λ† Sir William Reid Dick KCVO RA, (1879 - 1961), a patinated bronze portrait bust of Major Freeman Freeman-Thomas, 1st Marquess of Willingdon, loosely signed Reid Dick in the maquette to the truncation; atop a square section green marble base, the bronze 37cm high, the height overall 51cmBy being created Marquess of Willingdon by Edward VIII on 26 May 1936, Freeman Freeman-Thomas was the most recent person to be promoted to such a rank.Please note this lot should have also been marked with the ARR symbol in the online catalogue. Please see our terms and conditions for full details.
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283284 Los(e)/Seite
E. F. Green (British fl. 1824-1851)Portrait of a seated ladyOil on canvas Signed and dated 1830 to the arm of chair 92 x 72cm (36 x 28¼ in.)Condition Report: Canvas has not been relined and is slightly slack on the stretcher. Some rubbing to the framing edges and some scattered craquelure, otherwise, in overall good condition. No evidence of retouching visible under ultraviolet light.Condition Report Disclaimer
British School (19th century)Portrait of a seated gentlemanOil on canvas 75 x 63.5cm (29½ x 25 in.)Condition Report: Canvas has been relined. There is a significant visible repair to the canvas lower centre and lower right. Scattered patches of bitumen and evidence of old craquelure throughout. Slight visible stretcher marks. A few scattered scuffs and nicks to the paint surface. Ultraviolet light reveals scattered retouching although a heavy varnish very probably conceals further restoration.Condition Report Disclaimer
British School (20th century)Portrait of a girlOil on canvas Signed 'J.P. Beadle' signed upper left 61 x 51cm (24 x 20 in.)Please Note: this work is Signed 'J.P. Beadle' upper left Condition Report: Surface dirt. Craquelure scattered throughout. Yellowing varnish causing some discoloration. Three small holes across the canvas. Light rubbing to the edges. Condition Report Disclaimer
Circle of Thomas Hudson (British 1701-1779)Portrait of Alice Matson, wife of Mr B. WilsonOil on canvas74 x 61.5cm (29 x 24 in.)In a carved giltwood frameProvenance:Property of the Morland Family, Court Lodge, Kent Condition Report: Relined. Craquelure scattered throughout. Inspection under UV reveals a green cloudy masking varnish, evidence of retouching and infilling. Retouching most notable to the background. Condition Report Disclaimer
Circle of William Hoare of Bath (British 1706-1799)Portrait of William Matson (1719-1764)Oil on canvas, painted oval74 x 62cm (29 x 24¼ in.)Provenance:Property of the Morland Family, Court Lodge, KentCondition Report: Canvas has been relined. Visible stretcher marks and evidence of old craquelure throughout. An uneven varnish. Ultraviolet light reveals scattered retouching throughout.Condition Report Disclaimer
Follower of George Romney (British 1734-1802)Portrait of Thomas MorlandOil on canvas142.5 x 104.5cm (56 x 41 in.)In a carved giltwood frameProvenance:Property of the Morland Family, Court Lodge, Kent Thomas Morland was the only son of William and Ellen Morland. He married Ann Matson who came from the Westmorland area where the Morlands originated from.
Circle of John Linnell (British 1792-1882)Portrait of Ann Matson, second daughter of Jacob Morland of Capplethwaite, wife of William MatsonOil on board, oval27 x 22cm (10½ x 8½ in.)Provenance:Property of the Morland Family, Court Lodge, Kent Ann Matson nee Morland married William Matson and was mother of Ann Matson, who in turn married Thomas Morland.
English School (late 19th century)Portrait of Eliza, Lady Farnaby, daughter of Thomas Morland, wife to Sir Charles Francis FarnabyOil on canvas28.5 x 23cm (11 x 9 in.)Provenance:Property of the Morland Family, Court Lodge, Kent Eliza was the second youngest daughter of Thomas and Ann Morland born in 1776. She married Sir Charles Francis Farnaby in 1810.
