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283284 Los(e)/Seite
Los 406
A collection of vinyl long play LP vinyl records recorded by Bob Dylan to include Blond On Blond gatefold A1,B1,C1&D1 matrix, Freewheelin, The Times They Are A-Changing, Desire, Bob Dylan, Nashville Skyline, New Morning, Highway 61 Revisited, Another Side Of Bob Dylan, Bringing It All Back Home and Self Portrait.
Los 443
WALDEGRAVE, James Earl - Memoirs from 1754 to 1758 : portrait frontis, half calf, 4to, John Murray, 1821. With - Cibber, Colley, An Apology for the Life : portrait frontis, half calf,4to, the Beeleigh Abbey copy,1740. With a collection of mainly 19th century autobiographies, letters, memoirs, etc.(a lot)
Los 308
BINDINGS : Smolletts History of England - eleven volumes and four continuation, cont. calf lacking a few labels, possibly lacking a portrait frontispiece, or map, 8vo, 1758. With six other bindings.(21)Now also includes a framed map of England and Wales by T Kitchen, uncoloured, 490 x 380mm, f & g, laid down, Circa 1750
Los 134
Manner of Tiziano Vecellio, called Titian, late 16th Century Portrait of Alessandro Farnese, Pope Paul III (1468-1549), head and shoulders, in red oil on slate 27 x 21.50cm (11 x 8in) Provenance: Acquired by the vendor's great-grandparents on the Grand Tour in Italy in the 19th Century and by descent Other Notes: The composition appears to be based, but in reverse, upon a portrait of Pope Paul III, seated, three-quarter length, in the Hermitage, attributed to Titian. The painting is inscribed on the reverse with the identity of the sitter, as connected with The School of Raphael and a collection No. 16 Late 16th Century probably. Oil which appears to be applied onto slate or other type of stone. There is a diagonal break in the stone at the top left corner. There is paint loss surrounding the break and some retouching. Apart from this area of damage the paint layer is stable and secure. There is a thick layer of glossy, yellowed varnish which is degraded and fracturing. The painting is held in a wooden frame with a backboard which has suffered from extensive, possibly active, woodworm.
Los 131
John Theodore Heins (German, 1697-1756) Portrait of William Grenaway of Norwich (1681-1756); and Portrait of Mrs William Grenaway he signed lower left "Heins fec. 1730" and inscribed "Mr Grenaway" below; she inscribed lower left "Mrs Grenaway" oil on canvas (a pair) 87 x 74cm (34 x 29in) Provenance: From a Norfolk country house Other Notes: William Greenaway (1681-1756) was an Attorney at Norwich The frames are original made by the great Boswell of Norwich. Gentleman - Oil on canvas which has been lined. The paint layer has an overall age craquelure which is slightly raised but stable overall. Along the lower edge are old scattered losses which have been retouched. There are also areas of overpaint in the background and sitter's jacket. The varnish is glossy but brittle with scuffs and scratches. There are losses to the gilded edge of the frame and knocks to the dark wood outer frame. Lady - Oil on canvas, it is unclear if the painting has been lined. Overall the paint layers are stable. The painting appears to have been partially cleaned with old degraded varnish present in the darker paint passages and background. This old varnish is starting to fracture and become opaque in areas. The overall appearance is acceptable. The frame is in a good condition.
Los 141
Circle of Sir John Lavery, RA (Irish, 1856-1941) Double portrait of a lady in a lace-trimmed black dress and her daughter, in a lace dress, both seated, in a cherry orchard oil on canvas, unframed 154 x 110cm (60 x 43in) Provenance: From a Norfolk country house Oil on canvas which is unlined. The edges of the canvas are very fragile and the upper edge has begun to tear at the left hand side. The paint layer has areas of raised and flaking paint with numerous losses.
