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Preisdatenbank abonnierenA mid 20th Century album of signed and other TV, motion picture and music industry promotional portrait photographs including autographs of George Formby, Abbott and Costello, Diana Dors, Tony Hancock, Gene Autry, Vera Lynn, the Beverley Sisters, Gracie Fields, Tex Ritter, Ken Dodd and others
[Autograph] A Hasbro 1999 Portrait Edition Star Wars: Episode I "Queen Amidala in Red Senate Gown" collectors' doll signed by actress Natalie Portman, inscribed "To Sue, You make me so happy! Thank you for brightening my days, love Natalie Portman" Provenance: The property of notable film industry hair stylist Sue Love, who throughout her illustrious career has worked on a number of prominent / "blockbuster" movies, perhaps most notably the "Star Wars" space opera franchise. Sue styled actress Natalie Portman's hair for her role as Princess Amidala in the motion picture, and a copy of a photograph featuring Natalie having her hair worked upon by Sue is included with the lot.
Americas.- Gordon (Rev. James Bentley) An Historical and Geographical Memoir of the North-American Continent: its Nations and Tribes, first edition, stipple-engraved portrait frontispiece, errata slip, very light marginal damp-staining to a few leaves but still a good copy with wide margins, modern leather-backed boards, uncut and partly unopened, [Sabin 27979], 4to, Dublin, John Jones, 1820.⁂ Scarce work published posthumously for the benefit of the author's orphan daughters; it contains chapters on Mexico, New Mexico & California, Northwestern America, Greenland & Spitzbergen, Canada, Virginia, and the Bahamas. Only 2 copies listed on COPAC (BL and King's College London); no copy at auction since 1977.
Erotica.- Baffo (Giorgio) Raccolta universale delle opere di Giorgio Baffo veneto, 4 vol., engraved portrait frontispiece, each vol. with engraved architectural title, some spotting or staining, contemporary mottled calf, spines gilt and with dark green leather labels, rubbed, [Gay-Lemonnyer III, 777; Enfer de la Bibliothèque Nationale 93], 8vo, Cosmopoli [i.e. London or Venice ?], no printer, 1789.⁂ The complete works. The Raccolta was published at expense of the Earl of Pembroke, was a great admirer of the poet, along with many other British travellers of the period. A number of Baffo's poems had an anonymous manuscript circulation, and have remained unpublished until today. It seems that in the last years of his life he also destroyed a great many of his papers.
Asia.- Keate (George) An Account of the Pelew Islands...composed from the Journals and Communications of Captain Henry Wilson... , first edition, stipple-engraved portrait frontispiece, folding engraved map, 15 engraved plates (some stipple-engraved) including folding panorama, some with tissue guards, errata leaf at end, a few plates with traces of where tissue guards previously tipped to corners, panorama very slightly soiled and frayed at edges, very occasional spotting but an excellent clean copy, bookplate of Hon. F. Ponsonby, contemporary speckled calf, rubbed and slightly stained, rebacked preserving old gilt spine with red roan label, [Hill 907], 4to, 1788.⁂ "In 1783 the Antelope, commanded by Captain Henry Wilson, was wrecked on a reef near one of the Palau (Pelew) Islands, a previously unexplored group. The entire crew managed to get safely ashore, where they were well treated by the natives and eventually managed to build a small vessel from the wreck, in which they reached Macao. They took Prince Lee Boo, one of King Abba Thulle's sons, with them to England, where he made a very good impression. Unhappily, in spite of all precautions, he soon died of smallpox." Hill
Southall (Joseph Edward, 1861-1944) The Poet in the Train, [portrait of John Drinkwater], pencil on card, signed with monogram and dated '3.IV.1916', 115 x 90 mm. (4 1/2 x 3 1/2 in), under glass, minor surface dirt, framed, 1916; together with two drypoint etchings by Southall Goddess of Fortune and Sailor unloading at harbour, both printing with light plate tone, on cream laid paper, each inscribed in margin with title and dedication to John Drinkwater at Christmas 1915 and 1920, platemarks approx. 190 x 120 mm. (7 1/2 x 4 3/4 in), under glass, minor surface dirt and browning, framed, 1901 and 1909, respectively; and with an original costume design by Tanya Moiseiwitsch (1914-2003) for Nicky Henson, for the production 'The Double Dealer', framed and glazed, 1978 (4).
