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Los 2031

Two boxes of books to include Portrait of Elm-Bury by John Moore, 'The air-conditioned nightmare' by Henry Miller, 'The History of the East Indian railway' by G. Huddleston, etc.

Los 2065

A large framed and mounted Limited Edition print (no. 339/600) depicting a garden scene, signed lower right 'Pamela Kery'. 32 1/4" x 26 3/4" together with an oval portrait of a young lady (a/f).

Los 2147

Three prints to include; 'Mother and Son', 'Babble, Birth & Brummagem' by Chartran Theobald and a portrait with a gentleman wearing a medal on a ribbon.

Los 2183

An ornately framed Oil on canvas portrait of a seated lady wearing a bonnet, unsigned, a/f, image size 20'' x 24''.

Los 203

A 20th century bronzed shoulder-length female portrait bust upon a heavy marble/black granite plinth base, the sculpture dated '73 and signed Shelley (44cm high)

Los 219

In the style of OTTO DIX (1891-1969), a green painted framed oil on canvas onto board study 'Portrait of the dancer Anita Berber' (56cm x 48.5cm)

Los 242

Thirty-one hardbound volumes to include:'The Scallop - Studies of a shell and its influences on mankind' by eight authors and edited by Ian Cox (Shell Transport and Trading Company 1957);'Football - The Rugby Union Game' edited by Rev. W. Marshall (Cassell & Co revised and enlarged edition);'The Notebooks of Leonardo da Vinci' and 'The Drawings of Leonardo da Vinci' in three volumes (Reprint Society 1954);'Don Quixote de la Mancha' in two volumes (Heron Books 1969?);'Days with the Great Composers - Chopin, Gounod and Wagner (Hodder & Stoughton c. 1910)'Penrose's Pictorial Annual 1907-1908';'The Pilgrim's Progress' (Henry Frowde 1904);'A Fly Fisher's Life' - Charles Ritz (Max Reinhardt 1959);'The Lonsdale Library - Fox-hunting' (Seeley, Service & Co. 1930);'Portrait of a Man with Red Hair - Hugh Walpole (Daily Express Fiction);'Silas Marner' (Thomas Nelson & Sons, 285 pp).

Los 358

Holloway, pastel portrait of a dog, E. A. Hickling, forest landscape, watercolour and assorted prints and embroideries

Los 1255

A miniature portrait of a young lady in Georgian style wearing blue dress, circular brass frame with a Bristol blue glass backing, 2 1/4" x 2 1/2" ***

Los 1058

A quantity of old picture frames and two small gold leaf miniature portrait mounts.

Los 3000

[Plato], Bekker (August Immanel, translator & editor), [Platonis Opera]/Platonis et quæ vel Platonis esse feruntur/vel Platonica solent comitari/scripta Græce omnia/ad codices manuscriptos [...], eleven-volume set, first London edition thus, Londini: A.J. Valpy, 1826, Ancient Greek and Latin printing, volume I with engraved portrait frontispiece, volumes X-XI with the ‘Dialogues’ in the Latin translations of Ficino and others, contemporary quarter-vellum gilt over marbled boards, conforming marbled edges and endpapers, 8vo, [11] Provenance: City of Liverpool Reference Library; their discreet blind stamps to each title-page, the base of each spine with their shelf numbering in gilt, recto pastedowns with their book labels (over-stamped ‘WITHDRAWN’).

Los 3002

Addison (Joseph), The Works, four-volume set, London: Jacob Tonson, 1721, engraved portrait frontispiece and 4 dedication leaves, contemporary calf, 4to, (4); Pope (Alexander, translator), The Iliad of Homer, volume III only, first edition thus, London: W. Bowyer, for Bernard Lintott, contemporary panelled calf, small folio (1), [5] Provenance: 1st: 1) Margaret Maxwell (née King; d. 1766), first wife of Barry Maxwell (1723-1800), later Baron and then the Earl of Farnham, of County Cavan, Ireland; her ink MS ownership inscriptions to each title-page; 2) by descent to Lord Farnham; their baronial bookplate of c. 1825 to each pastedown; 3) J. Hadfield, 20th century pictorial bookplate to each pastedown.

