George Romney (1734-1802) Study of Georgiana, Duchess of Devonshire (1757-1806) Inscribed Duchess of Devonshire 51 Pen, brown ink and wash 28 x 16.8cm; 11 x 6½in Provenance: John, 1st Earl Spencer (1734-1783) (Lugt 2341a); James Faber, London The Duchess of Devonshire sat for Romney on seven occasions between 1788-1794. Additionally there is a mention of Romney working on a full-length portrait of the Duchess in 1786, although it remains untraced (see Alex Kidson, George Romney: A Complete Catalogue of his Paintings, Yale University Press, 2015, vol. I, p.186).
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λEnglish School 19th Century Portrait miniature of a gentleman in a black coat; Portrait miniature of a lady in a white dress and blue shawl A pair, rectangular, framed as one in an ebonised frame Each 85 x 65mm Together with two further late 18th/early 19th Century portrait miniatures of ladies (4)
λWilliam Wood (1769-1810) Portrait miniature of Prince William Frederick, Duke of Gloucester and Edinburgh (1776-1834), wearing uniform and the Star of the Garter Signed and dated 1807-08 on the reverse Oval, in a gilt metal frame with plaited hair and blue glass over guilloché back, within a tooled maroon leather case 85 x 70mm The miniature is a copy of a full length portrait by Sir William Beechey RA (1753-1839). William Wood painted miniature copies of this work, and a portrait of Prince William Henry, 1st Duke of Gloucester (1743-1805), at Beechey's request. Wood's version of the the 1st Duke is in the Royal Collection (RCIN 420254)
λGeorge Engleheart (1750-1829) Portrait miniature of a gentleman with powdered hair, brown coat and white stock Oval, in a gilt metal, blue and white enamel and blue glass over guilloché frame, within a tooled blue leather case 47 x 35mm Provenance: G. A. V. Duckworth, Orchardleigh Park, Frome, Somerset; His posthumous sale, Christie's, 21-22 September 1987, lot 339; Bonhams, London, Fine Portrait Miniatures and Silhouettes, 2 February 2000, lot 162
Circle of John Russell RA (1745-1806) Portrait of a girl, bust length, in a red cape and black bonnet Pastel 54.7 x 39.6cm; 21½ x 15½in Provenance: Christie's, London, Fine English Drawings and Watercolours, 12 July 1988, lot 144, as John RussellLiterature: Neil Jeffares, "John Russell", Dictionary of pastellists before 1800, online edition, accessed 11/02/2019, no. J.64.37195, as a copy (previously accessed 4/11/2019, no. J.64.3668, as Russell)
λAndrew Plimer (1763-1837) Portrait miniature Peter Campbell (1766-1821), head and shoulders, in blue coat, and white stock Oval, in gilt metal frame, with a lock of hair on blue glass over guilloché back 76 x 60mm Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016)
After Eden Upton Eddis Portrait of Henry Lascelles, 2nd Earl of Harewood on Horseback, Harewood House in the distance oil on canvas 64 x 76.5cm; 25¼ x 30in Provenance: Lady Dunbar; Morphet & Morphet, Harrogate, 18 November 1965, lot 383, where purchased by the present owner's father; by descent. After the original in the Harewood collection. Lord Harewood is depicted mounted on his hunter George, with his terrier Pepper nearby.
John Greenhill (c.1644-1676) Portrait of a mother, half-length with a red mantle over a brown dress, holding her child Signed and dated 1665 Oil on canvas 71 x 61cm; 28 x 24in Provenance: Comte de Montrichard, by 1876; Richard Davey, by 1895; by descent to Mrs E. Durham; Inherited by the previous owner from her mother; by whom sold, Lawrences, Crewkerne, Fine Art Sale, 4 July 2008, lot 1188, where purchased by the present private collector Literature: Ellis Waterhouse, The Dictionary of 16th & 17th British Painters (Antique Collectors' Club, Woodbridge, 1988), p.112, illustrated Exhibited: Wrexham 1876, no. 372, as 'Duchess of Somerset and Child'; London, Grafton Gallery, 1895, no. 356, as 'Lady Jane Seymour and son'; Burlington Fine Arts Club, 1938
Attributed to John Michael Wright (1617-1694) Portrait of a lady, in a white dress and red shawl, seated next to a basket of fruit Oil on canvas 125 x 103cm; 49½ x 40½in Provenance:Lord Rossmore, Camla Vale, Co. Monaghan;His sale, Osborne King and Megan, 9-10 April 1962, as ‘Pupil of Van Dyke, Queen Catharine, wife of Charles II’;The Property of a Noblewoman
Sir George Hayter (1792-18710 Portrait of James Talbot, 4th Baron Talbot de Malahide (1805-1883), MP for Athlone Oil and pencil on board 33.5 x 29.2cm; 13¼ x 11½in, framed as an oval Provenance: Christie, Manson & Woos, Catalogue of the remaining pictures and original sketches... of the late Sire George Hayter, 19 April 1871, lot 488 This is one of Sir George Hayter's oil sketches produced in preparation for his famous The House of Commons, 1833, which today hangs in the National Portrait Gallery (inv. no. NPG 54). The monumental work depicts the very first meeting of the new parliament following the passing of the Great Reform Act. Hayter spent a decade compiling preparatory head sketches of 375 of the total 658 MPs depicted. James Talbot was an Anglo-Irish politician and amateur archaeologist. He spent three years as a Whig MP, and as a member of the House of Lords served in the administrations of Lord Palmerston and Lord Russell. He was President of the Royal Archaeological Institute, President of the Royal Irish Academy, Fellow of the Royal Society and Fellow of the Society of Antiquaries.
