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French School, 17th centuryPortrait of a Franciscan monk, head and shouldersoil on canvas44 x 33cmCondition report: Oil on a

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Sworders

Los 579

French School, 17th centuryPortrait of a Franciscan monk, head and shouldersoil on canvas44 x 33cmCondition report: Oil on a coarse weave canvas support which has been lined onto a finer canvas. The canvas tension is slightly slack and there are minor deformations across the surface. The texture of the coarse weave canvas is evident in the paint layer. There is extensive wear and abrasion across the surface with small scattered losses, mainly located around the edges. There are localised areas of retouching covering some cracks and losses. The surface of the painting is very matte, it is unclear if there is a varnish layer present.

Live Auktion

English School, c.1730Portrait of Sir Richard Button, half length, in a brown coat and white stock;Portrait of Lady Button, h

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Sworders

Los 580

English School, c.1730Portrait of Sir Richard Button, half length, in a brown coat and white stock;Portrait of Lady Button, half length, in a gold dress with a sprig of myrtleoil on canvas73 x 61cm and 71 x 62cm respectively (2)The sitters were possibly part of the Baronetcy of the Buttons of Alton, Hampshire.Condition report: Both paintings are in oil on a canvas support which have been lined. The portrait of Sir Richard has areas of damage and tears to the canvas at the upper edge which have not been fully supported by the lining. Both paintings have very worn and abraded paint surfaces, notably in the faces and hair which have probably been overcleaned in the past. There is extensive overpaint in the faces to reinforce the features. Overpaint is also present in the background. Both paintings are glazed, the plain glass exhibits glass disease with crystals forming on the inside of the glass in the form of small white spots. Moisture has formed within the glazing with drips forming. The crystals have also formed on the surface of the paint layers. The frames has suffered from wear and losses to the decorative surfaces.

Live Auktion

English School, 1736Portrait of a boy, standing three-quarter length, in a blue coat and red waistcoat, his left hand resting

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Sworders

Los 581

English School, 1736Portrait of a boy, standing three-quarter length, in a blue coat and red waistcoat, his left hand resting on the head of a dogdated 1736 l.l., oil on canvas72 x 62cmCondition report: Oil on canvas which has been lined. The canvas has good tension and the paint layer is stable. The thin paint layers are worn and abraded with a network of age and impact cracks. There is retouching across the surface of the painting toning the appearance of the cracks. Overall the retouching is reasonably well matched to the original. The varnish is even and semi-glossy.

Live Auktion

English School, mid-18th centuryPortrait of a boy, half length, in a green coat and pink waistcoat, a tricorn hat under his l

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Sworders

Los 582

English School, mid-18th centuryPortrait of a boy, half length, in a green coat and pink waistcoat, a tricorn hat under his left armoil on canvas56 x 48cmCondition report: Oil on canvas which has been lined. The canvas tension is stiff and the picture is in plane. The paint layer has a network of drying and age cracks across the surface which have been flattened and stabilised through lining. The paint layer is stable and secure, there is some wear in the sitter’s face. There is retouching across the surface, mainly covering cracks. In the background the retouching has slightly darkened. The boy’s hair may have been reinforced through retouching. The varnish is semi-glossy and even.

Live Auktion

English School, early 18th centuryPortrait of a lady, half length, in a red dress and blue wrapoil on canvas75 x 62cm, oval,

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Sworders

Los 584

English School, early 18th centuryPortrait of a lady, half length, in a red dress and blue wrapoil on canvas75 x 62cm, oval, in a carved and painted frameCondition report: Oil on canvas which has been lined. The canvas is in plane and the lining tension is stiff. Stretcher bar marks are evident around the edge of the canvas where is rests against the wooden stretcher behind. The paint layer is stable and secure overall. There is a localised area of damage in the sitter’s right cheek with disrupted paint and localised losses. There are small areas of retouching in the face, on the cheek and covering fine cracks. There are larger areas of overpaint in the blue dress and the background. The varnish is degraded becoming matte and yellow. It no longer adequately saturates the paint layers below, evident in the darker paint passages where the brittle varnish is cracking along the lines of age cracks in the paint layer. There is a layer of surface dirt present. .

Live Auktion

English School, 18th centuryPortrait of a gentleman, half length, in a red cloak and lace collaroil on canvas82 x 66cmConditi

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Sworders

Los 586

English School, 18th centuryPortrait of a gentleman, half length, in a red cloak and lace collaroil on canvas82 x 66cmCondition report: Oil on canvas which is unlined. The canvas tension is very slack and the painting has come away from the stretcher at the right hand side. Tears to the canvas have been secured from the reverse with masking tape. There are undulations across the surface of the painting including pronounced stretcher bar marks where the canvas ressts against the wooden stretcher behind. The paint layer has a network of age cracks which are raised with areas of flaking and loss. In the lower half of the painting there are blisters in the paint layer with losses. The varnish is very degraded, it no longer saturates the paint layers below and has discoloured. There is a thick dirt layer which is partly imbibed into the varnish.

