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283287 Los(e)/Seite
Los 105
** Apollo 14.- Mitchell (Edgar) Alan Shepard holds the U.S. flag; Double portrait of Alan Shepard and Edgar Mitchell taken by a 16mm. camera, February 1971, vintage gelatin silver prints, the first with a copy of the negative, numbered in black to upper margins, NASA AS14-66-9232; S-71-19510; and 2 others similar, 205 x 255 mm (8 x 10 in), (4). ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 20
** Cosmonauts.- Baturin (Vasily M., photographer and cinematographer) Yuri Gagarin, the first man in space, 1960-67, four vintage gelatin silver prints, with ink inscriptions, some extensive, in Russian on versos, some signed by Baturin, some also credited to his assistant B.A. Smirnova, minor creasing to some corners, one with tiny abrasion mark to edge of image, c.125 x 175 mm (5 x 6 3/4 in), (4).⁂ Rare. An album by Baturin entitled "Brothers of the Cosmos" was illustrated as plates 63-66 in the catalogue of the exhibition "Apollo's Muse: The Moon in the Age of Photography", The Metropolitan Museum of Art, New York, 2019. Catalogue no. 65 includes a portrait of Gagarin also present in this group.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 31
** Alan Shepard, the first American in space, winched aboard a helicopter after splashdown, 5 May 1961; Formal portrait of Alan Shepard, and 5 views of pre-flight water training, vintage gelatin silver prints, 6 numbered in black in margins, 3 with NASA credits to versos, minor creasing, c.255 x 205 mm (10 x 8 in.), (7).⁂ Numbered: G-60-2742; B-60-216; B-60-217; B-60-218; B-60-221; B-60-224. ** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 44
** Mercury Astronaut.- John Glenn, 1966, portrait of Glenn standing in front of a large U.S. flag, signed above on mount in ink, inscribed "Best regards to all our friends in Switzerland" and dated 4 June 1966, 95 x 135 mm (3 1/2 x 5 1/4 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 53
** Karsh (Yousuf) Portrait of Yuri Gagarin, c.1965, printed later, vintage gelatin silver print, signed by Karsh in ink to lower left corner, photographer's credit to verso, 340 x 265 mm (13 1/4 x 10 1/2 in.)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 82
** Apollo 11.- Armstrong (Neil) Portrait of Buzz Aldrin, the "visor" image, 1969, vintage gelatin silver print, signed verso in pencil by Aldrin and dated "July 20, 1969", further dated 9-5-04, NASA caption verso, short tear (20 mm) into image at top left, small abrasion mark to top margin, minor creasing and surface cracks, 255 x 205 mm (10 x 8 in).** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.
Los 3440
Advertising - an enamel ashtray, printed in the manner of a sign, Leeds Daily News, All News 1/2 Hour in Advance of Any Rival, Only Paper With Exclusive Private Wire London to Leeds, centred by a sepia portrait of Field Marshal Frederick Sleigh Roberts, 1st Earl Roberts (1832 - 1914), 13.5cm diam, c.1900
Los 3445
William Blake - After James De Ville (1777-1846), a black-painted plaster phrenology head, William Blake (1757-1827), inscribed to verso: 'A66 /PUBd AUG 1 1823 J. DEVILLE, 67 Strand London', the parietal with traces of bronzing, circular plinth base, 29cm highJames Deville (1777-1846) was a sculptor and phrenologist employed as an assistant to Joseph Nollekens. Phrenology was popular in the early 19th century following the publications of both Lavater and Spurzheim, and Blake himself was an advocate of this new 'science', in which the shape and contours of the skull are examined to indicate mental capacity and character. Fifty-six years old at the time the mould was taken in 1823, Blake was considered a perfect representation of "imaginative faculty". Very few original copies of Deville's Blake life mask exist, with examples in the National Portrait Gallery, London and the Fitzwilliam Museum, Cambridge.
