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Los 106

DAME ETHEL WALKER, A.R.A, N.E.A.C (British, 1861-1951) Portrait of a baby, held by a hand, oils on board, 13 1/2" x 10 1/2" and with a composition by Walker of a kneeling figure offering a drink to another nude figure to the reverse, pencil and black oil

Los 108

DAME ETHEL WALKER, A.R.A, N.E.A.C (British, 1861-1951) Portrait of The Honourable Reverend George Wingfield Bourke (1829-1903), Son of the 5th Earl of Mayo, oils on canvas, 21 1/2" x 17 1/2" This is one of the earliest known paintings by Ethel Walker. An amateur dealer, Mr Heatherington, contacted Marian Kratochwil in 1962, and Kratochwil informed Knight that he was selling this painting. Knight then duly bought the picture for the princely sum of £10 (asking price £12).

Los 110

DAME ETHEL WALKER, A.R.A, N.E.A.C (British, 1861-1951) Portrait of a blonde woman in blue, oils on canvas, 36" x 28", unframed

Los 111

DAME ETHEL WALKER, A.R.A, N.E.A.C (British, 1861-1951) Portrait of a young girl, knitting and wearing a multi coloured jumper, initialled lower left, oils on canvas, 23 1/2" x 19 1/2"

Los 112

DAME ETHEL WALKER, A.R.A, N.E.A.C (British, 1861-1951) Portrait of a young blond girl, her arm resting on a chair arm, oils on canvas, 23 1/2" x 19 1/2"

Los 113

DAME ETHEL WALKER, A.R.A, N.E.A.C (British, 1861-1951) Portrait of a gentleman with flowers in his button hole, oils on canvas, 23" x 19" (tear)

Los 130

KATHLEEN BROWNE (New Zealand, 1905-2007) `Bexhill-on-Sea`, signed lower right and titled verso, oils on canvas laid on board, 9 3/4" x 14" Kathleen Browne married Kratochwil in 1961, and she was a prodigious artist in her own right. During the war she took up teaching posts at a number of schools, including Royal Holloway College as well as working for the BBC. She ran Chelsea art school alongside Marian during the 1960s and 1970s and among her pupils was a young Joan Collins. Browne`s work can be found in a number of collections around the world including the National Portrait Gallery in London.

Los 185

AGATHE DUPARET (19th Century) Head and shoulder portrait of a lady, signed lower right, pastel, oval, 12" x 9"

Los 226

ROBERT O. LENKIEWICZ (British, 1941-2002) Portrait of Yana Trevail, Studio Assistant, signed and titled verso, oils on board, 14 1/4" x 10 3/4"

Los 245

ALFRED DRURY (British, 1856-1944) A bronze bust of Elsie Doncaster, on a green marble square pedestal base, signed to the reverse, 18 1/2" high `The subject of this work is the daughter of the Doncasters who were friends with Drury. He used each of the daughters as the inspiration for one of his works. Clarrie was the model for the sculptures of Morning and Evening in the city square Leeds. Gracie was the model for the bust known as The Age of Innocence, but for this, his most charming work, he gave no allegorical title, just a simple portrait title.` (Robert Bowman, Sir Alfred Gilbert and the New Sculpture, London, 2008 P.22)

Los 292

RUSSIAN/EASTERN EUROPEAN SCHOOL Portrait of Gentleman with full beard, oils on canvas, 13 1/2" x 11 1/2"

Los 306

JOSIAH GILBERT (British, 1814-1892) Portrait of two young girls with ribbon, signed and dated 1860 lower right, pastel and pencil, 21 1/2" x 17"

Los 309

EARLY 19TH CENTURY SWISS SCHOOL Portrait of Charlotte De Buren, titled verso, oils on canvas, 24 1/2" x 20" Charlotte de Buren (1784-1843) was the first child of Charles de Buren (1731-1787) (son of Cornelie Jacobee van Assendelft, Member of the Grand Council of Bern and Baron of Vaumarcus) and Charlotte Elisabeth de Buren (daughter of Philippe de Buren, Governor of Aigle).