Gaskin (Arthur, artist, designer and teacher, 1862-1928) Profile portrait of John Drinkwater, coloured chalks on paper laid onto board, signed with monogram and inscribed 'John Drinkwater/ 1916', 285 x 200 mm. (11 1/4 x 7 7/8 in), surface dirt and browning, particularly to lower left quadrant, unframed, 1916.
Drinkwater (John, poet and playwright, 1882-1937) Byron: A Conflict [published as The Pilgrim of Eternity: Byron-a conflict], autograph manuscript, 2 vol. only of a larger work, 347pp. only, numerous corrections and crossings out, engraved portrait of Byron loosely inserted, original cloth-backed boards, slip-case, [1925]; [Drinkwater's Telephone Directory], 34pp., alphabetised, [1930s]; and a small quantity of others, including: autograph manuscripts of Fox (No. 7 only), [1928], and From the German, poems, 1924, autographed drafts of poems etc., v.s., v.d. (sm. qty).⁂ Names and numbers listed in the telephone directory include: Peggy Ashcroft, Austen Chamberlain, 10 Downing Street, EM Forster, D. Lloyd George, J. Ramsay Macdonald, Harold [&] Vita Nicolson, Laurence Olivier & Jil [Jill Esmond], Bernard Shaw, HG Wells etc.
Anglo-Indian Diaries.- Lock (Caroline Louisa, maiden name Cardew, wife of Colonel Edward Seppings Lock, 82nd Foot, grandson of Sir Joseph Lock, of Bury Knowle House, Headington, Oxford, died of Enteric Fever at Pieter Maritzburg, Natal, 1837-86, 1837-1913) Anglo-Indian diaries and accounts, 5 vol., (comprising 3 vol. diaries, 1 vol. accounts book and 1 vol. cash book not used), autograph manuscripts, diaries together 421pp. (17pp. of addresses in 1 vol.), accounts 15pp. excluding blanks, some ff. loose and working loose, original uniform black morocco, gilt, 1 vol. cover detached, 2 vol. spines splitting, all spines rubbed, g.e., 8vo, housed in a handsome polished Coromandel case with gilt metal strapwork and key plate stamped 'G. Betjemann & Sons', the hinge engraved 'Charles Nephew & Co, Calcutta', inset with three Wedgwood jasperware porcelain plaques and lock stamped 'S. Morden & Co' (with key), the case spring loaded to raise the contents once opened, 130 x 210mm., 1866-67, 1867-69 & 1869-71; and 4 other related items, comprising: a sixteenth plate ambrotype portrait photograph of Caroline Lock contemporarily inscribed on the rear with name and marital status, with two small locks of Caroline Lock's hair in envelopes dated 1860/1865 presented in a morocco leather case, and a watercolour portrait miniature painted on ivory of Maria Ballachay née Lock (Edward Seppings Lock's sister), 70 x 60mm., in a period gilt frame inscribed on verso 'aunt Ballachay née Lock Headington', framed size 170 x 155mm. (5 pieces).⁂ The life of a Victorian military wife, in England and India. In England. The family stay at Bury Knowle House in Headington, and visit Oxford frequently, attending Christ Church Cathedral at the ordination of Harry Rendle, feeding deer in Magdalen Park, attending a flower show at Wadham College, watching the procession of the boar's head on Christmas Day at Queen's College, "a curious sight". She attends the consecration of St Barnabas Church, Jericho, "very high, the bishop of Oxford preached" [Samuel Wilberforce], visit Brasenose College, lunch at All Souls College and lunch at Oxford University Press. With numerous entries relating to the Ballachay family, visiting her mother in Taunton Deane, the birth of her children, living in Portsmouth and Chatham, "Ed went to Gravesend on the velosipede [sic] etc.[Amritsar]. "Went to Amritsar by train. A large party with Mrs. Holroyd, the 6th were encamped there, had breakfast in the camp, then went to the Golden Temple, the sacred temple of the Sikhs then onto the gardens where we had tiffin & croquet came back by train a noisy party coming & going!"