Los 3593
English School (18th century), a pair of portrait silhouettes, Berkley William Guise, July 1783, Aged 8 Years, and his brother (& eventual heir) John Wright Guise, July 1783, Aged 6 Years, of Highnam Court, Gloucestershire, bust-length and in profile, ovals, watercolour and glass, 9cm x 7cm
Los 3596
English School (early 19th century), a portrait miniature, of Joseph Wissett, Taken at Canterbury, November 1825, in the 24th Year of his Age, bust-length, wearing British Army double-breasted scarlet tunic, with gold embroidered high collar, stock, epaulets and chevrons, watercolour on cut-card, mounted on a titled lapis lazuli ground, oval, 13cm x 10cm
Los 3636
King Charles the Martyr - a silver-gilt coloured metal commemorative pendant medallion, in relief with a profile portrait of Charles I, bust length, facing to sinister, royal coat of arms to verso, 4cm over loop; a historicist's cabinet electrotype, after a medallion or numismatic issue of Charles Emmanuel I, Duke of Savoy, 4.5cm diam (2)7
Los 3692
Nelson and the Battle of Trafalgar - a plaster portrait cameo plaque, of Vice-Admiral Horatio Nelson, 1st Viscount Nelson, bust length facing to dexter, in jasperware tones, oval, 10.5cm x 7.5cm, inscribed to verso in ink manuscript A Reddy, Brit. Musm [British Museum] 1904, velvet frame with lacquered brass bezel
Los 4033
John Fairburn (fl. 1789-1840, publisher), a pair, Summer and Autumn, from Thompson's Seasons, London: June 1st, 1796, mezzotint engravings with contemporary hand-colouring, 36cm x 25cm, (2); George Vertue FSA (1684-1756), by, [Franis Bacon, Viscount St. Albans], the portrait frontispiece from Bacon's Opera Omnia, London: 1728, engraving, 29cm x 17.5cm, (1), [3]
Los 4083
Jean Faber, by, Peter Vandyck, after, Son Altesse Serenissime Guillaume Charles Henri Friso, Prince d'Orange et de Nassau &c., mezzotint, 35cm x 25cm; John Watts, by, Sir Joshua Reynolds, after, portrait of The Rt. Hon. Francis Seymour Conway, Earl of Hertford, published Jan 28th 1786, New Bond Street, London, mezzotint, 38.5cm x 28cm (2)
Los 4143
Country Pursuits - Fishing, Salter (T.F., Gent.), The Angler's Guide, sixth edition, London: Sherwood and Co., 1825, engraved portrait frontispiece, in-text woodcuts, 20th century cloth, red-speckled edges, 8vo, (1); Walton (Izaak) & Thorpe (James, illustrator), The Complete Angler, London: T.N. Foulis Ltd., 1925, cloth over papered boards, 4to, (1); Badminton Library, Cholmondeley-Pennell (H), Fishing, second edition, London: 1886, pictorial cloth, 8vo, (1); White (Gilbert), The Natural History of Selborne, With A Naturalist's Calendar and Additional Observations, London: Walter Scott, [n.d., 1877], contemporary green and gilt pictorial cloth, 8vo, (1), [4]
Los 4178
Miscellaneous - Lord Chesterfield's Letters, four-volume set, seventh edition, London: J. Dodlsey, 1776, rebacked, relayed contemporary calf boards, 19th century ink MS ownership inscriptions, 8vo, (4); Teignmouth (Lord), Memoirs of the Life, Writings and Correspondence of Sir William Jones, sixth edition, London: J. Hatchard, 1815, portrait frontispiece, rebacked contemporary calf gilt, later 19th century ownership inscription, 8vo, (1); Magee (William, D.D.), Discourses and Dissertations on the Scriptural Doctrines of Atonement & Sacrifice [...], two-volume set, third edition, London: T. Cadell and W. Davies, 1812, contemporary polished calf, blind and gilt, marbled edges and endpapers, 8vo, (2); Paley (William), The Principles of Moral and Political Philosophy, two-volume set, sixth and fifth editions respectively, London: J. Davis, 1788, contemporary calf, blind and gilt, marbled edges and endpapers, 8vo, (2); Buckingham and Chandos (The Duke of), Memoirs of the Court and Cabinets of George the Third, two-volume set, London: 1853, contemporary straight-grained morocco gilt (rubbed, worn), marbled edges and endpapers, crested bookplates of Archdeacon Richard Lane Freer to each pastedown, along with his 1863 bequest label and the country house book label of E.R. Dowdeswell and the library at Pull Court, Worcestershire, later ex-lib stamps, 8vo, (2); [Ovid], Publii Ovidii Nasonis Metamorphoseon [...], [London]: J. Knapton [...], 1737, title printed in red and black, contemporary calf, 8vo, (1); Walker's Key to Classical Pronunciation [...], ninth edition, London: 1830, contemporary calf, 8vo, (1); Tooke (Andrew), The Pantheon [...], London: 1806, 20th century calf over marbled boards, 8vo, (1); The Loeb Classical Library, various Greek works with parallel English text, (8); Parker's ABC of Gothic Architecture, third edition, Oxford: 1882, full-page engravings, contemporary cloth, square 8vo, (1); belles-lettres, classics, theology, history; etc., [27]