Los 135
Marco Benefial (Italian, 1684-1764) Portrait of Edward Curtis of Mardyke House, Hotwells, Bristol, seated, three-quarter length in a grey coat with silver thread and scarlet pink embroidered cuffs, pointing to a globe signed lower right on the longitudinal orbit "Eqis Marcus Benefial Pinxt. Roma Anno Sal. 1750" oil on canvas, 95 x 70 cm (37.5 x 27.5in);Together with the waistcoat as worn by Edward Curtis in this portrait by Benefial; probably French, mid 18th Century, comprising brocaded weave, silk uncut with supplementary weft patterning of rococco metal threads, smooth metal purl threads and plate ribbon metal threads, lining: cream brushed linen/cotton, wooden buttons covered with rococco, purl, plate ribbon metal threads and metal spangles, centre front length: 81cm (32in), chest: 97cm (38in), waist: 86 cm (34in), hip: 102 cm (40in), buttons: 2cm (.75in) x 2cm (.75in)Provenance: By descent from the sitter to his elder daughter Hannah Fownes (died 1814) who married in 1805 John Yarde Fownes (1779-1839); Their elder son (according to a label on the reverse) Edward Curtis Fownes, born 1806, who married in 1848; Mary Margaret Haythorne ( died 1900); Thence to Mrs R A Parsons (nee W S Haythorne) who died 1977; to her son the late Sir Richard Parsons (1928-2016) OtherNotes: This remarkable waistcoat, as worn by the sitter in this portrait, demonstrates the richness of mid-18th century men's dress which were often as lavish as that of women. The decorative woven pattern incorporates large feathered foliage with small four-leafed flowers of woven metal threads surrounding a single multi-coloured silk rose at the centres. At this period, Safavid textiles from Persia feature similar rose motifs as the ones woven in this waistcoat. Interestingly, the sitter, Edward Curtis, who was a well-known merchant from Bristol, is pointing in his portrait towards the Middle East (to apparently what is today known as Saudi Arabia). This may indicate a place of importance to him as a gentleman in trade, and indeed, possibly why his waistcoat though made in Europe reflects a Middle Eastern style of patterning. This waistcoat when first made would have had a remarkable sparkle and shine to it and made clear that its owner was someone of considerable standing and wealth. Curtis, who was evidently on the Grand Tour when he sat for this portrait by Benefial, would have been fully aware of the allusions and the impact he wished to convey by his wearing such a splendid waistcoat, that presumably he had acquired 'en route' for Italy.(Inscribed on a label to the reverse - A portrait of Edward Curtis of Mardyke House, Bristol, married 1779 (d.1791) by Marco Benefial 1750, leaving daughters Hannah, who married John Fownes, and second, Mary Margaret, who married John Haythorne of Hill House, Bristol. This Mary Margaret and John Haythorne were the great grandparents of Mrs R A (W S) Parsons).Oil on canvas which has been lined. On the reverse there appear to be old damages to the canvas which have been repaired with fill and paint. There are minor lumps and undulations around the edge of the painting. The paint layer appears stable overall. The varnish has scuffs and scratches. There are chips and losses to the frame.The waistcoat is in fair to poor condition due to its material (metal threads) and it was heavily worn (lining is worn and abraded with some embedded dirt). Despite this, it is in remarkable condition given its materials and its age. The greatest damage is where the long weft floats of plate ribbon metal threads have come loose from their substrate and are sticking up. This occurs throughout the waistcoat. These threads are also heavily oxidised and darker in colour than the surrounding silver-coloured metal threads. There is a small area of loss between the 7th and 8th buttonholes at centre left. A small gray patch has been sewn to cover the area. Small areas of insect holes are visible in the back lining.
Los 137
Attributed to Sir Godfrey Kneller, Bt. (British, 1646-1723) Portrait of a small girl in blue, standing full length, holding a whip, a groom and a horse approaching from the right oil on canvas 125 x 100cm (49 x 39in) Oil on canvas which has been lined. There is a tear in both the original and lining canvases at the upper right corner with associated paint loss. Overall the paint layer appears to be in a good, stable condition. The varnish is dull and yellowed but even overall. There are a few lights scuffs and surface dirt including insect droppings, The frame is in a poor condition with numerous losses to the gilding.
Los 136
Studio of Sir Godfrey Kneller, Bt. (British, 1646-1723) Portrait of Isabella Bennet, Duchess of Grafton (1667-1723), standing, three-quarter length, beside a water fountain oil on canvas 134 x 107cm (52 x 42in) Provenance: According to a label on the reverse, bequeathed by Sir Godfrey Kneller to his pupil, Edward Byng; to his sister, Elizabeth Byng, who married the Reverend William Wray, Rector of Broadchalk, Wiltshire, and presumed thence by descent Other Notes: Isabella Bennet was the daughter of Lord Arlington and the first wife of the 1st Duke of Grafton. The original composition, of which this is apparently a studio version, hangs, according to a note on the reverse of the painting, in the King's Private Dining Room at Hampton Court Palace Neckline has been altered for purposes of Victorian modesty. Oil on canvas which has been lined. At the upper right comer is an impact damage which has caused a small tear. The paint layer is in a stable condition overall but has suffered from some wear. The blue pigment used in the dress appears to have degraded, leading to a mottled appearance. There is overpaint in many areas of the portrait, especially the background. The overpaint is slightly milky but generally acceptable from a normal viewing distance. The modern frame is in a good condition.
