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283284 Los(e)/Seite
Los 262s
Two Lee Jeffries Limited Edition Photographic Portraits of Homeless People in Manchester.. Portraits entitled Manchester and Overtown. Framed measuring 50cm by 40cm. Lee Jeffries is a British portrait photographer, living in Manchester, England, much of whose work is of people experiencing homelessness. In 2023, he had a solo exhibition at Diocesan Museum of Milan in Italy. "Jeffries?s powerful portraits are getting noticed. He recently won Digital Camera magazine?s Photographer of the Year award. There has been an explosion of interest in the last two to three months as the images have been shared across the web" Time Magazine..
Los 262r
Two Lee Jeffries Limited Edition "Skid Row" Photographic Portraits of Homeless People in Los Angeles. Portraits entitled Skid Row II & IV. Framed measuring 50cm by 40cm. Lee Jeffries is a British portrait photographer, living in Manchester, England, much of whose work is of people experiencing homelessness. In 2023, he had a solo exhibition at Diocesan Museum of Milan in Italy. "Jeffries?s powerful portraits are getting noticed. He recently won Digital Camera magazine?s Photographer of the Year award. There has been an explosion of interest in the last two to three months as the images have been shared across the web" Time Magazine..
Los 1606
HOERNER, GRETA VON (1880 –1945), "Portät einer lesenden Frau", oben rechts signiert: "G V Hoerner", Öl auf Leinwand, HxB: ca. 75 x 68 cm (HxB Rahmen: ca. 62,5 x 56 cm). Leinwand rückseitig mit einer Landschaft bemalt. Alters- und Beriebspuren, kleine Farbfehlstellen. Mit Rahmen (Altersspuren). VERSO Etikett: Kunsthaus Schaller, Stuttgart sowie handschriftliche Bezeichnungen. PROVENIENZ: Kunsthaus Schaller, Stuttgart.| HOERNER, GRETA VON (1880 -1945), "Portrait of a Reading Woman", signed upper right: "G V Hoerner", oil on canvas, HxW: approx. 75 x 68 cm (HxW frame: approx. 62,5 x 56 cm). Canvas painted with a landscape on the reverse. Signs of age and rubbing, small paint defects. With frame (traces of age, on the reverse label Kunsthaus Schaller, Stuttgart as well as handwritten inscriptions. PROVENANCE: Kunsthaus Schaller, Stuttgart.
Los 1609
FEHRLE, JAKOB WILHELM (1884-1974), "Portrait einer jungen Frau", 1923, monogrammiert und datiert 'JWF. 9.2.23', Kohle und Farbkreide/Bütten (mit Wasserzeichen), HxB: Passepartoutausschnitt ca. 26x20,5 cm (42x35 cm mit Rahmen). Gebräunt, Lichtrand und fleckig. Im Passepartout hinter Glas gerahmt. | FEHRLE, JAKOB WILHELM (1884-1974), "Portrait of a young woman", 1923, monogrammed and dated 'JWF. 9.2.23', charcoal and colored chalk/laid paper (with watermark), HxW: passepartout cutout approx. 26x20.5 cm (42x35 cm with frame). Browned, light edges and stained. Framed in a passe-partout behind glass.
Los 5530
Greenup Moorsom Storm (Robin Hood's Bay 1901-1975): Lake District Landscape, oil on canvas board signed 43cm x 44cm; W Smallwood Winder (British 1870-1910): Lake Scene, watercolour signed and dated 1903, 25cm x 35cm; Alan Stuttle (British 1939-): York, two prints signed in pencil; Thomas Malton (British 1748-1804): 'North Front of the Divinity School' Oxford, 19th century aquatint; together with a portrait engraving after Thomas Lawrence (6)
Los 307
dating: Period (1603-1867) provenance: Japan, Made of iron, maru gata, niku bori with shakudo and gilding, kaku-mimi. The omote side with the carved portrait of the god of fortune and abundance Daikokuten, dancing above the traditional rice bales, holding his golden hammer. Mei 'Kunihiro'. In kiri-box. dimensions 7.8 x 7.8 x 0.55 cm.
