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Los 274
Julian Barrow (English, 1939-2013). Beautifully rendered portrait of Buckingham Palace. Signed and dated '02, lower-right. Housed in original frame. Dimensions are: Image Size - 22 7/8" X 14 7/8", Overall - 31" X 23". All measurements are approximate. Condition: No noted damage. Excellent. Provenance: A Beverly Hills estate. Acquired directly from the artist.
Los 158
MIKHAIL ARKADIEVICH SUZDALTSEV (RUSSIAN 1917-1998)Portrait of a Man, 1971oil on canvas100 x 83 cm (39 3/8 x 32 5/8 in.)signed in Cyrllic and dated lower left; signed, dated 1970 and titled in Cyrillic on versoEXHIBITEDTokyo Museum of International Art (possibly, according to an inscription in Cyrillc on the verso stretcher) This lot is being sold without reserve.
Los 196
GRIGORY TYSHKEVICH (UKRAINIAN B. 1940)Land to the Peasants, 1970oil on canvas130.5 x 164.8 cm (51 3/8 x 64 7/8 in.)signed, dated and titled on versoPROVENANCEJurii Maniichuk and Rose Brady CollectionEXHIBITEDNew York, Ukrainian Institute of America, Ukrainian Socialist Realism: The Jurii Maniichuk and Rose Brady Collection, September 14-October 7, 2012LITERATUREJurii Maniichuk, Realism and Socialist Realism in Ukrainian Painting of the Soviet Era (Kiev: LK Maker, 1998), p. 214 (illustrated) LOT NOTESGrigory Tyshkevich, a Distinguished Artist of Ukraine, is a portrait, landscape, and still life painter. In 1961, Tyshkevich graduated from the Odessa Art School, where he studied under well-known Odessite painters Mikhailo M. Bozhiy and N. Pavliuk; and in 1967 from the Kharkiv Art Institute, where his professors were Sergey F. Besedin and Oleksandr A. Khmelnitskiy.Land to the Peasants is as monumental in its themes as it is in its dimensions. Set in richly-textured fields of wheat and grass symbolic of Ukraine, the three foundational archetypes of the revolution - the soldier, the worker, and the farmer - dominate the composition. The red flag, intersecting the white-blue sky, frames the three men. Flanked by a mother and child on the left and a group of protesters on the right, the triad looks to the right, beyond the borders of the picture plane, onward. The stoicism of the three central figures, however, is offset by the expression on the mother's face and the apparent vigor of the revolutionaries. Tyshkevich is particularly attentive to the figure of the peasant: slightly offset to the right, his physiognomy appears more closely observed. (The fields in which the subjects stand, after all, are his domain). Despite the figuresÕ stylized, squared shoulders and faces, the artistÕs abbreviated, energetic strokes and use of brilliant blue-greens imbue the work with a lively, even hopeful character.The following lots come from the collection of the Ukrainian-born American lawyer Jurii Maniichuk (1955-2009), who amassed nearly 150 large-scale pieces of Ukrainian Socialist Realism of the 1950s-1980s. Maniichuk acquired these paintings (primarily from working artists or their heirs) while working in Kiev as a legal consultant for the World Bank in the 1990s, and brought them to the U.S. in 1999. With UkraineÕs newfound independence from the USSR in 1991, Socialist Realism fell out of favor with most collectors and curators. Recognizing their historical value and aesthetic appeal, Maniichuk made it his preeminent goal was to preserve the paintings for future study and appreciation. As part of that effort, his widow, Rose Brady, now the collectionÕs owner, lent nearly half of the collection long-term to the Ukrainian Institute of America in New York (2012-2018). Select works have also been featured at the Brooklyn Museum (Russian Modern, 2011-2016), at East West Fine Art (formerly known as Gallery on Fifth) in Naples, Florida (We the People. Everyday Life in Post-Soviet Union and modern-day Southwest Florida, November 29-December 20, 2014; Rescued from the Flames, Soviet Era Social Realist Paintings from the Collection of Jurii Maniichuk and Rose Brady, December 2013-January 2014), and at Florida Gulf Coast University in Fort Myers, Florida (Ukraine: The Maniichuk-Brady Collection of Socialist Realist Art, August 27-December 4, 2015).This lot is being sold without reserve.
