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283284 Los(e)/Seite
Los 482
Sir Peter Markham Scott, CH (British, 1909-1989), Portrait of HRH The Princess Margaret, Countess of Snowdon (1930-2002), pencil on plasticowell, 29 x 23cm (11.31 x 8.97in). Literature: Portrait Drawings by Sir Peter Scott, published by Country Life in 1949, (illustrated). Plasticowell film was the invention of the printer W S Cowell. These transparent plastic sheets were born out of necessity, to make up for metal shortages after the Second World War, but they were seized upon by a generation of British artists, including Henry Moore and John Piper, because of their flexibility and practicality. As the sheets were transparent, the artist, who drew each colour on a separate sheet, could easily get the colour registration exactly as they wanted. When the drawings were transferred from the plasticowell to specially-prepared zinc plates for printing, the artist could also work the right way round, rather than back to front as when drawing a lithograph directly onto zinc or stone
Los 483
Sir Peter Markham Scott, CH (British, 1909-1989), Portrait of Miss Mary Morris (1915-1988) and Portrait of James Robertson Justice Esq (1902-1975), both actors, pencil on plasticowell, 35 x 28cm (15 x 11in) and 31 x 29cm (12 x 11in) (2). Literature: Portrait Drawings by Sir Peter Scott, published by Country Life in 1949 (illustrated)
Los 484
Sir Peter Markham Scott, CH (British, 1909-1989), Portrait of Miss Philippa Talbot-Ponsonby; Portrait of Miss Elizabeth Adams, later the Lady Kennet; and Portrait of Miss Nicola Scott, two signed with initials "PS 1948", pencil on plasticowell, 38 x 28cm (15 x 11in), 35 x 23cm (14 x 9in) and 35 x 28cm (15 x 11in) (3). Literature: Portrait Drawings by Sir Peter Scott, published by Country Life in 1949, Plate 14 (Miss Talbot-Ponsonby) and Plate 33 (Miss Scott). Other Notes: Philippa Talbot-Ponsonby became the second wife of Sir Peter Scott. Nicola Scott is Sir Peter`s daughter, and Elizabeth Adams was Scott`s first assistant at Slimbridge and then sister-in-law, who married Wayland Hilton Young, later 2nd Baron Kennet.
Los 537
~ SP ~ Studio of Sir Henry Raeburn, RA (1756-1823), Portrait of Sir Walter Farquhar, 1st Baronet (1793-1819), Physician to George IV, three quarter length, seated in a Green Jacket, Black Breeches and White Stockings, with a Landscape beyond, 124 x 100cm (48.36 x 39in). Provenance: Christie`s Sale, London, 2 April 1969, lot 2 (sold for no.105 guineas). Christie`s sale, 31 January 1975, lot 60. Private collection, Cambridgeshire, Sibton Park. Exhibited: Possibly Royal Academy, 1798, No.28
Los 461
PORTRAIT OF JOHN JAMES AUDUBON, half length oval, pencil drawing, unsigned, inscribed verso "Monsieur Audubon - the celebrated ornithologist - born 1776 on a Plantation in Louisiana, died 27 January 1857, was buried in Trinity Cemetery adjoining his residence on the Banks of the Hudson", 7 3/4" x 6", card mount unframed, together with an oval pencil drawing of a lady, head and shoulders, 8 3/4" x 7", stained frame (2)
Los 473
EDWARD J HARDING (Irish 1804-1870), The Donkey Ride, family portrait, a gentleman with his wife and child, watercolour and pencil heightened with white, signed and dated 1839, Christie`s Sale lot ticket No.128 19 May 2000 verso, 19 1/4" x 14", gilt frame Edward J Harding, address 11 South Mall, Cork, was a portrait painter in oil, watercolour, pen and ink. He painted the young Queen Victoria. He was also a miniaturist.
Los 675
DAVID BACKHOUSE F.R.B.S. (1941- ), Bronze study with nude girl seated on a high stool, inscribed "Backhouse `75, 4/6", 14" high David Backhouse sculptor and designer lives near Bath and also has a studio in Brantome, France. His early career was spent working and travelling in Europe where he was particularly involved with portrait commissions. He has made many public sculptures notably Cloaked Horseman for Bristol City Centre, Centaurs for Whiteleys London W2, The Stream of Life for Central Square Telford and Dolphin Family for London Docklands. He says of his work "The themes are simple and universal: the interdependence of nature and humanity, the search for balance and harmony. My sculptures are meditations on the human and animal condition in the modern world, reflecting loss and tragedy, hope and delight, and above all tenacity of spirit".
Los 836
A VICTORIAN EBONISED CREDENZA, c.1870, of bow breakfront form with stringing, gilt metal mounts and Sevres style porcelain plaques, the frieze with marquetry strapwork panels centered by a floral patera, panelled door with female portrait plaque flanked by pilasters with term capitals, flanked in turn by glazed doors, moulded base and turned feet, 66" x 15 3/4" x 41 3/4" (Illustrated)
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283284 Los(e)/Seite