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283287 Los(e)/Seite
A Nikkor f2 85mm AI portrait lens and an f2.8 35mm non AI wide angle lens (2). CONDITION REPORT The 85mm lens, serial no. 296169, is optically good there are some markings to the barrel and focusing ring and the wide angle lens, serial no. 377218, is a good example with some slight marking to the chrome work but is optically good.
Sir Francis Grant P.R.A. (1803-1878)oil on canvas,Portrait of Maria, Lady Lechmere and her daughter, Louisa,signed and dated 1842,49 x 39.5in.Former Provenance: Private Collection, Devon. Sir Francis Grant was the most fashionable portrait painter of his day. He painted royalty and aristocracy, as well as many leading figures in the legal and literary worlds, and the Church. His subjects included Queen Victoria and Prince Albert, Palmerston, Disraeli, Lord John Russell, Sidney Herbert and Lord Derby. Grant was educated at Harrow, and as a young man, having quickly run through an inheritance of £10,000, he had hopes of repairing his fortunes at the bar. However, as Sir Walter Scott observed, 'law is not a profession so easily acquired, nor did Frank's talents lie in that direction. His passion for painting turned out better.' As an artist Grant was largely self-taught, learning by copying the Old Masters. He first exhibited at the Royal Academy in 1834 when he was thirty-one, and continued to show there regularly until his death forty-four years later. He rapidly ascended the institutional ladder, and became president in 1866 on the death of Sir Charles Eastlake; a knighthood followed soon after. Grant was succeeded as president by Frederic, Lord Leighton.
George Spencer Watson RA, ROI, RP (1869-1934)oil on canvas,Portrait of a lady holding a parasol, with roses in her hat,initialled,35 x 27in.Born in London, Watson studied at the Royal Academy Schools from 1889, and exhibited at the Royal Academy from 1891. He won Royal Academy Schools Silver Medals in 1889 and 1891, and the Landseer Scholarship in 1892. He was elected to the Royal Institute of Oil Painters (ROI) in 1900, Royal Society of Portrait Painters (RP) in 1904, Associate of the Royal Academy in 1923, and a Member of the Royal Academy (RA) in 1932. He also exhibited at the Paris Salon.
Willy Robert Huth (German, 1890-1977)ink and wash,postcard portrait (probably a self-portrait), initialled and dated '62 and inscribed verso by Ruth Huth to Marjorie Turner; and four linocut postcards, a windmill and a portrait of Ruth Huth,three initialled and dated,4 x 6in (approx)Note: Willy Huth and his wife Ruth were close friends of George and Marjorie Turner, the recipients of several of the artist's original postcards. George Turner worked for the British Military Government and the Foreign Office in Berlin from 1948 to 1963, first as head of the Public Relations and Information Service Control Office, then as Chief Press Officer and Senior Information Service Officer. The Huths are among the many visitors to sign the Turner Guest Book, also being offered in this sale, along with the following four lots of artworks by Huth
Willy Robert Huth (German, 1890-1977)linocut,portrait of a man, signed, inscribed 'No 3', dated 1959 and dedicated to 'Andrew' (Turner); and a watercolour and bodycolour coastal scene, 'Amrum',signed, titled and dated 1952,11 x 15in and 18.25 x 24inNote: Huth habitually spent the summer months on the North Sea island of Amrum, where he died in 1977
Pierre Bonnaud (1865-1930). A pair of Limoges enamel Art Nouveau circular portrait plaques, signed and dated 1904, depicting Baloise in medieval dress, the background painted in red and black enamels with thistles, the second of Fiammetti, with flowing auburn locks, both 17cm diam., gilt frames
Gustav Klimt (1862 - 1918) Portrait of a Young Woman rolled poster (24 x 32 inch) plus a rolled 8532 Daniel Patrick Kessler purple and Orange Dogs poster from 2002, 4 x Imperial War Museum poster by Linney 1996, Royal Albert Hall Mozart Requiem by candlelight, 2 x Tate Gallery Rights of Passage exhibition posters from 1995, 1 x Strange Phenomena exhibition poster and 2 x Engineering exhibition posters. 11 rolled posters. Excellent condition.