Live Auktion

Follower of Jacopo AmigoniPortrait of a lady, seated half length, holding a letter oil on canvas98 x 79cmProvenance: The Germ

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Sworders

Los 587

Follower of Jacopo AmigoniPortrait of a lady, seated half length, holding a letter oil on canvas98 x 79cmProvenance: The Germaine Greer collection.Condition report: Oil on canvas which has been lined. At the right hand edge there are undulations running down the length of the canvas. There is also an area of flaking to the paint layer at the right edge with old darkened retouching and scattered losses to the paint layer. The paint around the sitter’s face and hair appears very fragmented, although it is now stable. It seems likely the painting was suffering from extensive flaking before the lining was carried out. There are numerous areas of overpaint across the painting which have darkened over time, particularly in the flesh tones. The varnish is semi-matte and has yellowed with age.

Live Auktion

Dutch School, 19th centuryPortrait of a gentleman in 17th century costume, half lengthoil on panel50 x 38cmCondition report:

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Sworders

Los 590

Dutch School, 19th centuryPortrait of a gentleman in 17th century costume, half lengthoil on panel50 x 38cmCondition report: Oil on canvas which has been laid onto a wooden panel. The paint layer has several textural issues, some of which have been caused by the canvas support being attached to the panel. There is pronounce wrinkling in many areas across the surface. Darker areas are worn and abraded. There are numerous small retouchings across the surface, in the background these have darkened and are very obvious. The varnish is matte, exacerbated by an attempt to clean up the painting which has led to a smeary surface. The frame has suffered extensive loss to gilded surface, possibly due to exposure to damp.

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After Sir William Beechey Portrait of King George III, full length, in the uniform of a General Officer, in a landscapeoil on

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Sworders

Los 591

After Sir William Beechey Portrait of King George III, full length, in the uniform of a General Officer, in a landscapeoil on canvas 88 x 61cmCondition report: Oil on canvas which has been lined. The canvas is in plane and the paint layer is stable. In the sky there are small losses following the canvas texture where the paint has abraded. There is a network of age cracks across the paint surface. There is a thick varnish layer and some cleaning tests have been carried out to remove this in the area of the sitter’s face and left hand. The varnish is yellowed and glossy. There are a few localised areas of overpaint.

Live Auktion

Thomas Phillips RA (1770-1845)Portrait of Mrs Hely Hutchinson, half length, in a black dress and white lace bonnet and holdin

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Sworders

Los 594

Thomas Phillips RA (1770-1845)Portrait of Mrs Hely Hutchinson, half length, in a black dress and white lace bonnet and holding a locketindistinctly signed l.r., oil on canvas76 x 64cmCondition report: Oil on canvas which has been lined. The canvas is in plane with good tension. The paint layer has a network of age cracks, in the background some of the cracks are slightly raised. There is wrinkling to the paint layer in the sitter’s face and along the upper edge. Retouchings covering cracks in the face are finely applied and well matched to the original. In the background and dress areas of overpaint are more broadly applied. The varnish is even, glossy and clear.

Live Auktion

Circle of John Linnell (1792-1882)Portrait of a young man, half length, in a blue coat and white stockoil on panel20.5 x 16.3

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Sworders

Los 596

Circle of John Linnell (1792-1882)Portrait of a young man, half length, in a blue coat and white stockoil on panel20.5 x 16.3cmCondition report: Oil on panel. The panel is in plane and the paint layer is stable overall. There are some textural irregularities across the surface due to the panel texture and impacts to the surface. There are touches of overpaint across the surface. These are well matched in the background. The overpaint is visible in the sitter’s hair as dark strokes, reinforcing the composition in this area. The varnish is clear and glossy with some surface dirt present. Frame dimensions 27.5cm high, 25cm wide, 5cm deep

Live Auktion

German School, mid-19th centuryPortrait of a young lady, three-quarter length, in a blue dress, pausing from sketching a stud

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Sworders

Los 597

German School, mid-19th centuryPortrait of a young lady, three-quarter length, in a blue dress, pausing from sketching a study of leavesoil on canvas73 x 63cmCondition report: Oil on canvas which has been glue paste lined. The reverse of the canvas is covered with extensive mould, probably due to the glue paste adhesive and being stored in damp conditions. The cut edge of the original canvas is visible at the lower left edge. The paint layer is stable overall. There is a network of drying cracks in the dress and background which have formed as the paint layers dried. There is overpaint present in a few small areas of damage in the sky and in the sitter’s chin; these have slightly darkened over time. The varnish is uneven, matte and yellowed. Where the varnish has imbibed dirt it gives the painting a grubby appearance overall. The frame is in a good condition.