Los 321

FOLLOWER OF HUGH DOUGLAS HAMILTON (British, 1739-1808) Portrait of a gentleman in profile, wearing a blue winged collared overcoat, oval, pastel, 7" x 5 1/2"

Los 322

FOLLOWER OF CORNELIUS JOHNSON (Dutch, 1593-1661) Portrait of a gentleman, in a black coat and white collar, in a feigned oval, oils on canvas, 28 1/2" x 24 1/2"

Los 323

CIRCLE OF SIR THOMAS LAWRENCE (British, 1769-1830) Portrait of a Lady, wearing a white dress and with a red shawl draped over her right arm, oils on canvas, 26 1/4" x 19 3/4"

Los 324

MANNER OF SIR GODFREY KNELLER Portrait of a Gentleman, wearing a wig and a grey overcoat, oils on canvas, 30" x 25", unframed

Los 368

VICTORIAN SCHOOL A portrait miniature of a child, George Hastings Turner, holding a silver rattle, possibly on ivory, 2 1/4" x 2"

Los 369

A PORTRAIT MINIATURE depicting virgin/saint, with blond hair and halo, wearing orange dress and blue shawl, 2 1/2" x 1 3/4"

Los 147

A scarce McIntyre Victorian stoneware cricket water jug - with a sepia transfer of full length portrait of Tom Richardson bowling, f and stamped to the base McIntyre Burslem England, Reg No 310864 and F - c/w gilt rim to pourer - overall 4.75 inches (some wear to gilt) otherwise (G)

Los 148

Graeme Hick commemorative cricket plate: Royal Worcester "Century of Centuries" ltd ed bone china plate number 26/178 printed with the players portrait to the centre, and a record of each innings together with facsimile signature to the rim - overall 10.75"

Los 225

Scarce Boxing engraving by William Howard Robinson signed and dated 1917: titled "An Evening at The National Sports Club" depicting "Peerless Jim" Driscoll and Jim Bowker in the ring before Round 1 for the British Featherweight Championship in 1907 - signed in pencil by the artist to the border c/w hand drawn vignette of a boxer to the one corner and the Sporting Clubs Crest in the opposite corner - mounted and framed - image measures 16" x 30.5" - overall 36 x 47.5". Note: Driscoll won the fight with KO in the 17th round. Jim Driscoll went on to fight against World Feather Weight Champion Abe Attwell USA in New York in a no decision contest, which ended in a draw but given the "Newspaper decision" and laid claim to the crown. He held the British Feather weight title from 1906 - 1913 and also won the European Crown but died from pneumonia in 1925 and his popularity and fame saw the streets of Cardiff lined with mourners. Driscoll was a contemporary of Jimmy Wilde who was the subject of another painting by Robinson titled "A Welsh Victory at the National Sporting Club" which Mullock`s sold in 2007 for £155,000 a world record for Boxing memorabilia. William Howard Robinson was a noted representative artist and portrait painter of the early twentieth century. He was born on 3 November 1864 in Inverness-shire and attended Dulwich College from 1876 to 1882. He studied Art at the Slade School under Sir Simeon Solomon. His professional career as a portrait painter began circa 1910 when his interest in the sport of fencing led him to sketch all the leading fencers of the day; these sketches were reproduced in the sporting publication "The Field" leading to further commissions for portraits with a sporting theme. He became well known for his sketches and portraits of figures in the sporting world such as Lord Lonsdale, Chairman of the National Sporting Club. His two best-known paintings were "An Evening at the National Sporting Club" (1918) and "A Welsh Victory at the National Sporting Club" (1922). This first painting was of the boxing match between Jim Driscoll and Joe Bowker, it took Robinson four years to complete and contained details of 329 sporting celebrities. The second painting commemorated the historic boxing match between Jimmy Wilde and Joe Lynch that took place on 31 March 1919 and shows the Prince of Wales entering the ring to congratulate the victor, the first time that a member of the royal family had done so.