Los 3053

Botany and Gardening – Lawrence (John), The Clergy-Man’s Recreation: Shewing (sic) the Pleasure and Profit of the Art of Gardening, fifth edition, [&] The Fruit-Garden Kalendar (sic): or, a Summary Of the Art of Managing the Fruit-garden, two parts in one volume London: Bernard Lintot, 1717 & 1718, the first part with engraved frontispiece, fold-out plates (repaired), contemporary two-tone panelled calf, 8vo, (1); [McIntosh (Charles)], The Flower Garden, with Selected lists of Annual, Biennial and Perennial Flowering Plants, London: W. S. Orr, 1838, illustrated with 10 hand-coloured plates, in-text illustrations, contemporary green calf gilt, marbled edges and endpapers, 8vo, (1); Darwin (Erasmus), The Botanic Garden, A Poem, in Two Parts […], London: Jones & Company, 1825, printed in black-ruled double columns, portrait frontispiece and fold-out plates, contemporary polished calf boards only, 8vo, (1); Cobbett (William), The English Gardner, London: n.p., 1833, in-text illustrations, original publisher’s cloth over boards, 8vo, (1), [4]

Los 3073

Clark (Hugh, Heraldic Engraver), A Concise History of Knighthood [...], The whole imbellished (sic) with 82 Copper Plates [...], two-volume set, first and only edition, London: Printed for W. Strahan [...], 1784, pp: x, [1] (blank), 285; [ii], 268, [1] (advert), 82 copperplate engravings as called for, contemporary calf over marbled boards, yellow-stained edges, 8vo, [2] Provenance: 1) Nicholas Nicholas (née Heath; d. 1807), of Boy Court, Ulcombe Kent, his ink MS ownership inscription to each pastedown. Nicholas was a friend and later brother-in-law of Francis Noel Clarke Mundy, of Markeaton Hall, Derbyshire; and as a member of the Markeaton Hunt was painted as such by Joseph Wright of Derby, ARA, in c. 1762-63. Born Heath, in 1772 he assumed the surname to Nicholas to comply with inheriting the manor of Ulcombe; 2) reputedly purchased from the sale at Newnham Hall, Daventry, Northamptonshire, sold by Christie's on behalf of the Executors of Lt.-Colonel John Chandos-Pole, CVO, OBE. Though the books were purchased in a mixed lot, a portrait miniature of Nicholas by Ozias Humphry, RA, Lot 287, was also sold and illustrated in the catalogue.

Los 3088

Dickens (Charles): Household Words/A Weekly Journal, seventeen harlequin runs, comprising volumes I-III, V-VII, IX-XIX, London: Office, 1850-1859, original publisher's cloth over boards, 8vo, (17); The Pickwick Papers/The Posthumous Papers of the Pickwick Club, with Forty-Three Illustrations, by R. Seymour and Phiz, first edition in book form, London: Chapman and Hall, 1837, additional engraved title leaf with "Phiz fec:t" in exergue and "Tony Weller" above the pub door, additionally illustrated with a portrait engraving of the author after Sir Thomas Lawrence, rebacked contemporary green calf, 8vo, (1); Reynolds (G.W.M.), Pickwick Abroad, first edition, London: Thomas Tegg, 1839, illustrated, original publisher's pictorial cloth, 8vo, (1); Grego (Joseph, editor), Pictorial Pickwickiana [...], two-volume set, London: Chapman and Hall, Ltd., 1899, original green cloth, 8vo, (2); Fitzgerald's History of Pickwick, 1891, green cloth, 8vo, (1); All The Year Round, volumes IV & V only, London: Messrs. Chapman and Hall, 1861, original publisher's cloth, 8vo, (2), [23]

Los 3090

Drama and the Theatre - Egerton (William), Faithful Memoirs of the Life, Amours and Performances, of [...] Mrs. Anne Oldfield, Interspersed with several other Dramatical Memoirs, first edition, London, 1731, lacking portrait frontispiece, 20th century calf over marbled boards, architectural bookplate of George Rylands (1902-1999), 8vo, (1); The Works of Thomas Otway, three-volume set, London: C. Hitch and L. Hawes, et al, 1757, volume I with portrait frontispiece, contemporary calf, 12mo, (3), [4]

Los 3115

Fore-edge Painting - [Homer's Iliad], Homeri Ilias, volume II only: Rhapsodia XIII-XXIV, Lipsiae [Leipzig]: Car. Tavchnitii, 1824, portrait frontispiece, finely bound in contemporary blue calf, the covers blocked in gilt with portrait profiles of the epic poet, within gilt and blind tooled and rolled borders, the fore-edge finely painted in polychrome watercolour with a contemporary Grand Tour classical landscape, top and bottom edges gilt, marbled endpapers, 8vo (14cm x 9.5cm), [1] Provenance: L. Slater/d.d./R.P. Hull, contemporary ink MS presentation inscription to ffep.