[Cameron (Julia Margaret, photographer, 1815-79)] [Portrait of Lionel Tennyson in medieval costume], albumen photograph print, mounted on card, blind stamp "Registered Photograph" at tail on card mount, slightly browned and spotted, inscribed on verso in modern pen, "Lionel Tennyson" and "Julia Margaret Cameron", 316 x 210mm., [c. 1870s].⁂ Hon. Lionel Tennyson (1854-1886), second son of Alfred, Lord Tennyson; went to sea with Lord Dufferin; died on board ship on his way home, on April 20, 1886.
Autograph album.- A good autograph album containing c.85 cut signatures, including Queen Victoria, Prince Albert, Lord Napier of Magdala, John Everett Millais, Alfred Tennyson, Charles Dickens, Anthony Trollope, Ulysses S. Grant, Richard Owen and others., each below a window-mounted carte-de-visite portrait of the subject, original decorated morocco, gilt, g.e., 4to, [19th century].
The First Bishops' War.- Hollar (Wenceslaus, 1607-1677) The Severall formes How King Charles his Armey enquartered in the feilds being past New Castle, on the march toward Scotland Anno Domini 1639, broadside with portrait of the King within an oval of palms, tablets with inscriptions above and below, and at right, encampments of various regiments in four compartments, etching on laid paper with indistinct watermark, sheet 393 x 322 mm. (15 1/2 x 12 3/4 in), minor handling creases, light surface dirt and browning, unframed, 1639.Literature:New Hollstein (Hollar) 265; Pennington 544⁂ Detailed plan illustrating Charles I and the camps of his army during the Scottish campaign of 1639. The portrait is based on Van Dyck's painting, now kept in the collection of the Duke of Norfolk, Arundel Castle.
Frost Fair broadside.- Anonymous (active 1739-1740) [Portrait of George II, half-length in an oval decorated with calligraphic initial, after Godfrey Kneller], broadside with engraved portrait and woodcut containing letterpress below, with printed name of 'Simeon Warner,' on laid paper with indistinct fleur-de-lis watermark, sheet 420 x 250 mm. (16 1/2 x 9 7/8 in), laid onto linen, handling creases and some splitting to old folds, one or two small areas of loss, surface dirt and browning, unframed, 'Printed upon the Ice, on the River Thames, January the 18th', 1739- 1740. ⁂ An unrecorded broadside, not listed on ESTC. A keepsake from the Frost Fair on the Thames, with the purchaser's name printed within the decorative woodcut celebrating Gutenberg and Caxton."Behold the liquid Thames now frozen o'er,[...] Here you may print your Name, tho' cannot Write,'Cause numm'd with Cold: 'Tis done with great Delight.!And lay it by, that Ages yet to come,May see what Things upon the Ice are done."
Curiosities.- Fairburn (John, fl. 1789-1840) Fairburn (Senior's) Portrait of the Pig-Faced Lady, of Manchester Square, broadside with title and descriptive text below stipple-engraving, on thin laid paper with early hand-colouring heightened with gold, sheet 358 x 275 mm. (14 1/8 x 10 3/4 in), inset at edges into paper mount with ruled ink border, small repair to loss in lower right corner, minor handling creases and light surface dirt, unframed, [circa 1814-1815]. ⁂ Scarce. ESTC records no other copies, but a trimmed and cut-down version is held in the British Library (see shelfmark G.2188.(2.)). "This most extraordinary female is about twenty years of age, she was born in Ireland, and is of high family and fortune [...] Her body and limbs are of the most perfect and beautiful shape, but her head and face resembles that of a Pig."
