283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
British School, early 20th century- Portrait of gentleman, quarter-length turned to the right in a red coat and portrait of a lady quarter-length in a pink dress, traditionally held to be Sir Keith and Lady Fraser Bt; oil on canvas, a pair, ovals, mounted in matching gilt composition oval frames, 61x50cm., ea., (2)
English School, early-mid 19th century- Portrait of a lady, seated half-length turned to the right in a green dress and with a headpiece with red ribbons; oil on canvas, mounted in an early 19th century rosewood veneered frame, 33x26cm: English School, mid 19th century- "The Wayside Toilet before Entering the Town"; watercolour, inscribed and dated Apr `58 on the reverse, bears label for P & D Colnaghi & Co, 13 & 14 Pall Mall East, attached to the reverse of the frame, 35x28.5cm: British School, late 19th/early 20th century- Mountain landscape; watercolour, 23.5x16cm., (3)
British School, mid 19th century- Portrait of a lady, traditionally held to be Catherine Jones, seated half-length turned to the left in a white bonnet and blue dress; oil on canvas, bears inscription Mr Bott, Crown ****, Rupert St on the stretcher, mounted in a 19th century gilt composition Louis XVI style frame, canvas manufactured by A Barnard 339 Oxford St London, 77x64cm
Strudwick Y Johnson, British Provincial School, late 19th century- Portrait of Bessie Gray; oil on canvas, signed and dated 89 on the reverse, 46x35.5cm: Lajos Varga Nándor, Hungarian 1895-1978- Mountain village landscape; etching printed in green/black, signed and dated 1930 within the plate, signed and dated 1930 in pencil, 23x22cm., (2) (may be subject to Droit de Suite)
A Portrait Miniature, British School, late 19th century depicting a lady, head and shoulders in a white lace dress with hair upswept, initialled `RH` and dated 1888, mounted in a glazed gilt metal oval pendant frame 10.7x8.5cm: A Portrait Miniature, British School, mid-19th century, depicting a lady, head and shoulders turned to the left with ringlet hair swept up into roses adorning her head, mounted in a glazed gilt metal Belle Epoch frame, with cartouche, surmounted by ribbon swag and with bevel mirrored backing, 17x11.5cm., (2)
A Group of Continental Portrait Miniatures, including portraits of Josephine, Empress of the French 1763-1814, Therese Tallien, later Princess Chimay 1773-1835, Laure Junot, Duchess d`Abrantes 1784-1838, three held in a shared mount, a lady full-length wearing a black dress and four others, (8)
Eric Wood, British mid/late 20th century- Portrait of a man seated writing a letter; oil on canvas, signed, 26x31cm: together with two further by the same or associated hand depicting, a "portrait of Alan of Walton", oil on canvas, 30.5x25.5cm, and a further portrait of a man wearing a red jacket and purple tie, oil on panel, 46x37cm (3), (may be subject to Droit de Suite)
Attributed to Yuri Panin, Russian b.1929- Portrait of young girl; oil on board, inscribed verso, dated 1968, 69x45.5cm: Attributed to Yuri Panin, Russian b.1929- Portrait of a woman head and shoulders; oil on board, inscribed verso, exhibition label in Cyrillic, dated 1964, 69x45.5cm: Circle of Lev Nickolaevich Orekhov, Russian 1913-1991- Street Scene; oil on board, inscribed indistinctly verso and dated 1970, 15.6x24.8cm: together with two other oils on board, of a street and river scene by the same or related hand, both inscribed verso and dated 1970 & 1972, 15.6x25cm & 15.7x24.2cm, (5) (unframed)
Vladamir Bashmakov, Russian b.1937- Portrait of a man, head and shoulders; oil on board, signed and dated 1966, inscribed verso in Cyrillic, 48x35cm: together with two other oils on board by the same artist depicting portraits, both signed and dated 1971, inscribed verso in Cyrillic, max 56x37cm, (3) (unframed)
Follower of Vasili Levi, Russian 1878-1953/4- Portrait of a woman reading; oil on board, 66x61.5cm: Russian School, 20th century- Portrait of a girl and Portrait of a worker; oils on board, two, 74.5x57cm & 74x47cm: D Ropun, Russian, 20th century- Portrait of a soldier; oil on card, signed indistinctly and dated 1962, inscribed verso, 49x33.5cm: together with an oil on canvas stuck down on card by the same or similar hand, depicting a portrait of a soldier, signed indistinctly and inscribed verso, dated 1957, 15.5x12cm., (5) (unframed)
