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283287 Los(e)/Seite
Los 2120
Bleekers, Bernhard (1881-1968), "Portrait von Rudolf Lahs", Bronze. H 30, seitlich signiert, vorne bez., min.ber. Rudolf Lahs (1880-1954) war ein deutscher Konteradmiral der Reichsmarine sowie Präsident des Reichsverbandes der Deutschen Luftfahrt-Industrie. Für sein Wirken im 1. Weltkrieg wurden ihm beide Klassen des Eisernen Kreuzes sowie das Ritterkreuz des Königlichen Hausordens von Hohenzollern mit Schwertern verliehen.
Los 75
vier Herrenportraits einer Stralsunder Familie, Gouache auf Malplättchen, Portrait des Peter Israel (*1706), Kapitän; Johann Israel (1741-1804), Kaufmann und Ratsherr; Johann Heinrich Israel (1772-1849), Kommerzienrat, Kaufmann und Johann Heinrich Israel (1820-1857), Kommerzienrat, Kapselrahmen (besch.), 19.Jh.
Los 892
A small group of antique and vintage collectables - including a carved Black Forest style lion pin cushion, 6cm high' a cast brass eagle head paperweight, 7.75cm high; a Mauchline Ware heart shaped pin cushion, 'Wimborne Minster'; a carved treen yew wood ball with hidden compartment, 5.5cm diameter; a carved coquilla nut egg shaped box with turn-off cover; two Regency style ebonised papier-maché portrait miniature frames; three 19th century portrait silhouettes, two cut paper, one stencil painted (unframed); five needle cases; etc.
Los 930
A 24ct rose gold 'English Rose' Gibraltar coin - issued to commemorate the 60th anniversary of the birth of Diana Princess of Wales in 2021, obverse with the Arms of Gibraltar and the reverse with a portrait of Diana and 'DIANA 1961-1997', 1.13g, cased and with London Mint Office certificate detailing a mintage of 19,999 etc.
Los 920
A large collection of pre-war postcards - mostly topographical (UK and Continental), but also including some humorous cards, some motor spirit advertising cards (British Petroleum, Shell and Crown), transport, military (inc. Tuck's Red Cross Series), a portrait card of Amy Johnson, real photographic cards etc., contained in a vintage pine wood box.
Los 849
A box of collectables - including a small Russian lacquered circular covered box, 5.7cm diameter; a Watermans 512 V fountain pen; a watercolour on paper portrait miniature of a lady, 19th century, in a gilt brass frame; a Japanese niello mixed-metal cigarette case; silver plated items; a gilt painted lead paperweight in the form of a medal, commemorating the 'Brooklyn League Club Lincoln Dinner Feb 12th 1912', 8cm diameter; etc.
Los 306
Two albums of pre-war topographical photographs and postcards - some of the photographs commercially produced as souvenirs, interspersed with original photos taken during travels, the first album France, Spain and Italy, the second album Germany, Austria, Hungary, Yugoslavia, Holland, Palestine etc; together with a small Victorian portrait photograph album (cdn a/f). (3)
Los 1042
Kumi SUGAI (1919-1996) 6 Kompositionen und Künstlermappe,Farblithografie auf Velin, alle Werke mit Bleistift signiert und nummeriert, 6 Werke: Komposition in rosa 1967 num. 40/60, Komposition in gelb und blau 1969 num. 85/125, Komposition in grün und rot 1967 num. 46/60, Komposition in rot und grün 1967 num. 46/60, Komposition mit geometrischen Formen 1970 num. 109/190, Komposition mir blau und orange 1976 num. 109/190 und Künstlermappe mit Portrait und nummeriert 186/188, 6x Blatt jeweils ca. H 76 cm x B 56 cm, Rahmen 80 x 60 cm, kein Paketversand
Los 1146
Richard NITSCH (1866-1945) Schlesierin in Sonntagsstaat,Öl/Platte, oben links signiert R. Nitsch, österreichischer Portrait- und Genremaler geb. 1866 Theresienfeld / österreichisch Schlesien - 1945, Portrait einer Schlesierin in Sonntagstracht sogn. Sonntagsstaat in Löwenberger Gegend, H 18 cm x B 14 cm, Holzrahmen verglast 35 x 31 cm
Los 1061
Altmeister Italien 17./18. Jahrhundert - Heiliger Petrus,Öl/Leinwand (doubliert auf Leinwand), Italienische Schule 17./18. Jahrhundert, wohl eine unkenntliche Signatur mit Datierung?, großes Portrait des heiligen Petrus mit offenem Evangelium und Schlüssel als Symbol für den Zugang zum Himmelreich, H 95 cm x B 75 cm, Rahmen 105 x 85 cm, rest.
Los 1094
Maison Alphonse Giroux (1776-1848) Lupenmalerei in Goldrahmung, Frankreich 19. JahrhundertParis frühes 19. Jahrhundert, Miniatur Portraitmalerei in Passepartout-Rahmen aus Gold, Portrait u. rechts signiert "J. G...", Portraitmalerei eines adretten Herren, Rahmung Maison Alphonse Giroux Paris, rückseitig mit alten Klebezettel, ovale Malerei H 4 cm x B 3 cm, Holzrahmen 17,5 x 15,5 cm, Gewicht der Goldrahmung mit Glas ca. 18 Gramm, Gebr.- und Altersspuren
Los 482
Catherine Hyland The Future of Farming IV, 2025 Archival Pigment Inkjet Signed on Verso with COA 10 x 15cm (3¾ x 5¾ in.) About Catherine Hyland is an artist based in London. She graduated from Chelsea College of Art and Design with a First class BA (Hons) Degree in Fine Art and completed her Masters at the Royal College of Art. Her photography centres around people and their connection to the land they inhabit. Primarily landscape based, her work is rooted in notions of fabricated memory, grids, enclosures and national identity. Her large format images depict humanity's attempts - some more effective than others - to tame its environment. An observation that has led to both artistic and commercial outreach, with residences at venues such as Focal Point gallery in Southend for the RADICAL ESSEX programme and has exhibited work at Month of Photography Los Angeles, Renaissance Photography Prize, National Portrait Gallery, Royal Photographic Society, LES MAGASINS GÉNÉRAUX, Somerset House, Design Museum in London, ICA & MAC in Birmingham. Hyland's ongoing projects highlight humanity's attempts to tame and transform nature, both past and present. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 402
Sarah Hills (Spanner in the works) Madame de Pompadour, 2025 Oil on paper (varnished) Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sarah Hills' work references the notion that the places we have lived and experienced in the past exist within us and can impact how we perceive the elusive nature and progress of time. From the archives of memory certain cherished objects, quotidian motifs and borrowed and appropriated images are reimagined to create charged psychological spaces that suggest unexpected narratives and reflect a disorientating search for meaning. At times deeply personal, the work also seeks to find a universal language and meaning through metaphor and humour. The imagery of voids and empty spaces, suggests transitional moments and inevitably leads to thoughts of one's own departure. Education 2023 MA Fine Art City and Guilds of London 2019 Heatherleys Portrait Diploma 1984 BA Fine Art WSCAD Group Exhibitions 2025 Found|land Morley Gallery 2024 Residency, Pouch Cove Newfoundland Art Gemini London Lighthouse gallery '108' Art Hub Studios Pollen Circle Kindred 2023 Adjacent Colours D-Contemporary, Grafton St MA final show C&G Small Worlds, The Graduate Gallery 2022 Meet Me Halfway. The Art Pavilion, Mile End Fissured Realms. D-Contemporary, Grafton St 2021 Royal Institute of Oil Painters, Mall Galleries 2020 Royal Institute of Oil Painters, Mall Galleries Awards 2021 John Walton Portrait Prize 2020 Heatherleys Portrait Prize Statement about AOAP Submitted Artwork These pieces represent the physical manifestations of a mood or feeling. A stillness emanates; one that comes with looking at very little for some time. Yet they are alive because every painting is a portrait, carrying the message 'I am here'. The paintings are peppered with clues that fail to provide the whole story immediately. Instead, they hold our attention by prompting further study, compelling us to ask: where have we found ourselves? Who do they belong to? When were they last used? Why have they been left like this? You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 198
