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Continental School, circa 1730, portrait miniature of Elizabeth Corry, wearing a white dress decorated with a floral corsage and a blue shawl, a pearl cluster in her hair, oils on metal, the image 5cm high (Second wife of James Leslie of Leslie and Hill); together with a late 18th century English School portrait miniature on ivory of Penelope Leslie, wearing a white dress (fragment), numbered 5 on the reverse, the image 2.2cm high (Sister of Reverend Peter Leslie, married Edmund Francis Stafford in 1714, maternal great grandmother of the 1st Duke Of Wellington) (2).
Early 19th century, English School, portrait miniature on ivory of a gentleman wearing a blue coat, yellow waistcoat and white stock, the image 7cm high, together with an early 19th century English School portrait miniature on ivory of a gentleman, wearing a blue coat and a white stock (a/f around the eye), numbered 10 on the reverse, the image 6.1cm high (2).
Early 19th century, English School, portrait miniature on ivory of a Captain Kelso of Dunkeith, wearing a blue coat, yellow waistcoat and a white frilled shirt, the image 5.9cm high, together with a mid-18th century English School portrait miniature on ivory of a young gentleman with white wig, wearing a pale blue coat and a white stock, in a paste frame, the image 3cm high (2).
Early 19th century, Scottish School, attributed to John Jules Nimmo (b. 1830), portrait miniature on ivory of an officer with sideburns, wearing a red uniform and a tartan sash, clasp setting, number 24 on the reverse, the image 4.6cm high, in original curved gold frame with belt apertures to the sides and glazed plaited hair to the reverse. Illustrated
Late 18th century, English School, a group of three portrait miniatures on ivory of three sisters - Sarah Annie Bland (d 1823), Georgina Elizabeth Bland and Catherine Jane Bland, the largest image 7.2cm high (3). Illustrated Footnote: Sarah, Georgina and Catherine were the daughters of Ensign John Bland and Elizabeth Birch (the daughter of Robert Birch M.P.) and lived at Blandsfort, Abbeyleix, County Laois, Ireland. Their grandparents and aunt are depicted in Lot 2401.
Early 19th century English School, portrait miniature on ivory of a young man, wearing a blue coat with gold buttons, a white waistcoat and tied stock, in a black rectangular frame, the image 6.2cm high, together with another early 19th century small portrait miniature of a man, 3.7cm high (2).
Early 19th century English School, a pair of portrait miniatures on ivory of a pair of sisters, both wearing white lace bonnets and in green and black dresses, in black rectangular frames, each image 7.7cm high, together with a 19th century faded pen and wash portrait miniature of a woman (3).
Late 18th century English School Portrait miniature on ivory of a man in a blue coat and half wig, image 3.5cms high; in a later common frame together with another similar miniature portrait of a gentleman in a green coat; two 18th century style miniature portraits of ladies 7.5 and 9cms high (4).
A portrait miniature on ivory of the Marchioness of Exeter (after an earlier example), inscribed variously to the reverse, image 7.2cms high; a late 19th century Berlin style painted porcelain plaque decorated with a portrait of a young girl, impressed 73 to the reverse 5cms high; and a cracked 18th century French style portrait roundel of a young girl with a dove 6.7cms diameter (3).
Late 18th/early 19th century English School, circle of John Smart (1712-1811) British, Portrait miniature of William, Duke of Clarence (1765-1837) subsequently HM King William IV, wearing the breast-star of the Order of The Garter, watercolour on ivory, 5.5cms x 4.5cms. Footnote; This depiction of William, Duke of Clarence would seem to be unique. Research of the National Portrait Gallery and The Royal Collections has so far shown that it differs from the existing well known images painted by Thomas Gainsborough, Charles Jagger and Henry Dawe.
Mid 18th century English School portrait miniature on ivory of Thomas Sutterthwaite (1720- 1790) in a gold case with pendant loop and remains of pin image 3.5cms high, in a George II carved and gilded small frame 17.5cms high; together with another portrait of the same sitter image 7cms high (2 miniatures and 2 frames). Thomas Sutterthwaite was born in Leeds and lived in Lancaster. His granddaughter married Sir Vyell Vyvyan, 7th Baronet Vyvyan Trelowarren, Cornwall (1767-1820).
An early 19th century English School portrait miniature on ivory of a man wearing black coat with white stock, the image 6.2cm high, together with another early 19th century English School portrait miniature on ivory of a young man with black coat and yellow waistcoat, the image 7.5cm high (2).
An early 19th century English School pair of portrait miniatures on ivory of James Murray - 'sailed for India - March 1835' wearing black coat with white waistcoat against a crimson red draped background and his brother Basil Hamilton Murray - 'sailed for India 1841', both images 7.7cm high and with typed labels to the reverse (2).