Los 20
JOSEPH-SIFFRED DUPLESSIS (FRENCH 1725-1802)Self-Portrait, circa 1780oil on canvas58.4 x 48.3 cm (23 x 19 in.)inscribed left center G.B. GreuzePROVENANCEPossibly Louis-Bertin Parant (1768-1851), ParisThomas Jefferson Bryan (1802-1870)Given to the New York Historical Society in 1867 by Thomas Jefferson Bryan (Inventory 1867.262)Sold by the Historical Society at Sotheby`s in December, 1997, Sale No. 1562, lot 54Sands & Company, New York (purchased at the above auction)Private Collection, USALITERATUREBryan Catalogue, 1853, p.15, no. 209 (as Greuze and of the Duc de Choiseul)Bryan Companion Catalogue, 1853, pp 118-19, no. 209Catalogue, 1915, p. 88, no. B-262 LOT NOTESOriginally owned by Thomas Jefferson Bryan, one of the first major collectors of old masters in New York City history, who bequeathed his collection to the New York Historical Society in 1867, the current portrait is a strikingly well executed verion of Duplessis`s Self-Portrait in the Musee Comtadin et Musee Duplessis in Carpentras. Known to many Americans for his portrait of Benjamin Franklin, which is reproduced on the US hundred dollar bill, Duplessis was the pre-eminent portrait painter of his generation. After his portrait of the Dauphine in 1771, Duplessis was appointed peintre du Roi, and apart from his portrait of Louis XVI, sitters for his works including such illustrious figures as Jacques Necker, Christophe Willibald Gluck, and Josep-Marie Vien, amongst others. He generally painted his portraits, including this self-portrait in duplicate versions. The clarity, vibrancy, and emotiveness of the present self-portrait are hallmarks of Duplessis`s portraiture.
Los 200
OLEG TSELKOV (RUSSIAN B. 1934) Portrait, 1960 oil on board 69.5 x 39.5 cm (27 3/8 x 15 1/2 in.) dated lower right; signed, dated and titled in Cyrillic on verso PROVENANCE Acquired by the father of the present ownerLOT NOTES The following portrait by Tselkov, with its large, pale, red-lipped face, is a rare example of the artist's early style. Featuring his signature monumental, almost Neolithic forms, this 1960 work is a portent of Tselkov's later pieces (monochromatic, with a tactile, malleable quality; awash in a hazy, mystical light). The bright and varied colour palette, deep-set serpentine eyes, bulging neck, are distinguishing features of the portrait which all but disappear from later works. Another signifier of this very early style is the small flowerpot, gingerly held in the man's hands, which Tselkov often featured in his 1960s paintings, such as Portrait and Flower (1962), Self-portrait (1964) and Portrait of Two Women (1966).