Los 3118

French Literature and The Enlightenment - Marmontel (Jean-François), Contes Moraux, three-volume set, Paris: Merlin, 1775 & 1765, [&] Bélisaire, first edition, Paris: Merlin, 1767, each illustrated with engravings after Gravelot, Moraux with additional engraved title-pages, volume I with portrait frontispiece, further full-page plates to each volume, the set uniformly bound in polished calf gilt, red edges, marbled endpapers, 12mo, [4] Provenance: 1) Pauline Pougeol Dervieu du Villar (1728-1813), armorial bookplate to pastedown of volume I; 2) Ludovic Froissart (d. 1977), bibliophile, his pictorial bookplate to pastedown of volume I.

Los 3123

Gibbon (Edward), The History of the Decline and Fall of the Roman Empire, A New Edition, six-volume set, London: Printed for W. Strahan; and T. Cadell, 1782-1788, engraved portrait frontispiece, fold-out copperplate-engraved maps, contemporary mottled calf gilt, the covers ornately gilt-rolled in the Neoclassical taste with Adamesque paterae and trailing foliage, the angles with leafy cornucopia, the spines similar, gilt dentelles, marbled endpapers, 4to, [6] Provenance: John Barton, 1791; dated ink MS inscription to each title-page.

Los 3124

Golden Cockerel Press – Komensky (John Amos), Lutzow (Count, translator), & Braby (Dorothea, illustrator), The Labyrinth of the World and the Paradise of the Heart, first edition thus, copy no. 86/370, London, 1950, original pictorial cloth, top-edge gilt, other uncut, 4to, (1); Barclay (John), Turner (Paul, translator), & Harris (Derrick, illustrator), Euphormio’s Satyricon, first English edition, copy no. 218/260, London, 1954, printed in Perpetua type on mould-made paper, illustrated with wood engravings, original vellum over boards gilt, fore and bottom edge uncut, 4to, (1); Coppard (A.E.) & Gibbings (Robert, illustrator), Count Steffan, copy no. 249/250, London, 1928, wood-engraved portrait frontispiece and 1 in-text illustration, original gilt-lettered yellow buckram over marbled paper boards, 8vo, (1), [3]

Los 3137

Ireland - Bugden (Frank), James Joyce and the Making of Ulysses [...], first edition, London: Grayson & Grayson, 1934, portrait frontispiece, dustjacket over two-tone cloth, 8vo, (1); Goldring (Douglas), The Fortune, with a preface by Aldous Huxley, second edition, London: Desmond Harmsworth, [n.d., ?1931], pictorial dustjacket designed by Dorothea Braby, over colourful cloth, 8vo, (1); George Moore, (3); Leslie (Shane), The Anglo-Catholic, first edition, London: Chatto & Windus, 1929, pictorial dustjacket designed by Colin Dilly, red cloth, 8vo, (1); another Leslie novel, (1), [8] Provenance: the Chandos-Pole family, removed from the Library of Radbourne Hall, Derbyshire.

Los 3154

Local Interest - Crofts (Thomas), A Castle in the Air, and other Poems, first and only edition, Derby: Bemrose and Sons, Limited, 1892, portrait frontispiece, original cloth, 8vo, (1); Bates' Views In Derbyshire, No. 1 only, Buxton, [n.d., c. 1865], named-view topographical steel engravings, original cloth, 8vo, (1); Curzon (Marquess, of Kedleston), Tales of Travel, first edition, 1923, b/w plates, original blue cloth, 8vo, (1); other works, including Fraser (Sir William Augustus), Hic et ubique, signed by the author, numbered 60/150 large paper copies, London: Sampson Low [...], 1893, original yellow cloth; illustrated books, including Charles Keene; Omár Kháyyám; Milton; folklore; etc., [13]

Los 3178

Loredano [(Giovanni Francesco)] & Bulteel (John, Gent., translator), Academical Discourses/Upon several Choice and Pleasant Subjects [...], first English edition, London: Printed by Tho. Mabb, for John Playfere, at the White Bear [...], 1664, pp: [xiv], 114, mid-Victorian cloth, 8vo, (1); East Anglia Transport, George II, 'An Act for improving and preserving the Navigation from Salter's Load Sluice in the County of Norfolk [...]', 1747-1753, [n.p.: n.d., but later, c. 1810], original publisher's boards, 8vo in 4s, (1); Shakespeare, Dolby (Thomas), The Shakespearian Dictionary [...], first edition, London: Smith, Elder, & Co., 1832, portrait frontispiece, original publisher's cloth, 8vo, (1), [3]

