VICTORIEN-ANTOINE BASTET (1852-1905), A TERRACOTTA BUST OF A YOUNG GIRL DATED 1881 Signed to reverse Bastet Paris 1881 61cm high, 47cm wide The son of a peasant family from the Vaucluse, as a child Bastet was a shepherd boy and it was only at the age of nineteen that he went to Avignon to study at the Ecole de Dessin. In 1874 he received a grant which allowed him to move to Paris where he studied at the Ecole de Beaux-Arts under Dumont and Thomas. He became a protege of Aime Millet and made his debut at the Salon of 1879. Bastet was a popular portrait sculptor and his state commissions include a bust of the painter Pierre Parrocel for Avignon and a group of terracotta medallions in the Musee de Toulon. This terracotta may perhaps be identified with his terracotta bust of Mademoiselle P. L., exhibited at the Salon in 1882 and the Exposition Nationale in the following year. Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Slightly dirty surface with small knocks and surface loss- left ear looks to have been restored, some chips to base edge Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
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After Tamara de Lempicka - Self Portrait in the Green Bugatti, a large framed and glazed print, 84 x 59, frame size 100 x 76cms; along with, J E Hasko - river landscape with trees to the distance, and snow capped mountains behind, oil on canvas, signed and dated '98 to lower right, 80 x 60cms, unframed.Location: GIf there is no condition report shown, please request
Royal Mint, The Gillick Portrait Collection Set; 13 coin set comprising; 2x sovereigns 1957 and 1968, 2x commemorative crowns, New York and Churchill issues, and a specimen set of 9 Elizabeth II pre-decimal coins, farthing to halfcrown; set no.46/1500; all coins encapsulated and boxed with certificate
Elizabeth II, Five-Pound Portrait Set, comprising 4x gold five-pound coins, 1984, 1985, 1988 and 2003, each with a different obverse portrait of The Queen, set no. 32/100, (each coin .917 gold, 36.02mm, 39.94g), all coins encapsulated and boxed with certificate and booklet, all brilliant uncirculated or about so
The War Gallery Operation Sealion etc. A display cabinet with a portrait of Hitler WW2 German Military geographical information about the south coast of England, an invasion document to assist military forces , together with a military geographical object map and four other maps, a photograph album, a German Labour Front membership book, various models etc
The War Gallery Gausden at R.A.F. KELNLEY unfinished oil paintings Unfinished oil paintings by Mr Gausden at R.A.F. Kenley during the Battle of Britain 1940, "PILOTS RESTING BETWEEN SORTIES" oil on board 51x 60 cmand a "PORTRAIT OF SQUADRON LEADER J.H.LACEY D.F.M. and Bar" he was the top scoring Battle of Britain ace,who shot down 15 enemy aircraft including a German bomber over Buckingham Palace.60 x 50 cm
Percy Harland-Fisher (British, 1867-1944) Portrait of Dr Vaughan Cornish FRGS FGS (1862-1948)signed 'P. Harland Fisher' (upper right)oil on panel75 x 62cmA noted English geographer, Vaughan Cornish was born in Suffolk, the son of the vicar of Debenham. He visited and documented the building of the Panama in 'The Panama Canal and its Makers' (1909). Later his works focussed on the geography and legends of the British Isles.
Simon-Bernard Lenoir (French, 1729-1798) Portrait of Voltaire (François-Marie Arouet, 1694-1778), circa 1764inscribed verso 'Le Noir:pinxit'oil on canvas44 x 35cmProvenance:Within the present vendor's family for at least 90 yearsThis engaging, re-discovered portrait represents an important addition to the contemporary iconography of the renowned French Enlightenment writer François-Marie Arouet, known by his nom de plume Voltaire. Simon-Bernard Lenoir exhibited a pastel portrait of Voltaire at the Salon de l'Académie de Saint Luc, Paris, in 1764, believed to have been commissioned by Voltaire's friend, the actor Lekain (now in the Princeton University Art Museum, No. 2019-5). Although compositionally close to the pastel, the present oil on canvas, slightly smaller in scale, differs notably in the colour and style of Voltaire's jacket as well as the inclusion of delicate details, such the sitter's wig powder falling upon his shoulder, which give this painting a more immediate and lifelike feel and suggest it was made from first hand observation.Although primarily known as a pastelist, Lenoir also executed portraits in oil and is known to have repeated compositions in both mediums. The soft palette, sensitive handling (indicative of an artist familiar with pastel), closeness in style to known paintings by Lenoir and the inscription to the reverse of the relined canvas - likely replicating the artist's signature to the original canvas - all support a conclusive attribution of the present work to Lenoir's brush.The year 1764, also the presumed date of this portrait, was a significant one for Voltaire as it saw the publication of the Dictionnaire Philosophique, one of his best known philosophical works.
