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283284 Los(e)/Seite
Los 452
A SMALL GROUP OF 19TH AND EARLY 20TH CENTURY CONTINENTAL PORCELAIN, comprising a 19th century twin handled chocolate cup with cover and saucer, hand painted with a band of flowers and corn, gilt rims, cup and saucer marked with an underglaze blue 'A' or 'V', a.f, height 18cm, a pair of Limoges bon bon dishes with scrolled handles, hand painted with swags and garlands, bear retailers mark for Bailey, Banks & Biddle, the 'D & C, France' mark gilded over, one a.f, a cylindrical pedestal hand painted with Deutsche Blumen to the top and one side and a landscape with dead game and a hound to the other, underglaze blue scissor mark with asterisk and 9, restored around the foot, height 13cm x diameter 16cm, a Meissen dish relief decorated with convolvulus picked out in gilt, underglaze crossed swords mark and 14, indistinct incised mark, fitted with wire plate rack, diameter 26cm and two small porcelain plaques of a portrait of a woman, oval length 3.5cm, chipped at the top and a copy after Raphael of Madonna della Sedia, diameter 6.2cm (7) (Condition report: chocolate cup cover has riveted repairs as the lid has been broken in half, also rim chips at either end of the break, saucer has two chips and a stained crack, worn gilding, one bon bon dish has riveted repairs and a rim chip, pedestal has extensive amateur restoration around the base, worn gilding, the Meissen dish has underglaze chips to the underside, the oval plaque is chipped at the top and the circular one is worn where it has been in a mount)
Los 39
SIX BROOCHES, THREE PENDANTS AND A STICK PIN, the brooches include two butterfly wing brooches, two portrait brooches, a banded agate brooch in a white metal mount, a white metal circular textured brooch stamped 'Sterling', the pendants to include an oval white metal and black detailed locket signed to the reverse 'Michaela Frey', an oval paste set pendant in a white unmarked metal mount, a large navette drop pendant set with cultured drill back pearls, fitted with a tapered bail stamped 925, together with a yellow metal paste set stick pin unmarked
![Artist: Norman Rockwell [d'après] (American, 1894 - 1978). Title: "Portrait of a Man". Medium: Oil pencil on paper. Date: Com](https://cdn.globalauctionplatform.com/205f57a2-bbd2-4fff-b569-ae37013a0504/8e06a3a1-ba06-4727-a694-aeb001607e5d/468x382.jpg)
Los 2002
Artist: Norman Rockwell [d'après] (American, 1894 - 1978). Title: "Portrait of a Man". Medium: Oil pencil on paper. Date: Composed 1920s. Dimensions: Overall size: 13 3/4 x 10 1/2 in. (349 x 267 mm). Image size: 9 x 6 1/2 in. (229 x 165 mm).Lot Note(s): Bears spurious signature, lower right. Light cream watermarked Fabriano paper. Very good condition. [27924-2-400]
![Artist: Robert Delaunay (French, 1885 - 1941). Title: "Portrait of Madame Heim [study]". Medium: Crayon and colored pencil dr](https://cdn.globalauctionplatform.com/205f57a2-bbd2-4fff-b569-ae37013a0504/54fe9fb1-784c-4d7c-84c8-aeb001608125/468x382.jpg)
Los 2005
Artist: Robert Delaunay (French, 1885 - 1941). Title: "Portrait of Madame Heim [study]". Medium: Crayon and colored pencil drawing. Date: Composed c1926. Dimensions: Overall size: 12 3/8 x 9 9/16 in. (314 x 243 mm).Lot Note(s): Signed lower right. Light cream wove paper. Very good condition; some edge toning. Comment(s): Delaunay painted a series of portraits of Madame Jacques Heim during the 1926-1927 period. Image copyright © The artist or assignee. [27404-2-1600]
Los 2069
Artist: George Platt Lynes (American, 1907-1955). Title: "Self-portrait". Medium: Original photogravure. Date: Composed 1927. Printed later. Dimensions: Overall size: 11 7/8 x 8 7/8 in. (302 x 225 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): A very rare print – “Gordon’s” does not locate any auction sales of this image. Image copyright © The Estate of George Platt Lynes. [29650-2-300]
![Artist: Charles Baudelaire [imputée] (French, 1821-1867). Title: "Study for 'Portrait de Jeanne Duval'". Medium: Original pen](https://cdn.globalauctionplatform.com/205f57a2-bbd2-4fff-b569-ae37013a0504/f6f12da9-6fe8-4e74-a622-aeb00160e6ce/468x382.jpg)
