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T.H. Smith (British), oil painting on canvas portrait of Miss Wrigley. 100 cm x 74 cm, framed, signed. NOTE: Miss Wrigley was apparently a backer of Britains Motor Racing scene in the 1930's, Mrs Marjory Hall-Smith was born Marjory Wrigley in 1885 and lived at Ellerslie House Gosforth Cumbria (see illustration). CONDITION REPORT: This painting has been relined, cleaned and there are very slight areas of repainting to no more than 5-10% of the canvas surface. There are no visible holes, tears or losses to the canvas from the front.
Quantity of framed oil and other portrait paintings, of dogs, mainly terriers, and a horse portrait. Painting of the dogs (central in main photo) signed David G Steel (1856-1930), dated indistinctly lower right. The small terrier pictures, indistinctly signed, possibly John Emms (canvas baggy) Cleared from a Cuuntry House Clearance in Cotswolds, Some wear to all
An Art-Union Of London bronze laudatory medallion commemorating John Flaxman, mid 19th century, the obverse with a relief cast profile portrait of Flaxman after British portrait artist Henry Weigall S.C., the reverse with a relief cast of Flaxman's Mercury and Pandora, the edge with "Art-Union of London 1854", 5.5cm diameterNOTE: British sculptor and draughtsman John Flaxman R.A. began his career as a modeller for Josiah Wedgwood, and went on to become a leading figure in British and European Neoclassicism.
An interesting letter written by Lillie Langtry on headed paper with embossed address for 86 Eaton Square, stating: "Dear Mr Lee, I am just off to Boulogne tomorrow morning and would be delighted to receive it. Clay [?] and tall [?] of the Young [?]... But I of course need the American rights even more than the English ones, yours Lillie Langtry", in double sided glazed frame with a photographic portrait, 27.5cm x 31.5cm overall
English school (early 19th century),Two portrait miniatures, one depicting a bust length portrait of a lady, the other a bust length portrait of a gentleman,Watercolour on ivory,Framed and glazed, mounted one above the other within a chased and pierced brass border, set to a shaped velvet covered panel with easel stand,30cm x 25cm overall
English school (19th century),A portrait miniature depicting Rembrant Van Rijn in the manner of his "Self Portrait Aged 34",Watercolour on ivory, 8.5cm x 6.5cm,Framed and glazed,With a further portrait miniature depicting Peter Paul Rubens in the manner of his self portrait,Watercolour on ivory,Trade label for William Biggs verso,9cm x 7cm,Framed and glazed (2)
After Sir Anthony Van Dyke (1599-1641),A portrait miniature depicting Henry, 9th Earl Of Northumberland (1563-1632),Watercolour on ivory,12.5cm x 10cm,Framed and glazed,With a watercolour on ivory portrait miniature by the same hand, depicting Anne Clifford, Countess Of Dorset, Pembroke and Montgomery after Daniel Mytens (1590-1647), 13.5cm x 10cm, framed and glazed, and a further half length portrait miniature in the same hand depicting a lady in green silk with pearls, 12.5cm x 10cm, framed and glazed (3)
English school (19th century),A portrait miniature depicting a young lady wearing a white silk dress with jewelled shawl,Watercolour on ivory, In hinged glazed travel case, 11cm x 8.5cm overall,With two further portrait miniatures, one depicting a lady in a lace bonnet, the other a gentleman in blue frock coat, each in travel case, 11cm x 8.5cm and 7.5cm x 6.5cm (3) (at fault)
English School (early 19th century),A portrait miniature depicting a lady wearing a pink dress with buckle with ruff collar and curled up-swept hair,Watercolour on ivory,Framed and glazed, image only 6cm x 4.5cmWith a further portrait miniature of an elderly lady, in similar ebonised frame stamped 'CLAY' and glazed, image only 7cm x 5.5cm (2)
English School (early 19th century),A pair of portrait miniatures in the manner of George Engleheart (British 1750/2-1829), depicting a lady and gentleman in black clothes,Watercolour on ivory,Each within gold coloured oval surround, glazed with brooch fitting, woven hair inset verso and 'JG' and 'CAH' monogram respectively in seed pearls,7.5cm x 6cm overall approx (2)
J. Thomason (Irish School, fl. 1786- circa 1800),Silhouette portrait of a gentleman on plaster, named indistinctly verso 'Capt Street',Oval in pressed brass frame, with trade label verso,8.5cm x 6.5cm (image only)And a further silhouette on paper of a lady in profile with lace cap, watercolour and pen, framed and glazed 10cm x 7.5cm (image only) (2) CONDITION REPORT:Gentleman: The piece is framed under glass and has not been removed for inspection. The plaster surface appears to be intact with no visible fractures or losses. The painted surface appears to be in good overall condition with no obvious evidence of damage or restoration. The glass shows surface wear and a build up of dirt around the edges. There is some residue at the top edge. The brass frame shows the odd dent and some tarnishing.Lady: The piece is framed under glass and has not been removed for inspection. The paper has darkened noticeably over time. There is a small insect on the cheek.