Los 360

2x 1905/06 Coventry Rugby Football Team postcards: including the full squad head and shoulders portrait c/w officials and another of the 1st XV and later 1959/60 signed postcard of club captain (Phil Judd) welcoming Peter Jackson on his return from British Lions tour 1959 signed in pen by both players (F/G). (3)

Los 458

Collection of Manchester United football autographs 1940s onwards: good collection of autographs to include Peter Beardsley, Noel Cantwell, Laurie Cassidy, Gerry Daly, Wyn Davies, Tommy Docherty, Johnny Giles, Jimmy Greenhoff, Jim Leighton, Wilf McGuinness, Albert Scanlon Ray Wilkins et al - neatly mounted on card complete with portrait pictures and brief players profile contained in binder in alphabetical order. (G) (46)

Los 503

Collection of 1970/80s Arsenal football press photographs: to incl portrait and action shots many with details on the verso players include David O`Leary, Peter Storey, George Armstrong, Frank Stapleton, Brian Kidd, Liam Brady, Malcolm McDonald, Alan Hudson, Alan Sunderland, Pat Jennings et al- various sizes from post card to 10 x 8" (48)

Los 586

Full set of rare football action portrait player cards: issued by Sigma Sport Silhouettes in 1979 complete set of 60/60 - postcard size cards incl Ball, Banks, Barnes, Best, Birtles, Brady, Bremner, Brooking, Brown, Channon, Bob & Jack Charlton, Chivers, Clarke, Clemence, Coppell, Currie, Curtis, Dalglish, Davies, Dougan, Flynn, Francis, Gemmill, Giles, Gray, Greaves, Greenhoff, Heighway, Hill, Hoddle, Hurst, Hughes, Hutchinson, Jennings, Jordan, Keegan, Latchford, Law, McFarland, McLroy, McQueen, Madeley, Mariner, Mills, Moore, Mullery, Peters, Regis, Richards, Shilton, Souness, Stapleton, Thomas, Toshack, Watson, Wilkins, Woodcock, Worthington, Yorath. F- These cards retail at £2.00-£3.00 each.

Los 826

1920/21 Tottenham Hotspur FA Cup final signed football players portraits, newspaper cuttings et al: to incl 11 original black and white players head and shoulder portrait photographs by WJ Crawford - to include eight members of the team who won the final against Wolverhampton Wanderers 1921- B Bliss, J Dimmock, A Clay, A Grimsdell, J Macdonald, Jimmy Seed, B Smith, F Walden, Charlie Walters, plus Wm A Whitton (pre `22), S Brooks (22/24) and HE Blake (21/22) - all (G) together with an original team photograph postcard c/w English Cup (vertical crease to one end) - a collection also comes with a complete set of 11x Pinnace team photographs, newspaper reports covering each round of the FA Cup and the centre page spread featuring the FA cup final with members of both teams and the match day photograph, crowd scene played at Stamford bridge Chelsea - Tottenham winning 1-0. (19)

Los 18

Edwardes (Major Herbert B.). A Year on the Punjab Frontier, in 1848-49, 2 vols., 2nd ed., 1851, portrait frontis., folding map hand-coloured in outline, two folding plans, three chromo. plts., three engraved plts., including one folding, folding facsimile letter, all correct as listed, scattered minor spotting or offsetting, circular armorial bookplate of Heathcote of Hersley to both pastedowns, contemp. polished calf, gilt dec. spines with contrasting leather labels both relaid with sl. loss at head of spine, and chipping to title labels, rubbed, 8vo. (2)

Los 32

M”Leod (John, Surgeon). Voyage of His Majesty’s Ship Alceste, Along the Coast of Corea, to the Island of Lewchew; With an Account of her Subsequent Shipwreck, 2nd ed., 1818, half title, engraved portrait frontispiece, five hand-coloured aquatinted plates, occasional light spotting, bookplate and previous owner signature, contemporary half calf, manuscript label to spine, lightly rubbed, 8vo. Abbey Travel 559. (1)