James Hayllar (1829-1920) Portrait of Rev. F. Cavell with his head in his hands; Portrait of Richard Cobden M.P. Two, the former inscribed Revd F Cavell, the later signed and dated 1857 Pen and black ink; pen and brown ink 9.5 x 14.5cm; 3¾ x 5¾in; 8 x 9.5cm; 3¼ x 3¾in (2) Provenance: Both with David Ker Fine Art, London
Follower of John Closterman Portrait of a gentleman, three-quarter-length, in blue velvet coat and ochre wrap Oil on canvas 127 x 104cm; 50 x 41in Provenance:Lord Rossmore, Camla Vale, Co. Monaghan;His sale, Osborne King and Megan, 9-10 April 1962, as ‘Attributed to J.B. Closterman’;The Property of a Noblewoman
James Sant CVO, RA (1820-1916) Portrait of Mrs Heywood-Lonsdale, in a dark gown with ruffled neckline, pearl necklace, black choker and a veil Oil on canvas 76.6 x 63.3cm; 30 x 25in Provenance: By descent from the sitter to Lt. Co. Arthur Heywood-Lonsdale (1900-1976); By whom sold, Christie's, London, 6 August 1976, lot 181; Private Collection, Chicago, USA; Private Collection, UK Exhibited: Walker Art Gallery, 1958 Engraved: Thomas Lewis Atkinson (1817-1898)
Follower of Sir Anthony van Dyck Portrait of a lady, traditionally identified Queen Henrietta Maria (1609-1669) in a yellow dress and blue shawl Inscribed QUEEN HENRIETTA MARIA/WIFE OF CHARLES THE 1ST Oil on canvas 107 x 92cm; 42¼ x 36¼inProvenance:Lord Rossmore, Camla Vale, Co. Monaghan;His sale, Osborne King and Megan, 9-10 April 1962, as Attributed to Sir Peter Lely’;The Property of a NoblewomanWe are grateful to Dr. Malcom Rogers for suggesting a possible attribution to Pieter Borselaer (Dutch 1632-1692) on the basis of photographs. Dr. Rogers dates the painting to c.1670, but does not believe the sitter to be Henrietta Maria
After Rembrandt Harmensz. van Rijn Beggar man and beggar woman conversing; The artist's mother seated at a table, looking right: three-quarter length; The blind fiddler; A peasant calling out 'Tis vinnich kout' and A peasant replying 'Dats niet'; The crucifixion; View of Amsterdam from the north-west; The Omval; Cottages beside a canal; Self-portrait drawing at a window; Medea: or the marriage of Jason and Creusa; The triumph of Mordechai; The descent from the cross by torchlight; Abraham's sacrifice; Christ preaching Fourteen, mostly heliographs Largest 24.8 x 18cm; 9¾ x 7in; Smallest 8.4 x 6.9cm; 3¼ x 2¾in Unframed (14)
λRichard Cosway RA (1742-1821) Portrait miniature of a gentleman in a blue coat with gold buttons Oval, in a gilt metal frame with split pearl border, plaited hair back with gilt metal initials CC and blue glass and gilt metal border, in a red leather case 69 x 56mm Provenance: Inherited by the present owner
Circle of Michael Dahl Portrait of Thomas Kynnersley of Loxley; Portrait of Mrs Barbara Kynnersley, daughter of Sir GIlbert Clarke of Chilcote A pair, the latter inscribed Mrs Kynnersley/wife of Thos Kynnersley/Barbara Daughter of Sir Gilbert Clarke/of Chilcote Bart (to verso) Oil on canvas, in painted ovals 76.8 x 64.5cm; 30¼ x 25¼in (2)
* English School. Oval head-and-shoulders study of a young woman, early 18th century, oil on oval wood panel, inscribed to verso in an 18th century hand, 'David Garrick Esq.', and with remains of an early printed label 'DAVID G...', additionally inscribed in a much later hand in pencil 'Peg Woffington', 17.5 x 14.5 cm (6.8 x 5.7 ins), contemporary gilded wood frame (Qty: 1)NOTESProvenance: Estate of the late John Lawson (1932-2019). Thought to be a portrait of the celebrated actress Peg Woffington (1720-1760), formerly in the collection of friend and fellow thespian David Garrick (1717-1779).