Live Auktion

Helen Mabel Trevor (Irish, 1831-1900)'A little Medusa' - portrait of a young girl in a blue shirtsigned 'Helen Mabel Trevor'

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Sworders

Los 599

Helen Mabel Trevor (Irish, 1831-1900)'A little Medusa' - portrait of a young girl in a blue shirtsigned 'Helen Mabel Trevor' l.l., inscribed 'A little Medusa, Venice' u.r., oil on canvas43 x 30cmCondition report: Oil on canvas which is unlined. The canvas tension is slightly slack and there are minor undulations across the surface. Two small damages to the canvas have been patched on the reverse and crudely retouched. There are some long, diagonal lines in the upper half of the paint layer, it is unclear what has caused these. Overall the paint layer is in a good condition. There is a thin varnish layer which does not completely cover the panting and is applied in a brushy manner. The inside of the glass of the frame is dirty inside and out.

Live Auktion

Charles Sillem Lidderdale (1830-1895)Portrait of a woman, half length, in a white cloaksigned with monogram l.l., oil on canv

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Sworders

Los 600

Charles Sillem Lidderdale (1830-1895)Portrait of a woman, half length, in a white cloaksigned with monogram l.l., oil on canvas53 x 43cmCondition report: Oil on a fine weave canvas support. The canvas is unlined and generally in plane with good tension. Stretcher bar marks have formed where the canvas rests against the wooden frame behind. The upper stretcher bar mark is very pronounced and glossy. There are also glossy patches above this line which fluoresce strongly under ultraviolet light. There are a few small punctures to the canvas along the lower edge. The paint layer has a network of age cracks which are raised in areas and pulling the canvas forward slightly. The varnish is yellowed and dull with a few matte spots, notably in the sitter’s hair. There is a thick layer of dust on the front and reverse of the painting. The unusual, decorative frame has several areas of loss and flaking.

Live Auktion

Léon-Gérard Crepy (French, 1872-1944)Portrait of The Venerable Mary Ward (1585-1645) foundress of the Institute of the Blesse

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Sworders

Los 601

Léon-Gérard Crepy (French, 1872-1944)Portrait of The Venerable Mary Ward (1585-1645) foundress of the Institute of the Blessed Virgin Marysigned 'L G Crepy' and dated 1909 c.l., oil on canvas118 x 92cmCondition report: Oil on canvas which is unlined and attached to a wooden stretcher with a horizontal cross bar. The canvas is in good condition with good tension and in plane apart from a slight undulation in the lower left corner. There is a build up of dust on the reverse of the canvas and the horizontal cross bar is starting to show through on the surface of the painting at the right hand side. The canvas has been affected by moisture, on the reverse there a diagonal line of staining running down the length of the painting. The canvas has shrunk in this area causing wrinkling to the paint layer on the front and losses. The paint in this area is raised and flaking. There are also scattered losses at the right hand edge of the painting. There is a deep score in the paint layer running down through the open book. The rest of the paint layer is in a good stable condition. The varnish has a mottled appearance and has degraded. It is no longer adequately saturating the paint layer below and has become yellow and dull with age. There is a layer of surface dirt present on top of the varnish.

Live Auktion

Carl Wünnenberg (German, 1850-1929)Portrait of a young lady, bust length, in a blue dress with a white rose and gauze ruffsig

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Sworders

Los 603

Carl Wünnenberg (German, 1850-1929)Portrait of a young lady, bust length, in a blue dress with a white rose and gauze ruffsigned 'C WÜNNENBERG' u.r., oil on panel28 x 21.5cmCondition report: Oil on a small wooden panel which has a cradle attached to the reverse. The panel is stable with no splits at the edges. The paint layer has localised drying cracks. There are vertical ridges of paint following the woodgrain of the panel. This has caused some wear to the sitter’s chest. There is a small paint loss in the sitter’s hair with associated scratch to the surface. There are localised areas of retouching which are slightly matte and yellowed compared to the surrounding area. The varnish is slightly yellowed and glossy with a thick layer of dust on the surface.

Live Auktion

*Howard Somerville (1873-1952)Portrait of a lady from the Stutchbury family, half length, in a black dress and black hatsigne

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Sworders

Los 605

*Howard Somerville (1873-1952)Portrait of a lady from the Stutchbury family, half length, in a black dress and black hatsigned 'Somerville' u.r., oil on canvas76 x 63cm*Artist's Resale Right may apply to this lot. Condition report: Oil on canvas which is unlined with a faint canvas stamp for Chenil on the reverse in the distinctive shape of a palette. The canvas tension is good and the picture is in plane. There are stretcher bar marks starting to form where the canvas rests against the wooden stretcher behind. The paint layer is in a very good, stable condition. There are some drying cracks in the darker paint of the sitter’s hat which would have formed as the paint layer dried. There is a thin varnish layer across the surface with several scuffs and scratches.