Ellen Starr Lyon Front Door Stripes, 2024 Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ellen Starr Lyon, b. 1974 in Columbus, Indiana. Lyon is a figurative painter focusing on modern portraiture that revolves around feminism, motherhood, and coming of age. Her naturalist painting style incorporates a colourful palette and multiple thin, luminous layers capturing her models in natural light. Lyon uses her own photography to catch unguarded moments that are translated into oil paintings showing glimpses of emotion on the faces of those around her. Lyon champions vulnerability as strength while showing it as our common language. Her Red Glove Series depicts her teenage daughter wearing bright red rubber gloves and a defiant expression to talk about the next generation's fight for reproductive rights. She has work in the permanent collection of the Evansville Museum, UC Irvine, and Indiana University. Lyon has been invited to the Pouch Cove Artist Residency in July of 2024. Education BFA Painting, Indiana University Bloomington Solo Exhibitions 2023 Flora and Fauna, online exhibition through 33 Contemporary Gallery, Chicago, IL Familiar Faces, Evansville Museum of Arts, History, and Science, Evansville, IN 2022 Five Year Study, I Fell Gallery, Bloomington, IN2019 Crowd Source, Krempp Gallery, Jasper, IN 2018 Sphere of Influence, Untitled Light Gallery, Bloomington, IN Group Exhibitions 2024 Being Human, The Painting Center, New York, NY 16th Annual Juried Exhibition, Prince Street Gallery, New York, NY 100th Hoosier Salon, Indiana State Museum, Indianapolis, IN FiKVA, MiniARTures Exhibition, WG Gallery, Dordrecht, The Netherlands Reflections of Us, Sergio Gomez juror, Visionary Art Collective, Warnes Contemporary, Brooklyn, NY CONVERGE, 9th Annual Benefit Exhibition, Bridgette Mayer Gallery, Philadelphia, PA Winter Juried Exhibition, Blue Mountain Gallery, New York, NY AWA Annual Online Exhibition 92nd Annual Juried Exhibition, Indiana Artists, Indianapolis Museum of Art at Newfields 2023 CONTEXT, Miami Art Fair, Miami, FL SELF, juried exhibition, Manifest Gallery, Cincinnati, OH Femme Rage, group exhibition and zine, Bloomington, IN Me, Myself, and I, HCAA, Noblesville, IN Sutphin Invitational, Harrison Art Center, Indianapolis, IN Indiana Artists Member Show, Fort Wayne Museum of Art, Fort Wayne, IN Allied Artists of America, 110th Juried Show Hoosier Salon 99th Annual Juried Exhibition, Indiana State Museum, Indianapolis, IN 91st Annual Juried Exhibition, Indiana Artists Club, Indianapolis Museum of Art at Newfields Ohio, Kentucky, Indiana, Regional Juried Exhibition, Manifest Gallery, Cincinnati, OH A Natural Selection, Five Woman Show, Rainbow Bakery, Bloomington Gallery Walk, Bloomington, IN Illuminate: Emerging Bloomington Artists, Grant Recipients, Waldron Arts Center, Bloomington, IN Awards 2024 AWA, Annual Online Exhibition, First Prize for Associate Level 92nd Annual Juried Exhibition, Merit Award, Indiana Artists, Indianapolis Museum of Art at Newfields Public Collections Indiana University, Bloomington, IN, US University of California, Irvine, CA, US Evansville of Art, Evansville, IN, US Igleheart Foundation, Evansville, IN, US Statement about AOAP Submitted Artwork Each portrait is a moment caught in time; the model arranging her hair, my daughter asleep, a friend's daughter caught in bright light, and a self-portrait of myself in the red light of a dance club. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 483
Lisa Sorgini Alby and Jules in the Dining Room, 2025 Photographic print on paper Digital COA 10 x 15cm (3¾ x 5¾ in.) About Lisa Sorgini is an Australian/Italian artist working across still photography. She investigates themes of the human condition; caregiving, motherhood, memory and familial spaces. Within her two long-form projects, Mother and In-Passing, Lisa uses personal experience combined with sociological research to reveal complex narratives in the representation of women and mothers and care roles in current cultural spaces. Past projects have explored motherhood during the COVID-19 pandemic (Behind Glass), family dynamics (Thick Like Water), and climate anxiety and place (The Bushfire, the Flood). Her work has been profiled and published extensively, with notable interviews in The New Yorker, TIME Magazine, NY Times and The Guardian. In 2023 she held her first solo exhibition of 'Behind Glass' at The Centre for Contemporary Photography in Melbourne, Australia and exhibited work from 'Behind Glass' and 'Mother' at PhEST and Ragusa photo festivals in Italy and Ballarat Photo Festival in Australia. She released her first monograph, 'Behind Glass', published by Libraryman (OOP) in late 2022. She has been recognised in multiple awards including the Taylor Wessing Photographic Portrait Prize (UK), the National Portrait Prize (Aus), the Lucie Portrait Project, Head-On photo awards, Portrait of Humanity and Australian photography awards. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 480
Catherine Hyland The Future of Farming II, 2025 Archival Pigment Inkjet Signed on Verso with COA 10 x 15cm (3¾ x 5¾ in.) About Catherine Hyland is an artist based in London. She graduated from Chelsea College of Art and Design with a First class BA (Hons) Degree in Fine Art and completed her Masters at the Royal College of Art. Her photography centres around people and their connection to the land they inhabit. Primarily landscape based, her work is rooted in notions of fabricated memory, grids, enclosures and national identity. Her large format images depict humanity's attempts - some more effective than others - to tame its environment. An observation that has led to both artistic and commercial outreach, with residences at venues such as Focal Point gallery in Southend for the RADICAL ESSEX programme and has exhibited work at Month of Photography Los Angeles, Renaissance Photography Prize, National Portrait Gallery, Royal Photographic Society, LES MAGASINS GÉNÉRAUX, Somerset House, Design Museum in London, ICA & MAC in Birmingham. Hyland's ongoing projects highlight humanity's attempts to tame and transform nature, both past and present. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 363
Catherine Chambers First hand, 2025 Acryic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Catherine Chambers is a figurative artist who documents poignant moments, often from her experiences of living abroad in Ethiopia and the Middle East. Catherine is inspired by environments and their inhabitants, capturing intimate moments of connectedness. However, as with all good portraiture, there is more than meets the eye to her work. These works ask the viewer to confront the complicated dynamics of love, care and identity. This is Catherine's second time working with Art on a Postcard. Her previous contributions zoomed in on feet from her larger paintings. This time, Catherine has created postcards looking at the hands in existing works of hers. Education 2009-2012 BA (Hons) Drawing and Applied Arts, University of the West of England, Bristol, UK Solo Exhibitions 2019 I Appreciate You, The Embassy of Ethiopia, London 2016 A Brother's Progress, Freespace Gallery, Kentish Town, London Red Lodge Chair, Red Lodge Museum, Park Row, Bristol Possession(s), The Tobacco Factory, Bristol Group Exhibitions 2024 Herbert Smith Freehills Award, National Portrait Gallery, London Women In Art Finalists, The Roundhouse, London RBA Rising Stars, Royal Over-Seas League, London Wells Contemporary Art, Wells Cathedral, Wells A Personal Treasure, The Nunnery Gallery, London 2023 Missed Letters, Making Space Gallery, London New Wave, Spitalfields Studios, London Awe and Wonder, Chaiya Art Awards, Oxo