Merry (Tom, pseud William Mecham , caricaturist). St Stephens Review, 1885 - 1889, 103 colour and two-tone lithographic political caricatures, occasional long closed tears affecting images, bound with a colour lithographic Vanity Fair double issue 'The Lobby of the House of Commons 1886' and an uncoloured engraved portrait of Mgr. Dennis Auguste Affre, endpapers creased and dust soiled, publisher's cloth gilt, heavily worn and frayed, folio, together with The Rake's progress (After Hogarth) and other Political Cartoons. Reprinted from St. Stephen's Review, The Conservative Press Company Limited, circa 1885, fifty-two colour lithographic political caricatures by Tom Merry and others (including one double page), text block detached, a few leaves loose, publisher's red cloth gilt, boards and spine detached, folio, with Judge Magazine, published in the United States, 1895, numerous black and white and colour illustrations and cartoons, several loose, modern half calf gilt, large 4to, plus Journal des Voyages et des Aventures de Terre et de Mer, Paris, 1905, numerous black and white illustrations throughout including an anamorphic map of Europe, publisher's decorative red cloth gilt, 4to, and Emanuel (Walter & Hassall John). Keep Smiling, more News by Liarless for German Homes, circa 1915, numerous black & white cartoons, publisher's decorative paper wrappers, covers worn and frayed, 8vo (Qty: 5)NOTESSold as a collection of prints and caricatures, not subject to return.
* Sorrieu (Felix, lithographer). The Twelve Months, circa 1840, the set of twelve lithographs after Henri Grevedon, , all with contemporary hand colouring and heightened in body-colour, some overall toning and occasional staining, one print water damaged, one (unframed example) with marginal fraying and slight loss, each approximately 520 x 360 mm, ten framed and glazed and two loose (Qty: 12)NOTESThe set of the twelve months of the year, each represented by a portrait of a beautiful young woman surrounded by allegorical vignettes with the title of each month set in a floriate cartouche at the base of the portrait with a depiction of the zodiacal symbol of that month.
Keane (John F.). My Journey to Medinah: describing a Pilgrimage to Medinah, performed by the Author described as a Mohammedan, 1st edition, London: Tinsley Brothers, 1881, spotting to endpapers and half-title, neat marginal excision to G8, original blue-green pictorial cloth gilt, slightly rubbed, bumped and marked, 8vo, together with: ibid., Six Months in Meccah: an Account of the Mohammed Pilgrimage to Meccah, recently accomplished by an Englishman professing Mohammedanism, 1st edition, London: Tinsley Brothers, 1881, spotting to outer leaves, rear inner hinge cracked, original blue-green pictorial cloth gilt, contemporary bookseller's label to front board, a few marks, 8vo, Lawrence (T. E.), Secret Despatches from Arabia, [London]: Golden Cockerel Press, [1939], portrait frontispiece, top edge gilt, others untrimmed, original black quarter niger by Sangorski & Sutcliffe, 4to, number 706 of 1,000 copies, Thomas (Bertram), Arabia Felix: Across the Empty Quarter of Arabia, 1st edition, London: Jonathan Cape, 1932, all photographic plates as called for, large folding map to rear, original cloth, 8vo, Philby (Harry St John Bridger), Sheba's Daughters, being a Record of Travel in Southern Arabia, 1st edition, London: Methuen & Co., Ltd., 1939, all photographic plates as called for, large folding map to rear, original green cloth, faded as usual, 8vo, Tyndale (Walter), Below the Cataracts, London: William Heinemann, 1907, 60 tipped-in colour plates, original cream cloth gilt, 4to, number 56 of 150 copies signed by the artist, and 6 others, travel, original cloth (Qty: 13)NOTESMacro 1346 (Keane, Medinah ), 1347 (Keane, Meccah ), 2185 (Thomas), 1801 (Philby).
