283284 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283284 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283284 Los(e)/Seite
Los 1058
J.F. Harrison Dutton (19th/20th century) - Portrait of a lady, bust length, wearing a black dress and pearl necklace, Portrait of a gentleman, head and shoulders wearing a grey suit, signed and dated '96 (1896), oil on canvas, each 28" x 24" (pair) *The pictures are contained within elaborately carved gilt wooden frames with foliate scrolls and acanthus leaf decoration to both the corners and centres of the moulding
Los 126
A set of four 16th century carved oak 'Romayne' panels, each with a portrait bust within a wreath or a cartouche above mythical beasts, and surmounted by an angel's mask, a bull's head, a pair of horse's heads and a pair of stylized human heads, 55.3 x 21.3 each panel, later mounted into oak door frames. (2) Provenance: A private collection in the Cotswolds.
Los 249
An early Victorian watercolour full length portrait of a gentleman, in a top hat and tails, with a blindstamp to bottom left corner, 26.1 x 16.3cm in a glazed bird's eye maple frame, together with a portrait of a Bishop in an ornate gilt frame and a pair of George III silhouettes of a lady and a gentleman, in oval brass frames. (4)
Los 250
A George III silhouette of George Baillie Esq. by S Houghton, in a later frame, the back with remnants of the original paper label, 12.3 x 9.5cm, together with a silhouette portrait of a man in an ebonized frame and an 18th century wax bust of a lady. (3) Provenance: A private collection in the Cotswolds.
Los 251
A coloured engraving of 'HER MOST GRACIOUS MAJESTY Victoria', after G. Hayter Esq. and engraved by J. Cochran, published by 'FISHER SON & CO PARIS 1837,' 19.7 x 13.8 in a glazed bird's eye maple frame, together with a watercolour portrait of a gentleman, in a bird's eye maple frame, and a Baxter print of Admiral Lord Nelson in a carved giltwood frame. (3)
Los 606
Nigeria: Duddington, A.G.E. - silver prints, taken with Rolleiflex and MPP cameras, 1959, topographical and portrait studies, including archer, policeman, groups, schools, possibly Max Fry, harbour, Ford Prefect, petrol stations, tankers and depots and Bristol Britannia on tarmac, 20 x 16, mounted (7), 10 x 8, in contemporary albums (142) and loose (apx. 60), with various images of London; Duddington was MD of Advertising Publicity Techniques Ltd and went to photograph pioneer steel fabrication, G (a lot)
Los 622
The Royal Naval Exhibition, Chelsea, 1891: half calf gilt album oblong quarto, silver prints - interiors of galleries and trade stands, including Sir Joseph Whitworth, ‘Battery Deck of Modern Armour Clad’, sailors preparing exhibition naval gun landing party, boating lake with models in battle, P&O building, portrait group of bluejacket officers and men from HMS Defiance, battleships at sea, crew of HMS Active posed on deck, naval manouevres 1893, some by W.Gregory, London, various sizes up to 9 x 12in., pp 27, P-G, some fading, album P; with Hammerschmitt view of the pyramids, signed in negative and four other images
Los 633
Various Images: ninth-plate Daguerreotype portrait of lady, cased, lacks cover, F, two ambrotypes, tintype, F, Paget glass-mounted colour slides - family groups, theatrical entertainment, toddler and Pool of London, circa 1930 (8), Autochrome - Century Plant, Agava afrovirens, from Mexico, at Kew, dated 7 IX 12, with stereo cards and other items (15), G (27)
Los 220
A Custom-Built Mahogany-Bodied Telephoto Sports Photographer’s Half-Plate Camera, with Taylor Hobson Group Portrait f/8 36” Waterhouse Stop lens, serial no. 5776, body, G, roller-blind shutter working, lens, F-G, scratches, on tripod; overall length 110cm approx.; cameras of this type were used in the 1910 London Olympics
Los 201
A ropework and canvas display panel from the Steam Salvage Tug 'Superman':, having ship's crest over painted portrait and rope display on a canvas ground, 122 x 90cm. * Note Built in 1933 for the United Towing Company , Hull Superman was requisitioned by the Admiralty during WWII as a rescue tug, She was returned to the owners in 1945 and was eventually broken up Queensborough 1964.