Circle of Vasili Makathukha, Russian b.1922- Washing by a river; oil on board, inscribed verso, 50x79.5cm: Shaposhnikov, Russian, 20th century- Boat on a river; oil on board, signed and dated 59, label verso, 50x72cm: Circle of Roman Podobedov, Russian 1920-2000- Portrait of Seated girl; oil on card stuck down on card, inscribed faintly under picture, 23.2x31.7cm: Russian School, 20th century- Horse and sliegh in snow; oil on board, signed indistinctly and dated 1963, inscribed verso, 30x71cm: V. Savelieva, Russian, 20th century- Goats by a farm; oil on board, inscribed verso, and dated 1965, 39x64cm., (5) (unframed)
Boris Fedorov, Russian 1922-1984- Woodland scene; oil on canvas, inscribed verso in Cyrillic, 24.5x47cm: Boris Fedorov, Russian 1922-1984- Portrait studies; oil on board, inscribed verso, 31x37cm: Follower of Anatoli Levitin, Russian b. 1922- Trees in meadow; oil on canvas, inscribed verso in Cyrillic, dated 1971, 69.5x60cm: Follower of Anatoli Levitin, Russian b. 1922- Farmyard buildings; oil on canvas, inscribed verso, 55x62cm: Follower of Anatoli Levitin, Russian b.1922- Back of farmyard buildings; mixed media on board, inscribed verso, 49.6x39.7cm: together with three others by the same or similar hands depicting trees and foliage, all inscribed verso, max 69.5x39.5cm, (8) (unframed)
Manner of Victor Tioulenev- Figure with orb & Portrait of couple; oils on canvas, two, inscribed verso, ea. 73x55cm: Russian school, 20th Century- Portrait of nude girl in landscape; oil on canvas, inscribed verso, 64x55.6cm: N G Reznichenko, Russian, late 20th/early 21st century- Portrait of a woman; oil on canvas, monogrammed, inscribed verso in Cyrillic and dated 2005, 60.5x50cm: N G Reznichenko, Russian, late 20th/early 21st century- `Coffee`; oil on board, monogrammed, inscribed verso in Cyrillic and dated 2005: together with two other Russian school paintings by similar hands, depicting summer cottage and winter trees, oils on board, both inscribed verso, max. 80x49cm, (7) (unframed)
Alexander T Pushnin, Russian 1921-1991- Portrait of young girl; oil on card, signed, inscribed verso and dated 1961, 46x31.5cm: Vladamir T Bashmakov, Russian b.1937- Portrait of a nurse, seated; oil on board, signed and dated 1976, inscribed verso, 50x45.5cm: Circle of Gueorgui Moroz, Russian b.1937- Portrait of a Woman in the snow; oil on board, signed and dated 70, inscribed verso, 79.5x50cm: Circle of Nina Sukacheva, Russian b.1925- Portrait of a woman in head scarf (recto) & Portrait of a young girl seated (verso); oil on card, inscribed, 40.5x36cm: Manner of Konstantin Lomikine- Portrait of a woman seated (recto) & Portrait of a boy (verso); oil on canvas, signed indistinctly, 53x43cm: Circle of Sergei Gusev, Russian b.1927- Portrait of a bearded man; oil on card, inscribed verso indistinctly and dated 1959, 33x24cm., (6) (unframed)
Diana Cumming, British b.1929- "Couple Swimming"; oil on board, bears signature, title and date 1963 to the reverse, 79.5x67.5cm: R Baillie, late 20th/early 21st century- Portrait study of the head a bearded man; oil on board, signed to the reverse, 46x46cm, (2), (may be subject to Droit de Suite)
Francis Hoyland, British b.1930- House with garden; oil on panel, bears inscribed labels to the reverse, 56x61cm: together with an oil on unstretched canvas depicting a portrait of a man (verso) and figures in a park (recto), by the same or associated hand, 49x40cm, (2), (part unframed), (may be subject to Droit de Suite)
Willems, Dutch, 19th/20th century- Couple by a beached sail boat; oil on board, signed, 11.5x16.5cm: Jan Bissell, 20th century- Portrait of a man; pastel on coloured paper, signed in red, 27.6x20.5cm: Constance Gertrude Copeman ARE, British 1864-1953- A mill, King`s Lynn 1900; etching, signed in pencil, 15x7.5cm: Mid 20th Century- Portrait of a girl; pastel on buff paper, signed indistinctly, dated 1949, 3.5x22.7cm: together with a quantity of engravings and reproduction prints of various sizes and designs, (a lot) (may be subject to Droit de Suite)
Shaw, Henry. SPECIMENS OF ANCIENT FURNITURE, folio, hand-coloured additional engraved title, engraved plates with some hand-colouring, roan-backed boards (worn), London: 1836 (some light soiling/browning); --THE HISTORY AND ILLUSTRATIONS OF A HOUSE IN THE ELIZABETHAN STYLE OF ARCHITECTURE ... SITUATED IN THE BOROUGH-TOWN OF GREAT YARMOUTH, NORFOLK, folio, frontispiece portrait, engraved plates (some loose), similarly bound to the above (worn, backstrip and front board sunned), London: 1838. With 1 other volume.