Lambert (John). Travels through Canada, and the United States of North America, in the Years 1806, 1807, & 1808, 2 volumes, 3rd edition ('corrected and improved'), London: for Baldwin, Cradock, and Joy, 1816, engraved hand-coloured map as frontispiece (folding), 17 aquatint plates (many hand-coloured), frontispiece repaired, repair offset onto title-page, spotting to a few plates and occasionally to text, recent half calf, 8vo (21.5 x 13.5 cm), together with: Ujfalvy-Bourdon (Marie d'), De Paris à Samarkand, le Ferghanah, le Kouldja et la Sibérie occidentale, 1st edition, Paris: Hachette et Cie, 1880, half-title, wood-engraved portrait frontispiece, numerous wood-engravings throughout (many full-page but counted in the register), 4 maps (one in text), a few marks, contemporary red half morocco, extremities worn, 4to (33 x 24 cm), [Lyttelton, George, 1st Baron], Letters froma Persian in England, to his Friend at Ispahan, 1st edition, London: J. Millan, 1735, without advertisement leaf, contemporary calf, spine defective, front board detached, 12mo (16 x 9.4 cm), Erman (Adolph), Travels in Sibera: including Excursions northwards, down the Obi, to the Polar Circle, and Southwards, to the Chinese Frontier, 2 volumes, 1st edition in English, London: Longman, Brown, Green, and Longmans, 1848, half-titles, without folding map, 19th-century tan calf, volume 2 covers detached, 8vo (21.6 x 13.4 cm), and 4 others, leather-bound (Qty: 13)NOTESESTC N19976 (Lyttelton); Sabin 38734 (Lambert); cf. Abbey Travel 613 for Lambert, second edition.
* Mary I (Queen of England, 1516-1558). Grant of Arms to John Hombreston [Humberston of Hertfordshire?] signed by William Hervey, Norroy King of Arms, in the first year of Queen Mary's reign , 17 June 1554, grant of arms on vellum, hand-painted armorial bearings of 3 bars & 3 roundels in dark blue & tarnished silver paint and engrailed with border, crest depicting a Tudor fabrication of an unknown and curious fabulous beast with horse-like neck & head with two short curved horns, 31 lines of English text written in a fine chancery hand, with large gilt initial letter incorporating illuminated portrait of William Hervey wearing Herald's tabard and crown and holding staff of office (short closed tear to old fold beneath figure's feet), upper decorative border with Tudor rose within garter and crown above at centre and with two gilt fleurs-de-lis either side, with elaborate hand-painted floral border to upper and side margins incorporating stylized roses, cornflowers, violets, pansies, pinks and strawberry plants etc. (very small hole to one leaf of upper border), signature of William Hervey as Norroy King of Arms lower right, without seals & tags, margins cropped to edge of decorative borders and around signature at foot, old folds, some staining, dust-soiling and toning, laid down on mount board with some consequent creasing and cockling, approximately 28.5 x 57 cm, (31 x 57 cm including signature at foot), framed & glazed (Qty: 1)NOTESA scarce example of a grant of arms (or confirmation of arms) from the initial year of the five-year reign of Mary I (1516-1558), bearing the signature of William Harvey (or Hervey, 1510-1567) as Norroy King of Arms. William Harvey (or Hervey, 1510-1567) was born on June 1510 to Turner and Mary Harvey in Ashill, Somerset. He became a member of the College of Arms as Hampnes pursuivant-extraordinary and was appointed Bluemantle pursuivant-in-ordinary 18 June 1536. As Bluemantle he accompanied his patron, William Paget, on his embassy visit to France. He was subsequently created Somerset Herald on 28 September 1545 and under this title, he was recorded as being the only officer of arms to attend the funeral of Catherine Queen dowager of King Henry VIII in 1548. He was also sent on official business to the King of Denmark, to Emperor Charles V, and to the Duke of Saxony. On 4 February 1549/50, Edward VI created him Norroy King of Arms and in that position, he made seven official visits to Germany. Queen Mary despatched him to declare war on France at Rheims on her behalf on 7 June 1557, with the reward of £20. He was created Clarenceux King of Arms on 21 November 1557 following the death of Thomas Hawley, where the queen herself set a crown upon his head in a ceremony at St James'. In 1562 Harvey damaged his reputation as the result of a quarrel with his rival Gilbert Dethick, Garter King of Arms, at Turvey, Bedfordshire, while at the funeral of John, 1st Lord Mordaunt, and by June 1565 the Earl Marshal temporarily prohibited him from visiting his province. Dethick listed his complaints to the Earl Marshal alleging the granting of false or incorrect arms and impropriety over Harvey's executorship of the will of Thomas Hawley. The will was declared invalid, but Harvey still secured the prized bequest of Hawley's books. Harvey died at Thame, Oxfordshire on 27 February 1566/67 while on a visitation of Oxfordshire, and was buried there. Harvey was married to Etheldreda (surname perhaps Welles) Harvey and had at least two daughters, Anne & Meldred (see ODNB).
