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Los 44
Paul Henry RHA (1877-1958)Portrait of a Lady (c.1910-14)Oil on canvas board, 22 x 13cm (8¾ x 5'')Signed; also inscribed on reverse in the artist's hand 'For Dear Grandmama from Paul'This is an early Paul Henry, as the dot in the signature indicates. The age of the woman is uncertain, but given the form of the signature, as the general hesitancy shows, it is evidentially early in Henry’s career, possibly around c.1910-14. It was certainly done before he went to Achill Island. The Portrait is numbered 1345 in S. B. Kennedy’s on-going cataloguing of Paul Henry’s oeuvre.S.B. Kennedy, April 2018
Los 93
Geraldine O’Neill ARHA (b.1971)Holy Mary and the Chewing Gum Machine (2003)Oil on canvas, 229 x 116cm (90¼ x 45¾)Signed and dated 2003Provenance: With Kevin Kavanagh Gallery, DublinGeraldine O’Neill was born in Dublin in 1971, studied at the National College of Art and Design from 1989 to 1993 and in 2008 completed her MFA. She has lectured widely - at Dublin Institute of Technology, St. Patrick’s College of Education and was an external tutor at Massachusetts Institute of Technology in 2011. Her first solo show, Cake Sale was held in 1998 at the Jo Rain Gallery in Dublin and created quite a stir, not least for the exquisite quality of her painting. Her technical brilliance and her use of lustrous colours have identified O’Neill’s work ever since. She has exhibited extensively in Ireland and abroad including the Irish Museum of Modern Art, the National Portrait Gallery London as well as in Frankfurt and at the Florence Biennale. She has won numerous awards, scholarships and bursaries and is represented in many collections both private and public including the Irish Museum of Modern Art, the European Central Bank, the Office of Public Works and the Glucksman UCC collection. She is represented in Ireland by Kevin Kavanagh Gallery.In his 2010 Dictionary of Living Irish Artists, Robert O’Byrne writes “O’Neill is clearly familiar with the canon of western art and her work makes reference most obviously to the 17th century Dutch and Flemish schools where still life flourished as an opportunity for virtuosity and the display of promiscuous abundance.”
Los 330
LATE EIGHTEENTH/ EARLY NINETEENTH CENTURY 'JOHN WESLEY' POTTERY SMALL WALL PLAQUE, of circular form, black printed with profiled portrait and inscription with a green and black lined border, unmarked, 6 ½" (16.5cm) diameter, rim chip to back and unglazed section to rim at the back, 2" long approx, hanging holes to rim possibly later?
Los 189
Wallis, J.P.R. (ed).: 1- The Zambesi expedition of David Livingstone 1858-1863; in 2 volumes (Signed copies). Chatto & Windus, 1956. Complete with 2 folding maps and colour plates. (Oppenheimer Series, 9). Both volumes Signed by Wallis on title pages. Original red cloth gilt, t.e.g.; 2- The Zambesi Journal of James Stewart 1862-1863. Chatto & Windus, 1956. Complete with folding map and frontis portrait. (Oppenheimer Series, 6). Original red cloth gilt, t.e.g.; 3- The Barotseland Journal of James Stevenson-Hamilton 1898-1899 (Signed copy). Chatto & Windus, 1953. Complete with a frontis, 5 colour plates and a folding. (Oppenheimer Series, 7). Both volumes Signed by Wallis on title pages, also the front blank endpaper inscribed: To Bob, with all best wishes from Dora and Jack (Dora was his wife). Original red cloth gilt, t.e.g. (4)
Los 69
An Art Nouveau silver repousse boudoir clock, hallmarked for Birmingham 1907, decorated with stylised scrolling flowers, together with an Asprey's silver and tortoiseshell ring box, a late 19th century Ivory lidded box, decorated with the portrait of a lady to the lid, and a cased set of six silver teaspoons
Los 90
A Charles II raised Needlework Portrait of a family group in a landscape set within a central oval, the border illustrated with a Lion and a Leopard, elaborately worked flowers, birds, moths and caterpillars, 42cm by 51cm, in later ebonised glazed frame. Provenance: A label verso indicates that this item came from the Hailstone Collection of Old Needlework Pictures
Los 771