Los 138
After Hyacinthe Rigaud (French, 1659-1743) Portrait of Pierre Mignard, the artist, holding a paint brush and a book inscribed "P Mignard" on the book the sitter is holding oil on canvas, in a black gilded frame 26 x 22cm (10 x 9in) The present portrait is a reduced copy in reverse after the later engraving by Georges Frederic Schmidt of the original Rigaud portrait in the Palace of Versailles, France. Oil on a wooden panel support. The paint layer has localised areas of raised, unstable paint with a few losses. There are a few scattered retouchings. The varnish is yellowed. The frame is in a good condition.
Los 118
Jacobus Plasschaert (Flemish, fl. 1739-1765) A Trompe l'oeil of an engraved portrait of Charles I, with a Fog's Journal dated 1734, quill pen and sealing wax, held against a wooden backboard oil on canvas 59 x 29cm (23 x 11in) Provenance: Dullingham House, Newmarket Oil on canvas which has been lined. The paint layer is in a good condition, there are numerous areas of retouching around the edges of the canvas. The varnish is glossy and clear. The wood veneers on the frame are dry with numerous losses.
Los 130
Gerrit van Honthorst (Dutch, 1590–1656) Portrait of a man in black with a white lace collar, head and shoulders, holding a hat, long bust length, aged 39 signed "G Honthorst" left of the sitter's shoulder and inscribed "Aet 39/1642" upper right oil on panel, in a painted oval 73 x 58cm (28 x 23in) Provenance: Dullingham House, Newmarket Oil on a wooden panel constructed from three boards in vertical alignment. The panel joins are reinforced at the reverse with wooden battens. There has been some movement, notably in the right hand panel join and there is retouching along both. There is extensive retouching in the background following the grain of the wood which are slightly darkened. The varnish is glossy and yellowed. There is some wear to the gilding on the frame, bit overall it is in a good condition. Inscription may have been strengthened.
Los 132
Follower of Christian Wilhelm Ernst Dietrich (German, 1712-1774) Portraits of elderly bearded gentlemen, oil on canvas (a pair) 35 x 28cm (14 x 11in) Provenance: From a Suffolk country house Oil on coarse weave canvas which are unlined. The portrait of the gentleman facing right has tears in the lower left hand corner. Both paintings have scattered areas of loss. The varnish layers are darkened and yellowed with surface dust. Both frames have extensive losses to the decorative moulding. Old stretcher bar marks can be seen from the front. Inventory numbers to the reverse: 3 G and 1 G
Los 142
Wilfred Stanley Haines (British, 1905-1944) Self-portrait of the artist, in fireman's uniform of the Second World War oil on canvas, in a white painted distressed frame, and sold with the artist's family archive (2) 67 x 56cm (26 x 22in) Other Notes: Wilfred Stanley Haines was an artist and designer working with Morris and Co. at Merton before the Second World War. He is now most noted for his paintings of bombing scenes during the Blitz. He became a wartime fireman, and was tragically killed during a flying bomb raid on 19th June, 1944 in Union Street, Southwark, London. His work was exhibited at the Royal Academy in four exhibitions of the work of Firemen Artists between 1941 and 1944. Haines' work is held in the Imperial War Museum and the V & A Museum, London The archive sold with the portrait comprises a few photographs of Haines and his fellow firemen on active duty. One small snapshot shows Haines wearing his 'Adolf was a Painter Too' poster. His birth certificate is present. There are many older family photographs, including holiday snaps, and some newspaper clippings about Haines and a watercolour floral frieze on paper. There is also some later correspondence between the Haines family and the V & A Museum when gifting various tapestry-related items, largely from Haines' father's time at the Windsor Tapestry Works. Oil on canvas which has not been lined. There is a tear near the centre of the canvas and a small dent to the left of the tear and associated paint loss. The paint layer is in a good condition overall. There is a light layer of efflorescence across the surface. There are a few small chips and losses to the decorative surface of the frame.
