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283322 Los(e)/Seite
Books - Fishing, Fly-fishing interest - Trout of the Thames, A. Edward Hobbs, published by Herbert Jenkins, first edition; The Immortal Trout, Eric Taverner; The science of spinning for Salmon and Trout, Alexander Wanless, revised edition; Rivers, Portrait of the Tweed, Salar the Salmon, Sea Trout, etc, qty, 2 boxes.
FOLLOWER OF AUGUSTUS JOHN PORTRAIT OF A GIRL, ARMS FOLDED Black crayon 33 x 245cm (12 x 96¼ in.)Provenance: Private Collection, Lady Caroline Conran Condition Report: Unexamined out of glazed frame. Light handling creases throughout the sheet. A small area of staining to the upper right corner. Evidence of some water drops to the lower right quadrant. Please note Dreweatts is not liable for damage to picture frames.Condition Report Disclaimer
Y ENGLISH SCHOOL (19TH CENTURY) PORTRAIT MINIATURE OF A LADY WEARING WHITE LACE TRIMMED DRESS, A PEARL BROOCH AT HER CORSAGE AND GOLD NECKLACE WITH EMERALD JEWEL Watercolour on ivory, oval In a gold frame 6.3cm highPlease note Dreweatts have applied for a de minimis exemption licence for the ivory in this lotRef: Y Indicates that this lot may be subject to CITES regulations when exported. The import of lots that are subject to CITES regulations are banned in certain countries. Please check your country's import regulations before bidding.
JOHN SAUNDERS (1682 - c.1758) Portrait of a Lady, said to be Letitia Barrett, half-length, wearing a lace trimmed dress, signed and numbered 1884, with inscriptions on backboard, 'Letitia Barrett' and, 'Sister of Arthur Vaughan of Trederwen', pastel, 16 x 11 1/2 in. Provenance: An inscription on a label with blue outline on the reverse states 'Miss Disbrowe', presumably a later owner. Letitia Barrett appears to have been born in 1732 in Oswestry, to Vaughan Barrett and Mary, nee Kynaston. She died in 1803. The exact relationship with Arthur Vaughan is unclear but Vaughan Barrett's mother was Elizabeth Vaughan (1674-1734) of Trederwen, so they were at least cousins.
GEORGE FREDERICK WATTS OM RA (1817-1904). Portrait of William Ewart Gladstone (1809-1898), quarter-length, oil on canvas, 20 1/2 x 16 1/2 in.Watts painted the sitter on two occasions.The first portrait, dateable to 1859 is in the National Portrait Gallery, London.A second unfinished portrait (believed to be this work) was created c. 1876-1880 and was worked on at intervals within this period. It was never exhibited, remained in the Watts Collection, then that of his widow Mary, at their Compton Home, Limnerslease. In 1938 according to Watts Gallery records it passed to the Watt's ward, Mrs Lillian Chapman. There appears no record of when it left her possession, though she sold or gifted several of the Watts works in her life-time. After her death, her family sold several of the Watts works in her life-time. After her death her family sold paintings through Sotheby's Belgravia Mary Watts documented her husband's completed oil paintings in a manuscript catalogue, extensively illustrated with photographs.The two volumes are hald at the Watts Gallery, Compton, Surrey. The secnd Gladstone portrait is catalogued and illustrated in the portraits volume, p69. The dimensions given in that catalogue 20 1/2 x 16 1/2 in being identical to this portrait. In her catalogue entry Mary Watts notes 'some twelve years later (than the 1859 portrait) Mr Gladstone again sat to Mr Watts.It may be said roughly during the years 1876-1880, but this at long intervals.The portrait desired for Christchurch, Oxford but abandoned and Sir William Richmond's painting is in th Great Hall. Mr Gladstone often referred to the pleasure conversations with Mr Watts had given him'.There is a more detailed account of the portrait in M.S.Watts 'George Frederick Watts 'The Annals of an Artist's life, Macmillan and Co. Ltd 1912. The account of the painting of the portrait is in vol 1 pp 305-6 (where it seems the disposition of the two to talk was a factor in the delay and ultimate abandonment of the portrait) and a reference to the place of the portrait in the house and Watts tribute on hearing of Gladstone's death in vol 11, p 273
VICTORIA 1868 SOVEREIGN obverse; young uncrowned portrait of Queen Victoria left, legend around VICTORIA DEI GRATIA, date below 1868. Reverse; crowned quartered shield of arms within wreath, legend around BRITANNIARUM REGINA FID: DEF: national flower emblems below. 8 grams Condition Report:Available upon request
ELIZABETH II SOVEREIGN. Obverse fourth crowned portrait of HM Queen Elizabeth II right, wearing the Girls of Great Britain and Ireland tiara, legend around ELIZABETH·II·DEI·GRA REGINA·FID·DEF IRB. Reverse St. George slaying the dragon right, date and designer's initials in exergue. Note: plumed helmet with no streamer. With the Royal Mint presentation box. Condition Report:Available upon request
19TH CENTURY CONTINENTAL SCHOOL; oil on canvas, half-length portrait of a young lady in black dress with lace collar, inscribed and labelled verso, titled 'Charlotte Von Tweidorff 1845-1868', 28 x 21.5cm, together with a 19th century English school watercolour and gouache half-length portrait of a lady resting her arm on a balustrade, with trees behind, unsigned, 41 x 35cm, framed and glazed (2).
