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Follower of Paul Delaroche,Heuriette Sontag, Countess Rossi,circular portrait miniature on papier-mâchégilt frame, 19 cm diameter overall;two Regency papier-mâché slip cases, 13cm and 13.5cm; circular papier-mâché box; and a Russian papier-mâché box lid, Fedeskino style, painted with a horse drawn wagon, (5).
Sir William John Newton, an early to mid 18th century gold cased portrait miniature mourning locket, the octagonal double hinged machine turned case with applied monogram engraved green oval enamel plaque to centre, opening to reveal a head and shoulders portrait of a lady, the young woman wearing an elaborate jewelled head scarf, gold pendant earrings and a white muslin gown, signed W.J.N. 1833, the anterior locket with glazed hair panel and inscribed to the reverse, 17th November 1825, in fitted case with gold mounted braided hair pendant fitting, engraved 17th November 1825 Sir William John Newton - British portrait artist 1785-1869 Note: William Newton was born in London, the son of engraver James Newton. Although originally a portrait painter he soon became exclusively a miniaturist. He was one of the most fashionable portrait miniature artists of his day and was elevated to the position of miniature painter in ordinary to William IV in 1831. He occupied the same position during the reign of Queen Victoria until 1858. He was knighted in 1831
M. Guizot, L'histoire de France, three volumes published 1872, Wright (Thomas), The History of Ireland, two volumes, Ewald (Alexander Charles), Life of Beaconsfield, two volumes, and National Portrait Gallery of Illustrations and Eminent Personages, five volumes, published 1834, each half calf bound (12)
Sir Samuel Luke Fildes (1843-1927) - 'Norah', Portrait profile of a young lady, oil on canvas, 31 x 26 cm, the reverse with Christie's stencilled stock number 494HC, and remnants of paper label for lot 42 from the artist's studio dispersal at Christie's 24th June 1927Prov: Sir Jeremiah Colman (1859-1942) 1st Baronet - industrialist who developed Colman's Mustard into an international concern Condition Report Appears to be good original condition, possible retouching of profile, some surface blemishes etc commensurate with age
Sir Samuel Luke Fildes (1983-1927) - 'The Green Shawl', profile portrait of a young lady, oil on canvas, 61 x 46 cm, the reverse with various Christie's stencilled stock numbers 494HC, 442EM, 937FP, and with material label reading 'Gooden & Fox re Sir J Coleman' and typed label for number 870 lot 13 'Purchased for Sir Jeremiah by Gooden & Fox at Christie's on the dispersal of Sir Luke Fildes collection June 24th 1927'Exh: Royal Academy 1915Prov: Sir Jeremiah Colman (1859-1942), 1st Baronet - industrialist who developed Colman's Mustard into international concern Condition Report Re-lined, possible restoration to chin, bloomed area/possible overpainting to hair, some possible paint loss to drapery, some dull areas
Frances Mabel Hollams (British 1877-1963)/A Family Portrait/four wire haired dachshunds/signed Frances Hollams '36/oil on canvas, 44cm x 59cm/see illustration Condition Report: Artist's resale right may apply to this lot if the hammer price is equivalent of 1000 Euros or more. Please contact the office if you require further information about this.
A framed Chinese print designed as four portraits of Mao Zedong (1893-1976), former Chairman of The Communist Party of China, pencil monogram and numbered 21/20, overall dimensions 79 x 60 cm; together with a Chinese Ancestor Portrait of a Manchu/Chinese Consort, overall dimensions 130 x 62cm (2)Provenance: The Property of a Lady. The Mao Zedong picture acquired in Hong Kong, circa 1996.
An early 19th century oil painting on canvas in the manner of Sir William Beechey, half length portrait of a young boy in white ruff and black jacket with silver buttons, understood to represent William Boley Warry, born 18th May 1811 and died 6th September 1822 (the Warry family were established goldsmiths and clock and watch makers of Bristol in the early 19th century and William Boley Warry has a memorial in the Temple Church, Bristol), 60 x 50 cm approx in moulded gilt frame and gilt slip
A 19th century black and white engraving, portrait of a seated man, signed to plate and dated London 1875, inscribed to mount Henry Howard (?), in wide burrwood wedge shaped frame together with a set of four early 20th century coloured Vanity Fair Spy prints of legal characters, also together with a framed collection of three 18th and early 19th century legal documents including examples from the Court of the Duke of Beaufort in Thornbury, all in a single frame
A late 19th century oil painting on canvas laid onto board, bust length portrait of a young child in green dress, 30 x 22cm in gilt frame, a blkack and white wood cut print of potato harvesting and further prints and books relating to Bletchly Park, together with a quantity of late 19th/early 20th century books including Jane Austen, Thomas Hardy, Mrs Gaskell, etc and also including Punch's Pocket Book 1846 (displayed in cabinet)
A large early 19th century oil painting on canvas portrait of John Toler, first Earl of Norbury seated and in the red robes of the Chief Justice with white fur trimmings to the cape and cuffs, wearing a judicial wig, documents, ink pots and quill pen to hand, shown in a library setting, in substantial gilt wood frame with scrolling detail, crown surmount and with plaque to base inscribed The Rht Honbl Earl Norbury Chief Justice of Common Pleas, external dimensions of frame 170 x 145 cm approx (the Lord Norbury was an Irish lawyer and judge nicknamed The Hanging Judge and Chief Justice of the Irish Common Pleas between 1800 and 1827, this painting was part of the sale of the contents of Thornbury Castle, date TBC)
Nelson Makamo (South African 1982 -) TWO FIGURES; PORTRAIT; PORTRAIT, three a group of three drawings comprising one signed ink on paper; one signed and dated 13 charcoal, pastel, watercolour and coffee on paper, and one signed and dated 13 charcoal on paper (recto) and signed and dated 13 charcoal and watercolour on paper 19 by 18cm; 35 by 18cm and 33,5 by 23cm, all three unframed (3)

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