Los 224
Fleming (Ian) The man with the golden gun, published by Jonathan Cape, thirty Bedford Square London, First Published 1965, © 1965 by Glidrose Productions Ltd, in Richard Chopping dust jacket, together with Octopussy and The Living Daylights, First published 1966, Octopussy © 1965, 1966 by the literary executors of Ian Fleming deceased The Living Daylights © 1962 by Ian Fleming, in Richard Chopping dust jacket, Goldfinger, second impression 1959, in facsimile Richard Chopping dust jacket, For Your Eyes Only, second impression 1960, in facsimile Richard Chopping dust jacket, Thunderball, First published 1961, © 1961 by Gildrose Productions Ltd, in facsimile Richard Chopping dust jacket, Dr No,copyright © 1958 by Glidrose Productions Ltd edition issued by the Book Club, in original dust jacket, You Only Live Twice Second impression April 1964, in original Richard Chopping dust jacket, From Russia, With Love, reprinted 1958, in facsimile dust jacket, Live and Let Live, First published 1954, this edition first published by the reprint society Ltd, by arrangement with messrs. Jonathan Cape Ltd. 1956, in facsimile dust jacket, The Spy Who Loved Me, sixth impression March 1964 in facsimile dust jacket and On Her Majesty's Secret Service,second impression, frontispiece portrait missing
![History - Local Interest, Memoirs of the Life of Colonel Hutchinson, Governor of Nottingham Castle and Town [...], third edit](https://cdn.globalauctionplatform.com/6b29b9c9-e055-458d-9837-aa01011b2b26/e70ca374-0df3-4f43-a5db-aa0200909a84/468x382.jpg)
Los 3656
History - Local Interest, Memoirs of the Life of Colonel Hutchinson, Governor of Nottingham Castle and Town [...], third edition, two-volume set, Printed for Longman, Hurst, Rees, and Orme, London 1810, stipple-engraved portrait frontispieces of Colonel John and Mrs Hutchinson, further plates, fold-out map and family pedigree, contemporary quarter-calf and marbled boards (repairs), Pictorial bookplate to volume I endpaper: Ex Libris Peter Denis Anthes, Wells, Dated 1959, 8vo, (2); Nugent (Lord [George Nugent-Grenville, 2nd Baron]), Memorials of John Hampden: His Party and His Times [...], Illustrated with Twelve Portraits Engraved on Steel, fourth edition, Henry G. Bohn, London 1860, 20th century red half-morocco and marbled boards, gilt lettered black leather title label to spine, 12mo; Vaughan (Robert), Memorials of the Stuart Dynasty [...], volume I only, Holdsworth and Ball, London 1831, contemporary publisher's cloth, contemporary book label to pastedown: Mrs Beaufoy, 8vo; [Brydges (Egerton)], Memoirs of the Peers of England, During the Reign of James the Firft (sic), Volume I (of I, no further volumes followed publication), Printed for John White, London 1802, illustrated with two full-page stipple enravings, contemporary panelled calf gilt, marbled edges, marbled endpapers, lady's Plain Armorial bookplate to pastedown: Emilia Mary Bowater [(née Barnes), Lady Bowater, wife of the soldier-courtier General Sir Edward Bowater KCH)], 8vo; The History of John, Duke of Marlborough [...], [presumably London] 1754, engraved portrait frontispiece of the general, 20th century buckram, 16mo; Memoirs of the Court of Charles the Second, by Count Grammont, [...] Edited by Sir Walter Scott [...], Henry G. Bohn, London 1846, contemporary publisher's cloth, 12mo, [7]
Los 3489
English Naive School (second - third quarter, 19th century)A Portrait of a Young Girl and Her Doll, full-length, in profile, brown hair in ringlets, ribbon-tied blue dress, white stockings and black shoeswatercolour, wash and pencil on brown paper, indistinctly inscribed and dated 1857 to verso of backboard, 15.5cm x 11.5cm, contemporary rosewood frame; a pair of Victorian ambrotype family portraits, of John Jame and his daughter & granddaughter Clara Dufton, the latter two tinted in colour, contemporary gilt insets, later frames, [3]
Los 3654