Los 58

Camden (William). Britannia: or a Chorographical Description of Great Britain and Ireland, Together with the Adjacent Islands, 2 vols.. 2nd. ed., Revised Digested and Published with large Additions by Edmund Gibson, 1722, engraved portrait frontis. to vol. 1, titles printed in red & black, fifty-one double-page uncoloured engraved maps by Robert Morden (including two folding), ten engraved plts. of coins and antiquities, very occ. off-setting. contemp. panelled calf, upper board to vol. 1 detached, remaining hinges and joints weak, heavily frayed and worn, folio. The maps are good dark impressions with large margins. (2)

Los 62

Dayes (Edward). A Picturesque Tour through the Principal Parts of Yorkshire & Derbyshire; By the Late Mr. Edward Dayes: With Illustrative Notes by Edward Wedlake Brayley, 2nd ed., 1825, engraved portrait frontispiece, additional engraved title, twelve engraved plates, scattered light spotting, contemporary half calf, joints and edges rubbed, 8vo, (Boyne 39), together with Shields (Thomas, pub.), A Series of Picturesque Views of Castles and Country Houses in Yorkshire, (Principally in the Northern Division of the West Riding)..., reprinted from the ÒBradford Illustrated Weekly TelegraphÓ, Bradford, 1885, numerous b & w plts., a.e.g., orig. gilt dec. cloth, spine slightly faded, 4to, plus Black (Adam & Charles), Black’s Picturesque Guide to Yorkshire, 2nd ed., Edinburgh, 1862, four folding eng. maps and numerous wood eng. plts., orig. cloth gilt, 8vo. (3)

Los 70

Grose (Francis). The Antiquities of England and Wales, New Edition, 8 vols., 1787, engraved frontis. and dec. title page to each vol., addn. portrait frontis. to vol. 8, numerous engraved topographical views and county maps throughout (including one folding map), contemp. half calf gilt, rebacked, bumped and rubbed at extrems., 4to. (8)

Los 96

Roscoe (Thomas). Summer Tour to The Isle of Wight Including Portsmouth, Southampton, Winchester, The South Western Railway &c., 1843, half title and title page with dec. topographical vignette, fifty-one steel engraved views (including 17 vignettes, complete as list), one engraved folding map with closed tears, spotted throughout, one plate detached, a.e.g., contemp. cloth gilt, worn, 8vo, together with,Ogilby (John),Britannia Volume the First: or an Illustration of the Kingdom of England and Dominion of Wales by a Geographical Description of the Principal Roads thereof, 1675, but facsimile ed. pub. Osprey, [1971],b & w portrait frontis., 100 strip road maps, the last eleven having been hand coloured, orig. pubs. cloth gilt, folio, together with, Robinson (Charles N. Commander R.N.),Britannia’s Bulwarks, The Achievements of our Seamen, The Honours of our Ships, 1901,title page printed in red & black, numerous b & w and coloured plates throughout, hinges weak, contemp. half morocco gilt, rubbed at extrems., oblong 4to., with,Lever (Darcy),The Young Sea Officer’s Sheet Anchor or a Key to the leading of Rigging and to Practical Seamanship, First Philadelphia from the second London Edition, pub. M.Carey & Sons, [1819],title page with large dec. vignette of warships but torn with loss and strenghtened on verso and recto with archival tissue, lacking all before p.vii (b1), numerous engraved plates, damp stained and spotted throughout, new end papers, modern cloth gilt, stained, 4to. (4)

Los 228

* Cooke (George, late 19th/early 20th c.). Caricature portrait of Dan Leno, 1905, pen, ink & watercolour, heightened with bodycolour, signed, titled and dated Hanley 1905, 19.5 x 16cm, contained in an Edwardian autograph and friendship album, containing fourteen humorous pen & ink drawings and watercolours by various hands, including Restorck Wirgo, Carr Jones, A. Brightwell, Gwen Pughe, T. H. Pointon, Allan Duff, and others, orig. padded morocco, rubbed and some wear, oblong 8vo. The caricaturist and publicity artist George Cooke, originally from Yorkshire, was based at The Grand Theatre of Varieties in Hanley, near Stoke on Trent (where the present work was made). He later moved to London where he established Cooke’s Publicity Agency at 453 The Strand. (1) There is a current exhibition of this artist`s work at the V&A Museum of Musical Hall characters.

