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283287 Los(e)/Seite
The portrait of an Imperial German military officer, probably a general [three stars on epaulettes] wearing a single-breasted black or navy blue frock coat. The uniform has a stand-up collar and is profusely embroidered in bullion with the sleeve facings done en suite. He is holding a chapeau in his left hand. The picture measures 11-1/2" x 14" and is framed in a gold-finished oval frame with a crown, “L” cypher and oak leaf wreath at top. Beaded edge. The painting is signed in red at bottom: J.Cossyil. Pt. Showing wear and age patina with some elements broken or repaired. Surface of painting with scratches and voids. Painting held in place by tape on back of frame.
Oil on canvas, 28" x 25" relined. Unframed. Portrait of Leopold I (1640-1705) anointed King of Hungary, Bohemia and Serbia and elected Holy Roman Emperor in 1658. Leopold's reign was marked with conflicts with the Ottoman Empire in the east and with his French cousin, Louis XIV, in the west. His military career was marked with great successes against the Turks, recovering most of the Kingdom of Hungary from their hands. However, in his last war with the French coalition, the results were less than spectacular, although there were no material losses in terms of Austrian territory. This appears to be a court portrait, possibly original to the period, but likely a later 18th century copy. Condition is very good overall; despite some recent, long scratches to the run from the background to Leopold's armor but could be easily restored and do not affect the face of the sitter.
Oil on canvas, 49 x 36 3/4 inches, within modern, composite frame. Full-length oil portrait of Louis_Napoleon Bonaparte (1808-1873),the only President of the French Second Republic and later crowned Napoleon III, Emperor of the Second French Empire (1852-1870). The portrait appears to be a copy of a contemporary work, done in the 1850s, when Napoleon and his army were involved in the Crimean conflict and prior to his intervention in Mexico during the 1860s. There is significant craquelure and some lifting, but no loss to the image. Varnish is heavily yellowed and professional conservation cleaning is recommended.
Round steel barrel with flat brass rib on top, engraved with acanthus leaves, foliage and florals with integral brass half moon sight. Flat banana flintlock engraved with grotesque face at tail and detailed borders; unbridled pan. Relief cast brass furniture including ramrod entry ferrule decorated with grotesque mask, trigger guard with acanthus leaf finial and portrait on bow and stirrupped butt cap with scrolls and portraits on each side of grip. Pierced sideplate featuring a serpent and several faces. Wrist escutcheon with a portrait in relief. Curled steel trigger. Figured stock with relief panels around lock and sideplate, ramrod channel and trigger guard. Acanthus leaf carved in relief behind barrel tang. Good condition. Barrel retains a light brown patina with light pitting and brass rib showing some wear to engraving. Lock retains a grey patina and is in original flintlock configuration, top jaw and screw replaced. Brass mounts show scattered marks from use and some wear, one butt cap stirrup missing a portion, the other has been repaired. Pin in rear of pierced sideplate. Stock has a forend repair and scattered minor wood repairs and replaced slivers. Some scattered marks and wear to carving. Serial Number-NSN; Manufacturer-Italian; Model-Flintlock; Caliber-.68 Bore; Barrel Length-10 - 1/2"; FFL Status-Antique;
Rifled steel four-stage barrel is unmarked and has diminutive engraved brass and silver front sight surrounded by two engraved bands and grooved barrel tang. Early English rounded flintlock, marked "STANTON" in center, unbridled pan. Engraved brass furniture includes open ended nosecap, two piece sideplate, faceted trigger guard bow with engraved folk-art flower, single large ramrod ferrule and butt cap with engraved portrait of an Indian, similar to those seen on Allentown guns. Brass wire inlay along spine and around lock and sideplate. Figured maple sock with raised carving around lock cavity and sideplates, terminating on both sides with a teardrop. Wooden ramrod. Very good condition; barrel and lock retain a dark patina with some light pitting and scattered marks from use. Original flintlock configuration. Trigger guard has been repaired and has a screw in front of bow. Brass retains a spotted dark patina with some lighter areas. Stock very good with a few age cracks and scattered marks from use. Refinished. Serial Number-NSN; Manufacturer-Stanton; Model-Kentucky; Caliber-.45 Bore; Barrel Length-4 - 1/4""; FFL Status-Antique;