Los 3184

Miscellaneous - approx. 100 18th century and later books, including Butler (Samuel), Hudibras [...], first edition thus, London: R. Chiswel, J. Tonson, T. Horne, and R. Wellington, 1710, portrait frontispiece, engraved plates, 19th century cloth, small 12mo, (1); Ireland, Morgan (Lady), The Book of the Boudoir, two-volume set, London: Henry Colburn, 1829, original publisher's cloth over board bindings, contemporary draped spade shield armorial bookplates to each pastedown: Rev: Alexander Mahony, [?County Cork], 8vo, (2); The Letters of Pliny the Younger, two-volume set, London: James Bettenham, for Paul Vaillant, 1751, contemporary calf (disbound), 8vo, (2); Dodsley's edition of the same, 1747, disbound, 8vo, (2); Wits Museum, or the New London Jester [...], London: Printed for W. Lane, [n.d., c. 1790], contemporary calf over boards, 12mo, (1); ); The Young Englishwoman/A Volume of Pure Literature, New Fashions, and Pretty Needlework Designs, 1871, printed in double-columns, colour and monochrome plates and in-text illustrations, 20th century morocco over decorative cloth-covered boards, 4to, (1); [Gaskell (Elizabeth)], North and South, first Tauchnitz Copyright edition, Leipzig: Bernhard Tauchnitz, 1855, contemporary English quarter-roan over marbled boards, square 8vo, (1); [Wallace (Lady Eglantine)], The Ton; or, Follies of Fashion, lacking all before [A3], but probably the first edition, [?London: T. Hookham, 1788], original wrappers, 4to; another play, Mysteries of the Castle, 1795, disbound, 4to, (1); Peg Woffington; further works on the 18th and 19th century stage; The Good Child's Reward [...], Illustrated by Upwards of One Hundred Engravings, two-volume set, London: Thomas Kelly, 1852, volume 2 plate 1 lacking, contemporary half-calf, 8vo, (2); further children's and juvenile works, mostly didactics; The New Bath Guide, London: Vernor, et al, 1807, calf, 8vo, (1); Diary of the Times of George IV, two-volume set, London: Henry Colburn, 1838, contemporary calf over marbled boards, 8vo, (2); The Christian Keepsake, 1836, steel engravings, contemporary green morocco binding, 8vo, (1); Baedeker's (3); other travel; further history, literature, devotionals, etc., various bindings and sizes, [approx. 100, 8 boxes]

Los 3185

Miscellaneous - approx. 180 18th century and later books, including Milton (John), Paradise Lost [...], Edinburgh: A. Donaldson, 1767, contemporary calf (disbound), 12mo in 6s, (1); Drama, a mid-19th century sammelband of 10 plays, including three of Shakespeare's, various imprints, [n.d., c. 1830], contemporary calf over marbled boards, 12mo in 6s, (1); Fénelon (François de Salignac de la Mothe), Les Avantures de Telemaque [...], Amsterdam: Les Wetsteins, 1725, contemporary calf, 12mo, (1); Sheridan (Mrs.), Memoirs of Miss Sidney Bidulph [...], London: Harrison and Co., 1786, printed in double-columns, engraved portrait frontispiece and plates, papered boards, 8vo, (1); Cornmarket Press facsmiles of British plays, including Shakespeare, qty; Thompson (Benjamin, translator), The German Theatre, six-volume set bound as three, fourth edition, London: Vernor, Hood, and Sharpe, Poultry, et al., 1811, contemporary quarter-calf over marbled boards (chipped, losses), armorial bookplates: John Molesworth, 12mo in 6s, (3); Dacre (Lady, editor) & [Sullivan (Arabella Jane)], Recollection of a Chaperon, three-volume set, first edition, London: Richard Bentley, 1833, contemporary quarter-calf, ex Hertford Literary and Scientific Institution, their labels and some stamps, 12mo, (3); Quaker, Ellis (Mrs [Sarah Stickney]), Family Secrets, triple-decker novel, first edition, London: Fisher, Son & Co., [1841], contemporary calf over marbled boards, 8vo, (3); Sue (Eugène), The Wandering Jew, triple-decker novel, first English edition, London: Chapman and Hall, 1844-45, original publisher's cloth binding, Sold by John Bubb, Bradford, his ticket, 19th century crested bookplates: W.A. Bailward, 8vo, (3); Charley Chalk, 1839, 8vo, (1); Bunn (Alfred), The Stage [...], three-volume set, first edition, London: Richard Bentley, 1840, original publisher's cloth bindings, 12mo, (3); further 19th century and later theatrical accounts, drama, etc; Crime & Punishment, Benson (Captain L., editor), The Book of Remarakble Trials and Notorious Characters [...], with Numerous Illustrations by Phiz, London: John Camden Hotten, [n.d., c. 1870], original publisher's cloth binding, refreshed endpapers stiffening textblock, 8vo, (1); Ireland, Third Book of Lessons for the Use of Schools, Dublin: Published by Direction of the Commissioners of National Education, 1842, contemporary anachronistic sheep, 12mo, (1); further 19th century novels, some of which are Parisian imprints of English titles, various; The Book of British Ballads, 1853, repaired original pictorial cloth, 4to, (1); Nelson's Festivals, 1833, contemporary blue roan binding, 12mo, (1); John Bunyan; Gibbon's Decline & Fall, 8vo, (3); Victorian and later leather and pictorial/decorative cloth bindings, various; [approx. 180, 13 boxes]

