283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 1252
George Beare (act.1740-1749) Portrait of Charles Clarke (1702-1750), a Baron of the Exchequer, three-quarter length, seated wearing judge's robes and holding a scroll Signed and dated 1745.Geo Beare Pinx (to scroll) Oil on canvas 55.8 x 45cm; 22 x 17¾in Provenance: From the Estate of the late Marguerite Littman
Los 1253
Circle of Francis Alleyne Portrait of a gentleman, wearing a red coat and fur-lined blue cloak, holding a sword and standing in a landscape; Portrait of a lady, wearing a blue and grey dress decorated with pearls, seated in an interior; Portrait of a clergyman, seated in an interior, holding a book Three, each oil on canvas, oval Largest 45.1 x 37.2cm; 17¾ x 14¾in; Smallest 44.8 x 36.9cm; 17¾ x 14½in (3)
Los 1255
Francis Cotes RA (1726-1770) Portrait of John Parker (1734-1796), half-length, wearing a blue coat and white waistcoat, standing by a column Oil on canvas 90.9 x 71cm; 35¾ x 28in Provenance: Commissioned by the sitter, 1766; And by family descent Literature: Elaine Barr, 'John Parker, Goldsmith - a Portrait by Francis Cotes', in The Burlington Magazine (June 1979), pp.375-376 & 378, fig.60 John Parker was a noted 18th-century goldsmith, best known for his partnership with Edward Wakelin. This work, alongside the portrait of his wife Mary Parker (lot 1256), were painted in 1766, shortly after their marriage. His personal account in the Garrard Ledgers reveals he paid £31.10s to Francis Cotes in July of that year. In her article on this and the following lot, Elaine Barr suggests that there may have been a long-standing professional relationship between Parker and Cotes. Mrs Cotes held an account with Parker and Wakelin, and they certainly provided frames for Francis' brother Samuel's portrait miniatures.
Los 1256
Francis Cotes RA (1726-1770) Portrait of Mary Parker (née Watson), half-length, wearing a white dress, blue shawl and pearl necklace, leaning on a balustrade Oil on canvas 90.5 x 71.3cm; 35½ x 28in Provenance: Commissioned by the sitter's husband, John Parker, 1766; And by family descent Literature: Edward Meade Johnson, Francis Cotes (Phaidon Press, 1976), p.80, no.187 (whereabouts unknown); Elaine Barr, 'John Parker, Goldsmith - a Portrait by Francis Cotes', in The Burlington Magazine (June 1979), pp.375-376 & 378, fig.61 Exhibited: Shrewsbury, Shrewsbury Art Gallery, Pictures from Shropshire Houses, July-September 1951, no.1
Los 1258
Allan Ramsay (Scottish 1713-1784) Portrait of Mrs Penelope Cholmeley (1715-1760), half-length, wearing a white dress and blue shawl with pearls in her hair, in a painted oval Signed and dated Ramsay 42 (lower right) Oil on canvas 76.4 x 63.8cm; 30 x 25in Provenance: By family descent from the sitter Literature: Alastair Smart, Allan Ramsay: A Complete Catalogue of His Paintings (New Haven and London, 1999), p.92, no.94, p.242 (illustrated) The sitter was the daughter of Sir Joseph Herne of West Twyford, Berkshire. She married John Cholmeley of Easton (1705-1768) in 1735.
Los 1264
Abraham Cooper RA (1787-1868) Portrait of 'Wouvermans', a bay racehorse, held by a groom in a landscape Signed with monogram and dated 1822 (lower right), and inscribed Wouvermans (lower centre) Oil on canvas 63.2 x 76.5cm; 25 x 30in Provenance: Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 4 March 2020, lot 297, where purchased by the present owner Literature: Thomas Henry Taunton, Portraits of celebrated racehorses of the past and present centuries, vol.II (London, 1887), p.151 (engraved) Exhibited: London, Royal Academy, 1823, no.374 Wouvermans' owners included Thomas Cussans, Mr G. O Whiteside and Lord Warwick.
Los 1275
Sir Martin Archer Shee PRA (Irish 1769-1850) Portrait of Jane Pomeroy (b.1787), three-quarter length, wearing a white dress with blue sash and a broad-brimmed hat, seated in a landscape Oil on canvas 76.4 x 64.2cm; 30 x 25¼in Provenance: Probably John, 4th Viscount Harberton; Sir Hugo Cunliffe-Owen (1870-1947), Sunningdale Park, Berks The sitter, Jane Pomeroy, was the eldest child of Reverend John Pomeroy, 4th Viscount Harberton (1758-1833) and Esther Spencer (d.1840). The Pomeroy family left Engesdon, near Harberton, Devon for Ireland in the late 17th century and, when elevated to the Irish peerage in 1783, took the title derived from the English town.
