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283287 Los(e)/Seite
Los 804
After Sir Thomas Lawrence. Portrait of two girls, signed by the printer, and another similar, 6cm diameter, various 19thC hand coloured book plates, various country houses, etc., to include Nostall Priory, French prints, Oriental prints, etc., and a framed ceramic tile with reverse painted glass, possibly Italian.
Los 112
A beautifully framed 1900 Art Nouveau calendar lithograph featuring a finely detailed portrait of a woman in a richly dressed attire, . The central image presents a striking side-profile of a young woman wearing an opulently decorated headdress with pearls and embroidery, accented by a flowing green ribbon. The lithograph is framed by an ornate floral border of pink carnations, a common motif in Art Nouveau design. Below the portrait, the months of the year are meticulously printed in a classic serif typeface. The soft pastel tones and organic lines are indicative of the period's Art Nouveau aesthetic. Housed in an elaborate gilt and embossed frame with scrolling foliate patterns, this lithograph is stunning example of turn-of-the-century decorative ephemera with strong historical and artistic appeal. Artwork can be unframed and rolled for shipment.Issued: 1900Dimensions: 20.25"L x 24"HCountry of Origin: FranceCondition: Age related wear. Small tear on lower center.
Los 135
Two contemporary Vietnamese school acrylic paintings on canvas to include a stylised figural portrait of a lady by NguyÔn Th Trang Ngu, signed to the lower right with a note to the reverse along with a jungle scene with lions, tigers and elephants drinking from a stream, signed to the lower right. H.62 W.51cm
Los 6
Dod Dow signed Portrait of Champions limited edition 183 Golf Art Print by Dod Dow. Framed and mounted. Measures 32x26 inch appx. Has mould inn top right corner. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Los 291
Charming Royal Doulton character jug depicting John Doulton (1793–1873), created exclusively for the Royal Doulton International Collectors Club. Model D6656, this limited edition jug was issued in 1980 by Royal Doulton Tableware Ltd. to commemorate the founder of the famed pottery firm. The jug features a finely sculpted portrait of John Doulton flanked by iconic London elements including Big Ben and a stylized gas lamp, all set against a backdrop of architectural silhouettes. It is mounted on a custom wood base with a metal plaque that reads “International Collectors Club – Enrolled.” Base and jug are in matching presentation style, ideal for display. Full Royal Doulton backstamp on underside. Height of mug on top of base is 5.25"H.Issued: c. 1980Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Los 318
Royal Doulton limited edition character jug from The Antagonists Collection, depicting George Armstrong Custer and Sitting Bull in a dramatic dual portrait commemorating the Battle of Little Big Horn (1876). Designed by Michael Abberley, this intricately hand-decorated jug showcases Custer on one side, Sitting Bull on the other, with a shared tomahawk/pistol handle. Backstamp indicates it is number 2197 of a worldwide limited edition of 9500, issued in 1983. Includes the Royal Doulton backstamp and artist signature. Measures 7"H. Issued: 20th century Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Los 63
A Victorian bronze Great Exhibition medal. A Victorian bronze Great Exhibition medal, designed by William Wyon R.A., obverse the bust portrait of His Royal Highness Prince Albert, President of the Royal Commission, reverse a globe with Exhibitor banner, Exhibition of the Works of Industry of All Nations 1851, diameter 44mm, VF.
Los 12
Queen Elizabeth II, Brilliant Uncirculated Five Pounds, 1997. Queen Elizabeth II, Brilliant Uncirculated Five Pounds, 1997, Obverse portrait by Raphael Maklouf R. St. George and dragon, edge milled, struck in 22 carat gold, weight 39.94g, diameter 36.02mm, in original green box of issue with numbered certificate, SE4.
Los 11
1988 Royal Mint, Proof Britannia 1/10oz. 1988 Royal Mint, Proof Britannia 1/10oz, £10, weight 3.412g, diameter 16.50mm, struck in 24-carat gold, with obverse portrait by Raphael Maklouf, R. Britannia standing upon a rock in the sea, her right hand grasping a trident and her left hand resting on a shield and holding an olive branch, in original brown leather box of issue with numbered 2172 certificate, BGC1.
