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283287 Los(e)/Seite
ILYA YEFIMOVICH REPIN (RUSSIAN 1844-1930)Portrait of a Man, pencil on paper16.5 x 11.7 cm (6 1/2 x 4 5/8 in.)signed lower left; inscribed Aleksandrov..(?) 25..(?) upper rightPROVENANCEEstate of Natalie Parker through her husband, who acquired the work from a private collectionCollection of Irina Vorobiova, a close friend of Mrs. Parker, to whom Natalia left a number of artworks in her will.
CIRCLE OF NICOLAS DE LARGILLIERE (FRENCH 1656-1746)Portrait of a Gentleman, oil on canvas65 x 54.5 cm (25 1/2 x 21 1/2 in.)PROVENANCEPrivate collection, FranceSyd Hoare, Vancouver until 1958Seattle Art Museum, Seattle, WA (label on verso, Inventory Number 58.102, as Nicholas De Largilliere)EXHIBITEDDenver, Denver Art Museum, Images of History, 1961ILLUSTRATEDArt Quarterly, XXI, 4, Winter 1958, p. 434Seattle Art Museum Guild, Engagement Book, 1965
DMITRI KRAPIVNY (RUSSIAN 1904-1940)Self-Portrait in Pink, oil on canvas100x 73 cm (39 3/8 x 29 in)Certified by the artist`s widow L. Frolova-Bagreeva (1989) on verso. LOT NOTESDmitry Krapivny studied at the Odessa School of Art and under Kuzma Petrov-Vodkin and Alexander Savinov at the VKhUTEIN in Petrograd. Krapivny was also closely allied with Pavel Filonov, working with the Filonov school of artists as of 1927, and exhibiting his works in seminal exhibtions such as Masters of Analytical Art: The Filonov School at the House of Printing in Leningrad (1927).THIS LOT IS BEING SOLD WITHOUT RESERVE.
DMITRI KRAPIVNY (RUSSIAN 1904-1940)Self-Portrait, oil on canvas46 x 82 cm (18 x 32 in.)Certified by the artist`s widow L. Frolova-Bagreeva (1980) on verso. LOT NOTESDmitry Krapivny studied at the Odessa School of Art and under Kuzma Petrov-Vodkin and Alexander Savinov at the VKhUTEIN in Petrograd. Krapivny was also closely allied with Pavel Filonov, working with the Filonov school of artists as of 1927, and exhibiting his works in seminal exhibtions such as Masters of Analytical Art: The Filonov School at the House of Printing in Leningrad (1927).THIS LOT IS BEING SOLD WITHOUT RESERVE.
EVGENY KIBRIK (RUSSIAN 1906-1978)Portrait of Vera Ketlinskaya (the artist`s wife), 1920soil on canvas62 x 46.5 cm (24 3/8 x 18 3/4 in.)PROVENANCEFrom the artist Lidia Frolova-Bagreeva (School of Filonov) LOT NOTESEvgeny Kibrik was one of the influential Soviet artists of the beginning of the 20th century. He started his education at the Odessa Art Institute (1922-25), and continued at the VkhuTEIN, together with Kuzma Petrov-Vodkin. Kibrik was also a prominent student of Pavel Filonov, and a member of the "Masters of Analytical Art" group from 1926 until 1930, as well as one of the founders of the artists group IzoRAM. His early works, such as the present lot, show a great influence of Filonov, revealing in realistic, yet emotional portraiture against an abstract background. As the political demands of Socialist Realist art took hold, the works by Kibrik and his former teacher Filonov were often criticized by the public. As a result, his later work for which he was highly lauded by the Soviet art establishment, essentially was Socialist Realist in nature. The present lot, therefore, is an especially rare and powerful example of Evgeny Kibrik`s early oeuvre, one of the exemplary artists of the Filonov school.THIS LOT IS BEING SOLD WITHOUT RESERVE.
OLGA DEINEKO (RUSSIAN 1897-1970)Self Portrait, 1931gouache and pencil on paper41 x 26 cm (16 x 10 in.)initialed lower left, initialed and dated lower rightLOT NOTESOlga Deineko was born in Ukraine and studied at VKhUTEMAS under Ilya Mashkov. She worked as a graphic artist and designer, and was a member of Society of Revolutionary Poster Designers. The wife of Nikolai Troshin, she was also well known as childrens book illustrator in the late 1920s and early 1930s.THIS LOT IS BEING SOLD WITHOUT RESERVE.
NIKOLAI REMIZOV (RUSSIAN 1887-1979)Portrait of the Actor Leonid Kinskey, 1954oil on canvas61 x 41.5 cm (24 x 16 1/4 in.)signed and dated upper rightLOT NOTESNikolai Vladimirovich Remizov or RE-Mi was born in St. Petersburg in 1887. He studied under D. Kardowski at the Imperial Academy of Arts. He was then active in Kherson, Ukraine (1918-20), Paris (1920-22), New York (1922-24) and Palm Springs in the United States until his death in 1975. The artist began exhibiting already in 1909 and became the chief-artist (under the pseudonym RE-Mi) for the famous satirical magazine Satiricon, of which he was a co-founder with A. Averchenko and Sasha Chorny. Remizov also was active as a painter and graphic artist and from the late 1920s mainly a stage designer. His works are displayed at the Russian Museum.