Los 302

* Ward (Sir Leslie “Spy”, 1851-1922). Watercolour and pencil portrait of Sir Edward Marshall Hall, c. 1903, three-quarter length pencil sketch on blue board, the head fully finished in watercolour, unsigned and undated, full image approx. 28 x 12cm, taped into an old window mount, Marshall Hall’s name in pencil to verso, together with Spy’s published colour litho. portrait of Marshall Hall as published in Vanity Fair, 24th September 1903, somewhat spotted and browned, laid down on card (2)

Los 323

Parliament. The Names of the Members of Parliament. Called to take upon them the Trust of the Government of this Common-Wealth. Which Began on Munday the Fourth of June, 1653. The day appointed by the Letters of Summons from his Excellency the Lord Gen. Cromwell, for the meeting of these Gentlemen. With the severall Translations since that time, London: printed by M. Simmons, for Tho. Jenner, 1654, 70pp., nine eng. illusts. (inc. one full-page portrait of Oliver Cromwell), occ. ink underscoring and ink annotations to margins, some minor fraying mostly to initial leaves, light browning to title, modern calf, slim 4to. Wing N142. (1)

Los 441

Desault (P.J.). Oeuvres Chirurgicales ..., by Xavier Bichat, 3 vols., Paris, 1801-03, portrait frontis, fourteen eng. plts., vol. 1 lacks half title, ex-lib. with ink stamps to most plates, some spotting and occn. browning, vols. 1 & 2 new calf, and vol. 3 contemp. calf, with later spine, uniform spine labels, 8vo. The first complete edition of Garrison Morton 5580. Volume 3 was edited by P. J. Roux. Rare. (3)

Los 460

Murphy (Leonard J. T.). The History of Urology, 1st ed., Springfield, 1972, b&w illusts., orig. cloth in d.j., a little rubbed, large 8vo (G & M 4297.2), together with Thompson (C. J. S.), The History and Evolution of Surgical Instruments, 1st ed., New York, 1942, b&w illusts., pencil marginalia, possibly in the hand of Sir Arthur Keith, the dedicatee of the author’s initialled inscription dated 27th June 1942, orig. cloth in soiled and frayed d.j., large 8vo, (one of 1000 copies, G & M 5811), plus Dorrance (George Morris), The Operative Story of Cleft Palate, 1st ed., Philadelphia & London, 1933, b&w illusts., ink ownership names and notes to free endpapers, orig. cloth gilt, sl. rubbed and soiled, 8vo, (G & M 5768), plus Meade (Richard H.), A History of Thoracic Surgery, 1st ed., Springfield, 1961, b&w portrait plates at rear, orig. cloth in chipped d.j., thick 8vo, (G & M 3161.01), plus others on the history of surgery (22)

Los 472

Ray (John). Observations Topographical, Moral, & Physiological; Made in a Journey through Part of the Low-Countries, Germany, Italy, and France: With a Catalogue of Plants not Native of England, Found Spontaneously Growing in those Parts, and their Virtues, 2 parts in one, 1st ed., 1673, engraved portrait (misbound), three engraved plates (two folding), P1 with lower corner torn away affecting catchword, scattered minor spots, later mottled half calf, 8vo. Ray’s account of his plant-collecting tour of continental Europe, accompanied by Francis Willughby. Wing R399. (1)