Los 62
The Platinum Wedding Anniversary Photographic Collection, 2017. The Platinum Wedding Anniversary Photographic Collection, 2017, Gibraltar, with The Platinum Wedding Anniversary Double Portrait Coin and eight accompanying Crown-sized coins depicting images from the reign of Queen Elizabeth II, the platinum coin struck in 999.5 platinum, weight 3.122g, 17.95mm, in original album of issue from The London Mint Office with accompanying certificates of authenticity.
Los 66
An assortment of various Bank of England Ten Pounds banknotes (20). An assortment of various Bank of England Ten Pounds banknotes to include a Series "C" Portrait Issue (February 1964), Ten Pounds banknote, brown, 150 x 93mm, signature J.Q. Hollom, Prefix A23 477905, BE153b and nineteen Series "C" Portrait Issue (1971-), Ten Pounds banknotes, brown, 150 x 93mm, signature J.B. Page, various Prefixes, all loose and in in a variety of mid-high grades (20).Qty: 20
Los 13
Queen Elizabeth II, Brilliant Uncirculated Five Pounds, 1998. Queen Elizabeth II, Brilliant Uncirculated Five Pounds, 1998, Obverse portrait by Ian Rank-Broadley R. St. George and dragon, edge milled, struck in 22 carat gold, weight 39.94g, diameter 36.02mm, in original green box of issue with numbered certificate, SE8.
Los 599
*ISABEL LAMBERT RAWSTHORNE (NÉE NICHOLAS) (1912-1992) Double portrait circa 1960s, oil on canvas, 60cm x 50cmProvenance: The picture was inherited by descent from mother to daughter. The mother was friends with both Constant Lambert and Alan Rawsthorne (two of Isabel's husbands), as part of the same music circle. She remained friends with Isabel right up her twilight years when she lived in a cottage in Essex. Indeed the daughter vividly recalls visits, and the kind donation of old canvases to her brother as a young artist.Note: Isabel has been subjected to relative obscurity, probably due to her name changes from three marriages, and from being dismissed by society as merely the striking studio model, lover or muse of artistic icons such as Alberto Giacometti, Pablo Picasso, and Francis Bacon. Despite highly acclaimed exhibitions in the 50s and 60s, she has only recently received serious renewed recognition, which is now gaining pace and several paintings have entered public collections as a result.From a humble background she studied at the Liverpool College of Art, later winning a scholarship to the Royal Academy in London. After working with Jacob Epstein she moved to Paris to study at the Academie de la Grande Chamiere and associated with Giacometti, Tristan Tzara and the Surrealist Circle. Throughout her life she was within leading artistic circles, be they composers, dancers, artists or writers. It is notable that she became a respected scenery and costume designer for ballet and opera productions at the Royal Opera House.From 1949 she and Bacon showcased their figurative brand of modern art at the Hanover Gallery and exhibited in the ICA and British Council. Indeed the critic David Sylvester ranked her alongside Bacon, Lucien Freud, John Craxton and Peter Lanyon.It was during the 1960s and 1970s, with the deaths of Giacometti and her third husband, that the ethereal double portraits emerged and where the distinctive dead and sculpted likenesses evolved. This painting is almost certainly one of a portrait series of her late husband Alan Rawsthorne and his sister Barbara. The spectral faces dissolve into a void-like background, capturing the fragility of the human body. The doubling effect suggests the mirrored ballet studios in which she drew dancers at their craft. The grainy texture, created with sand highlighted with hints of pink, yellow and white, emphasises the shafts of light and the window behind.
Los 573
*FRANK JAMESON (1899-1968) 'Portrait of Mrs Jacobs' oil on canvas, 48cm x 35cmProvenance: The Artist's Studio Sale, with stamps verso, Acquired from Clock Tower Antiques, Truro, Cornwall, 31st March 2000,Private collection, Dorset.Note: By repute the sitter was a member of the famed Jacobs family, producers of crackers and biscuits.
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283287 Los(e)/Seite