EDWIN VINCENT FORREST RCA (1918-2002); oil on panel, 'June at the Royal Cambrian Academy, Victoria Gallery Conway Early 1980s', portrait of a nude reclining on a sofa, unsigned, label verso, 39 x 48cm, framed.Condition Report: †This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgV
A late 18th / early 19th century oval miniature, head & shoulders portrait of a young man, in a yellow metal mount, 4.5 x 3.5cms, a large oval portrait miniature of a young lady, 8cms x 6.5cms, an oval classical miniature in a yellow metal frame, a photographic miniature in glazed frame and a ceramic female portrait pendant (5), est £75 - £100
A Selection of Polaroid Instant Cameras & Accessories, to include a Polaroid Automatic 100, a Polaroid Automatic 350, together with a Polaroid Cloud Filter #516, a Polaroid Self-Timer #192, a Polaroid Portrait Attachment #581, a Polaroid Close-Up Kit #583, a Polaroid Flashgun #268, & a Kaligar Lens Set,
Mary Soames Nicholas Soames and Randolph Churchill signed National Portrait Gallery FDC Oxford 17th July 2006. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
A collection of antique and later, gold and yellow metal jewellery. The lot to include a hallmarked 9ct cased AF wrist watch, hallmarked with import mark for Glasgow 1924, makers marks for ZWCo - Zenith Watch Co. AF 18ct gold topped and black stone cabochon set horseshoe stick pin, one stone not attached. A yellow metal mounted glazed hairwork jewellery fragment and two carved cameo portrait brooches with twisted yellow metal mounts. All unmarked items surface test as gold. Total weight approx 35.1g. Largest measures approx 5cm.
A collection of vintage and later silver, green gem set jewellery. The lot to include a green hard stone demi parure of stud earrings and a necklace pendant on fine curb link chain, peridot cluster earrings, green stone cabochon and white topaz ring, pierced malachite heart drop earrings, banded earrings, planished metal and fused glass pendant on snake chain, green Wedgewood ceramic cameo ring and a green Wedgewood carved cameo portrait brooch pin. All items hallmarked, marked sil or 925. Total weight approx 60.0g. Largest item measures approx 50cm.
An antique 14ct yellow gold and intaglio seal ring. The signet ring having a square cut orange red stone glass intaglio panel depicting the portrait bust of Alexander the great in a bezel setting with granulated detailing and triangular shoulders on a tapered shank. Marked 585. Total weight approx 3.3g. Approx size O. Head measures approx 1.3cm.
A 19th century oval miniature, watercolour on ivory, portrait of a lady in a blue dress with ruff, unsigned, frame size 16cm x 14cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres, ivory declaration submission reference A4KTTQQH. There are several visible cracks through the ivory panel, some surface paint loss, gilt-metal frame lightly worn
A 19th century oval miniature, watercolour on ivory panel, mother and child embracing, mounted in a ribbon and floral frame, frame size 14cm x 8cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres, ivory declaration submission reference E2293CRV. Good overall condition, miniature is loose from the frame with no glass present
A 19th century oval miniature, watercolour on ivory panel, portrait of a gentleman, 10cm x 9.5cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres, ivory declaration submission reference QXMFDWKB
A 19th century oval miniature, watercolour on ivory panel, portrait of a gentleman, scripted to the reverse April 5th 1859, frame size 13cm x 10cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being a portrait miniature made before 1918 with a surface area less than 320 square centimetres, ivory declaration submission reference XRZ2Y5LT

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283322 Los(e)/Seite