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283287 Los(e)/Seite
Los 42
Etienne Neurdein (1832-1918), Exposition Universelle de 1878, Facade de la Section Espagnole, albumen print, flush mounted on card, 16cm x 29.5cm together with a large collection of 19th century and later photography, to include Canada, New Zealand, India, Ship building in America, a portrait by Bourne & Shepherd of India etc.
Los 150
Stephen Slaughter (London 1697-1765)Portrait of Robert Jocelyn, Baron Newport, in the robes of Lord Chancellor inscribed, signed and dated 'Right Hon.ble Robert Jocelyn Baron Newport./ *rd Chancellor of Ireland. Lord Justice. Dublin/ Step.n Slaughter Pinx.t 1744' (on table, lower left)oil on canvas126.8 x 98.2cm (49 15/16 x 38 11/16in).Footnotes:ProvenancePurchased by the present owner's father in the 1970sA further portrait of Baron Newport, of the same composition, was offered at Christie's, Powerscourt, Co. Wicklow, 24-25 September 1984, lot 32.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 152
Attributed to John Riley (London 1646-1691)Portrait of Sir Orlando Bridgeman, Chief Justice of the Court of Common Pleas bears inscription 'BRIDGMAN LORD KEEPER' (upper right)oil on canvas127.2 x 112.7cm (50 1/16 x 44 3/8in).Footnotes:ProvenanceSale, Christie's, London, 20 June 1919, lot 119 (bt White)Sir Orlando Bridgeman is here depicted in the robes of the Lord Chief Justice of the Common Pleas, a position that he held between 1660 and 1668. A portrait, given to Pieter Borsselaer, of the same sitter, in the identical pose but as Lord Keeper of the Great Seal, now hangs at Chirk Castle Wrexham. Another version of the present portrait is at Weston Park, Staffordshire.This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 177
John Berridge (Lincolnshire 1740-1804)Portrait of a lady, half-length, in military costume signed and dated 'J. Berridge Pinx/ Feby 4. 1761' (lower right)oil on canvas76.7 x 63.2cm (30 3/16 x 24 7/8in).Footnotes:The present work was advertised in Country Life in 1967 as Thomas Beach.For further information on this lot please visit Bonhams.com
Los 179
Circle of Lemuel Francis Abbott (Leicestershire circa 1760-1803 London)Portrait of Alexander MacKenzie, half-length, in a green coat oil on canvas76.2 x 63.2cm (30 x 24 7/8in).Footnotes:ProvenanceThe Collection of Geraldine Mozley, before 1938 (according to literature)Private Collection, UK for at least 50 yearsLiteratureG.N. Mozley, Letters to Jane from Jamaica, 1788-1796, London, 1938, p. 155The sitter, son of George, President of the Legislative Council, Jamaica and Ann, was born in the 1770s in Jamaica.For further information on this lot please visit Bonhams.com
Los 181
Attributed to Henri Gascars (Paris 1635-1701 Rome)Portrait of a boy of the Pym family, half-length, in a brown coat, lace cravat and red ribbons at his cuffs, shoulders and neck, within a painted oval dated 'Ian: 68' (upper left)oil on canvas76 x 63cm (29 15/16 x 24 13/16in).Footnotes:This portrait and lot 183 represent two of the three sons of the fashionable London merchant and tailor William Pym I (1619-72) of St Martin's-in-the-Fields and his wife Margaret Harris. William Pym I specialised in making and selling suits with ribbons, as related in entries in Samuel Pepys's famous diaries for the years 1660 and 1661 (see the privately printed book by Francis Pym, Sentimental Journey: Tracing an Outline of Family History, 1998, p.xiv and pp.9-11, ISBN 0 9532027 0 4). Their three sons were William (c. 1645-1716), Charles (later a barrister) and James. Given the date of 1668 on the portraits, they most likely show the younger sons Charles and James Pym.For further information on this lot please visit Bonhams.com
Los 183