Los 479

Spielmann (M.H.). The Iconography of Andreas Vesalius, Anatomist and Physician 1514-1564, 1st ed., 1925, b&w plts., folding plate from an original woodblock in pocket at front, orig. cloth gilt, together with Pettigrew (Thomas Joseph), Medical Portrait Gallery. Biographical Memoirs of the Most Celebrated Physicians, Surgeons, etc., vols. 1 & 2 (of 4), [1838], thirty-five eng. port. plts., some spotting, t.e.g., orig. qtr. morocco gilt, rubbed and sl. frayed at head and foot of joints, (G & M 6711), all 4to, plus Johnson (John Noble), The Life of Thomas Linacre, Doctor of Medicine, Physician to King Henry the VIII ..., edited Robert Graves, 1835, some spotting, uncut and largely unopened, eng. armorial bookplate of Albert R. Graves to front pastedown, with manuscript library shelf numbers written on, orig. boards with printed paper label to spine, cracked on joints and some loss to head of spine, plus Cushing (Harvey), The Life of Sir William Osler, 2 vols., 4th/3rd imp., OUP, 1926-25, portrait frontis. to each, b&w plts., bookplates to front endpapers, orig. cloth gilt, sl. rubbed, all 8vo, plus other biographies of physicians and medical portraits interest (36)

Los 547

* Horseracing. Archer (Fred, 1857-86). A Victorian commemorative octagonal ceramic plate, c.1886, black transfer print on a cream glaze, portrait of the jockey with lists of his winning races with decorative rose border, 240mm diameter (1)

Los 590

Steadman (Ralph). Paranoids from Socrates to Joan Collins, 1st ed., 1986, with a striking original drawing of a devil’s head executed in lurid red paint surmounting a printed portrait of Napoleon to first leaf, signed by Steadman, orig. pictorial card covers, slim 4to, together with two further printed examples of his work both signed (3)

Los 314

A Victorian shell cameo bracelet. Comprised of 13 oval cameos carved depicting classical female portrait busts, each mounted in a yellow metal collar joined by chains, fitted with safety chain.

Los 454

Rhoda Pepys, South African/British b.1914- Portrait of Professor Stephen F Frowen; black chalk, signed, 42.5x30cm (may be subject to Droit de Suite)

Los 500

British School, early-mid 20th century- Portrait of an artist; oil on paper, inscribed `J Penry-Jones`, 54x39cm: together with other 20th century pastel and watercolour studies by and after various hands, (5) (unframed)

Los 506

* Manner of Sir William Orpen, early 20th century- "Sketch Portrait of William Morrow Esq, 820"; pencil on tissue paper, 25x19cm: British school, act.1907- "The Pedlar"; pencil on aboard, monogrammed, titled and dated 1907, (2) (unframed)

Los 536

W H Davis, British Provincial School, mid 19th century- Portrait of a cow standing in a landscape; oil on canvas, signed and dated 1860, 52x68cm

Los 560

* M Gaiskin, mid 20th century- Portrait of a young woman, bust length; pastel on buff paper, signed, 62x48cm: C H Rogers, mid 20th century- Portrait of a young woman, half-length; pastel on buff paper, signed, (2) (unframed) (may be subject to Droit de Suite)

Los 570

Edmund Walker c.1820-c.1890- "Docks at Sebastapol with Ruins of Fort St Paul" from "The Seat of War in the East", after William Simpson 1823-1899, publ Jany 22nd 1856 by Paul & Dominic Colnaghi & co, 13 & 14 Pall Mall East; hand-coloured lithograph, 33x46cm: Smart & Reeve, 9 Diana Place, New Road- "The Waterford Line Schooners Alexander...off the Hook Light", publ by John Lynn, Marine Painter, No 4 Holmes Street Commercial Road London; hand-coloured aquatint, 45x59cm: George Hunt- "Nonparell", after F C Turner, publ Aug 27th 1836 by J Moore, West Street Upper St Martins Lane; hand-coloured aquatint, 43.5x60cm: Liborio Prosperi act 1886-1903- "The Lobby of the House of Commons, 1886", publ for Vanity Fair; chromolithograph, 41x55cm: together with a mixed quantity of 18th and 19th century portrait engravings etc., (a lot)