Los 2116
Artist: Charles Baudelaire [imputée] (French, 1821-1867). Title: "Study for 'Portrait de Jeanne Duval'". Medium: Original pen and ink drawing. Date: Composed c1846. Dimensions: Overall size: 7 1/8 x 9 1/4 in. (181 x 235 mm). Image size: 7 x 8 in. (178 x 203 mm).Lot Note(s): Signed upper left, annotated upper right. Light cream laid watermarked paper. Overall good condition; a few fox marks; minor discoloration and edge fading. Provenance: Ex-collection a member of the Feau family, Paris, France; Private collector, Paris. Comment(s): Baudelaire, the celebrated poet, is generally regarded as the father of modern art criticism. His artistic output was extremely small; we have located only nine sales (seven different images) of his work at auction in the past 21 years, all drawings. The finished drawing of Baudelaire's lover Jeanne Duval, of which our example is the preliminary study, was offered at Claude Aguttes, Neuilly-sur-Seine, France on 09/19/2007 (see attached image - #4). [26411-1-400]
Los 1442
Artist: Lucian Freud (German/English, 1922-2011). Title: "Triple Portrait". Medium: Color offset lithograph. Date: Composed 1987-88. Printed 1993. Dimensions: Overall size: 10 1/8 x 11 1/2 in. (257 x 292 mm).Lot Note(s): Signed in pencil with the initials (as customary), lower right. Edition unknown, presumed very small. Cream wove paper. Wide margins. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Provenance: Private collector, London, England. Comment(s): Rare. No auction records located. Issued to promote the “Lucian Freud: recent work” exhibition at the Whitechapel Art Gallery, London, England. The show consisted of works by Freud created between 1945 and 1993. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. Our example not to be confused with the original etching. The exhibition ran from September 10th to November 21st, 1993. Printed by Amilcare Pizzi S.p.A., Milan, Italy. Image copyright © The Lucian Freud Archive. [29184-2-800]
![Artist: Andy Warhol (American, 1928 - 1987). Title: "The Star (Greta Garbo as Mata Hari) [poster]". Medium: Color offset lith](https://cdn.globalauctionplatform.com/5c3e1168-c15c-46a6-a872-ae37013411df/7c705ea1-8b1f-4d38-b554-aeb100fac6df/468x382.jpg)
Los 1415
Artist: Andy Warhol (American, 1928 - 1987). Title: "The Star (Greta Garbo as Mata Hari) [poster]". Medium: Color offset lithograph. Date: Composed 1981. Dimensions: Overall size: 33 x 23 1/4 in. (838 x 591 mm). Image size: 23 1/4 x 23 1/4 in. (591 x 591 mm).Lot Note(s): Signed by Warhol in black marker. Edition of 2,000. White wove paper. The full sheet. Fine impression. Good to very good condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.258. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): This original poster was for the exhibition 'Andy Warhol: Bilder 1961 bis 1981' at the Kestner Gesellschaft museum in Hannover, Germany, which ran from October 23 to December 13, 1981. It features the portrait of Greta Garbo as Mata Hari, an image based on a still from the 1931 movie of the same name, with Garbo wearing elaborate earrings and a headdress. The image was issued as one of the silkscreens in Warhol's famous Myths Portfolio, one of his most sought after collections. Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's non-commissioned posters by Paul Marechal. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [27502-5-800]
Los 935
Artist: Andy Warhol (American, 1928 - 1987). Title: "Double Self-Portrait". Medium: Original color offset lithograph. Date: Composed 1978. Dimensions: Overall size: 39 x 24 7/16 in. (991 x 621 mm). Image size: 37 5/8 x 18 1/8 in. (956 x 460 mm).Lot Note(s): Signed in black marker, lower right. White wove paper. The full sheet. Fine, strong impression. Very good to fine condition. Comment(s): A scarce poster. According to ‘Gordon’s Art Reference’ the auction record for a signed impression is $5,235 at Millon & Associes, Paris, 6/12/2013, lot #145; other impressions sold in 2014 at $3,376 and $3,118. For the exhibition at the Louisiana Museum of Art, Humlebaek, Denmark, from October 7 to November 26, 1968. Printing by Grafodan Offset. Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's non-commissioned posters by Paul Marechal. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28514-6-800]
![Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Portrait of Jack Walls [print]". Medium: Color offset lithograph.](https://cdn.globalauctionplatform.com/5c3e1168-c15c-46a6-a872-ae37013411df/c4f11fd0-881a-460f-9e3b-aeb100f92b94/468x382.jpg)
Los 1276
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Portrait of Jack Walls [print]". Medium: Color offset lithograph. Date: Composed 1985. Printed 1986. Dimensions: Overall size: 8 5/8 x 3 13/16 in. (219 x 97 mm).Lot Note(s): Signed in black marker, lower left. Edition size unspecified, presumed very small. Very light cream wove paper. Wide margins. Fine impression. Very good to fine condition. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Bilder, 1984-1986" at Galerie Thaddaeus Ropac, Salzburg, Austria, July-August, 1986. Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by Galerie Thaddaeus Ropac. Printed in Salzburg by Valenta + Valenta, Ges.m.b.H. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [29024-2-600]
Los 1349
Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Self-Portrait as a Heel". Medium: Color offset lithograph. Date: Composed 1982. Printed 1984. Dimensions: Overall size: 8 1/2 x 7 1/8 in. (216 x 181 mm).Lot Note(s): Signed in black marker, lower right. Edition size unspecified, presumed very small. Very light cream smooth wove paper. Wide margins. Fine impression. Very good condition. Comment(s): Scarce, rare signed, and seldom seen. No auction records located. Issued for the opening night exhibition of "Jean Michel Basquiat – Paintings, 1981-1984" at the Museum Boijmans Van Beuningen (the exhibition ran from February 9th to March 31st, 1985). Apparently there were very small quantities of this lithograph printed for distribution at the event and they went quickly. Published by The Fruitmarket Gallery. Printed in the Netherlands by Lecturis bv. Image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [28991-1-800]
Los 2138
Rares Set First Strikes Grossbritannien, 9 x 1 GBP, 1987 - 2012, 25 Jahre Jubiläum "The Silber Portrait Collection" der neu debütierten BRITANNIA! aus 1987.| Rares Set First Strikes Great Britain, 9 x 1 GBP, 1987 - 2012, 25th Anniversary "The Silver Portrait Collection" of the newly debuted BRITANNIA! from 1987.
Los 38
Ausländische Orden & Ehrenzeichen - Königreich Italien - Königreich Sardinien : Set von zwei schweren Goldmedaillen aus dem italienischen Königshaus.Präsentationsetui mit zwei großen goldenen Gedenkmedaillen auf den Tod von König Viktor Emanuel II. und auf die Thronbesteigung König Umberto I. Medaille auf die Thronbesteigung von König Umberto I. mit Umschrift: "UMBERTO I RE D' ITALIA MARGHERITA DI SAVOIA REGINA" (HUMBERT I KÖNIG VON ITALIEN MARGARETE VON SAVOYEN KÖNIGIN). Die Porträtbüsten nach links gewandt, Margherita trägt eine Eichenkrone. Auf der Rückseite: "QUESTA E' LA FEDE DELLA MIA CASA QUESTA SARA' LA MIA FORZA" (DAS IST DER GLAUBE MEINES HAUSES DAS WIRD MEINE STÄRKE SEIN). Der König steht vor dem Thron. Dahinter tauchen aus den Wolken König Carlo Alberto, Viktor Emanuel II. und die Personifikation Italiens auf, die auf dem Savoyer Schild ruht. Am unteren Rand: (XIX JANUAR MDCCCLXXVIII). Mit Stempelschneiderzeichen "SPERANZA" (Filippo Speranza). Durchmesser: 690 mm. Gewicht: 250 g. Gedenkmedaille zur Beisetzung von König Viktor Emanuel II. im Pantheon 1878. Vorderseitig das nach rechts gewendete Porträt des Königs und die Umschrift: "VITTORIO EMANUELE II RE D'ITALIA" . Am Halsabschnitt Stempelschneiderzeichen "SPERANZA". Am unteren Rand die Inschrift: "NATO A TORINO XIV MARZO MDCCCXX = MORTO A ROMA IV GENNAIO MDCCCLXXVIII". Rückseite mit Frontansicht des Pantheons und der Umschrift: "L'OPERA A CUI CONSACRAMMO LA NOSTRA VITA E' COMPIUTA". Darunter: "XVII GENNAIO = MDCCCLXXVIII". Durchmesser: 690 mm Gewicht 237g. Im prächtigen blauen Samtetui, auf dem Deckel das Wappen des Hauses Savoyen in Goldprägung. Bedeutendes Ensemble aus dem Besitz eines Mitglieds des italienischen Königshauses. Astuccio contenente le medaglie commemorative per la morte di Vittorio Emanuele II e per l'ascesa