An oil painting on canvas of a flora still life in the 17th century manner, signed bottom right T Brinks, 24 x 19cm in wide moulded gilt frame with linen slip, together with a coloured print on canvas of a still life with flowers and a bird and a further coloured print in the 19th century manner, 3/4 length portrait of a young woman carrying a tray with pewter flagon and goblet, 75 x 50cm in wide moulded gilt frame
Los 846
A 19th century portrait miniature of circular form showing a lady in 18th century style costume, 3cm diameter in gilt metal frame with ribbons surmount, together with a 19th century miniature enamel panel of circular form with Watteauesque type figure detail, 4cm diameter approx, framed and also together with two late 19th century photographic portraits, all in gilt metal frames
Los 114
NO RESERVE Tensini Francesco. La fortificatione guardia difesa et espugnatione delle fortezze esperimentata in diverse guerre... In Venetia: appresso Antonio Bariletti et fratelli al Segno del Mondo, 1630 (Al colophon:) In Venetia: appresso Evangelista Deuchino, 1624.Tre parti in un volume in-folio (mm 367x252). Pagine [16, inclusi il frontespizio inciso e il ritratto dell'Autore], 83, [1], 83, [1], 128. Grandi capilettera xilografici ornati. Illustrato da 48 tavole incise da Odoardo Fialetti, 11 delle quali a doppia pagina. Frontespizio controfondato, rinforzato al margine interno e affetto da una piccola mancanza al margine inferiore, fallo di carta al margine inferiore bianco della carta a4, lievi gore marginali alle prime carte, foro di tarlo al margine superiore bianco dei fascicoli G e H, macchia di inchiostro che tocca il margine inferiore della tavola 21. Legatura settecentesca in mezzo vitello, piatti coperti da carta da carta marmorizzata, abrasa in corrispondenza degli angoli inferiori esterni. Dorso a 4 nervi, titolo impresso in oro su tassello in pelle. Tagli spruzzati di rosso. Nota di possesso manoscritta al verso del frontespizio e del ritratto 'Ego Jovanes Baptista Ferialtus [?]', la seconda datata 1702.Rarissima edizione di uno dei più bei libri figurati del Seicento italiano. L'opera venne impressa a Venezia nel 1624, e successivamente riproposta nel 1630 e nel 1655 con il solo frontespizio mutato, mediante la raschiatura della tavola originale. La copia qui presentata è eccezionalmente completa delle 48 superbe tavole incise da Odoardo Fialetti (1573-1637/38), pupillo di Tintoretto. L'autore, il cremasco Francesco Tensini (1579/81-1638) fu uno dei più rinomati architetti militari del tempo, e la sua Fortificatione è da annoverarsi tra i più completi manuali antichi di ingegneria di guerra. Tensini Francesco. La fortificatione guardia difesa et espugnatione delle fortezze esperimentata in diverse guerre... In Venetia: appresso Antonio Bariletti et fratelli al Segno del Mondo, 1630 (Al colophon:) In Venetia: appresso Evangelista Deuchino, 1624. Three parts in one volume, folio (367x252 mm). [16, including engraved title-page and the portrait of the author], 83, [1], 83, [1], 128 pages. Large woodcut decorated initials. Illustrated with 48 plates engraved by Odoardo Fialetti, 11 of them on double page. Title-page reinforced and with a small loss to the lower margin, marginal waterstains at the first pages, wormhole to the blank margin of quires G and H, ink spot touching lower margin of plate 21. Eighteenth century half calf, covers in marbled paper, lower outer corners scratched . Spine with 4 raised bands, gilt title on leather lettering-piece. Red speckled edges. Manuscriipt owner's inscription on verso of the title-page and at the portrait, 'Ego Jovanes Baptista Ferialtus [?]', the second one dated 1702. Very rare edition of one of the most beautiful illustrated books of the Italian Seventeenth century. The work was imprinted in Venice in 1624, and subsequently reissued in 1630 and in 1655 with the only title-page changed, by scraping the original table. The copy presented here is exceptionally complete with 48 magnificent plates engraved by Odoardo Fialetti (1573-1637 / 38), pupil of Tintoretto. The author, Francesco Tensini (1579 / 81-1638) was one of the most renowned military architects of the time, and his Fortificatione is to be counted among the most complete ancient manuals of warfare engineering.