Los 515
dating: Late 17th - Early 18th Century provenance: Austria, Rifled, octagonal, 12 mm cal. barrel at the nozzle, provided with iron foresight and rear sight, and engraved frame at the breech and nozzle, a well marked shield on the back of the breech featuring the letters 'CH' in relief surmounting a bird, the coat of arms with the same letters on the side, 'C' on the left 'H' on the right. Flat and smooth lock. The wheel is protruding from the plate and is inside an elegant silver-plated metal mount elegantly pierced with two rampant lions framed by racemes. The cock and its spring are engraved, the former with an animal's head, and both with remains of an earlier gilding, like the pan cover. The pan is provided with a long spark arrester. Wooden full stock with a few woodworm holes and richly decorated with engraved bone-inlays. Decorative elements on the right side: greyhounds chasing hares and grotesques with dragon's heads; on the lower side a mask with a devil face and the effigy of a Hungarian style armed warrior (maybe an Hajduk), and the portrait of a gentleman, the butt with other masks and grotesques on the back; the left side again with greyhounds and hares, but also featuring a hunting scene of a fight among a bear and dogs, and a beautiful scene of a fight between a Turkish knight armed with a bow and a raider firing his pistol. Bone butt-plate with remains of a heraldic coat of arms surmounting the inscription 'V de T'. Bone patchbox with remains of grotesque engraving. length 108,3 cm.
Los 51
AN ANTIQUE OVAL SILVER PORTRAIT LOCKET AND CHAIN. THE LOCKET WITH PAINTED PORTRAIT MINIATURE TO THE INSIDE. THE FRONT WITH APPLIED MONOGRAM, THE REVERSE WITH ENGRAVED MONOGRAM. THE LINKED CHAIN COMPLETE WITH LOBSTER CLASP. CHAIN LENGTH 71cms, LOCKET MEASUREMENTS INCLUDING BAIL 6.0 X 3.5cms. GROSS WEIGHT 77.75grms.
Los 34
17th-Century Dutch School, three-quarter length portrait of a gentleman holding a handkerchief, oil on panel, 114 x 84 cm, framed 130 x 100 cmProvenance unknownPanel of planked construction with cracks visible from the front. Some small areas of overpainting visible under UV light, especially along the cracks and top right side. Would benefit from cleaning. Reverse of panels show signs of previous woodworm.
Los 8
F. Giovani (19th-Century) Italian, Portrait of an elderly scholar holding a book, signed, oil on canvas, 79 x 63 cm, in an ornate giltwood frame 110 x 94 cmRestored craquelure throughout the canvas. Restored puncture hole top right (patch on the reverse), and restored tear just above the hand (patch on the reverse).Frame may have been re-gilded with very small areas of gesso missing throughout.
Los 1
Amadeo Modigliani (after) 'Portrait Mario Varvogli' lithography print, plate signed bottom right, numbered with pencil bottom left, limited edition 50/50, bottom left publishing house stamp 'Georges Israel Editeur', heavy paper with watermark BFK Rives, sheet size 51 x 78 cm, without additional documentation, sold unframed
Los 152
Limited edition, hand painted bisque porcelain depicting figural clown Weary Willie painting a self portrait with his puppy giving him a hand. Rests on a wooden base with gold-tone titled plaque. Emmett Kelly Jr. signature backstamp. Flambro hang tag and factory label. This item has its original box. Box measures: 11"L x 9.75"W x 13.25"H. This item has a base included. Base measures: 9.5"L x 7.25"W x 1"H. Issued: 20th c.Dimensions: 8"L x 6"W x 8.5"HEdition Number: 832 of 7500 Manufacturer: FlambroCondition: Age related wear.
Los 62
A monochrome portrait miniature of a young woman wearing pearls (*af), together with two Georgian-style silhouettes, the first inscribed to verso Joseph Matthews of Elme Hall Liverpool 'Uncle Joe' to Stubbs Family and the other inscribed Joseph Matthes Junior 1820 Elme Hall Liverpool and a oval photograph of a lady. Condition ReportThe glass has cracked on the first portrait miniature.