Gallery, London 2022 Football Art Prize, Millennium Gallery, Sheffield Galvanise, Spitalfields Studios, London Art on a Postcard, The Bomb Factory, London 2021 Summer Show, Royal Academy of Arts, London Sunny Art Prize, Sunny Art Centre, London 2020 Summer Exhibition, Green and Stone Gallery, London 2018 Summer Show, Royal Academy of Arts, London Awards 2024 3rd Prize for The Herbert Smith Freehills Prize at the National Portrait Gallery Royal Society of British Artists Rising Star Women in Art Prize finalist Gallery Representation Mall Galleries, London, UK Statement About AOAP Submitted Artwork Fly is a cropped detail from a larger painting currently being exhibited at the Mall Galleries annual Royal Society of British Artists exhibition. The painting continues a conversation Catherine introduced with her painting "Lying" which won third prize at the National Portrait Gallery in 2024. In this painting, the same sitter holds a bird securely; as it is, the bird cannot fly despite being born to do so. Catherine wants the audience to contemplate, if you have something (could be a relationship, land, artefacts...) but you have it by force or deceit, do you really have it at all? And is it still worth having? Class is a cropped detail from Catherine's larger painting "Between Classes". The girl chooses colours to fill the outlines of a princess. The postcard questions how the girl came to choose those specific colours and how they differ to the girls own image. The work explores ideas of care, influence and status; how they overlap, interact and differ. Fortune is a detail from Catherine's larger painting "Nafkot (Yeabsra)". A child holds a popular paper game, commonly known as a chatterbox or fortune teller. It was introduced to the girl by Catherine in an exchange of sharing games local to one and foreign to another. Games are a recurring theme in Catherine's work, highlighting how unlevel the playing field is in real life. First Hand is a detail from Catherine's larger painting "Holding Space". The hand is of a dear friend of the artist, and celebrates a friendship that challenges outside expectations. It is a prompt to think for oneself and to learn from trusted resources. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 219
Sal Jones I Smiled Back Anyway, 2025 Oil on primed paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Drawing inspiration from sources such as film, media, and popular culture, Sal's oil paintings, weighted with psychological tension, defy the usual portrait genre and gender stereotypes. The subjects are mostly women, often fictional or notorious, with a social or cultural relevance. The painted surface draws attention to the process of painting and to the artist's choices in transforming the photographic source image. Sal has a BA Hons in Fine Art and a PGCE in Art & Design, she lives and works in Hackney, London. She has over 20 years of experience working in the education sector teaching and undertaking art residencies; she is a freelance Artist, Museum educator and exam board Assessment Associate and has exhibited widely in London and the UK, in selected and solo shows. Sal has been shortlisted for Wells Art Contemporary (WAC 2023), Wales Contemporary Art Prize (2022); long-listed for the BEEP Biennial (2024), the Women's United Art Prize (2021), and the Jackson's Open Art Prize (2016), winning the interim oil painting prize. Sal has also had work selected for the Royal Cambrian Academy open and the Wales Contemporary open. She was an invited artist for the ING Discerning Eye exhibition (2020) as well as being selected for the Discerning Eye, annual open exhibition at the Mall galleries in 2014. She has had work selected for the Society of Women artists annual open exhibition (2023, 2020 and 2015) and has shown with the Bath Society of Artists, Royal Birmingham Society of Artists, Visual Arts Scotland, and Feren's gallery Hull in their annual open exhibitions. She was one of 21 visual women artists invited to produce new work for 'Dear Christine', an arts council-funded touring exhibition in tribute to Christine Keeler (the exhibition toured during 2019 - 2020 to Newcastle, Swansea, and London). Education 1989 - 1990 Postgraduate Certificate of Education in Art & Design, Middlesex Polytechnic 1983 - 1986 BA(hons) degree in Fine Art, Sunderland Polytechnic Solo Exhibitions 2021 No Time Like The Present, Hampstead Garden Gallery, London 2018 Something that Feels Like the Truth, Unit G gallery, London 2017 Appearances, Solo show, Nude Tin Can gallery, Herts 2014 Moving Scenes, solo show, Gallery at Hackney Picturehouse, London Group Exhibitions 2024 Linden Hall Winter Open, Linden Hall, Deal BEEP Painting Biennial, Elysium Swansea Now & Then, Visual Arts Scotland, Dalkeith Palace, Edinburgh 2023 Scandal '63 Revisited, De Montfort University Gallery, Leicester Wells Art Contemporary, Wells Cathedral Somerset Society of Women Artists 162nd Annual Exhibition, Mall Galleries, London The Look of a Woman, The Stash Gallery, London 2022 Fenella Fielding: Actress, Gallery 286, London Wales Contemporary, Waterfront Gallery, Pembrokeshire and Gallery@Oxo London British Painting III, Bermondsey Project Space, London Royal Cambrian Academy Open Exhibition, Conwy, Wales 2021 Bath Society of Artists 116th Open Exhibition, Victoria Art Gallery, Bath The Marks We Make, The Curator's Salon 2020 ING Discerning Eye, Annual Open Exhibition, Invited Artist Society of Women Artists, 159th Annual Open Exhibition Healthcare Heroes, Google Arts and Culture Dear Christine, Touring Exhibition, Arthouse 1, London 2019 Dear Christine, Touring Exhibition, Vane Gallery, Newcastle & Elysium, Swansea Bath Society of Artists, Open Exhibition, Victoria Art Gallery, Bath Awards 2024 Longlisted BEEP Painting Biennial 2023 Shortlisted Wells Contemporary Art 2022 Shortlisted Wales Contemporary Prize 2021 Longlisted Women United Art Prize 2016 Longlisted for the Jackson's Open Art Prize, Winner Interim Oil Painting Prize Public Collections De Montfort University, Leicester The Fenella Fielding Foundation, London Space Park, Leicester Statement about AOAP Submitted Artwork I am particularly drawn to a gesture captured rather than conventional poses, those unguarded moments; something we can relate to as viewers. These two works depict fictional subjects, in moments of quiet introspection, suggesting darker undercurrents. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 356
Georgie Huxley Some Kind of Mystical Shade, 2025 Pencil on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Georgie Huxley (b. 2000) is a painter based in London. A graduate of the Slade School of Fine Art, her work explores themes of connection, solitude, and nostalgia. Using personal archives as source material, their paintings evoke a quiet tension between presence and absence, offering contemplative reflections on the complexities of human experience. Education 2019-2023 The Slade School of Fine Art, London Group Exhibitions 2024 Alone Together, 2 Hoxton Street, London Sky Arts Portrait Artist of the Year, Heat 2, London 2023 Canyon, RuptureXIBIT, Kingston Bedrock, The Crypt Gallery, London Slade School of Fine Art UG Degree Show, London Art on a Postcard Winter Auction, Gathering Gallery, London Filthy Fox Auction Club, Greatorex Street Gallery, London 2022 Running Late, Changing Room Gallery, London TUB, Centrespace Gallery, Bristol Juicebox, RuptureXIBIT, Kingston Awards 2024 Stanbury Award, Slade School of Fine Art Statement about AOAP Submitted Artwork To celebrate International Women's Day, I've created three pencil drawings of Nicola Adilman, captured mid-dance in beautiful and dynamic poses. These drawings were inspired by As of Right Now, a performance choreographed by Nicola (@nicolaadilman), where movement, visual art, and storytelling intersect. While I typically work in paint, I chose to use pencil for these pieces, echoing my use of charcoal in the live performance. I appreciate the impermanence of charcoal in the performance, and pencil allowed me to capture a similar transient, delicate energy in these still moments of Nicola's dance. In As of Right Now, I'm drawing Nicola, alongside Ushara Dilrukshan (ushara_x), live while she dances. The photographs that inspired these drawings were taken by Michelle Rose (@romifolder), whose exceptional eye and artistry have profoundly influenced these drawings. Romifolder's photography beautifully captures the raw emotion and intensity of the moment, allowing me to explore the delicate balance of vulnerability and strength in Nicola's movements. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 366