al trono di Umberto I. Medaglia per l'ascesa al trono di re Umberto I. D/ UMBERTO I RE D'ITALIA MARGHERITA DI SAVOIA REGINA. Busti accollati a sinistra, Margherita indossa una corona di quercia. R/ QUESTA E' LA FEDE DELLA MIA CASA QUESTA SARA' LA MIA FORZA. Il Re stante dinanzi al trono. Dietro dalle nubi emergono Carlo Alberto, Vittorio Emanuele II e la personificazione dell'Italia che riposa su scudo sabaudo. Esergo: XIX GENNAIO MDCCCLXXVIII. Astuccio in velluto blu con impressioni in oro sul coperchio, stemma di Casa Savoia. Autori: Speranza Filippo Astuccio contenente le medaglie commemorative per la morte di Vittorio Emanuele II e per l'ascesa al trono di Umberto I. Medaglia commemorativa per la sepoltura di re Vittorio Emanuele II al Pantheon 1878 D:/ VITTORIO EMANUELE II RE D'ITALIA testa a dx con serto di quecia; sul taglio del collo: SPERANZA; lungo il bordo inferiore: NATO A TORINO XIV MARZO MDCCCXX = MORTO A ROMA IV GENNAIO MDCCCLXXVIII R:/ L'OPERA A CUI CONSACRAMMO LA NOSTRA VITA E' COMPIUTA Prospetto anteriore del Pantheon; in esergo: XVII GENNAIO = MDCCCLXXVIII Astuccio in velluto blu con impressioni in oro sul coperchio, stemma di Casa Savoia. Foreign Orders & Decorations - Königreich Italien - Königreich Sardinien : Set von zwei schweren Goldmedaillen aus dem italienischen Königshaus.Royal House of Savoy - Set of two large presentation gold medals Blue velvet presentation case with two large gold commemorative medals on the death of King Victor Emmanuel II and on the accession of King Umberto I. Medal for the accession of King Umberto I with inscription: "UMBERTO I RE D'ITALIA MARGHERITA DI SAVOIA REGINA" (UMBERTO I KING OF ITALY MARGARETE OF SAVOYEN QUEEN) . The portrait busts facing left, Margherita wears an oak crown. On the reverse: "QUESTA E' LA FEDE DELLA MIA CASA QUESTA SARA' LA MIA FORZA" (THIS IS THE FAITH OF MY HOUSE THAT WILL BE MY STRENGTH). The king stands in front of the throne. Behind him emerge from the clouds King Carlo Alberto, Victor Emmanuel II and the personification of Italy resting on the Savoy shield. On the lower margin: (XIX JANUARY MDCCCLXXVIII). Signed "SPERANZA" (Filippo Speranza). Diameter: 690 mm. Weight: 250 g. Commemorative medal for the burial of King Victor Emmanuel II in the Pantheon in 1878. On the obverse the portrait of the king turned to the right and the inscription: "VITTORIO EMANUELE II RE D'ITALIA" . On the neck section signed "SPERANZA". On the lower edge the inscription: "NATO A TORINO XIV MARZO MDCCCXX = MORTO A ROMA IV GENNAIO MDCCCLXXVIII". Reverse with front view of the Pantheon and the inscription: "L'OPERA A CUI CONSACRAMMO LA NOSTRA VITA E' COMPIUTA". Below: "XVII GENNAIO = MDCCCLXXVIII". Diameter: 690 mm. Weight 237g. In a magnificent blue velvet case, on the lid the coat of arms of the House of Savoy in gold embossing. Important ensemble from the possession of a member of the Italian royal family. Astuccio contenente le medaglie commemorative per la morte di Vittorio Emanuele II e per l'ascesa al trono di Umberto I. Medaglia per l'ascesa al trono di re Umberto I. D/ UMBERTO I RE D'ITALIA MARGHERITA DI SAVOIA REGINA. Busti accollati a sinistra, Margherita indossa una corona di quercia. R/ QUESTA E' LA FEDE DELLA MIA CASA QUESTA SARA' LA MIA FORZA. Il Re stante dinanzi al trono. Dietro dalle nubi emergono Carlo Alberto, Vittorio Emanuele II e la personificazione dell'Italia che riposa su scudo sabaudo. Esergo: XIX GENNAIO MDCCCLXXVIII. Astuccio in velluto blu con impressioni in oro sul coperchio, stemma di Casa Savoia. Autori: Speranza Filippo Astuccio contenente le medaglie commemorative per la morte di Vittorio Emanuele II e per l'ascesa al trono di Umberto I. Medaglia commemorativa per la sepoltura di re Vittorio Emanuele II al Pantheon 1878 D:/ VITTORIO EMANUELE II RE D'ITALIA testa a dx con serto di quecia; sul taglio del collo: SPERANZA; lungo il bordo inferiore: NATO A TORINO XIV MARZO MDCCCXX = MORTO A ROMA IV GENNAIO MDCCCLXXVIII R: / L'OPERA A CUI CONSACRAMMO LA NOSTRA VITA E' COMPIUTA Prospetto anteriore del Pantheon; in esergo: XVII GENNAIO = MDCCCLXXVIII Astuccio in velluto blu con impressioni in oro sul coperchio, stemma di Casa Savoia.