Los 575

The Following Three Lots are from a Collection of Early Theatre and Opera Related Photographs, Mezzontints and Engravings, 18/19th and early 20th Century- After John Singer Sargent 1856-1925- Portrait in profile, a gentleman bust-length, signed and date 1912, photogravure, inscribed by the sitter on a separate sheet and attached below, it is plausible that the sitter is connected with either the theatre or the opera as Sargent was a key figure during this period: Note: Sargent refereed to his sketches of the sitters as "Mug`s" and was prolific, dashing them off for clients and many friends throughout his career. Around this time Sargent painted Tamara Karsavina in the title role of "Thamar", C.1911-12. In December of 1887 Sargent attends the first night of Macbeth at the Lyceum Theater with the actors Henry Irving and Ellen Terry in the leading roles. In 1889 he did a painting of sir Henry Irving, now destroyed; and one of Ellen Terry as Lady Macbeth which Henry Irving owned and loaned to the World Columbian Exposition, Chicago, 1893 and now owned by the Tate gallery, London.

Los 585

Follower of Helen Allingham 1848-1926- Portrait of a young girl in a bonnet holding an apple; watercolour, bears signature, 25.5x17cm

Los 614

Jules Philippe, French mid 19th century- Portrait of a young lady standing half-length ; pastel, oval, signed, 72x56.5cm

Los 623

Bernard Stern, American 1920-2002- Portrait of Annabel Hodin; oil on canvas, signed, inscribed on the reverse, 122x118cm

Los 631

European School, possibly Italian, mid-late 18th century- Portrait of a composer possibly depicting Michelangelo Rossi 1601-1656, bust-length in a fained oval, holding a quill and sheet music, oil on panel, 29x24cm Note: Although Rossi was famed as an outstanding violinist in his lifetime, today his reputation rests on his Keyboard music. In particular his 10 Toccatas are highly regarded, amongst these Toccata VII with its wildly chromatic ending is best known and they enjoy a reputation as a significant milestone in the development of keyboard composition.

Los 634

William Fyfe 1836-1882- Portrait of a lady, quarter length; black, white and coloured chalk on buff paper, signed and dated 1869, oval, 61x49cm

Los 642

Sibl, late 20th century- Expressionist portrait of a man; oil on canvas, signed, inscribed `Heckel` and `1913`, 66x61cm., (unframed) (may be subject to Droit de Suite)

Los 655

William Frederick Yeames RA 1835-1918 and others, a sketchbook, containing drawings, wash drawings, oil on paper and watercolours by the same and unrelated hand(s), to include portrait, figure and historical studies, many signed and dated, some signed with monogram, approximately 14 by the artist, 36x27.5cm., sheet size, (sketchbook)

Los 672

Knight, mid-late 20th century- Portrait of a girl; oil on board, signed, 30.5x25.5cm., (unframed)

Los 675

Ray Nestor 1888-1989- Portrait of a girl; oil on canvas board, 39.5x29cm: together with a portrait study of a man and a floral still life study, both in oils on canvas, the latter two signed, 55.7x45.746x35.5cm., (3) (part unframed) Note: Ray Nestor 1888-1988. Ray Nestor worked in all mediums, for many years depicting scenes from his beloved Kenya (where he has a permanent exhibition at Moi University), and then, in the latter part of his life, having left Africa and retired to Sussex, images from English life. In 1988 The Fountain Press published a book of his pictures and memoirs `An African Sketchbook` with an introduction by Elspeth Huxley.The flowerpiece and the horse racing watercolours would date to the time after he returned to England. The portrait is probably from the Kenyan period when he painted principal characters from the famed Muthaiga Club (subject of the film `White Mischief`).

Los 690

Jo Brocklehurst 1935-2006- Portrait of a lady seated three-quarter length turned to the right and Portrait of a lady seated three-quarter length with a black feather boa, both circa 1970; pen and black ink and watercolour heightened with white on buff paper, one signed, a pair, in matching frames, 57x40cm., ea., (2). Note: These two pictures were done in the early 1970`s when the artist was visiting the European club scene. This was during the period before she started to draw and paint fashion designs and pictures of the Punk era. She is known principally for her fashion pictures and drawings of Punk street fashion. However, before this she went on a tour of Europe specifically to the night clubs and it is thought that these were done in a club in Berlin. See the obituary for the artist by Marie McLoughlin for The Guardian, March 6th 2006

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