Attributed to Henri Gascars (Paris 1635-1701 Rome)Portrait of a boy of the Pym family, half-length, in a brown velvet coat, lace cravat and red ribbons at his cuffs and neck, within a painted oval dated 'Ian: 68' (upper right)oil on canvas76 x 63cm (29 15/16 x 24 13/16in).Footnotes:See lot 181 for further information.For further information on this lot please visit Bonhams.com
Los 20
After Sir Peter Lely, 17th CenturyPortrait of a lady, said to be Letitia Isabella Smith, Countess of Radnor, half-length, in a stone cartoucheoil on canvas 76.2 x 63.3cm (30 x 24 15/16in).Footnotes:The present work is after the three-quarter-length portrait by Peter Lely and Studio, now at Lanhydrock, Cornwall.For further information on this lot please visit Bonhams.com
Los 201
Follower of Rosalba Carriera (Venice 1675-1757)Portrait of a lady in a turban as Cleopatra pastel on paper44.5 x 34.2cm (17 1/2 x 13 7/16in).Footnotes:ProvenanceSale, Moser, Luzern and Fischer, 6 September 1945, lot 1347Sale, Galerie Moderne, Brussels, 29 May 2018, lot 208LiteratureN. Jeffares, Dictionary of pastellists before 1800, London, 2006, p. 118, ill. (and online, cat. no. J.21.2659, ill.)For further information on this lot please visit Bonhams.com
Los 23
Studio of Sir Peter Lely (Soest 1618-1680 London)Portrait of Queen Catherine of Braganza bears inscription 'The Countess of Jersay (sic)/by/Sir Peter Lely' (on the reverse)oil on canvas101.8 x 78.8cm (40 1/16 x 31in).Footnotes:A similar full-length portrait from the Studio of Peter Lely is in The Royal Hospital Chelsea, London.For further information on this lot please visit Bonhams.com
Los 24
Circle of Francis Cotes (London 1726-1770)Portrait of Charles Digby, half-length, in a blue coat, seated at a desk bears inscription 'CHARLES DIGBY./ BORN/ 1743.' (lower right)oil on canvas76.6 x 63.2cm (30 3/16 x 24 7/8in).Footnotes:Charles (1743-1810), son of Edmund Digby, M.P for Warwick and his wife Charlotte, married Priscilla Mellier in 1775.For further information on this lot please visit Bonhams.com
Los 25
Henry Perronet Briggs (County Durham 1792-1844 London), After Sir Joshua ReynoldsPortrait of Louis Phillipe Joseph, duc D'Orleans, full-length, in Hussar's uniform oil on canvas91.8 x 55.5cm (36 1/8 x 21 7/8in).Footnotes:ProvenanceThe artistHis sale, 26 April 1844, lot 496, where purchased byJacob Bell until at least 1865Sale, Christie's, South Kensington, 6 September 1988, lot 57, where purchased by the present ownerLiteratureD. Mannings, Sir Joshua Reynolds: a complete catalogue of his paintings, New Haven and London, 2000, p. 311, copy 1145eThe present work is after Sir Joshua Reynolds's original, now in the Royal Collection, UK.For further information on this lot please visit Bonhams.com
Los 3
Attributed to William Aikman (Forfar 1682-1731 London)Portrait of Lewis Gordon, 3rd Marquis of Huntly, bust-length within a painted oval bears inscription 'LEWIS 3RD MARQUIS of HUNTLY' (lower left) and signature 'AIKMAN PINX' (lower right)oil on canvas75 x 62cm (29 1/2 x 24 7/16in).Footnotes:Born when his father was commander of the Garde Écossaise, Lewis Gordon was named after Louis XIII of France, and brought up until the age of ten by his grandfather, George Gordon, 1st Marquis of Huntly. A reckless romantic, when he was thirteen, the First Bishops' War broke out, and the young nobleman sneaked out of Gordon Castle (one account says he climbed over the wall) and raised a brigade of clansmen from his father's estates in the Highlands in order to fight the Covenanters. He served on both sides in the Scottish Civil War and went into exile in France after the defeat of the royalists. In rapid succession, he succeeded his brother and father as Earl of Enzie and Marquis of Gordon, and by 1651, he was allowed to return to Scotland.For further information on this lot please visit Bonhams.com
Los 34
Circle of Hendrick Bloemaert (Utrecht circa 1601-1672)Portrait of a gentleman, bust-length in a black and white costume, within a painted oval charged with the sitter's coat-of-arms (upper left)oil on panel, trimmed along the upper edge72.2 x 61cm (28 7/16 x 24in).Footnotes:ProvenanceSale, Christie's, South Kensington, 5 July 2006, lot 24This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Los 36