Live Auktion

Ralph Peacock (1868-1946)Portrait of Mary Dowie, daughter of Colonel L A Dowie, in a pink and white striped dress, seated cro

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Sworders

Los 606

Ralph Peacock (1868-1946)Portrait of Mary Dowie, daughter of Colonel L A Dowie, in a pink and white striped dress, seated cross-legged between two large Japanese Kutani korossigned 'RALPH PEACOCK' l.r., also signed and inscribed verso, oil on canvas89 x 100.5cmExhibited: Royal Academy, 1925, no.372.Condition report: Oil on canvas which is unlined. The canvas has good tension and the picture is in plane. The paint layers are in a very good condition overall. Stretcher bar marks are starting to form where the canvas rests against the wooden stretcher behind, The varnish is clear, even and glossy. There is a light layer of surface dust present.

Live Auktion

Charles Augustus Henry Lutyens (1829-1915)Portrait of a lady with a bay hunter and a sheepdogsigned 'C Lutyens' and dated ‘79

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Sworders

Los 617

Charles Augustus Henry Lutyens (1829-1915)Portrait of a lady with a bay hunter and a sheepdogsigned 'C Lutyens' and dated ‘79 l.l., oil on canvas61 x 50.5cmCondition report: Oil on canvas which has not been lined and has an artists’ suppliers stamp on the reverse for Wood & Co. The canvas tension is good and the picture is in plane. The paint layer has a network of vertical age cracks, some of which are slightly raised. The painting has a thin varnish layer which is glossy and even. Under ultraviolet light there are some dark brushy areas which appear to be later overpaint.

Live Auktion

William Albert Clark (fl. 1906-1937)'The Great Jorrocks' - portrait of a bay huntersigned 'W A Clark' and dated 1925 in red l

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Sworders

Los 653

William Albert Clark (fl. 1906-1937)'The Great Jorrocks' - portrait of a bay huntersigned 'W A Clark' and dated 1925 in red l.l. oil on canvas51 x 61cmThe Staffordshire Weekly Sentinel of 9th February 1924 reports 'If anything Mr. Ross Fielding's name is known even better in the hunter world.....this handsome bay, now considered the finest heavyweight show hunter in the country....' the article going on to list his remarkable achievements including success at many agricultural shows, including Peterborough, Royal Welsh and Cardiff. (Full article on website)Condition report: Oil on canvas which has been lined. The canvas has gentle undulations across the painting although the tension is quite stiff. The paint layers have a network of age cracks which are slightly raised but stable. There are pronounced stretcher bar marks, formed by the canvas resting against the wooden stretcher behind. There are a few scattered retouchings across the surface which are well matched to the original. The varnish is glossy and even with a thick layer of dust on the surface.

Live Auktion

A GEORGIAN SWORD TO COMMODORE DANCE, 80.5cm flattened diamond section fullered blade, gilt washed hilt with upturned shell gu

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Antony Cribb Ltd

Los 351

A GEORGIAN SWORD TO COMMODORE DANCE, 80.5cm flattened diamond section fullered blade, gilt washed hilt with upturned shell guard, engraved to the interior with opposing panels of stands of arms, the D-shaped knuckle guard broadening at the midpoint and with oval plaque engraved COMMODORE SIR NATHANIEL DANCE to one side and R.E.I.V to the other, flattened lion's head pommel, reeded ivory grip. Commodore Sir Nathaniel Dance was most famous for averting the certain destruction of a large and valuable convoy by the use of deception and daring - for which he was awarded a Knighthood. Together with AFTER WILLIAM SALTER (1804-1875 BRITISH), Three quarter length portrait of Colonel Sir Charles Dance K.H. after the original study for "The Waterloo Banquet at Apsley House 1836", oil on canvas, 52 x 42cm, in gilt gesso frame. Tears. The banquet was held at Apsley House on the anniversary of Waterloo - the original large painting hangs at Apsley House, London, while the studies are at the National Portrait Gallery, London and ENGLISH SCHOOL (EARLY 19TH CENTURY), Shoulder length portrait of Commodore Sir Nathaniel Dance, oil on canvas, 58.5 x 49cm, in giltwood and gesso frame. (3)

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ENGLISH SCHOOL, 19th century. A portrait miniature of a gentleman wearing blue coat with green lapels, 1¾” x 1¼” (oval), in p

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Aldridges of Bath Ltd.

Los 10

ENGLISH SCHOOL, 19th century. A portrait miniature of a gentleman wearing blue coat with green lapels, 1¾” x 1¼” (oval), in pinchbeck frame.

Live Auktion

ENGLISH SCHOOL, early 19th century. A head-&-shoulders portrait miniature of Sophia Charlotte Simeon (née Powys), wife of

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Aldridges of Bath Ltd.

Los 11

ENGLISH SCHOOL, early 19th century. A head-&-shoulders portrait miniature of Sophia Charlotte Simeon (née Powys), wife of Edward Simeon of Walliscote.; 3¾” x 3” (oval.)