Los 19
NO RESERVE Cuvier Georges. Mémoires... publiés en anglais par Mistress Lee et en français par M. Theodore Lacordaire sur les documens fournis par sa famille. Paris: H. Fournier, 1833.In-8° (mm 212x130). Pagine [4], 369, [1]. Mancante della tavola col ritratto di Cuvier. Arrossature. Legatura coeva in mezzo marocchino, carta decorata ai piatti, titoli in oro al dorso, contropiatti e sguardie in carta decorata, segnalibro, abrasioni alle cuffie. Prima edizione in traduzione francese, edita nello stesso anno dell'originale inglese di Sarah Bowdich Lee, di questa biografia del biologo e zoologo Georges Leopold Chretien Frédéric Dagobert Cuvier, noto per la sua teoria delle catastrofi naturali. Tulard, 381: "Malgré son titre, il ne s'agit pas de mémoires écrits directement par Cuvier mais d'une biographie par le savant Théodore Lacordaire à partir de papiers privés de l'auteur du Règne animal".Cuvier Georges. Mémoires... publiés en anglais par Mistress Lee et en français par M. Theodore Lacordaire sur les documens fournis par sa famille. Paris: H. Fournier, 1833. 8° (212x130 mm). [4], 369, [1] pages. Missing the plate with Cuvier portrait. Foxing. Contemporary half morocco, decorated paper at the covers, gilt title on the spine, pastedowns and flyleaves in decorated paper, bookmark, slightly abrased. First edition in French translation, published during the first year as the English original by Sarah Bowdich Lee, of this biography of the biologist and zoologist Georges Leopold Chretien Frédéric Dagobert Cuvier, famous for his theory about natural catastrophes . Tulard, 381: "Malgré son titre, il ne s'agit pas de mémoires écrits directement par Cuvier mais d'une biographie par le savant Théodore Lacordaire à partir de papiers privés de l'auteur du Règne animal".
Los 33
NO RESERVE Galleria storica dell'Italia contenente in cento intagli miniati i fatti più notabili avvenuti nel corso di 10 secoli illustrati di descrizioni e notizie. Firenze: D. Passigli, 1845-1856.Un'opera in 4 volumi in-4° (mm 335x236). Pagine [2], 412; [4], 413- 792; [4], 1176; [4], CCLXXXVII, [4], 1180-1191, [1]. 99 di 100 tavole a piena pagina (manca la tavola ritraente Benvenuto Cellini a pagina 613) incise su rame e impreziosite da una vivace coloritura coeva. Frontespizio policromo entro cornice. Testo inquadrato da cornice ornata impressa in differenti colori. Il quarto volume include i rari Ordine cronologico delle illustrazioni e Indice delle stampe, spesso mancanti, inquadrati da cornice impressa in nero. Lievi fioriture, strappo al frontespizio del quarto volume, carte preliminari del secondo volume parzialmente slegate. Legatura uniforme coeva in mezza pelle, piatti in percallina decorata a secco. Dorso liscio con titolo e decorazioni impresse in oro. Abrasioni, mancanze in corrispondenza delle cerniere, piatto anteriore del primo e secondo volume allentato.Elegante edizione volta a descrivere le vicissitudini del Regno d'Italia dall'888, anno dell'incoronazione di Berengario I, al 1815, quando Napoleone venne sconfitto a Waterloo e conseguentemente esiliato a S. Elena. L'opera è illustrata da 100 (99 nell'esemplare qui presentato), splendide incisioni colorate a mano e raffiguranti i personaggi illustrati nella narrazione.Galleria storica dell'Italia contenente in cento intagli miniati i fatti più notabili avvenuti nel corso di 10 secoli illustrati di descrizioni e notizie. Firenze: D. Passigli, 1845-1856. One work in 4 volumes, 4° (335x236 mm). [2], 412; [4], 413- 792; [4], 1176; [4], CCLXXXVII, [4], 1180-1191, [1] pages. 