History and Literature - Lord Birkenhead's Copy, Yonge (Charles Duke), The Life of Marie Antoinette, Queen of France, two-volume set, Hurst and Blackett, Publisher's, London 1876, volume I with full-page portrait frontispiece of the ill-fated queen, contemporary blue-stained half-calf and marbled boards, marbled edges and endpapers conforming, Armorial bookplate to each pastedown: Viscount Birkenhead [ the Conservative politician F.E. Smith, viscount from 1919 - 1922, then Earl Birkenhead], 12mo; Provincial Imprint, Burke (The Rt. Hon. Edmund), Reflections on the Revolution in France [...], Published by W. & T. Fordyce, Newcastle-upon-Tyne 1841, engraved frontispiece and title-page, pp: vi, 348, Publisher's Catalogue [3], contemporary mauve cloth, 18mo; Carlyle (Thomas), The French Revolution: A History, Chapman & Hall, Ld, London [n.d., c. 1900], contemporary prize tree calf binding, gilt arms of Alleyne's Grammar School Stevenage and their presentation plate to pastedown, 12mo; A'Beckett (Gilbert Abbott) (sic), The Comic History of England, with Twenty Coloured Etchings, and Two Hundred Woodcuts by John Leech, two volumes bound as one, Bradbury, Evans, and Co., London [n.d., 1847 - 1848], rebacked contemporary calf and marbled boards, marbled endpapers, 8vo; Lang (Andrew), The Life and Letters of John Gibson Lockhart, From Abbotsford and Milton Lockhar MSS. and other Original Sources, two-volume set, John C. Nimmo, London 1897, contemporary cloth, 8vo, (2); further full calf prize bindings gilt, various, (3); [10]
Los 3314
English School (19th century), a portrait miniature, of a lady, bust length, seated, wearing a lace bonnet, jet beads and black silk dress closed with a memorial brooch, watercolour on ivory, arched mount, 11cm x 9cm, morocco case; English School (19th century), Portrait of a Young Gentleman, in the Highlands, watercolour, 14.5cm x 11.5cm (2)
Los 3528
Alfred, Lord Tennyson - an interesting collection of family ephemera and memorabilia, including Poems of Tennyson, Oxford University Press, 1908, ink MS presentation inscription: Mrs Gibson from Charles Tennyson, Jan. 26., 1909, loosely inserted Palm Sunday cross, 12mo; Charles Tennyson's calling card, with his address 8a, Vale Terrace, King's Road, Chelsea, S.W., and inscribed Miss Thompson - with all good wishes from [...]; a three-page letter from the latter Tennyson on headed notepaper, dated July 1909; an Edwardian photographic portrait of William Charles Tennyson, the Poet Laureate's grandson, as a university student, by J. Palmer Clarke, Cambridge, inscribed to verso; a printed paper wedding luncheon napkin, Souvenir Commemoration of the Marriage Between Mr Alfred Tennyson and Miss Cicely Drummond, At Westminster Abbey, Dec. 17th, 1912, Printer: S Burgess, York Place, Strand, [London], 36cm x 36cm; Post Office Telegraph of thanks, from Tennyson, presumably Charles, dated 29th July 1909; an Edwardian rounded square papier-mâché handkerchief box and cover, the cover printed in polychrome with pansies, the red interior stamped Annie E. Thompson, Ilkeston, [Derbyshire], 19cm wide, c. 1910, [7]
Los 3574
Law and Legal History - Reports of Cases Argued and Adjudged in the Courts of King's Bench and Common Pleas, In the Reigns of the Late King William, Queen Anne, King George the Firft (sic), and His prefent Majefty (sic), Taken and Collected By the Right Honourable Robert Lord Raymond, late Lord Chief Juftice (sic) of the court of King's Bench, two-volume set, Printed by Henry Lintot [...], In the Savoy, 1743, volume I title-page with three-fold engraved portrait of Lord Raymond by George Vertue (1684 - 1756) pp: volume I, [xiv], 1 - 746, table [47], advert [i]; volume II, [xii], 747 - 1591, table [40], full contemporary panelled calf, raised bands to spine, each recto endpaper inscribed in ink MS: Thos. Hinckley, Lichfield, small folios, (2); Reports of Cases Argued and Determined in the Courts of Common Pleas, and Exchequer Chamber, and in the House of Lords, From Easter Term 36 Geo. III 1796 To [...] Hilary Term 44 Geo. III 1804, Both Inclusive With Tables of the Cafes (sic) and Principal Matters, By John Bernard Bosanquet, of Lincoln's Inn, Efq (sic), Barrister at Law, and Christopher Puller, of The Inner Temple, Efq (sic), Barrister at Law, three-volume set, A. Strahan [...], London 1800 - 1804, contemporary panelled calf (disbound but all boards present), each recto endpaper inscribed in ink MS: Thos. Hinckley, Lichfield, small folios, (3), [5]Thomas Hinckley was an attorney based in Lichfield, Staffordshire, practicing from the 18th through to the first years of the 19th century, and was a noted landowner in the city as well as the village of Polesworth, Warwickshire.