Chloe Le Tissier Roll-in, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Working across acrylic, oil, watercolour and gouache, Chloe's paintings re-examine the familiar, with a nostalgic sense of the bittersweet passing of time. Searching for order in chaos, an effort to capture the everyday, poignant and fleeting moment. Education 2011 Postgraduate Certificate, Royal Drawing School 2002-2006 BA Fine Art, Slade School of Fine Art, UCL Group Exhibitions 2024 Royal Academy Summer Exhibition 2024, Making Space, The Royal Academy, London 2023 Art on a Postcard, Winter Auction, Gathering, London Ruth Borchard Portrait Prize online exhibition Royal Academy Summer Exhibition, Only Connect, The Royal Academy, London Turps Off-site Painters 2022-2023, Thames-side Gallery, London 2022 Resist, Terrace Gallery, Patchworks, London We are all the same age but at different times, Fitzrovia Gallery, London Awards 2016 Prize winner, The Sunday Times Watercolour Prize 2012 Prize winner, The Columbia Threadneedle Prize 2011 Highly Commended, Royal Drawing School Statement about AOAP Submitted Artwork In these three paintings I capture, recognise and celebrate the ordinary moments. 'Roll-in' considers a scenario which is at once static and moving, poignant and emotive. Emboldened by the challenge, she quietly waits her turn to join the track. 'Pool at Dusk' The pool is off-limits from dusk until dawn. The water, still and calm, allows the lights to settle and reflect. They illuminate the surrounding foliage and create a tranquil moment on a warm summer evening. 'Saturday' An everyday moment caught in the mirror periodically, over the years. I notice time passing with every frame. It catches me by surprise. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 188
Kate Matsevych In Between Moments, 2024 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kate is a contemporary artist whose work explores the beauty, strength, and individuality of women. Working primarily in acrylics on canvas, she uses bold colours, striking colour blocks, and dynamic compositions to create vibrant, emotive portraits. Inspired by her upbringing surrounded by strong female influences, Kate's art captures the complexity and essence of womanhood in a modern, expressive style. Education 1996 - 2004 School of Art, Uzhhorod, Ukraine 2007 - 2013 Uzhhorod National University Masters of Business Economics, Uzhhorod, Ukraine Solo Exhibitions 2024 Self-Discovery and Rebirth, Amber Galleries, Henley on Thames, UK End Of Residency Exhibition at the Bankside Hotel, Degree Art, London, UK Group Exhibitions 2024 Manchester Art Fair, Dalloz Contemporary, Manchester, UK Affordable Art Fair, Degree Art, London, UK The Hidden and The Revealed, Art Lounge, London, UK Edinburgh Art Fair, Dalloz Contemporary, Edinburgh, UK Affordable Art Fair, Degree Art, London, UK The Art Of Belonging, Bankside Hotel, Degree Art, London, UK 2023 Affordable Art Fair, Art*, London, UK Fresh Art Fair, Dalloz Contemporary, Ascot, UK Obsession, Art Exhibition, London, UK No Limits, Bingham Riverhouse, Degree Art, London, UK Gallery Representation Amber Galleries (Henley on Thames, Stratford upon Avon, UK) Dalloz Contemporary (London, UK) Degree Art (London, UK) Gone Rogue (London, UK) Art Lounge (London, UK) Statement about AOAP Submitted Artwork The pieces I have submitted for International Women's Day celebrate the beauty, complexity, and individuality of women. Each portrait uses vibrant, contrasting colours and bold shapes to explore the multifaceted nature of womanhood-strength, vulnerability, creativity, and resilience. Through this series, I aim to encourage viewers to reflect on the roles women play in shaping our world and to celebrate their contributions, both big and small. For me, art is a way to amplify these voices and create a space for honouring women everywhere. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 404
Sarah Hills (Spanner in the works) The Orange Curtain, 2025 Oil on paper (varnished) Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sarah Hills' work references the notion that the places we have lived and experienced in the past exist within us and can impact how we perceive the elusive nature and progress of time. From the archives of memory certain cherished objects, quotidian motifs and borrowed and appropriated images are reimagined to create charged psychological spaces that suggest unexpected narratives and reflect a disorientating search for meaning. At times deeply personal, the work also seeks to find a universal language and meaning through metaphor and humour. The imagery of voids and empty spaces, suggests transitional moments and inevitably leads to thoughts of one's own departure. Education 2023 MA Fine Art City and Guilds of London 2019 Heatherleys Portrait Diploma 1984 BA Fine Art WSCAD Group Exhibitions 2025 Found|land Morley Gallery 2024 Residency, Pouch Cove Newfoundland Art Gemini London Lighthouse gallery '108' Art Hub Studios Pollen Circle Kindred 2023 Adjacent Colours D-Contemporary, Grafton St MA final show C&G Small Worlds, The Graduate Gallery 2022 Meet Me Halfway. The Art Pavilion, Mile End Fissured Realms. D-Contemporary, Grafton St 2021 Royal Institute of Oil Painters, Mall Galleries 2020 Royal Institute of Oil Painters, Mall Galleries Awards 2021 John Walton Portrait Prize 2020 Heatherleys Portrait Prize Statement about AOAP Submitted Artwork These pieces represent the physical manifestations of a mood or feeling. A stillness emanates; one that comes with looking at very little for some time. Yet they are alive because every painting is a portrait, carrying the message 'I am here'. The paintings are peppered with clues that fail to provide the whole story immediately. Instead, they hold our attention by prompting further study, compelling us to ask: where have we found ourselves? Who do they belong to? When were they last used? Why have they been left like this? You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 94