AMENDMENT: Please be aware the first book in this lot titled `A REPORT CONTAINING AN ESSAY…` has been withdrawn and the estimate has been revised to £80-120: A REPORT CONTAINING AN ESSAY FOR THE AMENDMENT OF THE SILVER COINS, 8vo, London: 1695; bound with: THE REGULATING SILVER COIN, MADE PRACTICABLE AND EASY, TO THE GOVERNMENT AND SUBJECT, London: 1696; bound with: FURTHER CONSIDERATIONS CONCERNING RAISING THE VALUE OF MONEY, second edition, London: 1695, contemporary calf (worn, lacking front board) (some corner creasing, the last work heavily browned throughout). -- Somner, William. A TREATISE OF THE ROMAN PORTS AND FORTS IN KENT, 8vo, frontispiece portrait, contemporary calf (worn, front board detached), Oxford: 1693 (small section missing from corner of frontispiece, paint spots on first leaf of Somner`s text [i5], owner`s name on title, browning, some soiling). With 2 other works in 3 volumes.
Barrow, Isaac. A TREATISE OF THE POPE`S SUPREMACY, 4to, frontispiece portrait, title printed in red and black, contemporary spotted calf (worn/scuffed, some separation at hinges), London: 1680 (ink spots on title, light browning/spotting); -- d`Alembert, M. AN ACCOUNT OF THE DESTRUCTION OF THE JESUITS IN FRANCE, 12mo, contemporary sheep, contrasting label (worn/scuffed), London: 1766 (top edges dust-soiled). With 3 related volumes.
de Quevedo, Don Francisco. OBRAS, 3 vols, 4to, titles printed in red and black, additional engraved title plus engraved portrait in Vol I, engraved plates in all vols, contemporary vellum (soiled), Henry Verdussen, 1726 (title and initial leaves of Vol I waterstained, title of Vol I with untidy owners` inscriptions; top edges soiled; light browning/spotting throughout). Provenance: M. Stephenson (ink inscription on title of Vol I).
Bentivoglio, Cardinal. RELATIONI DI CARDINAL BENTIVOGLIO, small 4to, title with woodcut vignette, contemporary vellum (soiled), Brussels: 1632 (browning/spotting throughout, top edges dusty, handwritten name on title); -- Florentin, Pogge. POGGIANA. Ou, LA VIE, LE CARACTERE, LES SENTENCES, ET LES BONS MOTS, 2 vols, 8vo, frontispiece portrait in Vol I, titles printed in red and black, contemporary calf, later labels (worn), Amsterdam: 1720 (occasional spotting).
[Smith, H. & J.] REJECTED ADDRESSES: or THE NEW THEATRUM POETARUM, 8vo, green calf, gilt, contrasting label (worn, spine lightly sunned), London: 1813 (some light soiling), WITH INK ANNOTATIONS IN A NEAT HAND; -- Kelly, Michael. REMINISCENCES ... OF THE THEATRE, second edition, large 12mo, portrait frontispiece, half calf, marbled boards, contrasting labels (light wear), London: 1826 (top edges dust-soiled); -- [Anon] CRITICAL ESSAYS ON THE PERFORMERS OF THE LONDON THEATRES, 12mo, engraved title vignette, later half calf, marbled boards, contrasting label (backstrip sunned), London: 1807 (top edges dust-soiled).