Attributed to Arthur James Lewis (British, 1824–1901) Portrait of an young girl in orientalist peacock headdresssigned and dated with initials A.L. and dated (18)67 (lower left)inscribed verso 'By Arthur Lewis'watercolour with gum arabic42.5 x 33.5cmArthur James Lewis was a successful haberdasher and silk merchant (of the firm Lewis & Allenby), who married the actress Kate Terry. Despite being an amateur artist, his undeniable talent meant that he exhibited widely at the Royal Academy, British Institution and Grosvenor Gallery.In an overall clean condition with the colour pigment having retained very well in the majority of areas. The is a large scratch to the paper located to the lefr left next to the initials, measuring approximately 10cm. The gum abrabic does show visible signs of craquelure, but seems to be stable. The watercolour has not been examined out of the frame.
![§ Fernand Toussaint (Belgian, 1873-1955) Portrait of a girl holding flowerssigned 'FToussaint' and dated 'Aout [18]90'oil on](https://cdn.globalauctionplatform.com/df98611f-ac82-45f9-92cb-b29e00c1d2cf/8a0872f8-257e-4288-b052-b29e010e7b55/468x382.jpg)
§ Fernand Toussaint (Belgian, 1873-1955) Portrait of a girl holding flowerssigned 'FToussaint' and dated 'Aout [18]90'oil on canvas60 x 50cmThe present painting is likely to be a very early work by the artist who is known to have begun studying with Jean-François Portaels at the Royal Academy of Fine Arts, Brussels, at the age of just fifteen.84 x 73cm framed
Attributed to Mather Brown (American, 1761-1831) An Officer of the Berkshire Regiment of Fencible Cavalry, or Windsor Foresters, circa 1794-1800 oil on canvas220 x 120cmProvenance:Traditionally said to have been acquired in Parma, Italy, according to the previous owner, His sale, Cheffins, Cambridge, 4th March 2015, Lot 596, where acquired by the present ownerThe sitter in the present portrait was an officer of The Berkshire Regiment of Fencible Cavalry, otherwise known as the "Windsor Foresters" as identified by the title scroll on his helmet. The Fencibles were raised 1st May 1794 for service within Britain and consisted of six troops under the command of Colonel Charles Rooke. They were primarily defensive units usually based within garrisons or on patrol and spent majority of their time in Scotland, where their main role was to be a front line of defence against French invasion from the Bonaparte regime. They were disbanded circa 1799-1800 and their uniform was by permission of King George III taken over by the Wargrave Rangers.Most of the regiment were volunteers, often landowners or nobility. There were approximately twenty officers in the Fencibles as of June 1797, which is around the time this picture was painted. However, their lack of recorded iconography makes the identification of the sitter a difficult task.Nevertheless, stylistically this magnificent military swagger portrait can be attributed to the American-born portrait painter Mather Brown and represents a significant addition to his known oeuvre. Born in Boston, Massachusetts, Mather Brown was to become a prominent portrait and historical painter who made his career in England. The handling, scale and composition are closely comparable with Brown's full-length portraits of Frederick Augustus (1763–1827), Duke of York (Waddesden Manor) and Sir John Eamer (1750–1823), Lord Mayor of London (Guildhall Art Gallery).We are grateful to Christopher Bryant for identifying the regiment of the sitter.241.5 x 142cm framed
After Samuel Joseph (1791-1850), a pair of painted terracotta library busts, 19th century, modelled as Sir Thomas Lawrence (1769-1830) and Henry Mackenzie (1745-1831), named to front edges29 & 27cm highSir Thomas Lawrence was a leading English portrait painter and the fourth president of the Royal Academy, Henry Mackenzie was a Scottish lawyer, novelist and writer, sometimes seen as the Addison of the North.