Los 52
A SET OF 6 LATIN AMERICAN AND SPANISH ORDERS AWARDED TO AMBASSADOR HU SHI XIcomprising:a) Orden del Quetzal (Order of the Quetzal), Knight Badge. Guatemala. Gilt silver five cleft-armed star; the centered circular medallion with the arms of Guatemala within a white enamel ring inscribed in gilt lettering GUATEMALA AL MERITO, the obverse with a centered circular sky-blue medallion inscribed in gilt Roman numerals MCMXXXVI within a white enamel ring inscribed in gilt lettering GUATEMALA AL MERITO, with diamond-shaped eyelet, ring and ribbon suspension, in original stamped box; height excluding ring suspension: 44 mm.b) Order of Merit. Ecuador. Gilt bronze star with red and green enamels, with a centered circular medallion with mountains and rising sun inscribed REPUBLICA DEL ECUADOR AL MERITO, with pierced borders, with wreath and ribbon suspension and oval eyelet, the obverse plain; height excluding suspensions: 57 mm.c) La Orden al MŽrito por Servicios Distinguidos (Order of Merit for Distinguished Service). Peru. Gilt bronze with radiating ball-tipped stylized feathers, the centered circular medallion with red and white enamel bearing a central gilt panel in relief showing a rising sun over the Andes mountains, the Pacific Ocean in the foreground, a palm branch to the lower left, a laurel branch to the lower right, a deep red enamel ribbon above inscribed in gilt lettering AL MERITO POR SERVICIOS DISTINGUIDOS and below REPUBLICA PERUANA, with fleur-de-lys and scroll suspensions, CASA NACIONAL DE MONEDA. LIMA-PERU mint mark on obverse; height excluding suspensions: 60 mm.d) Orden de Juan Pablo Duarte (Order of Juan Pablo Duarte), Knight. Dominican Republic. Gilt silver cross patee with white and blue enamel with ball-tipped finials, five rays between each arm; the centered circular white medallion with gilt raised portrait of Juan Pablo Duarte y Diez circumscribed in gilt lettering JUAN PABLO DUARTE HONOR Y MERITO, the obverse with centered circular white medallion with raised arms of the Dominican Republic, with wreath and blue-and-white ribbon suspensions; height excluding suspensions: 55 mm.e) Al Merito Civil (Order of Civil Merit), Commander by Number, Breast Star. Spain. Gilt silver star with eight arms, with blue and white enamels, the cross topped by a crown, centered with a raised medallion circumscribed with AL MERITO CIVIL, with ornate vertical pinback flanked by dual prongs on obverse; height: 70 mm.f) Orden Nacional Jose Matias Delgado (National Order of Jose Matias Delgado), Commander Cross. El Salvador. Gilt silver star with blue and white-enamelled cross patee centered with raised profile of Jose Matias Delgrado, obverse with centered circular medallion circumscribed with HONOR A LOS PROCERES DE LA INDEPENDENCIA SALVADORENA, with vertical pinback; height: 70 mm.LOT NOTESThis lot comes from the collection of the prominent historical figure Ambassador Hu Shi Xi, dignitary from the Republic of China, and himself descending from an influential family of diplomats. His father, Hu Weide, was the Vice Minister of Foreign Affairs in the Qing Dynasty, and briefly served as the Premier of the Republic of China after Duan Qirui was ousted from Beijing in 1926. He was instrumental in bringing democracy to the Qing Dysnasty and was a member of the Chinese delegation at both the Treaty of Versailles as well as the Hague Peace Conference.Hu Shi Xi was a Chinese dignitary, the Chief Ambassador of the Republic of China in Canada, as well as an executive chief of embassies in many Spanish-speaking countries: Spain, Cuba, Argentina, Colombia, and others. In addition to his diplomatic skills, Hu Shi Xi was gifted artist, exhibiting his artworks at public exhibitions and diplomatic soirees to great acclaim. During his time posted in Europe and South America, he counted amongst his friends and visitors many other well known artists, such as Zhang Daqian. PROVENANCECollection of the Ambassador for the Republic of China, Mr. Hu Shi Xithence by descent in the family
Los 561
Views of Burghley: five lithographic prints, drawn by B. Rudge, Bedford, 1845, published Samuel Sharp, Stamford and Ackermann and Co, Strand, London, 54 by 38cm; together with a small collection of assorted prints, including A. Bannerman, a portrait of Verrio, Manchester Collegiate Church, and two topographical views. (10)
Los 605
A 20th century landscape study, with red roofed barns, oil on canvas, with heavy impasto surface, signed indistinctly lower right, 33 by 41cm, together with S. Winon (French, 20th century): 'Zoe', a contemporary portrait of a lady, having tea in a French salon, with garden view, oil on board, signed lower right, 50 by 40cm, framed, 55 by 45cm. (2)Provenance: Found in the attic of a French country house.