Los 39
"Peasant Woman on Horseback"Oil on canvas. Signed.On the back some patches can be seen which are the result of some minor restoration.77,5 x 55,5 cm.Carlos Vázquez Úbeda was a prominent Spanish painter, illustrator, and poster artist, renowned for his creations in the genres of costumbrismo (depicting local customs) and landscape.This "Hijo predilecto" (Favorite Son) of Ciudad Real was a disciple of the landscape artist Carlos Haes, whom he met at the National School of San Fernando in Madrid, and the portrait painter Léon Bonnat, following the classes he received in Paris, where he resided between 1889 and 1898.As reported by the Prado Museum, he "regularly sent his works to national and foreign competitions," winning numerous awards and decorations. Highlights of these are the first place medal he received at the Exhibition of Fine Arts and Artistic Industries of Barcelona in 1898, the first place medal in 1910 from the National School of Fine Arts in Madrid for "El torero herido" (The Wounded Bullfighter), one of his most well-known paintings, currently kept in the Prado (inv. P006803). He also received the prestigious gold medal in 1913 at the Salon de Paris for "Luna de miel en Anso" (Honeymoon in Anso), now housed in The Hispanic Museum (inv. A307).Another painting to highlight is "Recolección de higos chumbos en Granada" (Harvesting Prickly Pears in Granada) (c. 1901, inv. P006307), where he employs a contrapuntal perspective, which is similar to that of the painting we have here. Reference bibliography:- Museo del Prado. (s.f.). “Vázquez Úbeda, Carlos”. https://www.museodelprado.es/aprende/enciclopedia/voz/vazquez-ubeda-carlos/5d52c69a-7963-4c33-9f3a-17d921c01f8b- Carrasco Serrano, Gregorio. (s.f.). “Carlos Vázquez Úbeda”. Real Academia de la Historia. https://dbe.rah.es/biografias/5032/carlos-vazquez-ubeda
Los 41
Edgar Chahine - Au Bois de Boulogne - 1931 / Description: PARIS / AU BOIS DE BOULOGNE - 1931. Reference: Tabelli n°420 (fourth state). Measures 21,90 by 32 cm on plate border, hand signed by the artist ! Nice brown sepia like inking. Top subject from the elegant Paris life style / Dimensions: 21,90 x 32,00 cm / Condition: A very good impression on thick quality paper watermarked Arches. In excellent condition. / Literature: Tabanelli 420 IV --- Edgar Chahine (1874 Vienna- 1947, Paris) Edgar Chahine was born to Armenian parents in 1874, and spent his youth in Constantinople. * Before moving to Paris in 1895, he visited Venice where he studied under Paoletti and at the Academia di Belle Arti. In the late 1890's he began making intaglio prints, frequently mixing media in order to achieve the desired effects. The support of Edmond Sagot and Eugene Delâtre encouraged Chahine to continue making prints, all of which were characterized by a precise use of line. He approached his subjects with an honest, selective eye, and was neither patronizing nor sentimental in his interpretation of life around him. Through his objective portrayal of the petite bourgeois, Chahine gave to us a portrait of an era. * Chahine truly loved printmaking. He worked in etching, drypoint and aquatint and combined all these media. One of the popular aspects of his work centers on elegant ladies, the "femmes" of the Fin de Siècle—They are society women, performers, café habitues, "femmes fatales," shopkeepers. Chahine is known also for his delicate landscapes and seascapes which remind us of Whistler. * In the book Impressions d'Italie, published in 1906, Chahine turned his attention to the streets and inhabitants of Venice. The series, which consisted of 50 prints, includes some of Chahine's best work. A fire in Chahine's studio, and a flood in 1942, accounts for the rarity of this artist's work. / Medium: Etching, dry-point /Circa: 1931 260
Los 237
Portrait of Andres Vesalius, Philips Galle Portrait of Andreas Vesalius (1514-1564). He was a southern Dutch physician and anatomist (one of the founders of anatomy). Engraving made in Antwerp in 1572 by Philips Galle (1537-1612). References: New Hollstein Dutch 686 1b(2), In very good condition. Printed on laid paper with large margins, very good dark early impression with the ruling lines to engrave the text clearly visible, only with the first impressions. Written in old iron ink the in Latin with date 1579 at the right below in the text. 17,7 cm x 12,4 cm In very good condition. Printed on laid paper with large margins, good dark impression. Written text in iron ink in the lower right text margin. New Hollstein Dutch 686 1b(2) engraving 1572 475
Los 244