Live Auktion

PRIVATE PRESSES (VARIOUS). ACORN PRESS: SHAKESPEARE, William; The Sonnets, 1982, wood engravings by Hellmuth We4issenborn, nu

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Aldridges of Bath Ltd.

Los 122

PRIVATE PRESSES (VARIOUS). ACORN PRESS: SHAKESPEARE, William; The Sonnets, 1982, wood engravings by Hellmuth We4issenborn, number 61 of 350 copies on Zerkall mould-made paper, quarter-cloth with printed paper-covered boards; WEISSENBORN, Hellmuth; “The Joyful Year…”, 1947, wood engravings throughout, d/w; KAYE, d’Arcy; “Masks & Unmasks”; 1978, wood engravings by Weissenborn, number 48 of 200 copies, signed by author & artist, on Basingwerk paper, paper-covered boards, slip-case; THE FLEURON: MILTON, John; “Paradise Regained”, 1924, wood engravings by Thomas Lowinsky, a loose engraving inserted in pocket at back, quarter-cloth, paper-covered boards; LIBANUS PRESS: GIBBINGS, Robert (illustrator); “A Portrait of Lady Hester”, 1987, number 79 of 300 copies on BFK Rives rag paper, cloth-backed with paper-covered boards; & HERITAGE PRESS: DRESSER, Theodore; “Sister Carrie”, 1967, illus. by Reginald Marsh, cloth-bound with stencilled flower design to upper cover, slip-case.

Live Auktion

PRIVATE PRESSES (VARIOUS): PARROT PRESS: EVANS, George Ewart; “Ask The Fellows Who Cut The Hay”, 1999, wood engravings by Ha

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Aldridges of Bath Ltd.

Los 125

PRIVATE PRESSES (VARIOUS): PARROT PRESS: EVANS, George Ewart; “Ask The Fellows Who Cut The Hay”, 1999, wood engravings by Harry Brockway, Anthony Christmas, David Gentleman, Miriam Macgregor, Howard Phipps, Peter Reddick, & George Tute, No. 264/280 on Zerkall mould-made paper, linen-backed with gilt-lettered spine & printed paper-covered boards; SEVEN ACRES PRESS: HABERLY, Loyd; “Cymberina – An Unnatural History In Woodcuts & Verse”, 1926, No. 215/600, printed paper-covered boards; & SAINT BERNARD PRESS: BARTON, Richard; “Portrait of a Monk’s Prayer, & Other Poems”, 1975, illus. by Father Bernard Hedge, No. 118/350, soft cover. (3).

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E.A. BUCK (19th century). A head-&-shoulders portrait of a young lady with bouquet of flowers. Signed & dated 1882 l

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Aldridges of Bath Ltd.

Los 353

E.A. BUCK (19th century). A head-&-shoulders portrait of a young lady with bouquet of flowers. Signed & dated 1882 lower left; watercolour: 17¼” x 13¼”; framed & glazed.

Live Auktion

ENGLISH SCHOOL, early 19th century A head & shoulders portrait miniature of a young lady wearing green jacket & lace

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Aldridges of Bath Ltd.

Los 361

ENGLISH SCHOOL, early 19th century A head & shoulders portrait miniature of a young lady wearing green jacket & lace collar. 2?” x 1?” (oval), in rectangular black papier mâché frame.

Live Auktion

ENGLISH SCHOOL, late 18th century. A portrait miniature of a lady, half-length, with long flowing hair, wearing white gown &a

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Aldridges of Bath Ltd.

Los 362

ENGLISH SCHOOL, late 18th century. A portrait miniature of a lady, half-length, with long flowing hair, wearing white gown & hair wrap. Pen & watercolour; 4” x 3¼”, inscribed to mount 1796; in wide glazed gilt gesso frame.

Live Auktion

ENGLISH SCHOOL, 19th century. A half-length portrait of a lady wearing lace bonnet & fur stole; signed indistinctly; oil

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Aldridges of Bath Ltd.

Los 363

ENGLISH SCHOOL, 19th century. A half-length portrait of a lady wearing lace bonnet & fur stole; signed indistinctly; oil on panel: 7” x 5”; together with a pair of female portrait studies, each signed “J.P.H.”, oil on panel: 6” x 4½”.

Live Auktion

ENGLISH SCHOOL, 19th century. A pair of male & female portrait studies, half-length, seated, he with black bow-tie &

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Aldridges of Bath Ltd.

Los 385

ENGLISH SCHOOL, 19th century. A pair of male & female portrait studies, half-length, seated, he with black bow-tie & dinner jacket, she with silk gown & holding a carnation in her left hand. Oil on canvas: 30” x 25” (unframed, re-lined).

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After HENRY RAEBURN (1756-1823). Portrait of a lady, half-length, with shoulder-length hair, against a wooded landscape. Oil

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Aldridges of Bath Ltd.