Rifled octagonal barrel, signed "PK" in script in an ovoid panel decorated with acanthus leaves on each end. Barrel possibly a recycled barrel, as original sight grooves have been filled, the front with brass, and engraved, appears to probably have been made this way, rather than shortened, due to placement of signature in relation to rear sight. Flat percussion stamp engraved lockplate with rounded tail and marked "J. GOLCHER" in a banner. Double set triggers. Ornate pierced four piece brass patchbox finely engraved with scrolls, foliage and florals. Brass convex button, open patchbox lid on toeplate. Toeplate engraved with pineapple finial and borders, two rectangular piercings. Faceted brass trigger guard and finely engraved wearplate stretching to ramrod entry ferrule. Rococo scroll in center with acanthus leaves at each end. Large engraved brass inlays featuring an encircled flower on each side of forend between front of lockplate and entry ferrule. Brass barrel keys surrounded by silver oval escutcheons with engraved borders. Ten silver inlays with engraved fish on each side of wrist and large portrait of a man inlaid above cheekpiece and vacant silver oval wrist escutcheon with engraved border. Rectangular bone inlay on face of cheekpiece and a large brass inlay below cheekpiece which reflects the shape of portrait above and is engraved. Typical Kunz type two-piece pierced brass sideplate engraved with scrolls. Left side of buttstock inlaid with a large engraved Indian chief's head with a headdress in bottom corner. Highly figured full-length maple stock of familiar later Lehigh County, Pennsylvania form, inlaid with six small bone stars, three on each side of barrel tang. This is a very elaborate and ornately engraved rifle by a well-known master gunsmith, probably one of his finest examples. Excellent condition; barrel retains a dark brown patina with some pitting around bolster and breech, some light pitting at tang and scattered marks. Lock retains a brown patina with some light scattered pitting. Brass and silver have been polished but now retains a dull finish with some dark areas, engraving shows very little wear. Stock refinished, some scattered dents, minor age cracks and marks from use. Serial Number-NSN; Manufacturer-Peter Kunz; Model-Rifle; Caliber-.50 Bore; Barrel Length-38";
Manufactured in 1908. Round blued steel barrels with single silver bead and solid matte rib marked "PARKER BROTHERS.MAKERS,MERIDEN,CONN. VULCAN STEEL". Bottom of rib marked with very small import mark from Canada directly in front of forearm. Casehardened boxlock action with rocker panel engraved borders and both side marked "PARKER BROS.". Extractors, automatic safeties and double triggers. Partially figured walnut straight stock with checkered panels on each side of wrist, silver shield escutcheon on each side and makers hard rubber butt pad marked "PARKER/BROTHERS around portrait of a dog in relief. Splinter forearm with Deeley release marked with patent date of 1878 with diamond section checkered panels. Very good condition. All numbers match. Barrels retain about 70-80% original blue finish with heavy thinning on sides and scattered scratches and marks from use. Bores are excellent and shiny. Action retains 60-70% bright case colors with some edge wear and wear on bottom and a few light scratches. Action is very tight, trigger guard retains traces of original finish inside bow, stock very good with some light edge wear, scattered scratches and initials "DGH" lightly scratched into the panel on left side behind action. Splinter forearm shows some wear to checkering and light marks. Serial Number-147274; Manufacturer-Parker Bros; Model-VH; Barrel Length-32"; FFL Status-Curio & Relic; Gauge-12; Chamber-2-5/8"; Length of Pull-14-1/8"; Drop at Comp-1-7/8"; Drop at Heel-3-1/16"; Internal Bore Diameter-Both - .736"; Barrel Wall Thickness-Both Barrels - .043"; Choke-Both - Full;
Georges Edmond Dargouge, standing portrait of the artist's wife, signed and dated, oil on canvas, 139.5 x 93cm. Condition Report: Cracking to paint over the whole surface, no holes visible, has not been relined, there is visible repainting to her face and forehead and several other places, frame is a modern replacement.
Of topographical interest: L W Wilson, 'Waterfall, Mount Steed, Rakaia Gorge, Canterbury, New Zealand' initialled and dated 1873, further signed, dated and inscribed verso, watercolour, 28 x 20.5cm, unframed; together with an antique map of Buckingham, by John Speed, unframed; and another Renaissance style portrait by P Boyd.