Pacific.- Shillibeer (Lt. John) A Narrative of the Briton's Voyage to Pitcairn's Island; including an Interesting Sketch of the Present State of the Brazils and of Spanish South Americia, second edition, 12 etched portraits and plates, 2 folding, one printed in sanguine, some light spotting, original boards, uncut, a little rubbed and soiled, corners bumped, [Ferguson 697; Hill 1563; Sabin 80484], 8vo, 1817.⁂ The Briton set sail from England on New Year's Eve 1813, visiting Rio de Janeiro, St. Helena and the Cape of Good Hope before arriving at Pitcairn in September 1814. "A very interesting narrative including some curious details regarding the mutiny of the Bounty, and the meeting with the last survivor, John Adams..." Hill. There is also a portrait of "Friday Fletcher October Christian", the son of Fletcher Christian and the first child born on the island to the mutineers, and views of Rio, Pitcairn and the island of Juan Fernandez. This second edition was issued the same year as the first which was published in Taunton.
16th century French printing in London.- Meditations Chrestiennes, title with woodcut printer's device and with woodcut portrait verso, woodcut head-pieces and decorative initials, ruled throughout in red, torn and crudely repaired with loss of several letters and part of portrait verso, occasional spotting or staining, contemporary limp vellum, 16mo, Thomas Vautrollier, 1585.⁂ Not recorded by ESTC.
Vergilius Maro (Publius) The Works, translated by John Ogilby, second edition, title in red and black laid down, engraved frontispiece (detached), engraved portrait by William Faithorne after P. Lilly, double-page map and 99 plates or full-page illustrations, some by Wencelaus Hollar, a few tears and repairs, lacking Cc2 but text continuous, some water-staining, especially to upper margin, The van der Poel copy, contemporary calf, rebacked, rubbed, extremities worn, [Wing V613], folio, Thomas Roycroft, 1668.
Austen (Jane) [Works], 6 vol., "Steventon Edition", [one of 375 sets on handmade paper], printed in brown, half-titles, engraved frontispieces (those in vol.1-5 from Bentley's 'Standard Novels' series, portrait in vol.6), advertisement leaf at end in vol.1, 3 & 5, light marginal foxing to frontispieces, ex-library set with stamps to half-titles or verso of titles, later cream cloth, uncut, a little soiled, light staining to spines of vol.4 & 6, [Gilson D13], 8vo, Richard Bentley, 1882.⁂ Jane Austen's great-nephew Cholmeley Austen-Leigh, son of the writer of the Memoir, was at that time a partner in the firm Spottiswoode & Co. who printed this set for Bentley.
Austen (Jane) [Novels], 6 vol., Bentley's 'Favourite Novels' series, engraved frontispieces (those in vol.1-5 from Bentley's 'Standard Novels' series, portrait in vol.6), most with light marginal foxing, Clement K.Shorter's set with his bookplate in 'Emma' and pencil signature in 'Lady Susan', original dark green blind-stamped cloth, spines gilt, very slightly rubbed, [Gilson D8-12, notes, originally issued in 1870], 8vo, Richard Bentley & Son, 1885-86.⁂ Clement K.Shorter (1857-1926), journalist and literary critic, author of several works on the Brontë sisters.
Strachey (Lytton) The Fruit of the Tree, autograph manuscript short story, 9ff. written on one side only, signed at foot, original blank wrappers with title to upper cover, some foxing, folio, [Trinity College, Cambridge], June 4th 1901. ⁂ Unpublished short story by the 21 year-old Strachey, describing an adolescent passion for an older boy and parodying the writing style of Henry James. "He was perpetually magnificent, eternally superb; he soared. I, as I came upon him, found him like a mine, inexhaustible and glittering, before me, and felt, as I plunged deeper and deeper into his gorgeous recesses, all the joys of an intimate and an unending discovery." Strachey wrote the story a few days after sitting the first part of his History Tripos at the end of May 1901. The subject of the story was likely derived from his two teenage infatuations which proved formative for the young writer and "formed the pattern of much of his adult love-life." (Michael Holroyd, Lytton Strachey by Himself: A Self Portrait).SRN: This item was published in The Really Interesting Question and Other Papers in 1972.