Hayward Gallery set of 3 Julian Opie exhibition posters from 1993 (30 x 40 inch) folded excellent condition. Plus George Rodger Barbican photograph journey poster 1995 d/c, Spellbound Hayward gallery (60 x 40 inch), Museum of London (60 x 40 inch) National Portrait Gallery Awards (60 x 40 inch), Style Barbican art gallery, Richard Wilson Serpentine gallery d/c, Romantic National art gallery d/c, Early Renaissance d/c, The National Portrait gallery Victorian and early 20th C portraits 60 x 40 inch, Paula Cox London Undergorund poster Dancing in the street (40 x 60 inch), London Underground Highgate ponds (40 x 60 inch), Views of Kew Gardens London Undergorund Jonathan Waller (40 x 60 inch) All excellent folded condition.
Turner - The Fighting Temeraire 1995 exhibition poster from The National Gallery (20 x 30 inch) plus The National Gallery Hobbema The Avenue at Middelharnis (20 x 30 inch), The National Gallery Early Renaissance collection exhibition poster (20 x 30 inch) x 2, Barbican art gallery 1996 style poster, Serpentine gallery Richard Wilson exhibition poster, The National Portrait Gallery Victorian exhibition poster from 1996 (40 x 60 inch), Museum of London Roman Londinium exhibition poster 40 x 60 inch x 2, National portrait gallery awards poster 40 x 60 inch, Julian Opie Hayward Gallery Nov. 93 exhibition poster blue (30 x 40 inch) and green (30 x 40 inch). All excellent folded condition. 12 posters
Steven Phelps. Art and Artefacts of the Pacific, Africa and the Americas, The James Hooper Collection, 1976; Kevin Conru. Bernatzik, South Pacific, 2002; Douglas Newton. Art Styles of the Papuan Gulf; George Swinton. Sculpture of the Eskimo, 1972; Douglas Newton. The Nelson A. Rockefeller Collection, Masterpieces of Primitive Art, 1980; Dorothy Jean Ray. Eskimo Art, Tradition and Innovation in North Alaska, 1977; Ralph T. Coe. Sacred Circles, Two Thousand Years of North American Art, Art Council 1976; J.C.H.King. Portrait Masks from the Northwest Coast of America, 1979; Paul S. Wingert. American Indian Sculpture, 1949; Ralph Linton and Paul S. Wingert. Arts of the South Seas, 1946; The Robert and Lisa Sainsbury Collection, New York, 1963; Collectie Robert & Lisa Sainsbury, Rijksmuseum, 1966. (12)
Roland W and Maryanne Force. The Fuller Collection of Pacific Artifacts, 1971. Brian Brake, James McNeish, David Simmons. Art of the Pacific, 1979. Allen Wardell. Island Ancestors, Oceanic Art from the Masco Collection, 1994. Anthony J P Meyer. Oceanic Art, 1995, 2 vols. Thor Heyerdahl. The Art of Easter Island, 1976. Fred Picker. Rapa Nui, Easter Island, 1974. Father Sebastian Englert. Island at the Centre of the World, New Light on Easter Island, 1972. Roger G. Rose. Hawai'i: The Royal Isles, 1980. Ezio Bassani, Malcolm D McLeod. Jacob Epstein Collector, 1989. Rod Ewins. Fijian Artefacts, Tasmanian Museum and Art Gallery Collection,1982. Adrienne L. Kaeppler. Cook Voyage Artefacts in Leningrad, Berne, and Florence Museums, 1978. W. J. Phillipps. Maori Life and Custom, 1966, with dedication To Mrs Dorothy Oldman by the author. David Lewis and Werner Forman. The Maori Heirs of Tane, 1985. T. Barrow. Maori Wood Sculpture, 1969. Jeff Evans. Maori Weapons in Pre-European New Zealand, 2004. Geoff Quilley and John Bonehill. William Hodges 1744 - 1797, The Art of Exploration, 2004. Peter Gathercole, Adrienne L. Kaeppler, Douglas Newton. The Art of the Pacific Islands, 1979. J. C. H. King. Portrait Masks from the Northwest Coast of America, 1979. Timothy Severin. The African Adventure, 1973. (20)

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