Alexandra Beteeva Anechka, 2024 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Alexandra Beteeva (b.1999) creates nostalgic paintings, prints and drawings tinged with intimacy and innocence. Interested in post-Soviet spaces and a process of presenting history in the form of personal and collective memory, she asks what it means to be homesick for a home one never had. Motivated by themes of immersion, the Caucasus becomes an interesting space to explore. Alexandra works with the archive, images that help to see and understand the past more accurately, as during excavations, the missing but suddenly found part of the object makes the idea of it whole. Education 2022-2023 Turps Correspondence Course 2018-2022 Glasgow School of Art: BA (Hons) Fine Art: Painting & Printmaking, Glasgow, United Kingdom 2017-2018 University of the Arts London: CCW Foundation Diploma in Art and Design, London, United Kingdom Selected Exhibitions 2024 Eye to Paper vol. 2, Edinburgh Palette, Edinburgh, United Kingdom RSA New Contemporaries Exhibition, Royal Scottish Academy, Edinburgh, United Kingdom Drawing Now, Carreau du Temple, Paris, France New Contemporaries, Camden Art Centre, London, United Kingdom 2023 New Contemporaries, Grundy Art Gallery, United Kingdom A Former Life, Traits Libres Gallery, Paris, France Do Not Swallow, Safehouse Gallery, London, United Kingdom Eye to Paper, Edinburgh Palette, Edinburgh, United Kingdom Mud, For You, Fitzrovia Gallery, London, United Kingdom Zug Zwang, Foundry, Dubai, UAE Awards 2024: RSA New Contemporaries, Royal Scottish Academy2023: New Contemporaries, Bloomberg2022: Selected artist, Portrait Artist of the Year; Euan Stewart Memorial Prize for Printmaking, Glasgow School of Art Gallery Representation Traits Libres Gallery (Paris, France)Mute.Gallery (Dubai, UAE)Deep List (Moscow, Russia) Public Collections Dumfries House collection, The King's Foundation (United Kingdom) Statement about AOAP Submitted Artwork The drawings created for AOAP dive into the language of memory. They explore patterns uniting figures and space, cultural signifiers and repetition. These elements help me tell the untold stories of those caught between the unforgiving turns of history. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 396
Abby Hope Skinner The Fortune Teller, 2025 Oil on aluminium panel Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Abby Hope Skinner is a contemporary figurative artist and portrait painter working primarily in oils. Her practice delves into themes of folklore, the otherworldly, and archetypal characters, often referencing classic illustrations and traditional storytelling motifs. By blending historical inspirations with a modern sensibility, her work invites viewers into narratives that feel both timeless and deeply personal. Education 2013-2016 BA in Illustration, Arts University Bournemouth, England 2012-2013 Foundation Degree, Arts University Bournemouth, England" Group Exhibitions 2021 The Royal Society of Portrait Painters, Mall Galleries, London, England 2014 Christmas Group Show, The Darren Baker Gallery, London, England 2012 En Plo Gallery Group Show, Paphos, Cyprus Awards 2023 Shortlisted, Herbert Smith Freehills Portrait Award 2021 Shortlisted, exhibited and 'Highly Commended' by the De Laszlo Foundation, Royal Society of Portrait Painters 2018 Shortlisted, BP Portrait Award 2015 Shortlisted, BP Portrait Award 2014 Shortlisted, Royal Society of Portrait Painters Shortlisted for Sky Arts Portrait Artist of The Year, chosen by Lord Melvyn Bragg 2013 Best in Show, Summer Show, Arts University Bournemouth Statement about AOAP Submitted Artwork Abby's contribution to Art on a Postcard celebrates themes of strength and transformation. Created for International Women's Day, the painting portrays a powerful young woman as a modern fortune teller holding the Death card and a pendulum - symbols of change and renewal that honour women's resilience and evolving narratives. Designed to resemble a tarot card, the artwork incorporates gold framing and intricate accents, with Roman numeral "X" referencing the Wheel of Fortune card, symbolising life's cycles and turning points. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
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Alma Haser MS, 2024 Photographic print on paper Signed COA 10 x 15cm (3¾ x 5¾ in.) About Born in 1989 into an artistic family in the Black Forest, Germany, Alma Haser is now based in SouthEast England. She is known for her complex and meticulously constructed portraiture, which are influenced by her creativity and her background in fine art. Alma creates striking work that catches the eye and captivates the mind. Expanding the dimensions of traditional portrait photography, Alma takes her photographs further by using inventive paper-folding techniques, collage and mixed media to create layers of intrigue around her subjects; manipulating her portraits into futuristic paper sculptures and blurring the distinctions between two-dimensional and three-dimensional imagery. Since having children her work has evolved and adapted to the time constraints she now faces. With that in mind, she uses techniques that are therapeutic and meditative, such as needle work and fabrics. Alma has won many awards for her work, including Magenta Foundation's Bright Spark Award for her Cosmic Surgery series (also the basis of a successful self-published book project). Her piece The Ventriloquist won forth prize for the Taylor Wessing Portrait Prize at the National Portrait Gallery. Alma also won the PDN Photo Annual Award for her Eureka Effect series. Her work has been exhibited worldwide. Alma's current projects include Within 15 Minutes, a series delving into her fascination with identical twins, they're genetics and how to distinguish them using jigsaw puzzles. She's also been working on her Pseudo series; an exploration of what is real and what is manufactured, through using her unique paper collage layering and re-photographing techniques. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
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Catherine Chambers Class, 2025 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Catherine Chambers is a figurative artist who documents poignant moments, often from her experiences of living abroad in Ethiopia and the Middle East. Catherine is inspired by environments and their inhabitants, capturing intimate moments of connectedness. However, as with all good portraiture, there is more than meets the eye to her work. These works ask the viewer to confront the complicated dynamics of love, care and identity. This is Catherine's second time working with Art on a Postcard. Her previous contributions zoomed in on feet from her larger paintings. This time, Catherine has created postcards looking at the hands in existing works of hers. Education 2009-2012 BA (Hons) Drawing and Applied Arts, University of the West of England, Bristol, UK Solo Exhibitions 2019 I Appreciate You, The Embassy of Ethiopia, London 2016 A Brother's Progress, Freespace Gallery, Kentish Town, London Red Lodge Chair, Red Lodge Museum, Park Row, Bristol Possession(s), The Tobacco Factory, Bristol Group Exhibitions 2024 Herbert Smith Freehills Award, National Portrait Gallery, London Women In Art Finalists, The Roundhouse, London RBA Rising Stars, Royal Over-Seas League, London Wells Contemporary Art, Wells Cathedral, Wells A Personal Treasure, The Nunnery Gallery, London 2023 Missed Letters, Making Space Gallery, London New Wave, Spitalfields Studios, London Awe and Wonder, Chaiya Art Awards, Oxo Gallery, London 2022 Football Art Prize, Millennium Gallery, Sheffield Galvanise, Spitalfields Studios, London Art on a Postcard, The Bomb Factory, London 2021 Summer Show, Royal Academy of Arts, London Sunny Art Prize, Sunny Art Centre, London 2020 Summer Exhibition, Green and Stone Gallery, London 2018 Summer Show, Royal Academy of Arts, London Awards 2024 3rd Prize for The Herbert Smith Freehills Prize at the National Portrait Gallery Royal Society of British Artists Rising Star Women in Art Prize finalist Gallery Representation Mall Galleries, London, UK Statement About AOAP Submitted Artwork Fly is a cropped detail from a larger painting currently being exhibited at the Mall Galleries annual Royal Society of British Artists exhibition. The painting continues a conversation Catherine introduced with her painting "Lying" which won third prize at the National Portrait Gallery in 2024. In this painting, the same sitter holds a bird securely; as it is, the bird cannot fly despite being born to do so. Catherine wants the audience to contemplate, if you have something (could be a relationship, land, artefacts...) but you have it by force or deceit, do you really have it at all? And is it still worth having? Class is a cropped detail from Catherine's larger painting "Between Classes". The girl chooses colours to fill the outlines of a princess. The postcard questions how the girl came to choose those specific colours and how they differ to the girls own image. The work explores ideas of care, influence and status; how they overlap, interact and differ. Fortune is a detail from Catherine's larger painting "Nafkot (Yeabsra)". A child holds a popular paper game, commonly known as a chatterbox or fortune teller. It was introduced to the girl by Catherine in an exchange of sharing games local to one and foreign to another. Games are a recurring theme in Catherine's work, highlighting how unlevel the playing field is in real life. First Hand is a detail from Catherine's larger painting "Holding Space". The hand is of a dear friend of the artist, and celebrates a friendship that challenges outside expectations. It is a prompt to think for oneself and to learn from trusted resources. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