A RARE COLLECTION OF IMPORTANT TEXTS BY ALEXANDER HERZEN AND NIKOLAY OGAREFF PUBLISHED BY THE FREE RUSSIAN PRESS IN LONDON, 1858-1861comprising:(a) ZA PIAT' LET [For Five Years] (1855-1860). Political and Social Articles. In 2 volumes. First Edition. London: Vol'naya Russkaya Tipografiya / Trubner & Co, 1860-1861. 2 volumes set. Authors: Alexander Gertzen (Volume I) and Nikolai Ogaryov (Volume II). Text in Russian. 7-1/2 x 4-1/2 inches, half-leather over marbled boards; marbled epps and ends. XI, 320, (2) pp. + IV, 403, (3) pp.(b) Four books in one: 1. PIS'MA IZ FRANTSII I ITALII [Letters from France and Italy, and three more books, London: Trubner & Co, 1858, Author: Alexander Gertzen. Four books in one (Each book with its own title page and separate pagination): 1. PIS'MA IZ FRANTSII I ITALII (Letters from France and Italy). Second Edition. XII, 303, (2) pp. 2. S TOGO BEREGA (From the Other Shore). Second Revised Edition. XXIII, 194, (3) pp.3. RUSSKY NAROD (The Russian People and Socialism). Letter to Michelet. First in Russian. I, 49, (1) pp.4. STARY MIR (The Old World and Russia). First in Russian. IX, 52 pp. Text in Russian. 6-3/4" x 4" half-leather over marbled boards; marbled epps and ends. Frontispiece: portrait of the author.(c) Two books in one: 1. 14 DEKABRIA 1825 (December 14, 1825 and Emperor Nicolas [Nicholas]). 2. KTO VINOVAT? (Who Is Guilty?), London: Trubner & Co, 1858-1859. Author: Alexander Gertzen. Two books in one (Each book with its own title page and separate pagination):1. 14 DEKABRIA 1825 (December 14, 1825 an Emperor Nicolas [Nicholas]). London: Trubner & Co, 1858. XIV, 308, (1) pp. 2. KTO VINOVAT (Who Is Guilty?). Novel in Two Parts. Second Revised Edition. London: Trubner & Co, 1859. VIII, 313, (1), (3) pp. Text in Russian. 6-5/8 x 4-1/4 inches, half-leather over marbled boards; marbled epps and ends.(d) OGAREFF, Nikolai, STIKHOTVORENIYA (Poetry).. First Edition. London: Trubner & Co., 1858 . Author: Nikolai Ogariov. Text in Russian. 6-3/4 x 4-1/8 inches, half-leather over marbled boards; marbled epps and ends. 432, (1), (1) pp. Frontispiece: portrait of the author.LOT NOTESAlexander Ivanovich Herzen (Iskander), was a Russian writer and political thinker who is often known as the 'Father of Russian Socialism.' His writings from exile played an important role in the Emancipation of the Serfs in 1861. Living in the United Kindom from 1852-1864, he founded, with the aid of Polish exiles, the 'Free Russian Press in London,' the first uncensored printing enterprise in Russian history. This collection of books is historically significant and quite rare.THIS LOT IS BEING SOLD WITHOUT RESERVE.
CEPHAS GIOVANNI THOMPSON (AMERICAN 1809-1888)Virgin Mary with Guardian Angels and Saint Innocents, oil on canvas109.8 x 80.2 cm (43 1/4 x 31 5/8 in.)signed with initials lower left, C.G.T.LOT NOTESCephas Giovanni Thompson was the son of the well known early 19th Century self-taught portrait painter Cephas Thompson, who was born, lived and worked in Middleboro, Massachusetts. Like his father, Cephas was born in Middleboro. Initially working in Plymouth, Massachusetts, he would travel the East Coast, working in Boston, Bristol, and Philadelphia before settling in New York City. Thompson established a studio in the University Building at Washington Square in New York, and became a fashionable artist known not only for his portraituree but also for his allegorical and romantic scenes, often featuring beautiful young women. Two canvases that he painted during this time, Spring and Autumn were exhibited at the Apollo Association in 1839. Shown for reference here, Spring is currently in the Permanent Collection of the Metropolitan Museum of New York.
A late Victorian lady's fob watch, the gilt dial and chapter ring with Roman numerals, the case painted to the reverse with a gilt-highlighted portrait of a lady wearing a rose in her hair, within an enamelled "frame", key wind movement, the case stamped "warranted KIX carat fine", in a velvet lined leather fitted case.
PETER BARRIE GROSS P.P.R.B.S.A. (1924 - 1987) Framed, signed, oil on board, titled and dated on label verso, 'Marianne Maddison/ 1952', full length portrait of a girl in blue dress, see James Bourlet and Sons label verso, 74cm x 48.5cm. Provenance: From the estate of the artist. Previously exhibited at the R.B.S.A. commemorative exhibition of his work, 1st May - 12th May 2007, see exhibition catalogue included in this lot.

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283287 Los(e)/Seite