Los 3188

Miscellaneous - Local Interest, The Imperial Album of Matlock and Neighbourhood, illustrated, (1); others, similar, Chesterfield, Chatsworth & Haddon Hall, (2); The Nottingham Magazine, November 1885 to April 1886, bound as one, contemporary cloth, 8vo, (1); Children's Books, early-mid 20th century Beatrix Potter, Frederick Warne & Co Ltd imprints, (7); Bannerman's Little Black Mingo; Geology/Mineralogy, Oxford University PhD thesis, two volumes, 1981, 4to, (2); Folio Society, six various titles, 8vo, (6); 19th century London, social history, various; 19th century theatre, stage and drama, various; music; Gilbert White; Old English Wood- Carving Patterns, illustrations, folio; bibliography and book catalogues; American Folk Art; early 19th century and later leather, part-leather, and decorative cloth bindings, various, mixed sizes; loose ephemera, including carte de visite portrait photographs; etc., [5 boxes]

Los 3194

Modern First & Others - Walpole (Hugh), John Cornelius [...], first edition, one of the 175 large paper copies signed by the author, London: Macmillan and Co., Limited, July 1937, finely bound in full morocco by Hatchards, stamped, top-edge gilt, others uncut, 8vo, (1); two more of Walpole's novels, Judith Paris and Rogue Herries, ?the Special Signature issues, leather bindings, 8vo, (2); Riviere Binding, [Von Arnim (Elizabeth)], Elizabeth and her German Garden, London: Macmillan and Co., Limited, 1902, finely bound in contemporary three-quarter morocco over marbled boards by Riviere & Son, stamped, the spine lettered in the second compartment and tooled in gilt with flowers in the remainder, top-edge gilt, others uncut, marbled endpapers en suite, 8vo, (1); Frankau (Gilbert), The Poetical Works, 1901-1920, two-volume set, first edition, copy no. 42/310 of the Edition de Luxe signed by the author, London: Chatto & Windus, 1923, printed on hand-made paper, volume I with portrait frontispiece, contemporary vellum over boards, top-edges gilt, others uncut, 4to, (2); War Poetry, [Mason (Arthur Telford)], The Book of Artemas, three-volume set, London: W. Westall & Co., 1918-19, original pictorial cloth, volume I owned by Captain Eric Evan Spicer (1894-1918), of the 1st/4th Battalion London Regiment (Royal Fusileers), youngest son of Sir Evan Spicer, killed exactly two months after this book was inscribed to him from his father, 8vo, (3); Lyndon (Roderick), Another Point of View, first edition, London: Arthur L. Humphreys, 1907, three-quarter morocco over cloth binding by Hatchards, stamped, top-edge gilt, others uncut, Golden Age pictorial-armorial bookplate of Frederick "Fritz" Ponsonby, 1st Baron Ponsonby (1867-1935), soldier and senior royal courtier, 8vo, (1); [Housman (Laurence)], An Englishwoman's Love Letters, first edition, London: John Murray 1900, contemporary vellum, yapped edges, top-edge gilt, others uncut, decorative foliate endpapers, 8vo, (1), [11]