Los 77
Militaria Deutschland - Herrscherhaus Hohenzollern : Wachsrelief Friedrich des Großen, um 1780. Außerordentlich fein ausgeführtes halbfiguriges Porträt König Friedrich II. in Uniform mit Zweispitz. Im zeitgenössischen schwarzen Holzrahmen unter Glas. Sehr ausdrucksvolle Arbeit in hervorragendem Erhaltungszustand. Maße m. R. 210 x 165 mm.German Militaria - Herrscherhaus Hohenzollern : Wax relief of Frederick the Great, ca. 1780. Exceptionally finely executed half-figure portrait of King Frederick II in uniform with two-pointed hat. In a contemporary black wooden frame under glass. Very expressive work in excellent condition. Dimensions w. frame 210 x 165 mm.
Los 78
Militaria Deutschland - Herrscherhaus Hohenzollern : Anton Friedrich König: Portraitminiatur Friedrich des Großen, 2. Hälfte 18. Jahrhundert. Aquarell. Am rechten unteren Rand signiert: "König P" (pictor regius). Halbfiguriges Altersporträt König Friedrich II. mit über dem Stock ausgestrecktem rechten Arm auf einen Gegenstand außerhalb des Bildes deutend. Unter dem linken Arm der Dreispitz. Im schönen Originaletui aus schwarzem Leder mit goldgeprägter Königskrone. Innenfutter aus weißer Seide mit goldgestickter Bordüre und eingelegter Glasplatte zum Schutz der Miniatur. Anton Friedrich König, 1722 Berlin - 1787. Zunächst Mathematiker, dann Stecher und schließlich Miniaturmaler. Schüler von Antoine Pesne und Constantin Friedrich Blesendorf. Seit 1767 königlicher Hofbildnismaler, zuletzt in Potsdam, wo er vor allem Bildnisse des Königs in großen Mengen zu Geschenkzwecken malte. Einige unserem Exemplar sehr ähnliche Miniaturen sind in Johann Georg Prinz von Hohenzollern (Hrsg.): Friedrich der Große als Sammler und Mäzen,München 1992, S. 128 f, abgebildet und beschrieben. 56 x 79 mm. German Militaria - Herrscherhaus Hohenzollern : Anton Friedrich König: Portrait miniature of Frederick the Great, 2nd half of the 18th century.Watercolour. Signed at the lower right margin: "König P" (pictor regius). Half-length portrait of King Frederick II in old age with his right arm stretched out over the walking stick pointing to an object outside the picture. Under the left arm the tricorn. In the beautiful original case of black leather with gold embossed royal crown. Lining of white silk with gold-embroidered border and inlaid glass plate to protect the miniature. Anton Friedrich König, 1722 Berlin - 1787. First mathematician, then engraver and finally miniature painter. Pupil of Antoine Pesne and Constantin Friedrich Blesendorf. From 1767 royal court portrait painter, at last in Potsdam, where he mainly painted portraits of the king in large quantities for gift purposes. Some miniatures very similar to our portrait are illustrated and described in Johann Georg Prinz von Hohenzollern (ed.): Friedrich der Große als Sammler und Mäzen, München 1992, pp. 128 f. 56 x 79 mm.