Strachey (Lytton) A group of 6 A.L.s. and A.C.s., including Autograph Letter signed to Mrs Cobden Sanderson, 2pp., 18th March, 1919, "I was much interested to hear that your husband was going to start publishing. It would have given me great pleasure to send him some of my work to look at - but unluckily none exists"; Autograph Note to Roger Senhouse, n.d.; Autograph Letter signed to Philip Guedalla, 1p., 28th July, 1923, "I have no intentions upon Dizzy - in spite of the remarks in the press. So I do hope your young man will polish him off"; Autograph Letter signed to 'Lady Jane', 2pp., 27th April, 1924, discussing his family history, family home and his father's relationship with Carlyle; and 5 others, including a letter from Rosamond Lehmann, a letter from Henry Lamb discussing his portrait of Strachey and Strachey's application to join the Incorporated Stage Society, v.s. (11)
Tomlin (Stephen) Portrait of Lytton Strachey, bronze bust, stamped 8/8 at foot, 460mm. high excluding wooden base, conceived c.1929-30 and cast in 1973 from the original plaster by the Anthony d'Offay Gallery, London.⁂ Strachey commissioned the portrait in 1928 and wrote of the process: "I sit all day to Tommy, who is creating what appears to me a highly impressive, repulsive, and sinister object.... Perhaps it is the pure truth."
Brooke (Rupert).- Schell (Sherrill) Studio photograph of Rupert Brooke, with studio signature "Sherril Schell" on the mount, showing the poet in profile facing left,, silver print, mount damp-stained and a little worn at foot, 225 x 193mm., [1913].⁂ The most famous portrait of Rupert Brooke that more than any helped to cement the modern romantic notion of the poet. Schell when later recalling the photography session described Brooke: "His face was more remarkable for its expression and colouring than for its modelling. His complexion was not the ordinary pink and white... but ruddy and tanned. His hair a golden brown with sprinklings of red."
Wallace (Alfred Russel) Contributions to the Theory of Natural Selection. A Series of Essays, first edition, 42pp. publisher's catalogue dated January 1870 at end, title foxed, original cloth, 1870; Darwinism: an Exposition of the Theory of Natural Selection..., first edition, half-title, photographic portrait frontispiece, folding colour map, illustrations, advertisement leaf at end, hinges weak, 1889; Island Life, second edition, 3 maps, one hand-coloured, illustrations, occasional spotting, 1892 § Darwin (Charles) The Formation of Vegetable Mould, through the Action of Worms, ninth thousand (corrected), illustrations, advertisement leaf at end, 1883, all original green cloth, a little rubbed, the first rubbed and two damp-stained; and 2 others by Wallace, 8vo (6)
Swift (Jonathan) Travels into Several Remote Nations of the World, 2 vol., first edition, Teerink's "A" edition, engraved portrait frontispiece in first state, 4 engraved maps and 2 plans, additional later plate after Stothard bound in to part 1, contemporary ink verse in lower margin beneath portrait, some light water-staining to vol.1, occasional soiling, contemporary panelled calf, black morocco spine labels perhaps a little later, a little rubbed and joints starting to crack, head of spine vol.2 very slightly chipped, [Teerink 289; Grolier, English 42; Rothschild 2104; PMM 185], 8vo, Printed for Benj. Motte, 1726.⁂ A very good copy in a contemporary binding, of Swift's masterpiece of satire and one of the greatest works of English literature. Conforms to all Teerink's "A" small-paper points and the portrait has the inscription "Captain Lemuel Gulliver, of Redriff Aetat, suae 58."Provenance: Robert Callaghan (ink name on titles, dated 1732). C. Fox (ink name to front endpaper/pastedown, dated 1865/66)
Laplace (Pierre Simon, Marquis de) Theorie Analytique des Probabilites, 1 vol. plus 4 Supplements in 3, third edition, half-title, occasional spotting and light browning, uncut in original pink wrappers, spines faded, chipped at head and foot, paper label just starting to peel, Paris, Mme. Ve. Courcier, 1820; Exposition du Systeme du Monde, third edition, half-title, engraved portrait frontispiece, some light browning, uncut in original pink wrappers, upper cover torn and detached, lower cover defective, spine cracked, torn and faded, [PMM 252], Paris, chez Courcier, 1808, 4to (4)⁂ First mentioned is the third and definitive edition, corrected by the author, of a work of the greatest importance in the history of mathematics. Laplace (1749-1827) is considered one of the founders of probability theory, and this is the most important contribution to this branch of mathematics. He "published the first edition of 'Théorie analytique' in 1812, at the age of 63 years. It represented the culmination of a professional lifetime of concern for the topic, and all of its text consisted of reworked versions of his earlier work. Laplace's prodigious abilities in the mathematical sciences were recognized early on, by his teachers in Normandy and by Jean d'Alembert in Paris when he was only 20" (S.M. Stigler, P.S. Laplace, Théorie analytique des probabilités, p. 329). Second mentioned is the third edition of Laplace's celebrated work on the origin and formation of the solar system. In comparison with his Celestial Mechanics (see lot 000), it is "a more popular book, with most of the mathematics left out: the Exposition du Système du Monde [...] includes a footnote on his famous 'nebular hypothesis'" (PMM). The first edition appeared in Paris in 1796.