Los 3622
Miscellaneous - Bindings - The Gentleman's Magazine, 1831, illustrated with full-page and some fold-out engravings, two-volume set, contemporary quarter-calf and papered boards, 8vo, (2); Rubáiyát of Omar Khayyám, The Astronomer-Poet of Persia, Rendered into English Verse, Macmillan and Co., Limited, London 1905, contemporary armorial calf binding gilt, raised bands to spine, gilt foliate dentelles to interior covers, printed Art Nouveau endpapers highlighted in gilt, 16mo; Folk-Lore Relics of Early Village Life, Elliot Stock, 1883; Plant Lore, Legends, and Lyrics [...], London 1884, from the library of the Linnean Society of London; Art Deco BBC prize binding, green half-morocco over marbled paper boards, 12mo; George Elliot, three volumes, 19th century black half-morocco gilt with marbled boards, 12mo, (3); Bulwer-Lytton (Edward), My Novel, two volumes, contemporary black quarter-calf over marbled boards, 16mo, (2); Associated Architectural Society Reports and Papers, 1867 - 68, contemporary green-stained quarter-calf and marbled boards, 8vo; Debrett's Peerage, volume II: Scotland and Ireland […], London 1828, contemporary red-stained quarter-calf and marbled boards, 12mo; other genealogical and heraldic works; Medieval Gothic Architecture, various; Theology - The Book of Common Prayer […], The Clarendon Press, Oxford 1796, contemporary red morocco, marbled endpapers, 8vo; Baxter (Richard), The Saints Everlafting (sic) Rest, four parts contemporaneously bound as one, mixed publishers, London 1676 - 1677, contemporary diced calf, raised bands to spines, traces of ink MS title to spine, 8vo; The Holy Bible […], [London 1682], engraved architectural title-page, bound with, A Small Cambridge Concordance to the Holy Bible […], Printed by John Hayes, Cambridge 1695, part-late 18th century black straight-grain morocco binding, gilt lettered spine, late 18th century ink MS annotations mainly in Greek but some English, ownership inscription: S.P. Hodgkins 1808, 16mo; Spencerus [Spencer] (Gulielmus [William]), Origenes Kata Kelsou, en tomois 8 ; tou autou: Origenis Contra Celsum, Libri Octo, ejusdem Philocalia, Joan. Field, Cantabrigiae [Cambridge] 1658, contemporary panelled calf upper board only (detached), square 8vo; Pearson's Exposition of the Creed, fourth revised and enlarged edition, J.M. for John Williams [...], London 1676, engraved portrait frontispiece of the author by Frederick Hendrik Van Hove (1628 - 1698) after Willem Sonmans (fl. 1670 - 1708), contemporary speckled calf with losses and repairs, small folio; [Newman (Samuel)], A Concordance to the Holy Scriptures: With the Various Readings both of Text and Margin, In A more Exact Method than hath hitherto been Extant, third edition, John Hayes, Printer to the Univerfity (sic): For Hannah Sawbridge at the Bible on Ludgate Hill in London, Cambridge 1682, contemporary speckled calf, gilt tooled spine, blind lettering, 4to; Biblical and Theological Dictionary, 1849, black-stained quarter calf and marbled boards, 16mo; other 18th and 19th century quartos with full-page engravings, various; etc
Los 3499
English School (mid-19th century), a Victorian royal novelty, A Windsor Pear/Pair, Daily seen at the Royal Table, hand-coloured pear with integrated flap enclosing a hand-coloured bust-length double-portrait of the royal couple or pair: Queen Victoria and Prince Albert, the pear etched, the monarch and consort steel engraved, 22.5cm x 13.5cm, c. 1840, ScarceNot recorded in O'Donoghue's 'Catalogue of Engraved British Portraits'. For a similar example earlier of William IV and Queen Adelaide, from 1833, see the Royal Collection, RCIN 630124.