THE ORIGINAL WATER-COLOUR PAINTINGS BY JOHN JAMES AUDUBON FOR THE BIRDS OF AMERICA, first edition, 2 vols, brown buckram with gilt embossed "J.J.A" to cover, marbled endpapers, colour portrait frontispiece, colour plates and monochrome illustrations throughout, slipcase, Michael Joseph Ltd, New York 1966
Three sketch books, probably 19th century, each containing finished watercolours, watercolour sketches and pencil drawings, mainly of bucolic, architectural and coastal scenes, with some portrait sketches, 17.5cm x 23.5cm, 16.5cm x 24cm, and 17cm x 24cm (3) ADDITIONAL INFORMATION:The three books contain approximately one hundred works between them, including finished watercolours, finished pencil sketches, and finished pen and ink studies, with unfinished sketches and studies.
A limited edition "The Churchill Vase" by Abbeydale China, mid 20th century, the octagonal vase with lion's mask handles and tented cover, decorated in an Imari palette with alternating cobalt blue and white panels, many with gilt achievement motifs, biographical details and one with a portrait, retailed by Thomas Goode & Co Ltd to commemorate Churchill's Honorary US Citizenship in 1963, numbered 221 of 250, set to an associated rotating turned oak stand, the vase 28cm high, the stand 19cm diameter CONDITION REPORT:The piece shows minor rubbing to the gilt, small losses to the odd text letter and a small gilt fault above one of the lions rampant. Otherwise the piece appears to be in generally good order showing, expected minor wear to the feet, but no visible chips, cracks or losses.
A collection of art pottery, to include; an unusual two handled square platter, depicting a portrait of a man in a hat to centre and underneath, incised mark, 45cm wide, a slab built jug with blue and white striped decoration, 20cm high, an Italian bowl with foliate decoration 33cm diameter, and further studio pottery pieces (15)Condition reportTallest jug has several glaze chips to the top and bottom rims and multiple minor glazing and firing faults, all other items have no visible chips, cracks or faults.
MICHAEL AYRTON [1921-75]. Self Portrait and Minotaur [Personal Janus], 1970. bronze, edition of 9, 4/9. 35 cm high. Provenance: Christies auction, 17 March 2016, lot 140; private collection, UK. Ayrton's best self-portrait, in our opinion - it features on the back cover of Justine Hopkin's biography of the artist - recently revised and re-published. Another cast of this was sold at our auction on 12 June 2018 [lot 102] for £18750 [total]. [very good condition]. Buyers premium of 20% + VAT is payable. ARR 4%
Sir JACOB EPSTEIN [1880-1959]. Sir Muirhead Bone, 1916. bronze, edition of 6 [an early cast and most likely cast in 1916]. 26 cm high - excluding the wood base. Provenance: Leicester Galleries, c. 1917; M. Paez-Vilano collection, USA; Sothebys auction, New York, 3 June 1970, lot 90; private collection, USA; Roy Davids collection [£12000]; private collection, UK. Literature: 'The Sculpture of Epstein', E. Silber, 1986, Phaidon, catalogue raisonne, p. 40, no. 75 [Silber records this as cast no.4 - she only records 4 casts - so the final 2 may never have been cast]; 'Jacob Epstein - Adventures of the Soul', Dr Justine Hopkins, 2018, plate 3 [this cast illustrated]. Sir Muirhead Bone [1876-1953] was a celebrated UK artist who became the first official war artist in 1916 during WW1 and Epstein modelled this head of his friend shortly afterwards. Bone was an Imperial War Museum [IWM] trustee and helped establish it in 1917. He was also a trustee of the Tate and National Galleries. Neither the IWM nor National Portrait Gallery own a cast of Bone - quite surprising? Jacob Epstein is one of the greatest sculptors of all time - any artist who created 'Rock Drill' in 1913, could pretty much live on that acclaim for the rest of their lives, but he went on to create many great sculptures - his modelled bronze heads and busts are unsurpassed.. Two of his contemporaries, Frank Dobson and Eric Gill, are currently rated more highly even though they are inferior sculptors. Eric Gill [1882-1940] was a good craftsman, but a repulsive human being - a paedophile etc. - if he had been a musician, actor or writer, many people these days would want him erased from the history - but because he was a visual artist he is celebrated far beyond his artistic merits - why? [see Fiona MacCarthy's 'Eric Gill' biography for the full horrific details - all covered up during his lifetime, as he was 'religious' - where have we heard that before?].. [very good condition - the wood base has some marks and slight chips and supports to tilt the head upwards]. Buyers premium 20% + VAT - ARR 4%
WYNDHAM LEWIS [1892-1957]. Antony Asquith, 1932. lithograph, edition of 200; printed in 1932. 39 x 28 cm - overall including frame 53 x 43 cm. Provenance: private collection, UK. The National Portrait Gallery collection includes this print. See lot 79 for cv. [very good condition - remnants of old tape label on glass of frame - 2 holes in the frame where it has been screwed to a wall, these can be filled with plastic wood and re-painted - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
WYNDHAM LEWIS [1892-1957]. James Joyce, 1932. lithograph, edition of 200, 147/200; printed in 1932; signed in ink by the artist [on frontispiece sheet for this print edition - see photos]. Provenance: private collection, UK. The National Portrait Gallery collection includes this print. 37 x 27 cm - unframed. This portrait of Joyce is by far the most sought after of this series of portraits: '30 Personalities & a Self Portrait' - and is rarely sold with the artists ink signature. Another, without Lewis's signature, sold at Whytes auction, 17.9.2007, lot 115 for £2000+. Wyndham Lewis is one of the UK's greatest artists - he started the Vorticist Group - the most important group of UK artists. [very good condition]. Buyers premium of 20% + VAT is payable.

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283322 Los(e)/Seite