Los 4183
Miscellaneous - Travel, Addison (Joseph), Remarks on Several Parts of Italy, &c., In the Years 1701, 1702, 1703., London: J. and R. Tonson, 1767, illustrated with in-text illustrations of ancient coins, contemporary speckled calf, gilt spine, later 19th century crest bookplate: A.E. Morgan, small 8vo, (1); The Continental Tourist [...], Illustrated with [...] Engravings on Steel, of the Most Interesting European Scenery, first edition, London: Black and Armstrong, [n.d., 1850], contemporary cloth (spine chipped), 8vo, (1); Italy, from the Alps to Mount Etna [...], With One Hundred and Sixty-four Illustrations, London: William Glaisher, 1903, pictorial cloth as issued, 4to, (1); Natural History, Darwin (Charles), On the Structure and Distribution of Coral Reefs [...], with Portrait, Maps, Plates, and Numerous Illustrations, Londno: Ward, Lock & Co., [n.d., c. 1900], blue cloth gilt, 8vo, (1); Cowper (William), Poems, two-volume set, Chiswick: Printed by C. and C. Whittingham, 1824, contemporary blind and gilt-tooled tan calf, marbled edges and endpapers, contemporary pink bookseller's ticket: H. Sotheran, Bookseller, York, 12mo, (2), [6]
![Miscellaneous - Travel, Riesbeck (Baron de), Voyage en Allemagne [...], three-volume set, first French edition, Paris: Chez B](https://cdn.globalauctionplatform.com/8f6ed392-12bf-406c-95f7-ad27009c49c3/5b3511bb-a64a-4ffc-a38a-ad2f0084806c/468x382.jpg)
Los 4185
Miscellaneous - Travel, Riesbeck (Baron de), Voyage en Allemagne [...], three-volume set, first French edition, Paris: Chez Buisson, 1788, illustrated by two portrait frontispieces only, three fold-out maps (2 of which are printed on blue paper), mid-19th century English blue half-calf over marbled boards (worn, some covers loose), marbled edges, Junior United Service Club bookplates to each pastedown, 8vo, (3); Ireland, Morgan ([Sydney], Lady), O'Donnel: A National Tale, volumes I & III only, first edition, London: 1814, contemporary half-calf over marbled boards, 8vo, (2); [Shakespeare (William)], Bell's Edition, five odd volumes, London: 1785-1786, some engravings, contemporary mottled calf gilt (disbound), marbled endpapers, 12mo, (5); Guerber (H.A.), Myths of the Norsemen [...], London: 1909, contemporary three-quarter green roan gilt, 8vo, (1); Mémoires du Général Bon de Marbot, three-volume set, third edition, Paris: 1891, contemporary book labels and ownership stamps: James Walker, Christ Church, 8vo, (3); Vanity Fair, 1878, (2); Oman's Roman Statesmen, 1911, (1); The Quarterly Review, six various volumes, 1818-1896, various half-leather bindings and sizes, 8vo, (6), [24]
![Science & the Enlightenment - Rumford ([Sir] Benjamin, Count of, LL.D., F.R.S., &c. &c.), Philosophical Papers: Being a Colle](https://cdn.globalauctionplatform.com/8f6ed392-12bf-406c-95f7-ad27009c49c3/2639e117-443c-4cbe-badb-ad2e00f09a44/468x382.jpg)
Los 4197
Science & the Enlightenment - Rumford ([Sir] Benjamin, Count of, LL.D., F.R.S., &c. &c.), Philosophical Papers: Being a Collection of Memoirs, Dissertations, and Experimental Investigations, Relating to Various Branches of Natural Philosophy and Mechanics/Together with Letters to Several Persons on Subjects Connected with Science and Useful Improvement, volume I (of all published), first edition, London: T. Cadell, Jun. and W. Davies, 1802, lacking portrait frontispiece, pp: xxiv, 390, [2] (advert/binders' direction), 13 diagrammatic plates (12 of which fold, XI full-page and with a trimmed fore margin), one in-text illustration, further in-text mathematics and tables, early 20th century red morocco over cloth, 8vo, [1] Provenance: 1) Malton Subscription Library; 2) and then Nottingham Reference Library, institutional binding and stamps in places.
