London ... vol. 1 (only, of 2). portrait frontis., folded map and four engraved plates (3 d-page), errata leaf;old panelled calf, rebacked with (unlettered) panelled spine, folio, 1708
° ° Jamieson, John - A Dictionary of the Scottish Language ... abridged from the Dictionary ... in four volumes quarto, by John Johnstone, portrait frontis.; contemp. gilt half calf and cloth,with red spine label, marbled edges and e/ps., 8vo. Edinburgh (etc.), 1846; Taylor, James - The Pictorial History of Scotland ... 3 vols. pictorial engraved and printed titles, engraved plates and coloured map; contemp. half calf and cloth, gilt-decorated panelled spines with red labels, 4to., (?1860); together with 15 other volumes of Scottish interest
* GERARD BURNS (SCOTTISH b. 1961), WINTER WOODLAND WALK oil on canvas, signed image size 100cm x 100cm, overall size 123cm x 123cm Framed. Note: Gerard Burns is one of Scotland's best known and most successful living artists. He trained at Glasgow School of Art and achieved UK wide acclaim as Winner of the Daily Mail ''Not the Turner'' Competition in 2003 with a £20,000 first prize. His many private collectors include The Malaysian Royal Family, Ewan McGregor, Sir Tom Hunter and numerous celebrities from the worlds of entertainment, sport and politics. Exhibiting Galleries include Thompson's Gallery, London; Contemporary Fine Art Gallery Eton; Richmond Hill Gallery, Loch Gallery, Toronto; Robertson's Fine Art Gallery, Edinburgh. Works in Corporate Collections include Aberdeen Asset Management New York and Aberdeen, RBS Scotland, Standard Charter Bank, West Coast Capital, Accenture, Dublin, Stagecoach Group, Norwood Club, New York. National Public Collections include Hunterian Art Gallery, Glasgow; Kelvingrove Art Gallery, Glasgow; Burns Museum Alloway, Ayr; Scottish National Portrait Gallery (Portraits of former Scottish First Minister Alex Salmond, and author Denise Mina entered into the permanent collection at the Scottish National Portrait Gallery in 2015). The Scottish Parliament (''The Rowan'' hung in the former First Minister Alex Salmond's office for the duration of his tenure and Portrait of Margo McDonald entered into the permanent collection and was installed at the Scottish Parliament in Sept 2016). Glasgow Caledonian University Portrait of Chancellor Professor Yunus installed 2016, Royal College of Physicians and Surgeons Glasgow. Portrait of former President Frank Dunn installed April 2016. Recent portraits include Judy Murray, Nicola Sturgeon (First Minister, Scotland), Neil Lennon, Kirsty Wark, Alan Cumming, Billy Connolly, Elaine C Smith, Doddie Weir & Sir Brian and Lady Soutar.
* CLAIRE HARKESS RSW (SCOTTISH b. 1970), POLAR BEAR watercolour on paper, signed, dated 1998 label verso image size 26cm x 18cm, overall size 44cm x 34cm Mounted, framed and under glass. Label verso: Gallery 41, Edinburgh Note 1: In 1998, Claire worked as Artist in Residence with The Royal Zoological Society of Scotland. While at Edinburgh Zoo she was filmed as part of the BBC "Ex-S" series and a fascinating documentary about her work was broadcast in November of that year. This work is a portrait of a specific animal at Edinburgh Zoo and it's likely that many Edinburgh residents and visitors to the Zoo will recognise this animal. Note 2: Claire Harkess was born in Ayr, Scotland, graduating from Glasgow School of Art in the early 1990s. In recent years her painting has taken her to fragile lands to study and interpret life on the edge. Antarctica, Outback Australia and St Kilda are all places where, in such extreme environments, survival is difficult and the balance of life is delicate. Harkess has also worked on the Galápagos Islands, made famous by Charles Darwin’s ‘The Origin of the Species’. This isolated volcanic outpost remained relatively untouched by man, evolving to become one of the World’s unique ecosystems. The balance present in nature is clearly communicated through Claire's paintings. Painting in watercolour or gouache offers a unique directness; the essential qualities of light and energy present in the natural world are the very essence of the medium itself. The delicacy of her palette and oriental economy of her mark-making creates a subtle tension representing a world that is ‘holding still’, giving a sense of freedom, spirit, time and place. Claire's work is exhibited at The Scottish Gallery, where her most recent highly successful solo show was in July 2020, and at other prestigious galleries around the UK.
TRAN DONG LUONG (VIETNAMESE, 1925-1993) - PORTRAIT OF A LADY Coloured chalks, Signed and dated '92 lower left, label verso 77 x 50cm; 106 x 85cm (including frame) Condition: Minor foxing to the border, otherwise in good condition Provenance: Lots 1-11 - Selected works from a private Singapore family collection
Original vintage Constructivist book with photomontage covers by Gustav Klutsis, edited by Felix Kon, 'In Memory of the Fallen Leaders' commemorates Soviet leaders including Lenin, V Vorovsky, K Samoylova and N Narimanov. The cover features an excellent example of constructivist design by Gustav Klutsis. A portrait of each leader is accompanied by text about their life. Published by Moskovski Rabochi. Hardback. Poor condition, foxing, creasing, damage to spine restored with tape, tears, paper losses on cover and on edges of some pages. Country of issue: Russia, designer: F Kon, G Klutsis, size (cm): 35x27, year of printing: 1927. For other avant-garde publications please visit our website https://antikbarbooks.co.uk/
Original vintage London Transport poster for the Summer Meeting Horse Race in Epsom that took place from May 31 to June 3 1938 - Design by the notable artists Tom Eckersley (1914-1997) and Eric Lombers (1914-1978) features a portrait of a Jockey wearing a pink hat. The Epsom Derby, first run in 1780, is a Group 1 flat horse race in England run at Epsom Downs Racecourse in Surrey on the first Saturday of June each year, over a 2,420 metres. Printed by The Dangerfield Printing Co LTD London. Good condition, creasing, minor staining. Country of issue: UK, designer: Eckersley-Lombers, size (cm): 25.5x32, year of printing: 1938.