[Restoration London]. Album of documents and autographs, c.1660-90 comprising: 1. Petty (Sir William, 1623-1686), Autograph letter signed to John Evelyn (1620-1706), 24 March [16]74/5, concerning arrangements for supper, single sheet, 12 lines, written in brown ink, with Evelyn's autograph endorsement verso ('Sr Wm Petty 24 Mar 1674 579'), and of William Upcott (1779-1845) recto ('Sir William Petty, to John Evelyn, by whom it is endorsed. W. Upcott'), 19.2 x 15.7 cm, 2. Povey (Thomas, 1613/4-c.1705), Autograph letter signed, 26 November [16]68, to 'My Lord' (probably Sir William Temple, 1628-1699), concerning the recipient's patronage of Povey's nephew (i.e. William Blathwayt), single sheet, written on both sides, spotting, two words obliterated recto, 31.5 x 20 cm, 3. ibid., Treasury warrant for payment of twenty-five pounds to Thomas Povey, 15 June 1681, manuscript document, signed by Laurence Hyde, 1st Earl of of Rochester (1642-1711), Sir John Ernle (1617x20-1697), Sir Edward Dering, 2nd Baronet (1625-1684), Sidney Godolphin, 1st Earl of Godolphin (1645-1712), and Sir Stephen Fox (1627-1716), all as commissioners of the Treasury, single sheet, spotted, stained, repaired and restored, 30 x 18 cm, 4. Jermyn (Henry, 1st Earl of St Albans, 1605-1684), Warrant signed as Lord Chamberlain to Ralph Montagu, 1st Duke of Montagu (1638-1709) as Master of the Great Wardrobe, 14 August 1672, requiring provision 'to Francis Rogers Esqr keeper of His Ma[jesty's] standing wardrobe at Whitehall one greate elbow chayer & footstoole for his Ma[jesty] and ... chayers of crymson velvet with crymson fringe', 12 lines including addressee, single sheet, spotted, very minor loss to one edge, typescript label to foot, 30.1 x 18.7 cm, and approximately 15 other items, including: tally court receipt dated 13 January 1687 and signed 'Brouncker' (possibly Henry Brouncker, 3rd Viscount, c.1627-1688, cofferer to Charles II) ; fragment of letter dated 20 February 1679/80, list of books ordered on one side (with prices), shorthand notes on other (pencilled note to mount: '?Pepys'); London Gazette, numbers 691, 2021, 2026 (London: Thomas Newcomb, 1672-85); engraved bookplate of William Hewer (1642-1715), naval administrator; 3 loose contemporary manuscript fragments (one with pencilled note '? Evelyn'); and various engravings and later newspaper cuttings, all items (except manuscript fragments) tipped in or mounted, mounted typescript captions, home-made 20th-century album, 4to (31.5 x 24 cm) (Qty: 1)NOTESProvenance: 1) Sotheby's 11/12 October 1976; 2) Estate of John Lawson (1932-2019). Evelyn dined at Sir William Petty's on 22 March 1675 'with the Bishop of Salisbury, and divers honourable persons'. In his diary the event is the occasion for an effusive portrait of his learned contemporary: ‘There is not a better Latin poet living, when he gives himself that diversion; nor is his excellence less in Council and prudent matters of state … If I were a Prince, I should make him my second Counsellor, at least’ ( Diary and Correspondence , Bell and Daldy, 1870, volume 2, p. 102). As Povey's career as a colonial entrepreneur and administrator began to suffer in the 1660s it became clear that he could hope of securing patronage only for his talented nephew and heir William Blathwayt. In 1668 he and Henry Bennet, 1st Earl of Arlington 'induced Sir William Temple to employ the young Blathwayt as a clerk in the embassy at The Hague. His linguistic skill (he was the only official at the embassy who knew Dutch) rendered him a most useful member of the staff' (ODNB).

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