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Celia Mora Secret Hunting, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Celia Mora is a Spanish painter living and practicing painting in London. She completed her studies in Fine Arts at the Complutense University of Madrid (2013). She was awarded an Erasmus Scholarship to study at the University of Arts London (2017), establishing her residence in the UK. She finished her studies in 2018, receiving an award on graduation. Her works are held in private collections, including The Four Seasons Hotel, in Madrid. She was awarded the Elizabeth Greenshields Foundation grant to pursue her Master studies at Royal College of Arts in 2022. She has again received the support from the foundation with a second grant to carry on with her studies at Turps Art School 2023/2024. She has currently got Zsuzsi Roboz Scholarship by Morley College to support her practice. Also, a three-month studio residency at Soho Revue Studios in London. Education 2023 MA Painting, Royal College of Arts, London 2018 BA Fine Arts, Complutense University, Madrid 2013 BA Advertising and Public Relations, Complutense University, Madrid Group Exhibitions 2024 The Eve Principle, Norito Gallery, London Startled, Lychee one Gallery, London Southpark Gallery, London Soma, Duo show, Outhouse Gallery, London Walk while you have the light, Safe House, London Vessel, OHS Projects Jackson's Art Prize, Bankside Gallery, London Leavers show, Turps studio program, London Contemporary British Portrait Painters, The Department Store, London Boundaries, Outhouse Gallery, London Nausea, Playground 72, London Jackson's Art prize, Bankside Gallery, London Slip Slap Slop, Turps studio program, London A room of one's own, Irving Gallery, Oxford 2023 Road of excess, Safe house 2, London Crème Fraiche, ICA, London MA Graduate Show, RCA Battersea, London Figurativas Prize, European Museum of Modern Art Barcelona, Spain Miradas insumisas, Flippa Gallery, Barcelona, Spain Unladylike, D Contemporary, London Awards 2025 Soho Revue Studio Residency Program, London 2024/25 Morley College, Zsuzsi Roboz Scholarship 2024 Turps Studio program, London Elizabeth Greenshields Foundation Grant Statement about AOAP Submitted Artwork From a genuine interest in the depiction of the human figure, through my taken inspiration in the old masters, I redefine the visual codes that configure our interpretation and given unconscious understanding of the images. Taking the male body as a subject and my partner as a model, I place myself in the empowered position of the painter, redefining the idea of the "muse" from the first act of painting. I play with the depiction of the male body as an attempt to subtly challenge notions of beauty and masculinity, exploring its representation through the classical painting aesthetics of figuration and still life. Each work is an attempt to question the subjectivity of the body in relation with the stereotypes of the gender, by pushing the visual boundaries on the depiction of its shapes, cropping, submitting or objecting the body. Concepts of love and control, agency, and intimacy come across my practice creating and entangled web of images directly related to my lived experiences. By exploring the male figure, I get to experiment with all the decisions that depicting someone else's body implies, and to get a deeper understanding on my own power role in the process. In the work, I seek to analyse the ways in which we experience the other's body, playing with the nuances in between comfort and consent. From extreme body positions to the juxtaposition with other elements used as symbolic prompts, I have been producing images that deliberately challenge normative ideas of what masculinity might be, as well as purposely complicating and undermining them. In my most recent practice, I am interested on how male-gazed narratives have limited our perspective and understanding of the world. By visually prioritizing seemingly insignificant objects, I aim to give voice to the untold and break away from a singular worldview. The vases-objects that can be filled, carried, or destroyed- act as symbols to re-signify the male form just by placing them together. Reclaiming the classical painting language, I depict these elements to question the gaze and examine the given narratives that shape our visual perception of gender. These objects reformulate the compositional aspects of each image, distorting the human form and pushing toward abstraction when viewed from a close distance. Through this process, I aim to question conventional representation norms, satirizing gender stereotypes challenging their biased construction. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 389
Abby Cocovini Bubblegum and a bag of Salt & Vinegar, 2024 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About One of Abby Cocovini's favourite past-times is people-watching and, lucky for her, she lives in London so is surrounded by a population of over 9 million. She's the person staring at you from across the café, train carriage or waiting room, wondering what your story is, what you're thinking, and why are you wearing those shoes and your hair that way? And your features, what is it about them that is unique to you? We all share the same two eyes, a nose and mouth yet even identical twins look different if you look at them closely enough. Whether in a portrait or a painting of people on the underground, Abby makes sure she's always looking, finding new ways to bring stories to life through her use of colour, composition and ways to use paint. Education Glasgow School of Art You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
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Han Han Milena, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Han Han is a London-based portrait artist. Transitioning from a decade-long career in fashion design, she began painting in 2020 to explore her fascination with human expression. Working primarily in oils, Han aims to encourage a sense of connection and reflection, offering viewers a chance to engage with the emotional and human aspects of her subjects. Education 2011-2012 MA in Fashion, University of Arts London, UK Group Exhibitions 2024 The British Art Prize Exhibition, gallery@oxo, London Royal Institute of Oil Painters Annual Exhibition 2024, Mall Galleries, London ING Discerning Eye 2024, Mall Galleries, London Women in Art Fair 2024, Mall Galleries, London Society of Women Artists 163rd Open Exhibition, Mall Galleries, London Royal Society of Portrait Painters Annual Exhibition 2024, Mall Galleries, London 2023 Finalist of the Women in Art Prize 2023, Roundhouse, London Ruth Borchard Self Portrait Prize Online Exhibition 2023, Ruth Borchard Collection Royal Academy Summer Exhibition 2023, Burlington House, London Bath Society of the Artists Annual Open Exhibition, Victoria Art Gallery, Bath Statement about AOAP Submitted Artwork Both the two portraits 'Chia' and 'Milena' explore moments of silence and introspection. The subdued palette is used to create a sense of quiet contemplation. I hope to capture the delicate interplay between inner strength and vulnerability. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 479