Govert Flinck, G.F. Schmidt - Bearded old man Portrait of a bearded old man wearing a dark beret and a necklace. A sublime work by Govert Flinck the co-operater from Rembrandt during the 1630-1636 period. Here brought to us in an etching by Georg Friedrich Schmidt, one of the finest adaptors of the work of the Rembrandt school. From the collection of Paul Delaroff (L.663) a collector from St. Petersburg, Russia, were Schmidt was active for several years. 17,10 x 13,20 cm Outstanding early impression in very good condition. Oval collection stamp of Delaroff on the backside. Crayen 1789 / Catalogue raisonné de l'oeuvre de feu George Frédéric Schmidt; graveur du roi de Prusse (131) --- Wessely 1887 / Georg Frederic Schmidt: Verzeichniss seiner Stiche und Radierungen (141) Etching 1772 220
Los 232
Nicolò Nelli - Portrait of Philip II, King of Spain - 1569 A portrait engraved by Nicolò Nelli of Philip II with the order chain of the Golden Fleece, contained in an oval surrounded by ornamental motifs in Floris style. In oval test line Philippus D. G. Hisp. Sicil. Neap. etc. Rex Archd. Austr. From a group of portraits Imagines Quorundam Principum et Illustrium Virorum published in Venice in 1569. Other plates were by Nicolas Beatrizet, Cornelis Cort, Martino Rota and Domenico Zenoi. 20,00 x 16,70 cm A strong and fine impression In excellent condition. On a dense watermarked laid paper. See Rijksmuseum P-P-OB-36.703 Etching and Engraving 1569 220
Los 231
Aegidius Sadeler II (1570-1629) - Matthias Emperor - 1614 Impressive elaborate large Portrait of Emperor Matthias, bust to right on a pedestal, surrounded by a garland containing ten medallions with portraits of Emperors, including Rudolph II and Maximillian II. The Allegorical Portrait of the Hapsburg Emperor Matthias is a large, extravagant composition, full of political iconography and playful illusionism. The naturalistic likeness of Matthias is set upon a fictive sculpted bust with draped shoulders and pedestal. The composition is embedded with personifications, beginning with two figures representing Wisdom and Fortitude who carry flags with the emperor's emblems at the upper corners. At top center, cherubs carry the imperial crown down from heaven, while the Three Graces shower flowers and gold upon the emperor. At the sides, figures of Mercury and Minerva, posed like the famed statues of the Dioscuri in Rome, tame Pegasus (a common symbol of Virtue) and spear the dragon of Religious Heresy. Below, the diverse subjects of the empire and its Turkish foes kneel in homage. 56,40 x 40,00 cm A good but trimmed impression with lower part with tablet and text line cut of. Mounted on a support sheet and framed. Minory defects but mainly very good. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (310) Engraving 1614 1500
Los 246
Jonas Suyderhoef, Rembrandt van Rijn - The preacher Eleazar Swalmius An early first state of this nice large portrait after an unknown painting by Rembrandt. Portrait of the preacher Eleazar Swalmius, seated in an arm-chair, half-length directed to right but looking at the viewer, wearing a fur-trimmed coat and a skull-cap, his right hand placed on his chest; first state with address of Goos. Beneath the subject Latin verses by Henricus Geldorpius:and "Rembrandt Pinxit" and "I. Suÿderhoef Sculpsit." and "P. Goos Excudit.". Striking depiction of the head looking straightforward towards the viewer, showing the great power of Rembrandt portraits. 41,70 x 30,70 Excellent impression in top condition. Good embossed plate borders and good margins. Small tear middle right margin not affecting the image. Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (120.I) --- Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders (5215) --- Corpus of Rembrandt Paintings 1982-2005 / A Corpus of Rembrandt Paintings (undescribed) Engraving 1641 280
Los 234
Cornelis Galle (1576-1650) - Portrait of Carolus Quintus after Titian Portrait of Emperor Charles V (1500-1558). Charles was the eldest son of Philip the Handsome and Joan of Castile, who would enter history as Joan the Mad. The countries he ruled, the Spanish Empire, together formed the largest European empire since that of Charlemagne. In fact, his entire empire, so including the American and Asian territories, was even larger than the earlier Roman Empire and it can rightly be called one of the first world empires of the New Age. In this bust portrait, he is shown in profile. The light reflects on his shining armor. We also recognize the chain of the Order of the Golden Fleece. The Subscript "En fulminanti similis inuic ta Herculis, Ultra labores arma sic Carolis tulit" links to the motto of arms 'Plus Ultra' chosen by Emperor Charles V. It was a variation on 'Non plus ultra', the text Hercules is said to have chiselled on the Pillars of Hercules on either side of the Strait of Gibraltar to mark the end of the world in classical antiquity. Under Charles's reign, Spain experienced tremendous colonial expansion and with the new motto, he wanted to indicate that the Strait of Gibraltar was no longer the end of the world and that Spain's ambitions extended further. 