Los 3203

Owen (Wilfred) & Blunden (Edmund, editor), The Poems [...], first complete edition, London: Chatto & Windus, 1931, portrait frontispiece, loosely-inserted errata slip, dustjacket over purple cloth, 8vo, (1); Green (Leonard), A Memory of Ragusa [...], first edition, [London]: Printed for the Author by Holbrook & Son, Ltd., Christmas, 1929, original cloth over boards, 8vo, (1); Graves (Robert): Good-Bye to all That: An Autobiography, first edition, third impression, London: Jonathan Cape, November 1929, original dustjacket over red cloth, 8vo, (1); [&] The Hogarth Essays, Contemporary Techniques of Poetry, [&] Another Future of Poetry, first editions, London: Published by Leonard & Virginia Woolf at The Hogarth Press, 1925 & 1926, original wrappers, 8vo, (2); Georgian Poetry 1911-1922, five volumes, mixed editions, 8vo, (5); further War and Modern poetry and literature, including Charlotte Mew, Siegfried Sassoon, Rupert Brooke, Frederic Manning, Robert Nichols, etc., [19]Provenance: the Chandos-Pole family, removed from the Library of Radbourne Hall, Derbyshire.

Los 3237

Theology & Divinity - [Pearson] (John, Lord Bishop of Chester), An Exposition of the Creed, The Twelfth Edition Revised and Corrected, London: Printed for D. Midwinter [...], 1741, some New Testament Greek printing, occasional Gothic Black Letter and Hebrew, portrait frontispiece, contemporary calf, contemporaneous and later MS ownership inscriptions, 19th century lot label to top spine compartment: Lot 163, small folio, (1); etc., [2]

Los 3244

Theology, Divinity, & Liturgy - Sparrow (Anthony): A Collection of Articles, Injunctions, Canons, Orders, Ordinances and Constitutions Ecclesiastical; With other Publick (sic) Records of the Church of England [...], second edition, London: Printed for Robert Cutler and Joseph Clarke, 1671, some Gothic Blackletter printing, engraved frontispiece, divisional titles, [A1]-A2, B-[Ll4], [Aaa1]-[Ooo4], signature Ii3 incorrectly signed Gg3, rebacked contemporary panelled calf, institutional stamp to title-page foot, 4to, (1); A Rationale upon the Book of Common-Prayer of the Church of England, with His Caution to his Diocese against False Doctrines, London: Printed for Robert Pawlet, at the Sign of the Bible in Chancery-Lane, near Fleet-street, 1676, additional engraved title-page, divisional title-page with engraved vignette of the Tower of Babel, 3 portrait engravings of Anglican divines, lacking signatures [N5-6], otherwise collating [A3]-N5, [N8]-[**11], 20th century divinity calf, 12mo, (1), [2]

Los 3281

An early Victorian vellum grand of naturalisation, Amelia Susa Maria, widow of Edward Maas of The Hague, captain in the Netherlands army, by petition of the father of Mrs. Maas, Jens Wolff of the City of London, Danish Consul-General in Britain and Susan, Mrs. Wolff (née Tovey), her mother, dated 1847, inscribed in ink MS, printed Royal Arms to borders, toleware cased impression of the Great Seal en suite, the document 36.5cm x 46cm, (1); English School (early 19th century), a portrait silhouette, of a gentleman, bust-length and in profile, well picked-out in gilt, gouache and watercolour on paper, 8.5cm x 7cm, contemporary black papier-mâché canted rectangular frame, 25cm x 20cm overall, (1), [2]

Los 3283

Autographs – an early 20th century album, but mainly inscribed with mid-20th century UK showbusiness figures, including signed photographs: Rawicz & Landauer, Roger Livesey, Ernest Latinge, Peggy Rowan, Murray and Mooney, Harry Korriss, Ronald Chesney, Douglas Wakefield, Len Young, Jimmy James, Sid Field, Syd Seymour, ‘The Charladies’, Sidney Birchall, Mary (‘Lady’) Rowlands (with well-executed sketch self -portrait) also with autographs only of Lionel Blair, Vic Oliver, Anne Lendrum (ballerina), George Williams, Carole Lynne, Ralph Lynn, Pamela Grey, Rex Eaton, George Brown (not the politician) and others; some earlier unconnected ink manuscript inscriptions, contemporary roan gilt, oblong 8vo, [1]