Mid 19th century English school, a portrait miniature on ivory of Juliana Szczepanowska (nee Scott) later Ferranti in profile, the image 10cm high. Estimate £100-200 Footnote: Juliana Scott (1825-1906) was the daughter of the English portrait painter William Scott and Sally Myers of Poughkeepsie New York. She married twice. Her first husband Count Stanislaus Szczepenowski disappeared after several years of marriage and she discovered many years later that he had been a Polish spy using her and his guitar playing career as a means to travel easily and spy without suspicion. A few years later she married Cesar Z de Ferranti - one of the early photographers (their son Cesar was a pioneering electrical inventor and businessman). This marriage worked well until she heard that her first husband was not dead, as assumed, and she was put in the unenviable position of being an accidental bigamist.
POOLE (Rev. M.) Annotations upon the Holy Bible . . . 2 vols. portrait frontis. (damaged); rebound 20th cent. gilt-ruled calf, retaining earlier gilt spines with red & orange labels, impl.4to. (by Farnborough Abbey bindery). 1683-96. * i.e. 1st & 3rd editions, vol. ii being 'a continuation . . . by certain judiciaries and learned divines . . . with the addition of a new concordance (etc.).'
NELSON (Horatio) The Dispatches and Letters of Vice Admiral Lord Viscount Nelson, with notes by Sir Nicholas Harris Nicolas. First Edition, 7 vols. portrait, 4 folded facsimile letters & 3 battle plans (2 part-coloured); original blind & gilt-decorated cloth, 1844-46. * all volumes with publisher's catalogue/list; contemp. bookseller's ticket J.O. Clarke (Bath); crested booklabels of E.H. Ellis.
[RAVILIOUS} The Wood Engravings of Eric Ravilious. Introduction by J.M. Richards. Limited Edition. pictorial title, photo. portrait & illustrated throughout (some on folded leaves); pictorial & gilt-lettered buckram, patterned e/ps. (without the slipcase), folio. Lion and Unicorn Press, 1972. * limitation of (500) numbered copies. Illustrated
JAMES (Henry) Portraits of Places. First English Edition. half title, original cloth. 1883. * John Addington Symonds copy, with his armorial bookplate, & label 'From the Author'; [GREENAWAY] Kate Greenaway Pictures: from originals presented by her to John Ruskin and other personal friends. With an appreciation by H.M. Cundall. mounted portrait frontis. & 20 coloured & mounted plates (with tissue guards); gilt & black-lettered buckram, patterned e/ps., 4to. 1921; together with an interesting (mainly literary) cloth selection.
GRAY (T.) The Poems of Mr. Gray. To which are prefixed Memoirs of his Life and Writings, by W. Mason . . . First Edition. portrait frontis., half title, errata leaf; contemp. calf, gilt-ruled & panelled spine with red label, 4to. York: printed by A. Ward . . . 1775. * Vane Londonderry armorial bookplate; the second edition was published later the same year; [PORTRAITS] The Gallery of Portraits; with Memoirs. 5 vols. 120 engraved portrait, text illus; original gilt cloth, 4to. 1835. * Londonderry book labels ('Earl Vane, from the library of the Rev. John Vane'); contemp. bookseller's ticket (Bain, Haymarket).
19th Century carved ivory cylindrical box and cover with carved and moulded decoration and painted portrait panel depicting Marie Antoinette. CONDITION REPORT: Although grubby, the box itself in good cond overall. Top layer of lid is detached from main part of lid and badly damaged/split/losses. Main lid has evidence of glue on it.
6th century AD. A broad repoussé gold-foil bracteate of Hauck's Type C with outer band of punched pellets, ribbed loop; repoussé profile male head with radiating strokes beneath the lower jaw, triangular nose, pellet eye in elliptical frame, linear hair with curled end and bird-head extension above the brow; narrow zigzag with pellets above the head and larger below, pair of addorsed bird-heads beneath the face. 2.47 grams, 38mm (1 1/2"). Property of a Northamptonshire collector; acquired in Germany in the early 1980s. Supplied with a positive X-Ray Fluorescence metal analysis certificate. Cf. bracteate imagery in Franceschi, G., Jorn, A. & Magnus, B. Mennesker, Guder og Masker i Nordisk Jernalderkunst, vol.1, Borgen, 2005, figs. 101-126; for the motif, see items 111181, 110012 and 109694 in the Swedish Historiskamuseet database. Accompanied by an Art Loss Register certificate. Bracteates probably derived from Roman portrait medallions, presented by the emperor to forge personal and political alliances. Here, however, the imperial image has been transformed into a depiction of what is probably a god with birds (possibly Woden?"). With their skilful workmanship and allusions to the Roman - Byzantine world, gold bracteates conveyed both the sophisticated taste and high social status of their female owners, who wore them as fine jewellery and hoarded them as treasure. The series has been extensively published in Axboe, M., Düwel, K., Hauck, K. & von Padberg, L. Die Goldbrakteaten der Völkerwanderungszeit. Ikonographischer Katalog Münstersche Mittelalterschriften 24, München, 7 vols, 1985–89. Very fine condition.