Los 3551
Armaments Manufacture - Krupp, 1812 - 1912: Zum 100 Jährigen Bestehen Der Firma Krupp und Der Gussstahlfabrik zu Essen-Ruhr, Herausgegeben auf Den Hundertsten Geburtstag Alfred Krupps, [n.d., 1912], pp: [vi], 416, [ii], full-page etched portrait of the founder Alfred Krupp, linocuts vignettes throughout text, chromolithographic plan and view of the works (loose as issued), contemporary khaki cloth, lettered upper cover and spine, teal stained edges, inserted loose ephemera (2), Plain Armorial bookplate to recto pastedown: Vaux of Harrowden, crown folio
![Pietar van Gust (1658/9 - 1732), after Adriaen van der Werff (1659 - 1722), portrait, Thomas Morus [Sir Thomas More], [Amster](https://cdn.globalauctionplatform.com/6b29b9c9-e055-458d-9837-aa01011b2b26/7eaee3d3-38c6-4ea8-8714-aa0200903037/468x382.jpg)
Los 3053
A 19th century Indian Mughal rectangular parchment and softwood portrait panel, painted in colourful pigments with a full-length official, on a red ground, lotus border, 29cm x 19cm; a 19th century Indian composition ovoid vessel, painted with musicians on a black ground, 14cm high; a 19th century Islamic fragmentary miniature tablet, of hunt, watercolour on ivory, 3.5cm x 11cm, framed; a softwood rectangular dressing box, [collection, 4]
![Anon, The Accomplifh'd (sic) Lady's Delight, in Preserving, Physick (sic), Beautifying, Cookery, and Gardening [...], eight e](https://cdn.globalauctionplatform.com/6b29b9c9-e055-458d-9837-aa01011b2b26/fcdff6db-6e4c-49cc-8d40-aa0200904ff6/468x382.jpg)
Los 3548
Anon, The Accomplifh'd (sic) Lady's Delight, in Preserving, Physick (sic), Beautifying, Cookery, and Gardening [...], eight edition, Printed and Sold by Benj. Harris, at the Golden's Boar's Head, in Grace Church-ftreet (sic), London 1701, pp: [vi], 176 (erroneous pagination at pages 57 - 61 but text complete with flowing catchwords), [xii], engraved anonymous portrait frontispiece of the supposed author: Hannah Woolley, half-title page with engraved vignettes of a working kitchen, diagrams of pie shapes to pages 103 - 104, contemporary panelled mottled calf, losses to spine and corners, later applied endpapers, 18mo
Los 3544
A Collection of the State Papers of John Thurloe, Efq (sic); Secretary, Firft (sic), to the Council of State, And afterwards to The Two Protectors, Oliver and Richard Cromwell [...] To which is prefixed The Life of Mr Thurloe: With a Complete Index to each Volume, by Thomas Birch, M.A., F.R.S., seven-volume set, Printed for the Executor of the late Mr Fletcher Gyles (sic) [...], London 1742, volume I title-page with an engraved portrait of the spymaster-statesmen by George Vertue (1684 - 1756), contemporary marbled calf gilt, the boards with gilt double-fillet with minor relaid portions in keeping, the spines of volumes I & II later work en suite, the spines of volumes III - VII blind lettered and gilt tooled, all edges speckled red, crown folios, [7]
Los 3503
Thomas Vivares (b. 1744), after George Morland (1763 - 1804), Self-Portrait Beside a Country Inn, a pig, a dog and his easel by his side, From an original Drawing in the pofsefsion (sic) of John Graham Esqr, To whom this Engraving is respectfully inscribed bu his obliged h:ble Serv:t Edwd Orme (sic), Published by Edward Orme, London 1805, hand-coloured soft-ground etching, 38cm x 50cm, Hogarth-type frame
Los 599
HM Queen Mary 1929 Signed Portrait Photograph.This fine quality image depicts the Queen head and shoulders, wearing pearls to her neck. To the mount signature “Mary R 1929”. Mounted into original, gilt and crimson velvet glazed table frame. Overall size 12 1/2 x 14 1/2 inches. Image remains clear. GC
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283284 Los(e)/Seite