Los 1402
A Chinese portrait of the Emperor Kangxi, 19th century, seated on a chair wearing a dragon robe and rank badge, gouache on xuan paper, with silk mounts, 119.5 x 66cm Note: This picture was in the collection of His Excellency Edward Gervase Willan CMG, (1917-2006) CONDITION REPORT: areas of tapng to mounts, creasing and worm holes to paper, areas of foxing
Los 6
GIUSEPPE CADES’ Circle Second half of the 18th century Portrait of a young woman Oil on canvas, cm 40x50 The work must have been accomplished in Cades' workshop in Rome by 1780s. Features such as the sturdy and pale brush stroke typical of the fleshy pink and the woman's hair and plumed hat can be found in works like Nativity of a private collection in London and Agar and the angel of a private collection as well. The latter might not have been accomplished personally by Cades, but probably by our portraitist (Giancarlo Sestrieri, Bibliography of the Roman painting of the end of the 17th century and the 18th century, Torino, II, tables b/n 183 and 186). The canvas is in a sound state.
Los 54
** John Stezaker (b. 1949) - Film Portrait (Incision) VII, 2005 photo collage, signed, titled and dated on an accompanying certificate of authenticity from The Approach, London 21 1/4 x 15 3/4 in., 54 x 40 cm (frame) Provenance: Richard Telles Fine Art, Los Angeles. A prominent figure in radical Contemporary Art since the 1970s, Stezaker came to the fore in the mid-2000s alongside a new wave of young British artists emerging from London's art schools. Utilising the Cubist method of papier-colle, Stezaker takes images from everyday publications such as magazines, art history books, catalogues and encyclopaedias, and splices them into one another by the simple, hand-cafted act of collage. The resultant images have a strange, psychic charge to them, bordering on the Surreal. But it is through this process of deconstruction and reassemblage that the artist manages to represent the fragmented experience of the world and the illusionist nature of photography, supposedly its truthful recorder. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 55
** John Stezaker (b. 1949) - Film Portrait (Incision) VIII, 2005 photo collage, signed, titled and dated on an accompanying certificate of authenticity from The Approach, London 21 1/4 x 15 3/4 in., 54 x 40 cm (frame) Provenance: Richard Telles Fine Art, Los Angeles. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 62
A Roman bronze steelyard weight 3rd century AD; 8,8 cm (3,46 in) high; Depicting the portrait bust of Dionysus with well-defined facial features, wearing a mantle draped over his chest, his locks finely delineated and tied in a fillet, crowned with a wreath of ivy, surmounted by a suspension loop. Superb light green patina PROVENANCE: Private Collection, Germany.
Los 73
A Roman marble head of a youth 3rd century AD; 14 cm (5,33 in) high; Possibly from a figure of Eros depicting as a child, luxuriant coiffure with finely sculpted center-parted tresses and wavy curling locks falling onto the upper part of both ears, the chubby face with lidded eyes with drilled pupils, the smiling mouth slightly open revealing the upper row of teeth, rounded cheeks and chin. For the style and in particular the treatment of the coiffure, compare the marble Portrait of a boy of Santa Maria degli Angeli Collection, Rome, inv. 12055, and a Roman copy of ca. 117-138 AD of an original Greek of the 5th century BC placed in the State Hermitage Museum of St. Petersburg. This portrait has been attributed to infant Caracalla due to various elements, such as tipology and the highly refined style REFERENCES: R. Friggeri, M. Magnani Cinetti, C. Carulo (ed. by), Terme di Diocleziano: il chiostro piccolo della Certosa di Santa Maria degli Angeli, p. 141, im. 36.4. PROVENANCE: Private Collection, England.
Los 92
A portrait of a young patrician Neoclassical style, 18th century; 16,5 cm (6,49 in) high; With finely modelled features, the oval face with the layered coiffure composed of a mass of short comma-shaped locks pulled back over his forehead, the partially recessed almond-shaped eyes with defined upper and lower lids and eyebrows arching above, accentuating nose with fleshy bow-shaped mouth and lips pressed together. Resembling to the portrait of Augustus PROVENANCE: Private Collection, Bavaria.
Los 409
A group of three 19th Century portrait miniatures in black papier mache frames, all oval shaped miniatures of a side profile watercolour on paper of a gentleman and two full profiles on ivory slips of a lady in blue dress with ruffle collar and bonnet and a gentleman in Regency style attire, the ovals 2.5 x 2 ins (6.5 x 5 cms)
Los 268
A gold charm bracelet,with faceted belcher links between scalloped box links with diaper decoration. Seventeen assorted gold and gold cased seals attached, to include an 18ct gold swivel example with a polychrome example portrait of a horse, and hardstone and intaglio engraved hardstone examples. Marked 9c with several hallmarked examples
Loading...-
283284 Los(e)/Seite