Los 3285

Autographs, Stage, Screen, & Sport, 1939-1951 - undated flyer for performance of Ivor Novello’s King’s Rhapsody signed by four leading cast members: Jack Buchanan (1891-197), Phyllis Dare (1890-1975), Olive Gilbert (1898-1981) & Vanessa Lee (1920-1992); autographs of various seaside bands 1949-1950; Harry Hanson’s Court Players, 1950/51 season with autographed half plate photograph; Arthur Brough’s Players (portraits cut out from programmes and pasted opposite signatures); Bubbles & Co. 1950; two North London non-league football teams 1939-40; Essex CCC team 1946; competent ink portrait of a spaniel signed Steve Stoyles (‘chief reporter, The Star, London EC4’), original moiré cloth album, oblong 4to, [1] N.B. Jack Buchanan replaced Ivor Novello in the leading role of King’s Rhapsody on Novello’s death in 1951; Harry Hanson was for three decades the leading UK impresario of seaside entertainment and founded the Court Players in 1932, continuing into the 1960s; Arthur Brough (1905-1978) who with his wife founded his players in 1928, is better remembered today for having played Mr. Grainger in 'Are you Being Served?' for the BBC in the 1970s.

Los 3295

Ephemera - a collection of loose Victorian juvenile historical, didactic, and theatrical portrait scraps, published by J. Redington, [n.d.], illustrating known actors playing established Shakespearean and Medieval chivalric leads, etc., mostly 22.5cm x 18.5cm; others, slightly earlier, including landscapes and architecture, various, [collection, approx. 50]

Los 3320

The Arts - a collection of five 19th century ink manuscript on paper letters, comprising 1) Sir Thomas Lawrence PRA FRS (1769–1830), 3pp ALS addressed to Sir Willoughby Gordon, Bart (1772-1851), excusing himself for not being able to call on him, etc., dated 9th August, 1829, portrait engraving of the artist, (1); others, including 2nd) Sir George Scharf KCB (1820-1895), secretary and director of the National Portrait Gallery, 3pp, (1); 3rd) Sir Thomas Hardy (1804-1878), Deputy Keeper of the Records, 1pp (1); 4th) Angela Burdett-Coutts, 1st Baroness Burdett-Coutts (1814-1906), 4pp, (1); etc., [5]

Los 3323

The Theatre - a late Victorian manuscript diary, dated and inscribed in MS. from 19th July 1897 to 29th December 1902, presumably compiled by a gentleman, illustrated with frequent accounts of days in London and Manchester, particularly their theatres, operas, etc., and tipped-in theatrical notices and ephemera throughout, some comments, fairly informal and at times brief entries, accounts of friends, etc., original roan (perished in places, 8vo, (1); Photography, three Powls & May cabinet card portrait photographs, of children in theatrical costume, c. 1900, (3); The Crystal Palace Album; etc., [collection]

Los 3327

Two late 19th/early scrapbook albums, illustrated with Edwardian and 1920s society beauties, presumably taken from Tatler, Grand Tour Classical and Old Master pictures, etc., contemporary quarter-calf over boards (some wear, chipped, etc), 4to, (2); Stamps, a 20th century stock book, sparsely-filled with loosely-inserted world stamps (c. 1960); philately publications, (2); a Victorian papier-mâché and mother-of-pearl marquetry rounded rectangular blotter, c. 1860; two early 20th century studio portrait photographs, mixed frames; further photograph frame; draughts and bridge; armorial plaque; early 20th century and later European banknotes; etc., [collection] Provenance: the Chandos-Pole family, removed from the Library of Radbourne Hall, Derbyshire.

Los 3332

Japan - Japanese School (late Meiji/early Taishō period), a set of nine card narrative leaves, each printed in monochrome, and then painted in watercolour wash, each portrait-format leaf 21cm x 29cm, [9]

Los 3338

James Scales (early 19th century), by, Wisbech Bridge, [Cambridgeshire], [n.d., later dated 1817 in pencil], aquatint, 35cm x 51.5cm, (1); further early 19th century and later British topographical named-view prints, mostly lithographs and chromolithographs, including Rugby School, Wollaton Hall, others after Joseph Nash, mounted; etc; 18th century and later Old Master engravings and prints, including a portrait mezzotint Lord Mayor of London Crisp Gascoyne; humour and caricatures, including 20th century restrikes after Gilray; some maps, including The Environs of London, dated 1833 but later 19th century, mounted, (1); Terence Cuneo print, signed by the artist; late 20th century Lowry prints, various, late 20th century and unsigned, large formats; others pictures and prints, various media, dates, and sizes, including some large formats; etc., [large collection]