Los 545
SCHMITZ Jod. A. (Kopist) "Der fröhliche Trinker" nach Franz Hals (um 1580 Antwerpen - 1666 Haarlem), Mann im Dreiviertelportrait blickt den Betrachter an, in seiner linken Hand ein Glas, gekleidet in Lederwams mit goldenem Portrait-Medaillon am Gürtel, Spitzkragen, Manschetten und rundem schwarzem Hut, Original von 1628, Ölgemälde auf Leinwand, 83x86cm, R
Los 440
BÖTTGER Klaus (1942 Dresden - 1992 Wiesbaden) "Portrait Astrio" Kopfbildnis einer Frau im Halbprofil mit phantastischen Elementen, Bleistiftzeichnung, rechts unten signiert und (19)69 datiert, 40x20cm (Blatt), R *Böttger studierte bis 1969 in Mainz Kunstgeschichte, Kunsterziehung, Philosophie und Biologie. Er spezialisierte sich auf die Technik der Radierung, wobei er sich stilistisch zwischen Pop Art und Phantastischem Realismus verorten lässt. Vor allem fein ausgearbeitete Porträts und erotische Aktdarstellungen dominieren sein Werk. Seine Arbeiten wurden in einer Vielzahl von nationalen und internationalen Ausstellungen gezeigt.*
Los 150
Miniatur, 1. H. 20. Jh.Bildnis Katharina II. von Russland, nach Antonio Bencini. Auf Elfenbein. Im Elfenbein furnierten Rähmchen hinter Glas gerahmt. Rücks. handschriftl. auf Etikett bezeichnet "Seinem hochverehrten Herrn Gerneral-Oberst Dr. Petzold gew. u. auf Elfenbein gemalt v. Alfred Wagner (...) Weihnachten (19)38". 10 x 8,5 cm Miniature portrait of Catherine II. of Russia, on ivory, ivory frame with glass. 10 x 8,5 cm
Los 408
Bildnismaler, um 1820/30Herrenbildnis. Öl auf Leinwand, im Bereich der oberen Ecken zwei ältere, reparierte Schadstellen. 58 x 47 cm. Gerahmt. Ra. 68 x 57 cm Unknown painter: portrait of a man. Ca. 1820/30. Oil/ canvas, two older repaired spots. 58 x 47 cm. Frame. Size including frame: 68 x 57 cm
Los 409
Schlesinger, Adam. 1759 Ebertsheim (Rheinpfalz)-1829 GrünstadtBildnis einer adeligen Dame. 1786 (?). Öl auf Leinwand, verso alt bezeichnet: "Schlesinger pinxit 1786 (?)". Klimakante. 63 x 49,5 cm, gerahmt. Ra. 77 x 62 cm Adam Schlesinger: portrait of a noble lady. 1786. Oil on canvas, enscribed at reverse. Framed. Frame size: 77 x 62 cm
Los 406
Stichart, Alexander. 1838 Werdau-1896 Jöhstadt bei Annaberg i. Sa.Damenbildnis. 1886. Aquarell, re. o. sign. und dat., 29 x 23 cm (PA), hinter Glas mit Pp. gerahmt. Ra. 49,5 x 43,5 cm Alexander Stichart: a ladie's portrait, 1886, signed, dated upper right corner. Framed with glass, size 49,5 x 43,5 cm
Los 455
Graf, Peter. Geb. 1937 Crimmitschau, lebt in RadebeulSelbstbildnis. 1996. Öl auf Holz, re. u. sign. und dat., vom Vorbesitzer beim Künstler erworben. 37 x 29,5 cm. Gerahmt. 43,5 x 36 cm Peter Graf (born 1937): self portrait, oil/ wooden panel, signed and dated lower right, frame. 37 x 29,5 cm/ frame: 43,5 x 36 cm
Los 411
Vogel, Christian Leberecht. 1759-1816 DresdenDoppelporträt Amalie und Adolfine von der Schulenburg-Hornhausen. 1814. Unvollendet. Öl auf Leinwand, re. u. bezeichnet "Beste unvollendet gebliebene Arbeit von C. Leberecht Vogel/ Dresden 1814". Zweifach alt repariert mit Leinwandflicken, auf Keilrahmen ausführl. Angaben zu den Dargestellten. Kleiner Schaden mit Retusche über dem Kopf des größeren Mädchens. 