Los 386

After HENRY RAEBURN (1756-1823). Portrait of a lady, half-length, with shoulder-length hair, against a wooded landscape. Oil on canvas: 15” x 11”. (unframed, w.a.f.).

Live Auktion

ROBERT ROBINSON DRABBLE (1827-1908). A pair of wooded river landscapes with figures. Unsigned, oil on canvas: 25” x 36”.

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Aldridges of Bath Ltd.

Los 392

ROBERT ROBINSON DRABBLE (1827-1908). A pair of wooded river landscapes with figures. Unsigned, oil on canvas: 25” x 36”. (Note: Robert Robertson Drabble is listed as residing at Woodside, Sundridge, Kent, the same residence as Beatrice Mary Polhill (1867-1925, later Mrs Alfred George Breadnell) who was in possesion of the next lot, the portrait of Bridget Ireton).

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Attributed to SIR PETER LELY (1618-1680). A portrait of Mrs Bridget Cromwell Ireton, eldest daughter of Oliver Cromwell, seat

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Aldridges of Bath Ltd.

Los 393

Attributed to SIR PETER LELY (1618-1680). A portrait of Mrs Bridget Cromwell Ireton, eldest daughter of Oliver Cromwell, seated, three-quarter length, her shoulder-length hair in ringlets, wearing pearl necklace, burgundy silk dress adorned with jewels, & green cape; 50” x 40”; in giltwood & gesso frame with plaque “MRS IRETON, Daughter of Oliver Cromwell, Left By Her Son Henry Ireton To His Nephew David Polhill, See His Will At Somerset House, AD 1712”. (Painted c. 1650; relined with old restoration).A Brief History Of The Portrait: Bridget Irerton (1624-1662) was the eldest daughter of Oliver Cromwell. In 1642, she married Henry Ireton, a close colleague of Oliver Cromwell, who died in Limerick in 1651. In 1652, she married General Charles Fleetwood, Lord Deputy of Ireland from 1652 to 1655. After Bridget's death, the portrait passed to her son from her first marriage, Henry Ireton, who upon his death in 1711, bequeathed it to his nephew David Polhill (1674-1754). It continued to pass down through the Polhill family until it came into the possession of Beatrice Mary Polhill (1867-1925, later Mrs Alfred George Breadnell), of Sundridge, Kent. The British Museum holds a copy of a photogravure of this very portrait, produced by Messrs Goupil in 1899 for use as an illustration for Samuel Rawson Gardiner's book "Oliver Cromwell", published the same year. The portrait continued by descent to the present owner, and having remained in the family's possession for its entire existence, this is the first time it has ever been offered for sale.Note: Images of the Polhill family tree are illustrated, but this is not included with this lot.

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A continental porcelain oval plaque, finely painted with a head & shoulders portrait of a young lady wearing traditional

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Aldridges of Bath Ltd.

Los 394

A continental porcelain oval plaque, finely painted with a head & shoulders portrait of a young lady wearing traditional dress, 4½” x 3½”, in ebonised frame with gilt metal mount; together with three various silhouettes.

Live Auktion

ENGLISH SCHOOL, mid-19th century. A head-&-shoulders portrait of Katherine Blicke Archer, mother of Horace Annesley Powys

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Aldridges of Bath Ltd.

Los 44

ENGLISH SCHOOL, mid-19th century. A head-&-shoulders portrait of Katherine Blicke Archer, mother of Horace Annesley Powys; pastels: 21½” x 17¼”, in glazed gilt gesso frame with ribbon-bow surmount (29” x 23” over-all).

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T. P. DOWNEY (British, 19th century). A head-&-shoulders portrait of Marianne Patteson; signed & dated 1844, charcoal

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Aldridges of Bath Ltd.

Los 45

T. P. DOWNEY (British, 19th century). A head-&-shoulders portrait of Marianne Patteson; signed & dated 1844, charcoal: 20” x 16½”; together with a similar pencil & wash portrait of Jane Hart (grandmother of Katherine Blicke Archer), 12” x 9” (oval); each framed & glazed.

Live Auktion

GERTRUDE MARY POWYS (1877-1952). A half-length portrait of Isobel Powys reading a book. Inscribed verso & dated Sep. 1924

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Aldridges of Bath Ltd.

Los 50

GERTRUDE MARY POWYS (1877-1952). A half-length portrait of Isobel Powys reading a book. Inscribed verso & dated Sep. 1924; oil on canvas: 20” x 16” (unframed). *Please Note: Artist's Re-Sale Rights might apply.

Live Auktion

GLADYS VASEY, A.R.C.A., S.W.A. (1889-1981). A head-&-shoulders portrait of a young lady. Signed “Vasey” lower right; oil

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Aldridges of Bath Ltd.

Los 58

GLADYS VASEY, A.R.C.A., S.W.A. (1889-1981). A head-&-shoulders portrait of a young lady. Signed “Vasey” lower right; oil on canvas laid on board: 17½” x 13½.