Catherine Hyland The Future of Farming I, 2025 Archival Pigment Inkjet Signed on Verso with Digital COA 10 x 15cm (3¾ x 5¾ in.) About Catherine Hyland is an artist based in London. She graduated from Chelsea College of Art and Design with a First class BA (Hons) Degree in Fine Art and completed her Masters at the Royal College of Art. Her photography centres around people and their connection to the land they inhabit. Primarily landscape based, her work is rooted in notions of fabricated memory, grids, enclosures and national identity. Her large format images depict humanity's attempts - some more effective than others - to tame its environment. An observation that has led to both artistic and commercial outreach, with residences at venues such as Focal Point gallery in Southend for the RADICAL ESSEX programme and has exhibited work at Month of Photography Los Angeles, Renaissance Photography Prize, National Portrait Gallery, Royal Photographic Society, LES MAGASINS GÉNÉRAUX, Somerset House, Design Museum in London, ICA & MAC in Birmingham. Hyland's ongoing projects highlight humanity's attempts to tame and transform nature, both past and present. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
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Helen Davies Times of Reflection, 2025 Coloured pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Helen is a figurative artist, using her passion for details to capture moments of beauty in the every day. Her art is a documentation of the subtle love that is experienced in the most simple of moments - be it, in the peace of being in solitude, or in the bustle of a restaurant. Her work has transformed from focusing solely on the human form, to currently, how people interact with themselves and their surroundings. She works primarily with pencils, exploring light and composition through soft colour. Group Exhibitions 2024 Portrait Prize, RBSA, Birmingham, UK Comme Ca x AWOL, Comme Ca, Manchester, UK Liverpool Art Fair, Liverpool, UK AIR Open, Air Gallery, Manchester, UK 2023 She, The Bridewell, Liverpool, UK 2022 Manchester Open, HOME, Manchester, UK New Artists, Nextdoor Gallery, Didsbury, UK Air Open, Air Gallery, Manchester, UK 2020 Manchester Open, HOME, Manchester, UK The Drawing Show, The Bridewell, Liverpool, UK Contemporary Young Artist Award, The Biscuit Factory, Newcastle, UK Statement about AOAP Submitted Artwork 'Times of Reflection' was created around the idea of seeing myself how others see me. As I age, the tiny changes in my appearance are noticed whenever I look in the mirror, and that feeling is a universal experience. This piece, although created by myself, gives a chance to consider somebody else's gaze. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
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Lorena Levi Le Lit Solo, 2025 Pencil and oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lorena Levi is a London-based narrative painter. Her practice is research-based using the internet; through podcasts, published psychoanalytical papers, chatroom sites, and Reddit forums, to create works that merge the traditional practice of oil painting with current technology and subject matter. Levi collages found images to create imagined narratives that display her unique ability to capture and create intricate and intriguing psychological relationships between her sitters. Education 2015-2016 Art Foundation, City and Guilds London Art School 2016-2021 MFA Fine Art, University of Edinburgh, Scotland Solo Exhibitions 2022 Would give zero stars, Alchemy Experiment, Glasgow, United Kingdom 2023 The In between, The Sidings curated by Nicole Zisman, London, United Kingdom MAXXED, Art MAMA, London, United Kingdom Blistered, M+B Gallery, Milan, Italy 2024 Mirror, Mirror, Paul Stolper Gallery, London, United Kingdom Group Exhibitions 2019 Royal Society of Portrait Painters Annual Exhibition, Mall Galleries, London, United Kingdom 2021 Hampstead Art Society Summer Exhibition, Fitzrovia Gallery, London, United Kingdom Edinburgh College of Art Graduate Show, Edinburgh, United Kingdom Best of Degree Show 2021 Exhibition, Six Foot Gallery, Glasgow, United Kingdom The Fifth Anniversary Show, Alveston Fine Art, London, United Kingdom 2022 Royal British Artists Annual Exhibition, Mall Galleries, London, United Kingdom Visual Arts Association - Finalist Exhibition, Unit 1 Gallery, London, United Kingdom Bloomberg New Contemporaries, Ferens Art Gallery, Hull, United Kingdom Bloomberg New Contemporaries, South London Gallery, London, United Kingdom 2023 Coming Home: In search of our bodies, I.Am.Artist Agency, London, United Kingdom The Wisdom Man, Paul Stolper Gallery, London, United Kingdom RSA New Contemporaries, Royal Scottish Academy The Mound, Edinburgh, United Kingdom Take My Hand, Leez&Smith, Unit One Gallery, London, United Kingdom Face to Face: a Celebration of Portraiture, Marlborough Gallery, London, United Kingdom Fores Project Residency showcase, London, United Kingdom 2024 Smoking Gun, Shipton, New York City, United States of America Homo Viator, Willow Art Space, London, United Kingdom Awards 2023 NHS Lothian Charity Tonic Arts Award 2022 Bloomberg New Contemporaries 2022 Jacksons Painting Prize Overall Winner 2021 Astaire Art Prize Gallery Representation Marlborough Gallery (London, United Kingdom) 2023 until closure Public Collections Government Art Collection, London, UK US Embassy, Rome, Italy Statement about AOAP Submitted Artwork These paintings have all been done during the time of personal health issues in the last month and a half. The paintings are snippets of narratives during periods of medical investigations as well as time resting in between. 'Le Lit solo' is a take on the Leutrec painting 'Le Lit' where it shows a couple in bed, however here it is a solo person enveloped in sheets, however these sheets are surgical sheets and this is a snapshot taken just before a medical procedure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 357
Georgie Huxley Falling into Nowhere Fast, 2025 Pencil on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Georgie Huxley (b. 2000) is a painter based in London. A graduate of the Slade School of Fine Art, her work explores themes of connection, solitude, and nostalgia. Using personal archives as source material, their paintings evoke a quiet tension between presence and absence, offering contemplative reflections on the complexities of human experience. Education 2019-2023 The Slade School of Fine Art, London Group Exhibitions 2024 Alone Together, 2 Hoxton Street, London Sky Arts Portrait Artist of the Year, Heat 2, London 2023 Canyon, RuptureXIBIT, Kingston Bedrock, The Crypt Gallery, London Slade School of Fine Art UG Degree Show, London Art on a Postcard Winter Auction, Gathering Gallery, London Filthy Fox Auction Club, Greatorex Street Gallery, London 2022 Running Late, Changing Room Gallery, London TUB, Centrespace Gallery, Bristol Juicebox, RuptureXIBIT, Kingston Awards 2024 Stanbury Award, Slade School of Fine Art Statement about AOAP Submitted Artwork To celebrate International Women's Day, I've created three pencil drawings of Nicola Adilman, captured mid-dance in beautiful and dynamic poses. These drawings were inspired by As of Right Now, a performance choreographed by Nicola (@nicolaadilman), where movement, visual art, and storytelling intersect. While I typically work in paint, I chose to use pencil for these pieces, echoing my use of charcoal in the live performance. I appreciate the impermanence of charcoal in the performance, and pencil allowed me to capture a similar transient, delicate energy in these still moments of Nicola's dance. In As of Right Now, I'm drawing Nicola, alongside Ushara Dilrukshan (ushara_x), live while she dances. The photographs that inspired these drawings were taken by Michelle Rose (@romifolder), whose exceptional eye and artistry have profoundly influenced these drawings. Romifolder's photography beautifully captures the raw emotion and intensity of the moment, allowing me to explore the delicate balance of vulnerability and strength in Nicola's movements. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 383