61 x 52 cm. Orig. Rahmen der Zeit mit ovalem BA. Ra. 77 x 70 cm Das späte, vermutlich sogar letzte Werk des Schenau-Schülers Christian Leberecht Vogel wird aus Privatbesitz angeboten. Seit Vogel 1780, als junger Maler von 20 Jahren, an die Residenz des Grafen Solms-Wildenfels nach Schloss Wildenfels bei Zwickau kam, gehörte neben dem Amt des Hofmalers zugleich die kunstpädagogische Erziehung der gräflichen Kinder zu seinen Aufgaben. Hier, im täglichen Umgang mit Kindern verschiedenster Alterstufen, bildete sich seine Hingabe an das Genre des Kinderbildnisses aus, auf dem wohl die bedeutsamsten Leistungen des Malers liegen. "Vogel gehörte mithin zu jenen bahnbrechenden Künstlern, die in Überwindung der Barocktraditionen im Kinderbildnis den Ausdruck kindlicher Natürlichkeit, anmutiger Herzlichkeit und spielerischer Neugier zu entdecken wußten" (G.-H. Vogel 1988). Das hier angebotene, unvollendet gebliebene Werk entstand nach dem Weggang Vogels aus Wildenfels nach dem Tod des Grafen, seines langjährigen Dienstherrn. Es beweist, dass der inzwischen als Professor an der Dresdener Kunstakademie angestellte Maler weiterhin Kontakt zu Adelsfamilien aus der Wildenfelser Zeit pflegte. Dargestellt sind Amalie Mathilde Ernestine Prinzessin von der Schulenburg-Hornhausen (1807-1853) und ihre Schwester Ehrengotte Gebhardine Charlotte Adolfine (1808-1834). Stilistisch nähert sich Vogel in dieser späten Arbeit wieder einem streng akademischen Klassizismus an. Dass das Gemälde unvollendet blieb, könnte im Tod des Vaters der Mädchen und vermutlichem Auftraggeber des Bildes, Reichsgraf Adolf Ernst Ludwig von der Schulenburg-Hornhausen (gest. 1813), begründet sein. Wir danken Herrn Dr. Gerd-Helge Vogel für freundliche Hinweise und die Übersendung eines unveröff. Manuskripts, auf das sich der Text stellenweise bezieht. Sister's portrait of Amalie and Adolfine von der Schulenburg-Hirnhausen. Oil on canvas, 1814. Unfinished. With some remarks bottom right by unknown hand relating to the artist. Original frame with oval cut-out. Old restorations over two fixed holes. Small damage with retouch over the head of the larger girl.
Los 42
Porzellangemälde König Karl I. von England, Pirkenhammer (?), 2. H. 19. Jh.Rechteckige Porzellanplatte, ungemarkt, gemalte Kopie nach Anthonis van Dyck, 13,5 x 10,5 cm, im Rähmchen. Vgl. Bergmann: 1350 Gemälde auf Porzellanplatten, 2021, Kat. No. 149. Porcelain painting, portrait of Charles I. of England after Anthonis van Dyck. Probably Pirkenhammer, 2nd half of 19th ct. 13,5 x 10,5 cm
Los 146
Brosche mit Muschelkamee, Ende 19. Jh.750er Gold (getestet), Muschel mit fein geschnitztem Bildnis von Perseus (Darstellung von Pegasus auf dem Helm), Rahmen mit Filigrandrahtlötung im historisierenden Stil. Rückseitig einfacher Hakenverschluss. Gesamtgewicht 5,7g, D. 3 cm. Brooch with shell cameo 750 gold (tested), shell with finely carved portrait of Perseus (depicting Pegasus on the helmet), frame with filigree soldering in historicist style. Simple hook clasp on the back. Total weight 5,7g, d. 3 cm.
Los 1044
4 x Propaganda-Postkarten/ Ansichtskarten , sog. 3.Reich Reichsverweser v. Horthy vom Führer in Kiel empfangen, s/w, ungelaufen, AK Pasewalk in Mecklenburg-Vorpommern, Hitlers Lazarett 1918; Hitler, Portrait 1918 und 1932, gelaufen; Postkarte mit gedruckter Briefmarke Adolf Hitler, verm. Vordruck aus russischem Gefangenenlager, ungelaufen; Führer und Reichskanzler Adolf Hitler, Errungenschaften 1889-1939
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