99 of 100 full-page plates (missing the Benvenuto Cellini's portrait on page 613) copper engraved and embellished with a lively contemporary coloring. Polychrome title-page within frame. Text included into an ornate frame impressed in different colours. The fourth volume includes the rare Ordine cronologico delle illustrazioni e Indice delle stampe, often missing, in frames printed in black. Slight foxing, tear off the title-page of the fourth volume, first leaves of the second partially loose. Contemporary half leather, decorated covers. Smooth spine with gilt title and decorations. Abrasions, damages at the hinges, front cover of the first and second volume loose. Elegant edition designed to describe the vicissitudes of the Kingdom of Italy from 888, the year of the coronation of Berengario I, to 1815, when Napoleon was defeated at Waterloo and consequently exiled to St. Helena. The work is illustrated by 100, splendid coloured engravings depicting the main characters of the narration.
Los 47
NO RESERVE Illustrati. Letteratura. Lotto di 4 volumiIl lotto comprende:Dumas Alexandre. Ascanio... illustrazioni di Gustavino. Traduzione integrale di Giuseppe Aventi. Milano: Rizzoli, 1934. Pagine 404, [8]. Lievi bruniture. Brossura editoriale muta con sovraccoperta illustrata, Lievi bruniture e arrossature. Alla carta di guardia anteriore ex libris 'Biblioteca Palazzi'.Dickens Charles. Annali postumi del Circolo Pickwick. Nuova traduzione integrale di Augusto C. Dauphine. Illustrazioni di Gustavino. Milano - Roma: Rizzoli, 1946. Pagine 877, [13]. Lievi bruniture e segni di polvere. Legatura editoriale in mezza tela, piatti cartonati, titoli in oro al dorso. Al contropiatto anteriore ex libris 'Biblioteca Palazzi'; invio autografo con dedica di Gustavino (al secolo Gustavo Rosso) all'occhietto.Cervantes Saavedra Miguel (de). L' ingegnoso gentiluomo don Chisciotte della Mancia... traduzione e introduzione di Ferdinando Carlesi. Illustrazioni di Gustavo Doré. [Milano]: A. Mondadori, 1952. Pagine 857, [3]. Bordi delle pagine appena bruniti. Legatura editoriale in cartonato illustrato. Edizione fuori commercio.Barzini Luigi. Quà e là per il mondo. Racconti e ricordi. Illustrati con XL incisioni e XXXIII tavole di Luigi Barzini, Ricardo Salvadori, Achille Beltrame... Milano: Ulrico Hoepli, 1916. Pagine IX, 410, con [33] tavole. Ritratto inciso dell'Autore in antiporta. Leggera gora marginale. Legatura coeva in mezza pergamena con punte, carta marmorizzata ai piatti, titoli in oro su tassello (lacunoso) al dorso.Illustrated. Literature. Lot of 4 volumes. The lot includes: Dumas Alexandre. Ascanio... illustrazioni di Gustavino. Traduzione integrale di Giuseppe Aventi. Milano: Rizzoli, 1934. 404, [8] pages. Light browning and foxing. Wrappers with illustrated dustjacket. To the front flyleaf ex libris 'Biblioteca Palazzi'. Dickens Charles. Annali postumi del Circolo Pickwick. Nuova traduzione integrale di Augusto C. Dauphine. Illustrazioni di Gustavino. Milano - Roma: Rizzoli, 1946. 877, [13] pages. Light browning and dust traces. Half canvas, covers in cardboard, gilt titles at the spine. To the front pastedown ex libris 'Biblioteca Palazzi'; signed at the half-title with an inscription by Gustavino (better known as Gustavo Rosso). Cervantes Saavedra Miguel (de). L' ingegnoso gentiluomo don Chisciotte della Mancia... traduzione e introduzione di Ferdinando Carlesi. Illustrazioni di Gustavo Doré. [Milano]: A. Mondadori, 1952. 857, [3] pages. Margins slightly brownes. Illustrated cardboard. Edition out of the market. Barzini Luigi. Quà e là per il mondo. Racconti e ricordi. Illustrati con XL incisioni e XXXIII tavole di Luigi Barzini, Ricardo Salvadori, Achille Beltrame... Milano: Ulrico Hoepli, 1916. IX, 410 pages, with [33] plates. At the frontispiece engraved author's portrait. Light marginal waterstain. Contemporary half vellum, marbled paper at the covers, gilt title at the damaged label at the spine.
