283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenWWI scarce 1915 Trio and Memorial Plaque to IO761 Pte. Patrick Callaghan 1st Bn Royal Dublin Fusiliers, killed in action 6th May 1915 (2nd day of the Gallipoli landings, remembered V Beach cemetery with portrait photo, hat badge and two Dublin Fusiliers bayonets, all mounted on heart shaped mount
NETHERLANDISH SCHOOL (Seventeenth Century) AFTER JOOS VAN CLEVE (1485 - 1541) OIL PAINTING ON ARCHED TOP OAK PANEL, Portrait of Margetta Boghe, Antwerp wife of Joris Vezeleer sight 21" x 14" (53cm x 35.5cm) The original painting by Van Cleve dating from circa 1518 with its pendant piece of her husband reside in the National Gallery of Art, Washington, U.S.A. two copies of her husband are known to survive, one in the Rijksmuseum Amsterdam, the other in a private collection in Newport Beach, California , there are however no known copies of Margetta Boghe. The known copies are ascribed to Cornelis de Vos, Antwerp (1584-1651)
19th century AD or earlier. A miniature portrait on a gold-coloured background within a green border; standing bearded male figure in supmptuous robes and turban, holding a red flower in his extended left hand; signature (?) to the bottom right corner; mounted with a reveal in a glazed frame. 840 grams, 31 x 32cm (12 1/4 x 12 1/2"). Property of a Norfolk, UK, collector; part of a family collection by descent. [No Reserve] Fine condition.
Published 1792 AD, First Edition. A tract by 'Will Chip' a 'country carpenter' entitled Village Politics Addressed to all the Mechanics, Journeymen and Labourers in Great Britain printed by F & C Rivington, London [title; 24pp. text], bound in later boards with blank leaves at back; written by Hannah More (1745-1833), a prominent writer, reformer and an evangelical Christian; she campaigned against slavery and this tract is in response to 'The Rights of Man' by Thomas Paine, published the previous year; the tract takes the form of a dialogue between Jack Anvil, the blacksmith and Tom Hod, the mason, where Jack is conservative and in favour of the existing state and Tom has taken Paine's reforms to heart; Tom is depicted as politically naive and the tract also refers to the 'liberty' recently achieved by the French Revolution and shows the concerns about those events in England. Hannah More wrote other works in a series of 'Cheap Repository Tracts' (1795-1798); her portrait featured on a British commemorative postage stamp issued in 2007; accompanied by printouts of two portraits. See Hopkins, Mary A., Hannah More and Her Circle, 1947 and Roberts, William, Memoirs of the Life of Mrs Hannah More, 1836. Walter Steinberg has been a well-known figure at fairs, sales and events for many years. Born in 1922 in Philadelphia, Walter has had a life-long passion for collecting. A long-time resident in London, he has now retired to New York and decided that the time has come to pass on the antiquities and coins he has collected over his lifetime. Walter acquired coins and artefacts that interested him, so his collection, although containing many lovely examples, also contains many affordable specimens. Much of the material has been unavailable to the market for 30 to 50 years. Walter hopes that the items he collected will now find new homes with the next generation of collectors. 100 grams, 17 x 10.5cm (6 3/4 x 4 1/4"). Ex Walter Steinberg collection; acquired London, 1970s. [No Reserve] Fine condition; later outer binding lightly soiled. Rare first edition of a famous work.
. 1496-1505 AD, late portrait issues, open crown. Obv: facing bust within tressure with HENRICVS DEI GRA REX ANGLIE legend. Rev: long cross and pellets with POSVI DEVM ADIVTORE MEVM and CIVITAS DVBLINIE legends for Dublin mint. S. 6453; D&F 193. 1.54 grams. Near very fine; flan slightly short/clipped as usual. Scarce.
1st-2nd century AD. A fabric-backed wooden veneer panel with painted portrait of a female in dark red robe with two-strand necklace of green beads, drop earrings. See Walker, S and Bierbrier, M. Ancient Faces: Mummy Portraits from Roman Egypt, 1997. Paintings such as these take their name from a fertile and flourishing district of Roman Egypt whose population comprised of Greeks, Romans, Egyptians, Syrians, Libyans and Jews. In this cosmopolitan environment the dead were mummified in the traditional Egyptian manner, but in a noticeable departure from the norm had a painted realistic portrait placed over the top. The Fayum portraits are by far the largest body of ancient easel painting to have survived from the Roman period with over a thousand examples being known. The hairstyle on this portrait would suggest a date during the reigns of the Emperors Trajan and Hadrian, 98 - 138 AD. 38 grams, 35.5cm (14"). Property of a lady; acquired in the late 1970s on the London art market. Fine condition; possibly some repainting.
Loading...