After Sir Anthony van Dyck, 17th CenturyPortrait of a lady, half-length, in black costume holding a rose oil on canvas85.6 x 68.6cm (33 11/16 x 27in).Footnotes:The present work is after van Dyck's original full-length portrait, now in the Uffizi, Florence.For further information on this lot please visit Bonhams.com
Los 39
Russian School, 18th CenturyPortrait of Tsar Alexis I, bust-length, in bejewelled costume, within a painted ovaloil on canvas 73.3 x 61.1cm (28 7/8 x 24 1/16in).Footnotes:ProvenanceThe Collection of Lord and Lady St. Just, Wilbury Park, WiltshireFor further information on this lot please visit Bonhams.com
Los 40
Carl Ludwig Christinec (? 1732-circa 1794 Saint Petersburg)Portrait of Clementina Gomm, half-length, in a black dress with a fur collar oil on canvas89.9 x 70.6cm (35 3/8 x 27 13/16in).Footnotes:ProvenanceBy descent from the sitter to the present ownerThe sitter was the niece of William Gomm (1728-92), an entrepreneur and merchant banker who went to Russia in 1750 to help develop the port of Odessa; Clementina joined her uncle and cousins in St Petersburg and while there she sat to Christinec in the 1760s. She married John Stones in Clerkenwell in 1771.For further information on this lot please visit Bonhams.com
Los 47
Attributed to Jan Cossiers (Antwerp 1600-1671)Portrait of a young man, half-length, in a green mantle, with a miniature portrait of a lady and a violin oil on panel98.9 x 73.5cm (38 15/16 x 28 15/16in).Footnotes:ProvenanceWith Dr. Herbert Leyendecker, Berlin/Wiesbaden, 1938 (as Rubens)Private Collection, South Germany, 1960Sale, Christie's, South Kensington, 9 December 2011, lot 19 (as 'Circle of Justus van Egmont')For further information on this lot please visit Bonhams.com
Los 5
George Jamesone (Aberdeen circa 1589-1644)Portrait of a gentleman, traditionally identified as Mr Scott, bust-length, within a painted oval bears inscription 'July. 30./ 1634./ AEts./62.' (upper left)oil on panel67.6 x 52.8cm (26 5/8 x 20 13/16in).For further information on this lot please visit Bonhams.com
Los 58
Circle of Charles d' Agar (Paris 1669-1723 London)Portrait of a young lady, full-length, seated in a pink dress with a dog oil on canvas127.8 x 102.6cm (50 5/16 x 40 3/8in).This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 59
Attributed to Richard Rothwell (Athlone 1800-1868 Rome)Portrait of a gentleman, half-length, in a black coat oil on canvas94.3 x 79.1cm (37 1/8 x 31 1/8in).This lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 61
Attributed to Michael Dahl the Younger (Stockholm circa 1659-1743 London)Portrait of a gentleman, three-quarter-length, in a brown coat oil on canvas127 x 101.2cm (50 x 39 13/16in).in a carved frameThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Los 65
Follower of Sir Godfrey Kneller (Lübeck 1646-1723 London)Portrait of a lady, said to be Sarah Churchill, Duchess of Marlborough oil on copper, oval9.5 x 7.4cm (3 3/4 x 2 15/16in).Footnotes:ProvenanceSale, Sotheby's, London, 28 April 1981, lot 81Sale, Bonhams, Knightsbridge, 19 November 2014, lot 22, where purchased by the present ownerFor further information on this lot please visit Bonhams.com
Los 66
Circle of Michael Dahl the Younger (Stockholm circa 1659-1743 London)Portrait of John Churchill, 1st Duke of Marlborough, bust-length engraved with ducal coronet above initials 'J.D.M' (on reverse)oil on copper, oval8.1 x 6.7cm (3 3/16 x 2 5/8in).within gilt- metal acorn leaf mount beneath enamel cresting of the Marlborough coat-of-armsFootnotes:ProvenanceWith Ellison Fine Art, London, where purchased by the present ownerFor further information on this lot please visit Bonhams.com
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283287 Los(e)/Seite