Los 1284
Circle of Jeremiah Theus Portrait of an officer, half-length, wearing uniform and with powdered hair en queue, in a painted oval Oil on canvas 74.4 x 61.1cm; 29¼ x 24in Provenance: Christie's, 9 February 1990, lot 107 (as Circle of Thomas Bardwell); Dukes, Dorchester, A Provencal Dream: The Collection of Thomas Kerr, 3 March 2011, lot 227 (as American School 18th Century)
Los 1285
After Sir John Watson Gordon Portrait of John Taylor, Captain of the Honourable Company of Edinburgh Golfers, with his caddy Oil on canvas 74.8 x 63.5cm; 29½ x 25in Provenance: Mr and Mrs James de Rothschild; By whom presented to the Personal Service League (according to label) The work shows John Taylor, in his red captain's jacket, about to tee off on the original course of The Honourable Company of Edinburgh Golfers on Leith Links. In 1744 this group (then known as 'the gentlemen golfers') had drawn up the first official rules for a tournament which were to form the basis for the modern game of golf.
Los 1286
Sir Martin Archer Shee PRA (Irish 1769-1850) Portrait of an officer, thought to be Colonel William Bagwell, M.P. for Marlfield, Co. Tipperary, three-quarter length, in uniform standing in a landscape Oil on canvas 127.1 x 101.3cm; 50 x 40in Provenance: Christie's, London, British Pictures, 14 July 1994, lot 82; Private Collection, Gloucestershire
Los 1329
Joseph Lee (1780-1859) Portrait miniature of a gentleman in 17th-century Dutch dress Signed, dated and inscribed Joseph Lee Pinxt./London 1816 (in black paint to the counter enamel) Enamel on copper, rectangular, in a gilt metal frame 96 x 82mm Provenance: Redlynch House, Salisbury, Wiltshire Exhibited: Possibly, London, Royal Academy, 1816, as 'An enamel of Bartholomew Vander Helst. After a picture by himself'
Los 1331
George Vertue (1684-1756) after Sir Anthony van Dyck (1599-1641) Portrait of Thomas Howard, Earl of Arundel with his grandson Thomas (1627-1677), later 5th Duke of Norfolk Signed and dated G Vertue/fe 1746 (lower right) On paper, rectangular, in an ebonised ripple frame 33.6 x 27.2cm; 13¼ x 10¾in Provenance: Redlynch House, Salisbury, Wiltshire After the original at Arundel Castle, West Sussex.
Los 1334
Attributed to Enoch Seeman (c.1689-1744) Portrait of Etheldreda Townshend (née Harrison), Viscountess Townshend, three-quarter length, wearing a white dress and blue wrap Bears an inscription VISCOUNTESS TOWNSHEND/DAUGHTER OF EDWARD HARRISON/ OF BALLS HERTS (lower left) Oil on canvas 128.5 x 106.4cm; 50½ x 42in Provenance: Redlynch House, Salisbury, Wiltshire
Los 1335
Sir Godfrey Kneller Bt. (German 1646-1723) Portrait of Lady Jane Jackson (née Vandeput) (1679-1731), three-quarter length, wearing a red dress and seated in a landscape Signed and indistinclty dated G. Kneller F. 17** (lower right) Oil on canvas123.7 x 97.2cm; 48¾ x 38¼inProvenance: Redlynch House, Salisbury, Wiltshire
Los 1337
After Sir Nathaniel Dance-Holland RA Portrait of a gentleman, probably The Rt. Hon. Charles Townshend (1725-1767), three-quarter length, wearing a blue coat and seated at a writing desk Oil on canvas 129.5 x 104.8cm; 51 x 41¼in Provenance: Redlynch House, Salisbury, Wiltshire Although the labels identify the sitter as the politician Charles Townshend, a variation on this work is in the National Gallery of Ireland, Dublin (no.NGI.959), where he is identified as the actor Arthur Murphy (1727-1806), after an original by Nathaniel Dance-Holland.
Los 1338
After Sir Joshua Reynolds Portrait of John Parker, 1st Lord Boringdon (c.1735-1788), full-length, standing in a landscape against a gate, holding a gun; Portrait of Theresa Parker (née Robinson) (1745-1775), full-length, standing in a landscape against a pedestal A pair, both oil on canvas 91.1 x 71.1cm; 35¾ x 28in (2) Provenance: Redlynch House, Salisbury, Wiltshire After the originals in Saltram, Devon (nos.NT872102 & NT872149).
Los 1339
Henry Pierce Bone (1779-1855) Portrait miniature of Mrs Buller, wearing a blue dress with lace collar and a cream shawl, seated in an interior Signed, dated and indistinctly inscribed Mrs Buller/London/March 1813/Painted by Henry Bone R.A./Enamel Painter in Ordinary/to His Majesty and Enamel/Painter to H.R.H. the Prince/****t after *** picture in/the possession of Lady Somers (in black paint to the counter enamel) Enamel on copper, rectangular, in a gilt painted easel frame 101 x 82mm Provenance: Redlynch House, Salisbury, Wiltshire The squared drawing for this work is in the collection of the National Portrait Gallery, London (no.NPG D17711).