English School (19th century) Portrait miniature of a lady, believed to be Clementina Dundas Bruce (1785-1861), daughter of Major General Thomas Dundas, Governor of Guadeloupe inscribed verso with the identity of the sitter watercolour on ivory 7 x 6cm Provenance: By descent within the family of Sir William Foster, 1st Baronet of Norwich (1798–1874), to Janet Foster, 8 Stanley Crescent, London, W11 This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref No: 2C7WV2K5
Attributed to Charles Bainville (French, d. 1745) Portrait of an officer, head and shoulders, in a red coat and armoured breastplate signed or inscribed to the reverse ‘Bainville. f 1692’ / Francois de Br[un?] Capitain [D’une force / Infanterie Quitte De Service de 1692?] …' oil on canvas 69.5 x 56cm The present work appears to be a rare painting by Charles Bainville, a little known French artist, recorded by Benezit. Born in Provence, Bainville is also believed to have been a poet and a relative of the distinguished poet and critic Nicolas Boileau-Despréaux (1636-1711). The painting is executed in oil on a canvas support. The canvas tension is good and the picture is in plane, it is unconfirmed if the painting is lined, the back of the canvas appears to have some age. The paint layers have a prominent network of age cracks. There are some losses that have been restored but are still evident in the surface texture. Overpaint is present across the surface, but this is fairly well matched to the original. The varnish is glossy and clear with a light layer of surface dirt.80 x 67cm framed
Hugh Douglas Hamilton (Irish, 1739-1808) Portrait of a lady in a white dress inscribed 'Portrait in Pastel of / Madame Vigee Le Brun / by herself' on an old label verso pastel 24 x 19cm Although once thought to be a self-portrait by Élisabeth Vigée Le Brun, the present work can be conclusively attributed, based on style and composition, to Hugh Douglas Hamilton. The unusual muslin flowing from the sitter's dress give the work a historiated tone and suggest the pastel is not a conventional portrait but that the sitter depicted could be in the guise of a deity or dancer.We are grateful to Neil Jeffares for his assistance in cataloguing this lot on the basis of photographs. Pastel in excellent, clean condition with no deterioration to the pigment or damage to the paper apparent. Unexamined out of frame. 34 x 29cm framed
Circle of William Wood (British, 1769-1810) Portrait of a lady in a white dressthe reverse inset with plaited hairwatercolour on ivory7 x 6cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref No: 2FWMJ14BFew fly spots under glass. Not examined out of frame. No evidence of restorations.
Circle of George Engleheart (British, 1750-1829) Portrait of a gentleman in a black jacket and white cravatwatercolour on ivorythe reverse with a glazed compartment inset with plaited hair6.5 x 5.5cmThis item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate Ref No: AECDDXD8Not examined out of frame. Fly spots especially along the lower edge.
Attributed to Giovanni Battista Cipriani RA (Italian, 1727-1785) Portrait of Frederica Augusta Schaub, Mrs William Lock, with her children William Lock the Younger and Charles Lockoil on canvas35.5 x 30.5cmProvenance:Presumably by descent through the sitter's granddaughter, Elizabeth Blake (née Lock), Lady Wallscourt (1806-1877),The Collection of Lord Wallscourt (according to a label on the reverse);With Sabin Galleries London (as Giovanni Battista Cipriani)Frederica Augusta Schaub (1750-1832) was the daughter of the celebrated 18th century diplomat Sir Luke Schaub. In 1767 she married William Lock (1732-1810), a noted art collector and patron who, before his marriage, had travelled with Richard Wilson from Venice to Rome and later employed Giovanni Battista Cipriani, George Barrett, Sawrey Gilpin and Benedetto Pastorini to decorate interiors at Norbury Park which he purchased in 1774.Indeed, the Locks were artistically very well connected and were both later painted by Sir Thomas Lawrence. It is likely that this intimate portrait was executed by a painter closely linked with the family, such as Wilson or Cipriani, who based the work on earlier Italian models of the Madonna and Child with the Infant St John the Baptist; an etching by Cipriani of that subject (see Philadelphia Museum of Art, 1985-52-14400) is close in composition to the present picture.The two children depicted are William Lock the Younger (1767-1847), who would himself become a successful artist, a pupil and friend of Fuseli, and Charles Lock (1770-1804), later the British consul-general in Naples during the Neapolitan Revolution of 1799. Both sons were also subsequently painted by Lawrence.