UNSIGNIERT. Selbstbildnis.Circa 45,5 cm x 36,5 cm. Gemälde. Öl auf Holzplatte. Darstellung eines Künstlers mit Hut und zwei Pinseln. Unter anderem Kratzer und Farbfehlstellen. Nicht fachmännisch restauriert.UNSIGNED. Self-portrait.Circa 45.5 cm x 36.5 cm. Painting. Oil on wood panel. Depiction of an artist with hat and two brushes. Among other scratches, paint defects. Not professionally restored.
Johann VALETT (1888 - ca. 1961). Selbstportrait. "Johann Valett, Selbstbildnis."Circa 41 cm x 34 cm. Gemälde. Öl auf Leinwand, auf Holzplatte fixiert. Links unten monogrammiert, rückseitig bezeichnet "Johann Valett, Selbstbildnis. Unverkäuflich". Gerahmt.Johann VALETT (1888 - ca. 1961). Self-portrait. "Johann Valett, Self Portrait."Circa 41 cm x 34 cm. Painting. Oil on canvas, fixed on wooden board. Monogrammed lower left, inscribed on the reverse "Johann Valett, Selbstbildnis. Unverkäuflich". Framed.
Adolf Hedrich (XX). Selbstbildnis.Circa 60 cm x 50 cm. Gemälde. Öl auf Leinwand. Expressionistisch gemaltes Portrait des Malers mit Pinsel in der linken Hand. Rechts unten signiert. Rückseitig bezeichnet.Adolf Hedrich (XX). Self-portrait.Circa 60 cm x 50 cm. Painting. Oil on canvas. Expressionistic painted portrait of the painter with a brush in his left hand. Signed lower right. Inscribed on the reverse.
Hunter, John: A Treatise On The Blood, Inflammation, And Gun-Shot Wounds. A New Edition, Complete In One Volume: Illustrated With Plates. London: Printed For Sherwood, Gilbert, And Piper, Paternoster-Row; And E. Cox And Son, St. Thomas's Street, Southwark. 1828, half calf binding, 8vo. (lacking frontis portrait.) (1)
Ancell, Samuel: A Circumstantial Journal Of The Long And Tedious Blockade And Siege Of Gibraltar, From The Twelfth Of September, 1779, To The Third Day Of February, 1783. In a Series of Letters from the Author to His Brother. By S. Ancell, of the 58th Regiment, The Second Edition, with Additions, Liverpool: Printed By J. Schofield, In Prince's-Street. 1785 First Edition, 8vo. Portrait frontis, folding engravings and map, later re-backed. (1)
A Victorian silver circular salver, having raised pierced and repousee crested border decorated with alternating portrait cartouches and urns between swags, the base engraved with a stags head crest within a scrolling floral border, all raised on three scrolling feet, 8oz, London 1862, maker John Wilmin Figg, dia.18cm
An Austrian sterling silver and guilloche enamel ladies dressing table mirror of shield shape, the reverse centre set with a bust portrait of a maiden within pink and opaque guilloche enamel surround, stamped Made in Austria, sterling, 27.5cmCondition report: No losses to enamel.Silver good.Glass good.
A yellow metal painted miniature portrait pendant, featuring a young woman to one side and an older lady to the other, within a border of thirty-eight 2.8mm seed pearls, with a further four 1.8 to 3.1mm pearls set in the bale and attached to a bow brooch with roller catch fitting, pendant dia.30mm, length 55mm, gross weight 11.4g, brooch hallmarked 9ct, Birmingham 1976, sponsor WJP, pendant tested as 9ct; together with a yellow metal 25mm circular locket engraved with monogram BT, gross weight 7.1g, stamped and tested as 15ct (2)
A large Georgian double-sided portrait mourning locket, one side being a miniature watercolour on ivory depicting head and shoulders portrait of a young woman with her hair down and wearing a black dress, the reverse having lock of hair, in gilt metal (untested) mount, glazed, 8.75 x 7,25cm (excluding bale)Condition report: Glass to reverse is badly damaged and with remnants of an inscribed label.
An early 20th century double-sided miniature locket in silver frame, watercolour on ivory head and shoulders portrait of a young boy in a white shirt, monogrammed L.C.L., the reverse with silk backing, in silver oval frame, maker Walter Jones, London 1924, glazed, 6.5 x 5.5cm (excluding bale)Condition report: No apparent faults.
An early 19th century double-sided portrait mourning locket, one side being a portrait miniature of a grey haired and sideburned gentleman wearing a black jacket and white cravat, the reverse with plaited lock of hair and gold initials RH, in oval gilt metal mount (untested), glazed, 5.5 x 4.75cm (excluding bale)Condition report: Glass badly scratched.Minor tarnishing to frame.Otherwise good.
Frederick Buck (1771-1839), bust portrait of Henriette St. (Saint Leger) daughter of St Leger Aldworth (first Viscount Doneraile) miniature on ivory, framed as a circle, inscribed verso, dia. 5cmCondition report: No cracks.Colours good.Some staining to edge from 6 - 8 o'clock.Frame with surface wear.

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