Celia Mora My Favourite Thing, 2025 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Celia Mora is a Spanish painter living and practicing painting in London. She completed her studies in Fine Arts at the Complutense University of Madrid (2013). She was awarded an Erasmus Scholarship to study at the University of Arts London (2017), establishing her residence in the UK. She finished her studies in 2018, receiving an award on graduation. Her works are held in private collections, including The Four Seasons Hotel, in Madrid. She was awarded the Elizabeth Greenshields Foundation grant to pursue her Master studies at Royal College of Arts in 2022. She has again received the support from the foundation with a second grant to carry on with her studies at Turps Art School 2023/2024. She has currently got Zsuzsi Roboz Scholarship by Morley College to support her practice. Also, a three-month studio residency at Soho Revue Studios in London. Education 2023 MA Painting, Royal College of Arts, London 2018 BA Fine Arts, Complutense University, Madrid 2013 BA Advertising and Public Relations, Complutense University, Madrid Group Exhibitions 2024 The Eve Principle, Norito Gallery, London Startled, Lychee one Gallery, London Southpark Gallery, London Soma, Duo show, Outhouse Gallery, London Walk while you have the light, Safe House, London Vessel, OHS Projects Jackson's Art Prize, Bankside Gallery, London Leavers show, Turps studio program, London Contemporary British Portrait Painters, The Department Store, London Boundaries, Outhouse Gallery, London Nausea, Playground 72, London Jackson's Art prize, Bankside Gallery, London Slip Slap Slop, Turps studio program, London A room of one's own, Irving Gallery, Oxford 2023 Road of excess, Safe house 2, London Crème Fraiche, ICA, London MA Graduate Show, RCA Battersea, London Figurativas Prize, European Museum of Modern Art Barcelona, Spain Miradas insumisas, Flippa Gallery, Barcelona, Spain Unladylike, D Contemporary, London Awards 2025 Soho Revue Studio Residency Program, London 2024/25 Morley College, Zsuzsi Roboz Scholarship 2024 Turps Studio program, London Elizabeth Greenshields Foundation Grant Statement about AOAP Submitted Artwork From a genuine interest in the depiction of the human figure, through my taken inspiration in the old masters, I redefine the visual codes that configure our interpretation and given unconscious understanding of the images. Taking the male body as a subject and my partner as a model, I place myself in the empowered position of the painter, redefining the idea of the "muse" from the first act of painting. I play with the depiction of the male body as an attempt to subtly challenge notions of beauty and masculinity, exploring its representation through the classical painting aesthetics of figuration and still life. Each work is an attempt to question the subjectivity of the body in relation with the stereotypes of the gender, by pushing the visual boundaries on the depiction of its shapes, cropping, submitting or objecting the body. Concepts of love and control, agency, and intimacy come across my practice creating and entangled web of images directly related to my lived experiences. By exploring the male figure, I get to experiment with all the decisions that depicting someone else's body implies, and to get a deeper understanding on my own power role in the process. In the work, I seek to analyse the ways in which we experience the other's body, playing with the nuances in between comfort and consent. From extreme body positions to the juxtaposition with other elements used as symbolic prompts, I have been producing images that deliberately challenge normative ideas of what masculinity might be, as well as purposely complicating and undermining them. In my most recent practice, I am interested on how male-gazed narratives have limited our perspective and understanding of the world. By visually prioritizing seemingly insignificant objects, I aim to give voice to the untold and break away from a singular worldview. The vases-objects that can be filled, carried, or destroyed- act as symbols to re-signify the male form just by placing them together. Reclaiming the classical painting language, I depict these elements to question the gaze and examine the given narratives that shape our visual perception of gender. These objects reformulate the compositional aspects of each image, distorting the human form and pushing toward abstraction when viewed from a close distance. Through this process, I aim to question conventional representation norms, satirizing gender stereotypes challenging their biased construction. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Los 190
Kate Matsevych Layers of Perception, 2024 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kate is a contemporary artist whose work explores the beauty, strength, and individuality of women. Working primarily in acrylics on canvas, she uses bold colours, striking colour blocks, and dynamic compositions to create vibrant, emotive portraits. Inspired by her upbringing surrounded by strong female influences, Kate's art captures the complexity and essence of womanhood in a modern, expressive style. Education 1996 - 2004 School of Art, Uzhhorod, Ukraine 2007 - 2013 Uzhhorod National University Masters of Business Economics, Uzhhorod, Ukraine Solo Exhibitions 2024 Self-Discovery and Rebirth, Amber Galleries, Henley on Thames, UK End Of Residency Exhibition at the Bankside Hotel, Degree Art, London, UK Group Exhibitions 2024 Manchester Art Fair, Dalloz Contemporary, Manchester, UK Affordable Art Fair, Degree Art, London, UK The Hidden and The Revealed, Art Lounge, London, UK Edinburgh Art Fair, Dalloz Contemporary, Edinburgh, UK Affordable Art Fair, Degree Art, London, UK The Art Of Belonging, Bankside Hotel, Degree Art, London, UK 2023 Affordable Art Fair, Art*, London, UK Fresh Art Fair, Dalloz Contemporary, Ascot, UK Obsession, Art Exhibition, London, UK No Limits, Bingham Riverhouse, Degree Art, London, UK Gallery Representation Amber Galleries (Henley on Thames, Stratford upon Avon, UK) Dalloz Contemporary (London, UK) Degree Art (London, UK) Gone Rogue (London, UK) Art Lounge (London, UK) Statement about AOAP Submitted Artwork The pieces I have submitted for International Women's Day celebrate the beauty, complexity, and individuality of women. Each portrait uses vibrant, contrasting colours and bold shapes to explore the multifaceted nature of womanhood-strength, vulnerability, creativity, and resilience. Through this series, I aim to encourage viewers to reflect on the roles women play in shaping our world and to celebrate their contributions, both big and small. For me, art is a way to amplify these voices and create a space for honouring women everywhere. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
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