![Travel and Exploration - Egypt, Lane (Edward William), An Account of the Manners and Customs of the Modern Egyptians [...], f](https://cdn.globalauctionplatform.com/8f6ed392-12bf-406c-95f7-ad27009c49c3/b8c4ebba-06ca-454a-9d54-ad2e00f0a106/468x382.jpg)
Los 4205
Travel and Exploration - Egypt, Lane (Edward William), An Account of the Manners and Customs of the Modern Egyptians [...], first edition thus, two-volume set, London: Charles Knight and Co., 1836-1837, b/w plates and in-text illustrations, some music, contemporary cloth, 8vo, 19th century church and seminary stamps, 8vo, (2); Prescott (William H.), History of the Conquest of Mexico, three-volume set, second edition, London: Richard Bentley, 1844, titles printed in red and black, portrait frontispieces, maps and plates, contemporary cloth, 8vo, (3); The Continental Tourist; Belgium & Nassau, London: Parry & Co., [n.d., c. 1845], illustrated with 32 steel engravings and a fold-out map, contemporary green cloth (chipped spine), 8vo, (1); Wood (Charles W.), In the Valley of the Rhone, London: 1899, green cloth gilt, 8vo, (1), [7]
Los 3093
A 19th century wax portrait, of a gentleman, in profile facing to dexter, 7cm x 5cm, inscribed to verso in ink manuscript: Died April, Thursday 14th 1859 at Mayfield ** our dear friend T. C. Windle Esq, aged 70, God Father to Jane Margaret Haslewood, contemporary Rococo Revival gilt gesso frame, 25cm x 21.5cm overall
Los 180
Treen and pique work snuff shoe, the hinged cover with staghorn portrait plaque, 13.5cm long, together with treen pounce pot, 8.5cm high, (2)Condition report: Brass line inlay depleted to rear of shoe. Minor crack just above this loss. Pounce pot is sound.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Los 305
19th century Chinese watercolour on rice paper, half-length portrait of a young noblewoman, 12.8cm x 10.3cm, framed and glazed. Condition report: Picture is sealed under glass, unable to inspect fully. Apparent water spot to background, otherwise appears sound. PicturesThe inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale.Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.
Los 377
Circle of Edward (Edwaert) Collier (Dutch, Breda c.1640-1706 London) - oil on canvas - trompe l'oeil still life with engraved portrait of Charles I, folded newspaper 'The London...' [Gazette?], quill, sealing wax stick, and opened envelope with wax seal. Apparently unsigned, 61.5cm x 31cm, on later stretcher, unframedCondition report: All-over crecking and crazing to paint surface. Twi dark circular marks to upper quarter, two to lower quater - but these may be painterly effects as no corresponding damage verso). Darker paint to left hand edge and much of right hand edge, losses to all corners, some tears to edges (all of these would be concealed by a frame). Surface dirt. Canvas is clearly early but stretcher appears to be of later date and has old worm scarring. Sold as seen.Please see our terms and conditons regarding picture cataloguing.
Los 381
Follower of Sir Thomas Lawrence, mid 19th Century - Portrait of a young girl, circular (tondo), with parted blonde hair, 41cm diameter, in original swept gilt frame40cm diameterCondition report: Very minor area of retouching to nose - corresponding small nick to canvas verso. Upper edge of canvas depleted where attaches to stretcher, not visible when in frame. Frame with general cracking and minor losses. No backing boards to frame (ie is open to reverse).PicturesThe inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms..