Attributed to Daniel Gardner (British 1750 - 1805) Portrait of William Morland (1692-1774)Watercolour, bodycolour and pastelLater inscribed and dated 1774 verso25 x 21cm (9¾ x 8¼ in.)Provenance:Property of the Morland Family, Court Lodge, Kent William Morland was the first of the Morland family to live at Court Lodge, having bought it in 1733.
British School (19th century)Portrait of Lydia Marriott Morland (1774-1843)Oil on canvasIndistinctly signed M[?] Busse-Walter[?] lower right87 x 70cm (34¼ x 27½ in.)Provenance:Property of the Morland Family, Court Lodge, Kent Lydia Marriott was the daughter of the Rev'd James Marriott, Rector of Horsmonden. She married William Alexander Morland, they had no children.
George Hayter (British 1792-1871)The sisters: Mrs Stourbridge and Mrs Wilmot-BormleyWatercolour20.5 x 17cm (8 x 6½ in.)Together with a coloured etching of the same watercolour, a pastel portrait of General Sir William Cator KCB (1785-1866,) father of Margaretta Eliza, wife of William Courtney Morland, a second pastel portrait of Lady Caroline Morland, wife of Colonel Charles Morland, and two pastel portraits of Henry Courtenay Morland as a child, various dates and sizes (6)Provenance:Property of the Morland Family, Court Lodge, Kent
Alexander C. Dalzell (1905-1990) pencil on paper, Birds in a Swamp', signed (lower right) 'A. C. Dalzell', 35cm x 44cm, together with a Jonathan Savill pastel on paper portrait of a young woman, signed (lower right) 'Savill', 65.5cm x 46.5cm and a Jonathan Savill watercolour on paper, 'Women at the well-Rajasthan', signed (lower right) 'Savill', 36.5cm x 54cm, all framed and glazed (3)
A PORTRAIT MAQUETTE OF THE FIGUREHEAD FOR H.M.S. JAMES WATT BY HELLYER & SONS, PORTSMOUTH, CIRCA 1847 AND BELIEVED DISPLAYED AT THE GREAT EXHIBITION OF 1851 of bust height and depicting Watt as a Roman in gilt-edged toga with shoulder pin, scrolled support, mounted to display base ( conserved and refinished ) -- 29in. (74cm.) highCondition report: Shoulders restored, paint refinished overall, stand later.
Attributed to John Everett Millais 1829-1896. British. Oil on panel. “Portrait of a Young Woman with Blue Shawl”. Signed and dated 1853 on reverse of panel.Panel manufactured by Dimes and Elam Artists Suppliers. Found on paintings dating to 1845-1856.Measures 30cm x 35cm.Condition Report – Excellent condition.
APRIL SHEPHERD (BRITISH CONTEMPORARY) 'BLACK LABRADOR', a portrait study of a dog, initialled bottom right, charcoal on paper, mounted, framed and glazed, approximate image size 60cm x 44cm, frame size 97cm x 80cm (condition: slight damage to bottom corner edges of the frame) (A) (it is an original drawing)
PAINTINGS AND PRINTS comprising Charles Henry Weigall (1794-1877) Wildfowl in a landscape setting, signed, mounted and framed, approximate size 15cm x 27cm, modernist portrait by Polish artist Wladyslaw Celnikier, signed and dated 1966, framed, Michael Johnson limited edition print 131/200, framed, Susie Lacome woodblock print 33/50, James Priddy etching (water stained), Noel Shelley photographic print 1/1, Marion Thornton watercolour, J Roybal, oil on canvas, F Devey, oil on board, all framed, largest size including frame approximately 70cm x 43cm
***PLEASE NOTE ALL COINS ARE BRITISH SOVEREIGNS***A GOLD SIX FULL SOVEREIGN COIN LINK BRACELET, strung on a 9K fancy link chain, the coins comprising of:(i) 1892 British coin depicting the portrait of Queen Victoria(ii) 1896 British coin depicting the portrait of Queen Victoria(iii) 1900 British coin depicting the portrait of Queen Victoria(iv) 1900 British coin depicting the portrait of Queen Victoria(v) 1911 British coin depicting the portrait of King George V(vi) 1911 British coin depicting the portrait of King George V

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