Los 1359
English School 19th Century Portrait of Jane, wearing a white dress with red ribbons holding a fan and a posy of flowers Watercolour and bodycolour, with canted corners 30.5 x 22cm; 12 x 8¾in Together with English School 19th Century, Portrait of a young girl wearing a white dress with blue ribbons and holding a hat, Pencil and watercolour heightened with white, 29.2 x 19.4cm; 11½ x 7¾in; English School 19th Century, Portrait of a child wearing a blue dress holding a shoe; Portrait of a child wearing a black dress with an open book, A pair the former dated 1854, the latter indistinctly signed and dated Mary Sw**/1856, Both pencil and watercolour, oval, 25.7 x 21.8cm; 10 x 8½in; English School 19th Century, Portrait of Sir Thomas Villiers Lister (1832-1902), aged three, pencil and watercolour heightened with white, 23.7 x 20.4cm; and Beatrix Lister after John Hoppner, Portrait of Harriet Ann Seale, watercolour, 29.5 x 19.6cm; 11½ x 7¾in (6) Provenance: Redlynch House, Salisbury, Wiltshire
Los 1360
Circle of John Partridge Portrait of a gentleman, three-quarter length, wearing a black coat and yellow waistcoat, standing in a landscape holding a top hat and gloves, with the sea beyond; Portrait of a young lady, three-quarter length, wearing a blue dress, seated with a landscape beyond; Portrait of a lady, three-quarter length, wearing a black dress and lace bonnet, with a landscape beyond Three, each oil on panel Largest 28.7 x 23cm; 11¼ x 9in; Smallest 26.6 x 20.8cm; 10½ x 8¼in (3) Provenance: Redlynch House, Salisbury, Wiltshire
Los 1362
λEnglish School c.1835 Portrait miniature of Lady Maria Theresa Lister (née Lewis), wearing a white dress, her hair in ringlets, in a painted oval Rectangular, in a gilt metal easel frame with ribbon surmount 107 x 80mm Provenance: Redlynch House, Salisbury, Wiltshire Ivory Act registration reference W98S2M2J
Los 1364
λEnglish School 19th Century Portrait miniature of a lady wearing a white dress with a yellow cloak and pearl necklace Oval, in a gilt metal frame 115 x 87mm Together with English School 18th and 19th Century, Portrait miniature of Nicholas Ridley-Colborne, 1st Baron Colborne (1779-1854); Portrait miniature of Catherine Colborne (neé Steele); Portrait of a young girl wearing a white dress and blue sash seated in a landscape; Portrait miniature of two children in an interior; Portrait miniature of Lady Seymour; Portrait miniature of a young girl wearing a white dress with a blue hat; Portrait miniature of Maria Theresa Farquhar, signed with initials HWH (lower left); Portrait miniature of a young girl wearing a white dress and hat; Portrait miniature of Rupert Farquhar holding a cat, aged four; Portrait miniature of a young lady with blond hair; Portrait miniature of a young girl wearing a white dress with blue ribbons; and Ethel and Margaret Hall, Portrait miniature of Harold Farquhar holding roses, aged four, signed M & E Hall (lower right); Two in ebonised and tortoise shell frames, one in an ebonised frame, one in a gilt metal bracelet frame, eight in gilt metal frames, eight within a gilt painted wooden easel display case; Largest 102 x 75mm; Smallest 23mm diameter (13) Provenance: Redlynch House, Salisbury, Wiltshire Ivory Act registration reference 4F6GFGN0
Los 1365
Cavaliere Alessandro Capalti (Italian 1810-1868) Portrait of Jane Loftus, Marchioness of Ely (née Hope-Vere), three-quarter length, wearing a black dress, seated in an interior Signed and dated Capalti 1845 (lower left) Oil on canvas 126.8 x 101.9cm; 50 x 40in Provenance: Redlynch House, Salisbury, Wiltshire. Jane Loftus was a Lady of the Bedchamber and a close friend of Queen Victoria. The Queen referred to her as 'almost one of ourselves'.
Los 1502
Danish School 19th Century Self-portrait of an artist seated at his easel Oil on canvas 34 x 26.5cm; 13 x 10½in Provenance: Bury Street Gallery, London; Where purchased by the present private collector, 1984 (as Circle of Constantin Hansen) An attribution to Carl Heinrich Bloch (1834-1890) has also been suggested.
Los 320
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); a set of three pencil signed limited edition prints, 'The Lowry's', self portrait, the artist's father, the artist's mother, each framed and glazed, with folder with edition number 76/300.Additional InformationLacking the bronze plaque. The self portrait is blue. The artist's mother is slightly blue. Light wear. the frames with scratches and scuffs. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Los 330
ANDY WARHOL (1928-1987); screen print on paper, untitled self portrait, signed in silver pen and with 'Factory Proof Edition' stamp, 38 x 29cm, framed and glazed. PROVENANCE: purchased from McTears, June 2022.Additional InformationImage generally clean and bright. Frame with minor wear. The back of the frame stamped 'Leonard Villa Framemakers & Gilders'
Loading...-
283284 Los(e)/Seite