Los 382
19th Century English School - Pair of oils on canvas - Portraits of two gentlemen, possibly father and son. Each depicted bust-length, the younger man wearing a yellow jacket with gold buttons and white cravat under dark overcoat, the older man in dark attire with a white shirt, his hand on a book, both with Frost & Reed labels verso, 74cm x 62cm and 74.5cm x 61.5cm, in identical gilt gesso frames.Condition report: Both with overall cracking and crazing, especially noticeable on older getleman.This portrait has some light coloured residue marks and wear to varnish on left hand side of canvas. Rear of canvas with tacked on board and Frost & Reed labels - not inspected
Los 400
Stanhope Alexander Forbes, (Newlyn School, 1857-1947) - Oil on canvas - Portrait study of an elderly gentleman, probably a fisherman, depicted bust-length in three-quarter profile, signed verso, remnants of Roberson label, 60cm x 49.5cm, in original frame with plaque of 'James Lanham, Artist's Colorman, St Ives, Cornwall'Condition report: Surface dirt to canvas, dowel pegs and scuffs to ebonised frame.Was apparently verbally authenticated by a London auction house some time ago but never consigned for sale at that time.PicturesThe inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part. Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Los 401
Ernest Board (1877-1934) (attr.) - Oil on board - Three portrait studies, 49.5cm x 35cm, framed.Qty: 3Condition report: General knocks to the frame in places. Paintchips present to one, with some surface dirt on all. Please check the extra images provided.The inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.
Los 420
Kathleen Hale OBE (1898-2000) - Pencil sketch - Portrait of an elderly lady, signed and dated 1920 lower right, 20cm x 17.5cm, framed and glazed - Artist Resale Rights May ApplyCondition report: Condition: Some discolouration to the paper and mount - ** General condition consistent with age.The inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part.
Los 426
Kathleen Hale OBE (1898-2000) - Pencil sketch - 'Nicholas', Portrait of Kathleen's son, signed lower left, 25cm x 19cm, framed and glazed - Artist Resale Rights May Apply. Condition report: Condition: Some foxing and discolouration to the paper - ** General condition consistent with age.The inclusion of the artist’s full name (and dates of birth and/or death, if known) should be understood to convey that, in our opinion only, this work is probably by the artist, and probably of the period. Any qualifiers such as ‘Attributed to’, ‘Circle, Manner, School, or Follower of’ etc. convey some level of doubt on our part.
Los 513
George III oak and mahogany-cased 8-day painted dial longcase clock, Joseph Denton, Hull, (fl. c. 1782-1814), 12-inch break-arched Arabic dial, subsidiary seconds and calendar rings, arch painted with an oval vignette of a couple (perhaps for their marriage), movement rack-striking on a bell, the mahogany-crossbanded oak case with pagoda hood, three brass ball finials with eagle between spires, and fluted columns, ogee-arched long trunk door, on bracket feet, 231.5cm highCondition report: Dial has dark all-over crazing, has been reblacked and refreshed, portrait panel repainted. Movement has been cleaned. Later seatboard and upstands (cheeks). Case with detached central finial, horizontal hood cracking, dial glass broken, trunk door catch depleted, vertical gap to base where planks meet. Decent colour. Sold with two weights, pendulum and winderDue to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Los 592
Pair of late 19th Century oak Wainscot chairs, of 17th Century style, both with solid backs with inset figural carved panels “Beheading of Charles” and “Wounding of William” over pairs of portrait roundels surmounted by the Duke of Devonshire’s crest and motto “Cavendo Tutus”, open arms on turned supports, solid seat with scroll-carved front rail, and conforming supports united by plain stretcher, 60cm wide x 60cm deep x 157cm high.Footnote: Presumably part of a larger set made to commemorate the role of the Cavendish family in the Glorious Revolution in 1688.Condition report: Some light staining, fading and scratches to arms and seat panels. Minor losses to edges of front stretchers. Otherwise sound.
Los 74
Cased set of yellow metal portrait buttons, mounted with sepia photographic images of Edwardian ladies, in shaped Art Nouveau-style caseCondition report: General condition consistent with age and use. Unmarked, each button approx 1.3cm diameter, lining to case stamped in gold lettering '9ct Gold Mounted', 7.4g grossDue to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Los 176
Date-Stamp Longest Reigning Monarch Sovereign Pair. Comprises 1/ United Kingdom 22ct Gold Full Sovereign - Date 1901. Queen Victorias Portrait. Weight 7.98 grams. 2/ United Kingdom 2015 22ct Full Gold Sovereign - Date 2015. Weight 7.98 grams. Only 63 Pairs Issued. Date-Stamp Official Registration Certificate, Serial No A71-033. Comes with Presentation Wooden Box and Certificate of Authenticity.
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283287 Los(e)/Seite