Live Auktion

WWII German merit cross with framed and glazed portrait. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent

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Warrington & Northwich Auction

Los 3355

WWII German merit cross with framed and glazed portrait. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Live Auktion

Pathé Salon cylinders, by Ian Colquhoun (60.733, 60.744, 60.204, 60.202), Walter Lewe (60.718) and 60459 (possibly Lauder) in

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Special Auction Services

Los 481

Pathé Salon cylinders, by Ian Colquhoun (60.733, 60.744, 60.204, 60.202), Walter Lewe (60.718) and 60459 (possibly Lauder) in portrait carton (6), all good condition free of mildew

Live Auktion

Pathé Salon cylinders, by Harry Lauder (60.463. some groove wear), 60.468, 60.287 in portrait carton, 60.289 (localised milde

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Special Auction Services

Los 483

Pathé Salon cylinders, by Harry Lauder (60.463. some groove wear), 60.468, 60.287 in portrait carton, 60.289 (localised mildew), 60.457); and W.F. Cove (60.820, localised mildew) (6)

Live Auktion

Pathé Salon cylinders, by Kate Carney (50.154, some mildew) and Jessie Maclachlan, in portrait carton (2)

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Special Auction Services

Los 484

Pathé Salon cylinders, by Kate Carney (50.154, some mildew) and Jessie Maclachlan, in portrait carton (2)

Live Auktion

Twelve Pathé Salon cylinders, band and insrumental, one in portrait carton, most in good condition

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Special Auction Services

Los 485

Twelve Pathé Salon cylinders, band and insrumental, one in portrait carton, most in good condition

Live Auktion

Eight Pathé Salon cylinders, vocal, by Malcolm Scott, in portrait carton; Burt Shepard (3), Charles Morrell, Tome Costello an

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Special Auction Services

Los 486

Eight Pathé Salon cylinders, vocal, by Malcolm Scott, in portrait carton; Burt Shepard (3), Charles Morrell, Tome Costello and two others, generally good condition, a few light mildew spots on some (8)

Live Auktion

Pathé Salon cylinders, by Vesta Tilley (50.211, in portrait carton and 50.212, both good condition); and Vesta Victoria (50.

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Special Auction Services

Los 487

Pathé Salon cylinders, by Vesta Tilley (50.211, in portrait carton and 50.212, both good condition); and Vesta Victoria (50.270, cracked, groove wear) (3)

Live Auktion

F Percy-W*****, portrait miniature, head and shoulders of a young girl, probably on ivory panel, indistinctly signed, 60x47mm

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Gildings Auctioneers

Los 125

F Percy-W*****, portrait miniature, head and shoulders of a young girl, probably on ivory panel, indistinctly signed, 60x47mm, yellow metal frame with hair lock, leather case.

Live Auktion

Victorian rosewood box, lacking interior, 28cm, miniature portrait of a child, two Scandinavian spoons, candlesticks, John Ki

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Gildings Auctioneers

Los 135

Victorian rosewood box, lacking interior, 28cm, miniature portrait of a child, two Scandinavian spoons, candlesticks, John King watercolour.

Live Auktion

Victorian miniature book, The New Year's Gift, 1839; miniature animal models; Victorian white metal baby's rattle; carved bon

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Gildings Auctioneers

Los 145

Victorian miniature book, The New Year's Gift, 1839; miniature animal models; Victorian white metal baby's rattle; carved bone profile portrait; the remains of a bell and hammer parlour game; segmentary wooden puzzles; and an Iona white metal cross chain.

Live Auktion

Lindsay Oliver, House portrait of Leadclune Court, signed and dated 1981, watercolour, 56 x 53cm.

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Gildings Auctioneers

Los 377

Lindsay Oliver, House portrait of Leadclune Court, signed and dated 1981, watercolour, 56 x 53cm.

Live Auktion

Manner of George Paice, Duchess, horse portrait, gouache and mixed media, on plywood, 38 x 47cm.

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Gildings Auctioneers

Los 387

Manner of George Paice, Duchess, horse portrait, gouache and mixed media, on plywood, 38 x 47cm.

Live Auktion

H Norwich, portrait of a child, signed and dated '41, watercolour on paper, 22cm x 16cm.

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Gildings Auctioneers

Los 426

H Norwich, portrait of a child, signed and dated '41, watercolour on paper, 22cm x 16cm.

Live Auktion

Muriel Pemberton, portrait of a woman, signed, pastel, 58cm x 41.5cm, framed and glazed.

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Gildings Auctioneers

Los 441

Muriel Pemberton, portrait of a woman, signed, pastel, 58cm x 41.5cm, framed and glazed.