22,00 x 17,00 cm Excellent condition, nice dark sharp print, clearly defined plate edges. With full plate border and wide margins in the full sheet of watermarked laid paper (Weapon of Amsterdam) Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (133) Engraving 1630-1650 220
Los 233
Pieter de Jode II, portrait of Ambrogio Spinola Portrait of Ambrogio Spinola, commander-in-chief of the Army of Flanders in the Southern Netherlands during the reign of the Spanish king Philips II. Engraving made by Pieter de Jode II (1601-1674) in Antwerp ca 1622. References: Hollstein 159 only state; W51, Le Blanc 129. In excellent condition. Very dark impression on thin laid paper with 4 mm margins. Corners mounted on another paper. 25,3 cm x 18,5 cm Very dark impression on thin laid paper with 4 mm margins. Corners mounted on another paper. In excellent condition. Hollstein 159 only state; W51, Le Blanc 129 engraving 1635-1674 275
Los 238
Hendrik Hondius (1573-1650) - Portrait of Hubert van Eyck Portrait of Hubert van Eyck, sitting at a table turned to the left, facing left; wearing a fur hat, and a fur-trimmed cloak; a painter's palette on the wall behind him, three viewers on top. A portrait from the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies made and published by the Flemish born engraver Hendrik Hondius who moved to The Netherlands and established his own publishing business. The portrait dates from 1610 and goes bas go back to Domenicus Lampsonius' Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, published by Hieronymus Cock's widow in 1572 and engraved by Cock, Johannes Wierix and Cornelis Cort. In many cases, Hondius elaborated the backgrounds. This is a first edition published by Hondius, a later edition was published in 1612and 1618 by Jansonius. 21,00 x 12,00 cm Excellent impression on watermarked laid paper, good plate tone and small margins. In top condition. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (82) --- Van Someren 1736 Etching 1610 280
Los 271
Hendrik Hondius (1573-1650) - Portrait of the painter Paulus Bril Portrait of Paul Bril; half-length turned to the right, facing the viewer, holding a palette and brushes in his hand and wearing a ruff. A portrait from the series Pictorum Aliquot Celebrium Praecipuae Germaniae Inferioris Effigies made and published by the Flemish born engraver Hendrik Hondius who moved to The Netherlands and established his own publishing business. The portrait dates from 1610 and goes bas go back to Domenicus Lampsonius' Pictorum Aliquot Celebrium Germaniae Inferioris Effigies, published by Hieronymus Cock's widow in 1572 and engraved by Cock, Johannes Wierix and Cornelis Cort. In many cases, Hondius elaborated the backgrounds. This is a first edition published by Hondius, a later edition was published in 1612and 1618 by Jansonius. 20,90 x 12,40 cm Excellent impression on watermarked laid paper, good plate tone and small margins, top right corner slightly rounded. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (113) --- Muller II 1853 / Beschrijvende catalogus van 7000 Portretten, van Nederlanders (723) Etching C.1610 240
Los 268
Paulus Pontius, Van Dyck - Portrait of Hendrik van Steenwyck ( III / VII ) Early state: Portrait of Hendrik van Steenwyck II, half-length, turned to the right but looking towards the viewer, wearing a large collar and frilled cuffs, and a coat, holding a letter in his left hand and gesturing towards it with his right; third, lettered state with the title and production details added; after Anthony van Dyck Engraving. After: Anthony van Dyck Published by: Maarten van den Enden Print made by: Paulus Pontius Lettered below the portrait: "Henricvs Steenwyck". Lettered in lower margin with production details: "Ant. van Dyck pinxit" and "Mart. vanden Enden excudit Cum priuilegio". 24,80 x 17,70 cm Excellent impression, excellent condition, watermarked laid paper. Hollstein 129 Mauquoy-Hendrickx 1991 67.( III / VII )New Hollstein (Dutch & Flemish) 93.III (Van Dyck) Etching 1630-1645 300
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283284 Los(e)/Seite