Attributed to Sarah Biffin (British, 1784-1850) Portrait of two sisters, identified as Harriet E. C. Stunt and Evelyn Lennox Shirley Stunt titled verso and further inscribed 'Painted by Miss Biffin / Without hands, Paintbrush / attached to Stump of / Arm / 1823' pencil and watercolour 14 x 12cm Provenance: By descent within the family of Sir William Foster, 1st Baronet of Norwich (1798–1874), to Janet Foster, 8 Stanley Crescent, London, W11 20 x 18cm framed
Samuel Percy (Irish, 1750-1820) a wax profile portrait of a gentleman in a green jacket, inscribed 'George II' verso13 x 9.5cmNOt examined out of the frame, but his nose appears to have been off and repaired, similarly, he appears to have been decapitated at some stage - see additional images.18 x 15cm framed
LEWIS CAPALDI, GROUP OF SIGNED MERCHANDISE including Vertigo picture disc album, Broken By Desire to be Heavenly Sent, another copy, signed and unopened, two unopened singles, Forget Me and Singles, two unopened CDs, Forget Me and four signed CDs, Pointless and three Broken By Desire also a signed black and white portrait photographNote: Whilst McTear's has no reason to doubt the authenticity of the signatures, we offer no guarantee in that respect. the signed photograph 27cm x 39cm
A Staffordshire documentary jug, mid 19th century, transfer printed in green 'In Commemoration Of Sir W W Wynne Bart Attaining His Majority Twenty Second May 1841' to each side within an eagle cartouche, the underside printed 'Sold Exclusively By W. Bayley Wreham', 16cm high; with a hand-coloured full length portrait print titled 'Sir Watkin Williams Wynn, Bart. MP', drawn, engraved and published by Albin Roberts Burt, 32cm x 22cm, framed and glazed (2) (at fault)
Twenty two World War I military portrait postcards to an album also containing a quantity of WWI Bamforth 'song' postcards; with three further postcard albums, one containing a large quantity of postcards addressed to 1513 Private J. H. (Harry) Moore, 9 Platoon, C Company, 17th Battery NF (Railway Pioneers), British Expeditionary Force, France, one containing a large collection of early 20th century humorous saucy seaside themes postcards all eras, and one containing a large quantity of topographical cards with Isle of Man and Isle of Wight interest; and a collection of approximately one hundred and fifty stereoscopic / stereoview 3D viewing stereo cards with a handheld stereoscope viewer (Qty) CONDITION REPORT:Stereoscope cards include views of Niagara Falls, the Panama Canal, views of European cities, and some comedic cards. Postcards include Isle Of Wight and Isle Of Man.
THE BEATLES, twelve vinyl LP records comprising the studio albums: ‘Please Please Me’ Parlophone PMC1202 matrix XEX 421-1N / XEX 422-1N; ‘With The Beatles’ PCS 3045 matrix YEX 110-2 / YEX 111-2; ‘A Hard Day’s Night’ PMC 1230 matrix XEX 481-3N / XEX 482-3N; ‘Beatles For Sale’ PMC1240 (two copies) matrix XEX 503-3N / XEX 504-3N and XEX 503-4N / XEX 504-4N; ‘Help!’ PCS 3071 matrix YEX 168-1 / YEX 169-1; ‘Rubber Soul’ PMC 1267 matrix XEX 579-4 / XEX 580-4; ‘Revolver’ PMC 7009 matrix XEX 605-2 / XEX 606-2; ‘Sgt Pepper’s Lonely Hearts Club Band’ PMC 7027 matrix XEX 637-1 / XEX 638-1 (with ‘cut-outs’ card); ‘Magical Mystery Tour’ PCTC 255 matrix YEX 259 -3-1-1 / YEX 360 -2-1-1 (with booklet); ‘The White Album’ [a.k.a. The Beatles] PMC 7068 sleeve number 0214296 matrix XEX 709-1 / XEX 710-1 / XEX 711-1 / XEX 712-1 (with poster and portrait photographs); ‘Yellow Submarine’ PCS 7070 matrix YEX 715-1 / YEX 716-1; and ‘Abbey Road’ YEX 749-2 / YEX 750-1; with four THE BEATLES compilation albums and ‘Live At The Hollywood bowl'; all untested, some incorrect inner sleeves (18) 'Please Please Me' label has silver text.
A full length portrait silhouette depicting a lady holding a rose, late 19th or early 20th century, the figure set within a gilt foliate border, 9.5cm x 7.5cm, in glazed ebonised frame, 16cm x 14.5cm overall; with a bust length portrait silhouette depicting a young girl facing dexter, late 19th or early 20th century, initialled 'A.W.', oval mounted, framed and glazed, 19cm x 14cm overall; and a further full length portrait silhouette depicting a young girl (3)
English school (19th century),A half length portrait of a robed gentleman, by repute Thomas Tenison, Archdeacon of Carmarthen,Oil on canvas,Unsigned; label to canvas printed ‘Thomas Tenison D.C.L Archdeacon of Carmarthen & Chancellor of Oxford 1742’, label to stretcher printed ‘Thomas Tenison, Archdeacon of Carmarthen; attired in academic costume, as Chancellor of the diocese of Oxford’ with further printed labels with handwritten amendments giving Tenison family genealogy,28.5cm x 26cm,Framed
A Victorian daguerreotype portrait depicting three ladies in lace bonnets and capes, mounted under glass in a hinged leather frame, the plate 10.5cm x 8cm, 14cm x 11.5cm overall; with a photographic portrait depicting a young girl, labelled 'Emily Mason' verso, gilt framed and glazed, 6.5cm x 5cm overall; a photographic portrait depicting a gentleman, labelled 'Great Uncle Harry Mason' verso, gilt mounted, framed and glazed, 13cm x 10.5cm overall; and two framed portrait prints depicting Admiral Lord Nelson and a lady (5) (at fault)
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