Live Auktion

Gervase Spencer (d.1763)oil on ivoryPortrait miniature of a gentleman wearing a lilac coatinitialled and dated 17571.25 x 1in

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Gorringes

Los 388

Gervase Spencer (d.1763)oil on ivoryPortrait miniature of a gentleman wearing a lilac coatinitialled and dated 17571.25 x 1in. gold framed.CONDITION: A short scratch below his chin and some damp/water damage to the right between 1 and 4 o'clock.

Live Auktion

William Egley (1798-1870)oil on ivoryPortrait miniature of a young lady wearing a purple dress and sapphire set jewel2 x 1.5i

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Gorringes

Los 389

William Egley (1798-1870)oil on ivoryPortrait miniature of a young lady wearing a purple dress and sapphire set jewel2 x 1.5in, gold framedCONDITION: Looks to be in very good condition, gold frame slightly coming away from the glass on the lower right side, photocopy of inscription has been stuck to the back of the frame.

Live Auktion

William Egley (1798-1870)oil on ivoryPortrait miniature of a lady wearing a lace bonnet and green dressinscribed verso2.5 x 1

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Gorringes

Los 390

William Egley (1798-1870)oil on ivoryPortrait miniature of a lady wearing a lace bonnet and green dressinscribed verso2.5 x 1.75in., gold framedCONDITION: Looks to be in very good condition though possibly was once framed to the oval as a slightly darker arch shape shows at the top, frame slightly bent away from the glass at the lower corners, photocopy of the inscription on the back including date 1892 stuck to the back of the frame.

Live Auktion

Early 19th century English Schooloil on ivoryMiniature family portrait of the children of the Watts family playing chesswith

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Gorringes

Los 391

Early 19th century English Schooloil on ivoryMiniature family portrait of the children of the Watts family playing chesswith key to the sitters verso4 x 5.25in.CONDITION: Slight curving to the ivory with a little undulation, possibly slightly faded with some small scattered dirt marks but overall in fair to good condition, with colours remaining bright, under glass in probably the original ornate gilt gesso frame which has old repairs and has been overpainted in gold, label verso giving details Children of Edward Watts (1765-1840) playing chess, Henry Cecil, Edward Popham, Anne, probably George Binghall and probably William Broughton Watts.

Live Auktion

Anglo-American School (early 19th century)oil on canvasFull length portrait of a seated young gentleman wearing a dark suit,

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Gorringes

Los 393

Anglo-American School (early 19th century)oil on canvasFull length portrait of a seated young gentleman wearing a dark suit, cream waistcoat and white stock, his right hand resting on a chart of the Atlantic dated 1821 and showing the coasts of West Africa and Brazil, with a view of an armed British merchantman through a window28in x 20.5inCONDITION: Relined some years ago, now rather dirty with speckling in the varnish, a fine but stable craquelure running throughout the paint, no sign of any signature, housed in a modern gilt gesso frame with small losses to the top corners.

Live Auktion

Victorian Schooloil on canvasPortrait of an army officerframed to the oval, 29.5 x 24.5in.CONDITION: Oil on canvas relined 10

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Gorringes

Los 394

Victorian Schooloil on canvasPortrait of an army officerframed to the oval, 29.5 x 24.5in.CONDITION: Oil on canvas relined 10 - 20 years ago or so, canvas remains tight, paint a little dirty with some fine retouched craquelure scattered throughout which is starting to lift and flake at 4 o'clock, housed in a later gilt scroll frame which has some losses and cracking, numerical inscriptions to the back of the stretcher.

Live Auktion

Richard Waller (1811-1882)oil on canvasPortrait of a young ladyinscribed and dated 1839 verso29 x 24in.CONDITION: Oil on orig

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Gorringes

Los 395

Richard Waller (1811-1882)oil on canvasPortrait of a young ladyinscribed and dated 1839 verso29 x 24in.CONDITION: Oil on original canvas which is now rather saggy and showing stretcher marks, paint very dirty with scattered white specking and some crazing in craquelure just in front of her necklace, not signed but inscribed and dated verso, housed in probably the original ornate gilt scroll frame which has numerous small losses, Bradford Depository label verso along with numerical numbers and remnant of a more recent stock label.

Live Auktion

Follower of Sir William Segaroil on wooden panelPortrait of Robert Dudley, Earl of Leicester22.5 x 18.5in.CONDITION: Oil on w

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Gorringes

Los 396

Follower of Sir William Segaroil on wooden panelPortrait of Robert Dudley, Earl of Leicester22.5 x 18.5in.CONDITION: Oil on wooden panel in good clean condition, paint looks to have been cleaned within the past 10 years or so and is under a bright rather shiny varnish, one or two very small light dents and knocks, housed in a later gilt slip and ebonised frame, old inscribed label verso stating name of the sitter and saying 'bought by Mr Gerald Marches from Sir Robert Gresleys Sale (was nearly bought by the National Portrait Gallery but they changed their minds and bought a full length of the same subject), bought by Harry Sydney Roundal, Sotheby's,Old Bond Street, London about June 1942.

Live Auktion

283287 Los(e)

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