Admiral Lord Nelson - 19th century rectangular enamel box, with a portrait of Nelson to lid, the sides depicting ship battles, the underside cover painted with a portrait of Emma Hamilton, 2" high, 3.5" wide (restorations) *Sold with retail receipt of £1450 dated 2004 and restoration receipt also dated 2004
A Late 18th Century Oval Portrait Miniature. The miniature depicting an officer in dress uniform, approx 60 x 53 mm, presented in an ebony and gilt brass frame, inscribed to verso D.G Devonshire? Provenance: Journalist and Author Henry Chapman Pincher (1914-2014) writer of approximately fourteen books all relating to political intrigue and espionage. Titles include 'Their Trade is Treachery', 'Labryrinths of Treason', 'Web of Deception', 'The Truth of Dirty Tricks' amongst others. Privately educated in England he joined the Royal Army Corp in 1940. Although he had a scientific background he remained a soldier and continued to serve until1946. He had a keen interest in country pursuits which brought him into the company of many prominent and influencial people including politicians of the 1950's. It was at this time that Chapman Pincher listed his interests as 'spy-hunting, ferreting in Whitehall and bolting politicians'. He furthered his writing career by following 'investigative journalism'. A colourful character writing many articles which often proved challenging to the establishment and the secret service, it was questioned as to whether he was being used by foreign powers. On the contrary he was a true patriot, loyal, intelligent, active, with a brilliant journalistic mind. He once told The Daily Telegraph: 'Attempts by foreign agents to undermine my country and ripen it for revolution or invasion have always outraged me, and, in my seventies, I still feel driven to pursue subversives and traitors whether they be alive or dead'. (referenced from Telegraph Obituary)
Attributed to John Cox Dillman Engleheart (1750-1829) Portrait Miniature. The oval miniature depicting a gentleman, approx 65 x 80 mm. JCS Dillman Engleheart was the nephew of renowned miniaturist George Engleheart. Provenance: Please refer to the previous lot regarding Henry Chapman Pincher (1914-2014).
Attributed to Sir William John Newton (1785-1869) Portrait Miniature. The square painted miniature entitled Jackson Hunt Esq dated August 1832. Inscription to verso reads 'Victoria & Albert Museum states its painted by Sir William John Newton', approx 80 x 100mm. Sir William was one of the most fashionable portrait miniature artists of his day and was elevated to the position of miniature painter in ordinary to William IV in 1831. He occupied the same position during the reign of Queen Victoria until 1858. Provenance: Please refer to the previous lot regarding Henry Chapman Pincher (1914-2014).
AFTER GUIDO RENI. AN OVAL PORTRAIT in a superb Italian carved wood frame with cupid heads, acanthus and scrolls. 18ins long x 18ins wide.(Previously lot 1096)Sitting atop a LARGE 18TH CENTURY ITALIAN CARVED AND GILDED BRACKET, with angel masks, garlands and acanthus. 28ins high x 29ins wide.
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