6th century AD. A group of two gold-foil fragments of a Type D bracteate with contiguous design of a broad stamped border and repoussé ropework band; the border with alternating rows of annulets and segmented triangles; the central panel with a repoussé design of pelletted bands in a knot, perhaps part of a knotwork design. 9.43 grams total, 58-60mm (2 1/2"). Property of a Scottish gentleman; acquired from continental Europe in the late 1970s; gifted to his daughter in the early 1980s; thence by descent 2004. Cf. pelletted bands forming the hair on the Maglemose bracteate in Franceschi, G., Jorn, A. & Magnus, B. Mennesker, Guder og Masker i Nordisk Jernalderkunst, vol.1, Borgen, 2005, item 122. Bracteates probably derived from Roman/Byzantine portrait medallions, presented by the emperor to forge personal and political alliances. Here, however, the imperial image has been replaced with a band of knotwork. [2] Fair condition, creased.
1st century BC. A rectangular parcel-gilt silver mount with mounting hole to each corner, stamped profile bust of Caesar with wreath and coils to the neck, within a beaded border; bust gilded for contrast. 1.64 grams, 28mm (1"). Property of a Surrey collector; acquired in the early 1970s. Cf. similar portrait with beaded border on the obverse of a denarius struck by P. Clodius (42 BC) in Toynbee, J.C. Roman Historical Portraits,London, 1978, fig.29. Very fine condition.
796-805 AD. Group I, without portrait, BMC type 99. Obv: king's name CENVVLF between hooked lines with Mercian 'm' and trefoils of pellets above and R.E.X below. Rev: 'bone-ended' tribrach with pelleted centre lines dividing .DI .O: L.A. legend with lozenge 'O' for the moneyer Diola at London mint. 1.36 grams. Found Dell Quay, West Sussex, UK, 2015. S. 914; N. 343.; Naismith L2c (same dies, EMC 1999.0037); see also Naismith L2b (same obverse die, Dorking Hoard"). See Early Medieval Corpus, Cambridge, reference EMC 2015.001 (this coin"). Good very fine. Very rare (Naismith only records seven examples of the type, four for this moneyer).
Dated 1789, made 19th century AD. Obv: profile bust with date and small letter 'D' (for Denver mint?) below and GEORGE WASHINGTON PRESIDENT OF THE UNITED STATES legend. Rev: crossed axe and pipe over clasped hands with PEACE AND FRIENDSHIP legend; pierced and with loop for suspension. 18.18 grams, 34mm Property of an Essex, UK collector; acquired on the UK art market, 1980-1990. The peace medals are famous for those examples presented to Native American chiefs in the 18th-19th century period; the general design, with a portrait of Thomas Jefferson, has continued in use until the present day with the Peace Medal of the Third World awarded by the United Nations; the Denver mint has produced recent reproductions of this medal, at 1 1/2 and struck in bronze, this example appears to have considerable age and further research might discover the origin. [No Reserve] Near very fine.
Dated 1842 AD. A large and heavy bronze vesica seal matrix made by Benjamin Wyon; the face depicting the intaglio heraldic arms of the Bishop (halved, showing a seated nimbate figure holding sword in mouth with left arm raised in blessing and an armoured spurred leg between two spears) surmounted by a bishop's mitre; with incuse 'THE SEAL OF ASHHURST TURNER GILBERT D. D. BISHOP OF CHICHESTER 1842' legend; the reverse inscribed 'B WYON / CHIEF ENGRAVER / OF HER MAJESTY'S SEALS / 41 MARGARET STREET' in four lines. 578 grams, 95mm (3 3/4"). Property of a Warwickshire gentleman; formerly in the private collection of the famous actor Leslie Phillips; acquired 1950-1960. Supplied with a computer print-out of the obituary of Bishop Turner from The Times, 22nd February 1870; Dictionary of National Biography entry for Benjamin Wyon, and a print-out of the bishop's portrait. Bishop Gilbert (1786-1870) was appointed Bishop at Chichester in 1842 (see his obituary, copy included, for biographical details); Benjamin Wyon (1802-1858) was appointed Chief Engraver of the Seals in 1831 and was the son of Thomas Wyon (the elder); he made the Great Seal for William IV and also produced medals. Born in 1924 in London, Leslie Phillips attended the Italia Conti Academy where he developed the slightly affected accent which became his trademark. He usually played a roguish, suave charmer, and also enjoyed successful comic roles in the early Carry On films and on radio’s The Navy Lark. He has appeared in more than fifty films, plays and TV series spanning six decades; and recently gained new fans through his appearances in the Harry Potter films. He was made an Officer of the Order of the British Empire (OBE) in the 1998 Queen's Birthday Honours; promoted to Commander (CBE) in the 2008 New Year Honours. Very fine condition. Very rare.

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