Los 864
NATHANIEL BERMINGHAM (BORN: IRELAND C.1720 F/ 1736-74) 'Portrait of Jonathan Swift, c.1774.' Head and shoulders, in white cut paper against black, wearing a curly grey wig. Oval. 11.5" (29cm) high x 8.5" (22cm) wide. The frame in carved sand gilt. With the Swift family crest and leaf-sprays. This very rare portrait by Birmingham shows in great detail the art of cut paper. Birmingham was noted for his small portraits and coats of arms, cut in paper or vellum. He headed to London c.1774 and exhibited his works at the Society of Artists. Including a portrait in cut paper of The Duke of Gloucester, his address was at 'Mr. Kelly's, The Cane Shop near Temple Bar'. In 2009 The Arms of John Boyle, 5th Earl of Cork and Orrery (1707-1762) was offered by Christie's, lot 53. Also in cut paper. It was part of the Glin Castle Sale, 7th May 2009. It measured 38 x 31cm and it sold for £20,000. The Victoria and Albert Museum have a cut paper portrait of Britannia mourning The Prince of Wales. Provenance: Rushbrooke Hall, Bury St. Edmunds. Originally the home of The Jermyn Family, with the Rothschild Family taking over the house in 1938. In 2015 there was an auction of items from the kitchens of Rushbrooke Hall which included this unidentified "Picture of a Nobleman." Swift refers several times to cut paperwork in his 'Miscellanies'. He quotes in 'Dan Jackson's Picture Cut in Paper,' "Clarissa drew her scissors from the case, to draw the lines of poor Dan Jackson's Face. One sloping line cut forehead, nose and chin, A nick produced a mouth and made him grin."
Los 186
A VICTORIAN EBONISED AND BRASS MOUNTED CREDENZA. Break-front outline, applied with porcelain panels, each within a gilt brass frame. Centre door with an oval portrait plaque and crested with a ribbon bow in brass, inside a moulded brass frame and cross banding. Two bowed glazed doors to either side. Raised on a break-front plinth. 39.5" (100cm) high, 5ft (152cm) wide. (1)
Los 623
A CHINESE BLACK LACQUERED ALTAR TABLE. Scrolling sides and glass top, decorated in the Chinoiserie style. With birds perched on a tree branch with flowers. Two lower doors, each with portrait of a figure, between two spandrels with floral decoration, raised on square moulded legs. 41" (104cm) high x 36" (93cm) wide. (1)
Los 150
BRENDA CHAMBERLAIN pen and ink - half length portrait of a Burmese girl with plaited hair at work, bearing the original Tegfryn Art Gallery, Menai Bridge label verso stating - 'I certify that this picture is to the best of my knowledge the work of my sister Brenda Chamberlain', signed Neville Chamberlain, 36 x 23.5 cms
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283284 Los(e)/Seite