Byron, George, Lord. COMPLETE POETICAL WORKS, 4to, engraved frontispiece portrait, additional engraved title, tan calf gilt, contrasting label (some wear), London: 1853 (some spotting to preliminary leaves). With 39 other literary volumes in full or half calf (the majority gilt), 4to to small 8vo.
Sinclair, Sir John. THE CODE OF AGRICULTURE, 8vo, engraved frontispiece portrait, publisher`s boards (backstrip detached but retained, with label), London: 1817, INSCRIBED IN INK on the title, `The Lord Chancellor, from the author, J.S., 21 October 1817`. With 17 other works on agriculture/husbandry in 18 volumes.
Twiss, Horace. THE PUBLIC AND PRIVATE LIFE OF LORD CHANCELLOR ELDON, 3 vols, 8vo, frontipiece portrait, lithographed plates, contemporary calf gilt, contrasting labels (worn/scuffed), London: 1844 (top edges dusty, some spotting). Provenance: W. Canning (pencil inscription on title); -- Trotter, John Bernard. MEMOIRS OF THE LATER YEARS OF THE RIGHT HONOURABLE CHARLES JAME FOX, 8vo, tan Russia (spine sunned), London: 1811 (some creasing). With approx. 120 other biographical/genealogical works, various bindings, including several relating to the Eldon family, many of them duplicates.
* Two small photograph albums, late 19th/early 20th century, the photographs in one album depicting various scenes in rural Britain, the second album showing country pursuits such as fox hunting and scenes of dancing monkeys, a further collection of colour negatives, all depicting rural garden scenes, some mounted in card, from the studio of Olive Edis, three colour negative plates, a further collection of double photographic plates, various images to include two autochrome plates of Columbo harbour- Ceylon circa 1914, a box of seven colour negative portrait plates, (a/f), (a lot).
Camilla Shivarg, British b.1953- Portrait of a nude wearing a hat; pastel on buff, signed and dated `90 in pencil, 56x39.5cm: together with six other nude and figure studies in pastel, pen, ink and watercolour by the same artist, various sizes, (7) (may be subject to Droit de Suite) Note: Camilla Shivarg is a figurative painter and sculptor. Trained at Chelsea and Wimbledon and apprenticed to the distinguished sculptor Karin Jonzen, she specialises in portraiture and the nude.
British School, 19th century- Portrait miniature of a military officer; oil on panel, feigned oval, 10x7.5cm: British School, 19th century- Silhouettes of gentlemen with walking canes; black ink, a pair, in matching walnut veneered glazed frames, ea. 19.5x12cm: Charles Williams, British act. 1797-1830- "John Bull on a Bed of Roses", publ July 1806 by Wm Holland; hand coloured etching, 25.5x35.5cm: Rossingol, French School, 19th century- "Vue De Paris"; hand coloured etching, 24.5x31.5cm: together with a further quantity of 19th century and later prints including hand coloured etchings and lithographs, a set of botanical chromolithographs, and a quantity of reproduction pictures and prints, (a lot)
S Rodzianko, Polish/Russian, early-mid 20th century- Portrait of a Naval Lieutenant, seated half-length turned to the left and Portrait of an RAF officer, standing half-length; oil on canvas, a pair, both signed, one dated 1940, mounted in matching Louis XV style swept composition frames, 76x51cm., ea., (2) (may be subject to Droit de Suite)
British School, early 19th century- Lady with cupid; pen and brown ink and wash, oval, mounted in a glazed oval gilt composition frame, 15x12cm: British School, early 19th cetury- Portrait of a gentleman, quarter-length turned to the left, 8.5x6cm: A Portrait Miniature, British School, mid 19th century, depicting a lady seated half-length turned to the right reading a book, oval mount, glazed frame, 7x5cm: together with three framed small format prints, one in a miniature Oxford frame, one in an oval glazed ebonised frame, various sizes, (6)
Mord, German School, early/mid 19th century- "Portrait de J F Schmillentzky"; watercolour, signed and dated 1839, oval, inscribed and with label to the reverse, in an ebonised frame, 15.7x12cm: British School, early 20th century- Still life of flowers; watercolour, signed and dated 1908, 24x26cm: together with three other pencil and watercolour studies by various hands, (5)

-
283287 Los(e)/Seite