An unusual & rare pair of 19th century portrait miniatures believed to be of Rear Admiral John Pasco (1774-1853) & his first wife Rebecca Penfold. Within later frames. Approx 9cm tall. NOTE: John Pasco (1774-1853) was a flag Lieutenant aboard HMS Victory who was responsible for raising Nelson's famous signal 'England Expects'. He advised Admiral Nelson on the precise wording that should be used for raising the signal. He was appointed to HMS Victory in April 1803. He served time in the Mediterranean under Nelson & helped the capture of the French frigate Embuscade. In 1805, during leave from the Mediterranean he married Rebecca Penfold on the 1st September. Rebecca Penfold is believed to be the woman in one of these portrait miniatures. During the Battle of Trafalgar Pasco was severely wounded to the right arm. Due to the consequence of his wound he received a grant from the Lloyd's Patriotic Fund, and was given a pension of £250 a year. From 1805 & 1846 he mainly commanded small ships. He served on HMS Tartarus on the North America station until 1815. After the Napoleonic War, Pasco commanded HMS Lee and was employed to suppress smuggling in the English Channel. During this period he wed second wife Elizabeth Weaver in 1843. In 1846 he was appointed to command HMS Victory, which at this time was the flagship of the Port Admiral in Portsmouth. On the 22nd September 1847, Pasco was promoted to Rear Admiral. Rear Admiral John Pasco died at East Stonehouse, Plymouth on 16th November 1853 and now rests in Stoke Churchyard. More information can be found on the National Museum of the Royal Navy website: http://www.nmrn-portsmouth.org.uk/sites/default/files/John%20Pasco.pdf
A "SEVRES" PORCELAIN CUP AND SAUCER painted with a portrait of Louis XIII between two portraits of ladies, within gold cartouches, on a blue ground heightened in gilt with jewelled decoration, the saucer painted with panels of musical trophies and an armorial in the centre, all within gilt cartouches, on a blue ground, blue painted marks, 19th century
A ROYAL COMMEMORATIVE GLASS RUMMER, engraved with a profile portrait of King George III, within an oval line cartouche between "GOD SAVE THE KING", the reverse with the monogram "JC", on a short stem and stepped foot and plinth foot, c.1815, 5.75" high, 3.75" dia. Provenance: Christie's, 09/03/2000, lot 71. The Buxton Collection of engraved glass
A PRUSSIAN ROYALTY WINE GLASS, the large ogee bowl engraved with a head and shoulders portrait of the King within an oval cartouche between leaf scrolls, the reverse with the double-headed eagle below "SECCESS TO THE KING OF PRUSSIA", on a tall double-series opaque twist stem and circular foot, c.1760, 7.75" high, 3" dia. The inscription alludes to Frederick II ("The Great"), King of Prussia, 1712-86. Frederick II waged the Seven Years War against the coalition of France and the Holy Roman Empire. Frederick's Prussian troops decisively defeated the allied armies at the Battle of Rossbach, 5th November 1757, whereupon he became an English national hero and the leading defender of Protestantism in Europe. Although rare today, many English drinking glasses were engraved with toasts to Frederick's health and to the success of his forces. Cf: For a similar example, "The Golden Age of English Glass, 1650-1775", pg. 192 & 193. Provenance: The A.C. Hubbard Collection of Important English & Dutch Glass, The Buxton Collection of engraved glass
VASILII IVANOVICH SHUKHAEV (Russian, 1887-1973); oil on board, portrait study, signed to lower right, 46 x 31cm, traces of old exhibition labels to the verso to include the Exhibition of the Soviet Artists in USSR, illegibly titled, framed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
CLAUDE HARRISON (1922-2009) ARCA, RP; oil on canvas portrait of Lily Shawcross, scratched signature to lower left, inscribed to the verso, 44.5 x 34cm, framed also a watercolour by H. Lawes "The Minor's Bridge", stream scene with mountainous landscape, 24.5 x 37cm, a decorative floral oil, a signed print by K. Melling, and an etching, framed and glazed (5). (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
A quantity of costume jewellery including two hallmarked silver bright cut snap bangles, a silver bright cut oval pendant locket suspended on silver box link chain, a silver brooch, silver earrings, silver and marcasite ring, 9ct yellow gold framed circular portrait pendant, other brooches, rings, etc plus a few coins.

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283287 Los(e)/Seite