Los 3341

Silk Printing - William Wynne Ryland (1732 or 1738-1783), after Angelica Kauffmann RA (1741-1807), The Muse Erato, [n.d.], coloured stipple engraving on silk, 10.5cm x 8cm, another two silks, including Poll of Plymouth, mounted and framed as one, 31cm x 48cm overall, (1); after William Hogarth FRSA (1697-1764), Plates 6 & 10 from The Industrious Prentice, 18th century line engravings, 19cm x 28cm, uniformly mounted and framed, (2); Villiers family portrait engravings, (2), [5]

Los 3360

In the Manner of Frank Meadow Sutcliffe of Whitby, a sepia portrait photograph of a fisherman, [n.d., early 20th century], 29.5cm x 37cm, mounted, (1); others, including trawlers and fishing boats, (3), various sizes,[4]

Los 3372

Royalty - a possibly previously unpublished informal portrait of four royal cousins: TRH the Prince of Wales (Charles, b. 1948), the Princess Royal (Anne, b. 1950), & Princes William (1941-1972) and Richard (b. 1944), presumably taken by Cyril Hubbard, the then pantryman at Barnwell Manor, Northamptonshire, inscribed and dated 1955 to verso in pencil, (1); the Princes William and Richard in Scotland, with PW in Highland dress, (3); etc., [7]

Los 1150

A collection of Art Reference books & Similar including The Roots of Ancient India, The Silent Studio, 25 Years of British Art Portrait of the Artist, Western European Cameos' etc

Los 1232A

A collection of hand turned and carved panels and roundels with portrait and landscape views

Los 807

Framed Presentation Portrait Br S Taylor by The Davids Friendly Society : frame size 67 x 59cm

Los 65

Cigarette Silks including City coats of arms from series 30 and flags from series 26, along with territorial badges, Regiment coats of arms, ceramic art, birds, portrait artists, medals and pilot flags. The first type of advertising inserted into packets in the early 1900's these 'silks' were often made into quilts or other 'useful and ornamental articles for home decorations'. Offered with a piece of parachute head scarves of the parachute regiment and embroidered handkerchiefs.

Los 1431

A set of four 19th Century oval gilt framed prints of children, together with a portrait of elderly lady (5)

Los 49

I. Boucherat 'Study Of Horses' oil on board together with two watercolours and a pastel portrait, all signed

Los 50

A 19th Century Portrait Of A Girl In Period Dress, oil on canvas, 73 x 50 cms together with three other similar pictures

Los 495

Eric Gill - wood cut portrait of Xenia Noelle Lowinsky 1924, 24 x 17cm

Los 500

A pair of European bronze portrait plaques indistinctly signed circa 1930, 19cm diameter

Los 614

Two Victorian portrait photgraphs in ornate gilt frames, lagest 32 x 27 cm

Los 147

A fine silver German Art Nouveau cigarette case with enamel portrait of a woman in the style of Alphonse Mucha with Heinrich Levinger export mark, Birmingham 1900 - damage to lower edge of enamel, 8.5 x 7cm, 120g

Los 369

HENRY WRIGHT KERR RSA RSW (SCOTTISH 1857 - 1936),PORTRAIT OF A SOCIETY LADY,watercolour on paper,image size 67cm x 57cm, overall size 81cm x 71cm,Framed and under glass

Los 382

K V EADIE,PORTRAIT OF A GIRL,pastel on paper, signed,image size 45cm x 36cm, overall size 54cm x 45cm,Framed and under glass

Los 383

PORTRAIT OF A WOMAN,pastel on paper,overall size 41cm x 31cm,Mounted, framed and under glass

Los 166

Percy F.S. Spence watercolour portrait of a young woman in a chair, with a blue scarf in her hair, (1911) signed and framed. Approx. 28.5cm x 43cm

Los 1439

A large Aesthetic pottery circular wall plaque or charger, 1880s, painted by G.R. Purvis, signed, with a kingfisher in flight above flowers and foliage, painted marks to reverse, diameter 43.5cm, together with two Mintons Art Pottery Studio circular plaques, one painted with birds, diameter 23.5cm, the other with a head and shoulders portrait, diameter 25.2cm (portrait plaque restored).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Los 1558

A Sèvres biscuit porcelain portrait plaque of Louis Napoleon, circa 1866, after J. Peyre, green printed date code and incised marks to reverse with original applied paper label, diameter 15.5cm, held within an ebonized wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

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