Los 612
G. Paul (early 20th century): 'Barzac', a full equine portrait of a chestnut horse with reins facing sinister, oil on board, signed and titled lower left, 22 by 29.5cm, glazed and in oak frame with gilt slip and applied plaque 'Chestnut Gelding 1905 by Barsac out of Jane Eyre hb Bred by H. J. Bunbury', 28.5 by 36cm, paper labels verso for Army & Navy Co-operative Society Ltd, Fine Arts Section.
Los 721
A pair of portrait miniatures of young ladies in blue dresses, one signed J. Bailey,1829, watercolour on ivory, backed with white board, 5.5 by 4.5cm, in oval rose gold plated frames, together with a Georgian portrait miniature, the lady a Beauty in powdered wig, with a shawl over one shoulder, fastened with a brooch, watercolour on ivory, 7 by 5.5cm, in small wooden frame. (3)
Los 152
David McClure RSA, RSW, RGI (Scottish, 1926-1998), A Portrait of The Prince of Wales, signed lower right, oil on board, framed. 56cm by 47cm. Note: this atypical work by McClure shows Prince Charles with fish representing his hair and may have been executed at the time in the early 1980's when he was famously criticised for going fishing during his honeymoon.
Los 187
William Brassey Hole R.S.A., R.S.W. (1846-1917), A Stormy Sea, signed lower right, oil on board, inscribed verso "William F. (Fergusson) Hole, 34 London Street, Edinburgh", framed. 23cm by 44cm. Note: Hole moved to Edinburgh as a child and as a young man travelled widely in Italy before returning to the city to study at the Royal Scottish Academy. He exhibited there frequently between 1866 and his death in 1917. He is perhaps best known as a muralist completing schemes at the new Scottish National Portrait Gallery around 1896 and in the European Room at Edinburgh City Chambers.
Los 205
Three 19th century engravings of members of the Napier family: the first of William John, Lord Napier after a portrait by Raeburn and sold with an autographed letter from Lord Napier dated 1829 and addressed to John Borthwick, Advocate, 28 Queen Street Edinburgh regarding the General Assembly of The Church of Scotland; the second of Vice Admiral Sir Charles Napier; the third of his cousin, General Sir Charles Napier after a daguerrotype of 1849. (4)
Los 2186
Eric James Mellon (1925-2014) Portrait of a lady seated wearing a yellow hat with a black feather - from the hat series Signed, oil on canvas, 51cm by 41cm (unframed) Provenance: From the artist's family Born in Watford, Herefordshire, Mellon attended Watford Technical and Art Institute and the Central school in London, where he learnt various artistic techniques that he later developed into his recognised artwork varieties. Mellon was one of the finest British studio potters of the 20th Century, noted for his figurative work with stoneware. He was the product of skills-oriented training offered by British Art schools until the early 1960's, consequently he became a versatile and accomplished painter, printmaker and ceramicist. In all disciplines he demonstrated a fascination with the human form, life drawing was central to his learning, his drawings often taking on a mythological dimension. Two of the paintings offered in this catalogue are from a series of paintings known as the ''hat paintings'', the unnamed sitter was a milliner, who frequently sat for Mellon wearing different hats she had created.
Los 2189
John Bratby RA, LG, ARCA (1928-1992) Head and shoulders portrait of Steve Race Signed, labels verso inscribed ''Greenwich Dec.11th'', 1977, oil on canvas, 40cm by 35cm The portrait was painted at St. Paul's Parochial Room, Royal Hill Greenwich, London SE10, December 11, 1977 See illustration Exhibited: ''The Individual in an Egalitarian Society'' John Bratby Portraits'' Royal Festival Hall, London, March 6 - May 6, 1978 ''John Bratby Portraits'', Royal Festival Hall, London, Jan 14 - February 22, 1983 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 191
Banknotes; a small collection of UK banknotes, 3 x £20, 2 x £10, 7 x £5, 10 x £1, 3 x 10/- shilling, including a 1944 white £5 note, Peppiatt, no.E04 004165; Series "B" Helmeted Britannia issue £5 note; Series "C" Portrait issue £5 note; Series "C" Portrait issue £10 note; Series "D" Pictorial issue £20 note, etc (25)
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283284 Los(e)/Seite