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283284 Los(e)/Seite
Los 655
Charles Foot Tayler (1794-1853) - Portrait Miniature of a Lady, called Miss E C Vines, bust length, in a black dress, her hair dressed in ringlets, before a red drapery, contemporary inscription on the backing Miss E C Vines by Taylor Bath 1833, ivory 100mm x 75mm, modern frame Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: KUTP9J19 support warped but not split or restored
Los 1092
Heinrich von Angeli (1840-1925) - Portrait of Clara Constance Bergheim (1853-1929) of Belsize Court, seated three quarter length in an embroidered dress, gloves and bracelets, an ostrich feather fan in her right hand, landscape beyond, signed and dated '89, oil on canvas, 128 x 94cm Provenance: The sitter Clara Constance Bergheim nee Banting (1853-1929), of Belsize Court, by whom bequeathed to her niece Margaret Fanny Salome McGarvey nee Bergheim (1878-1952); thence by descent to the present vendor Illustrated: Shenai (M) - Finding the Bergheims of Belsize Court,cover illustration and p.36. Clara Constance Banting (1853-1929) married in 1873 John Simeon Bergheim (1843-1912) - (see lot 1098) J S Bergheim amassed a fortune from oil wells in Eastern Europe. He later formed a partnership with the Canadian William Henry McGarvey, whose son Frederick married Bergheim's niece, Margaret Approx. 4cm tear centre right, unlined and unrestored, varnish requires a clean, original stretchers and frame
Los 654
English School, early 19th century - Portrait Miniature of a Gentleman, half length seated before red drapery, ivory, 82mm x 65mm, papier mache frame with rose and thistle hanger Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: 8K3L71X8 Good condition, frame slightly chipped
Los 1093
English School, c1840 - Portrait of a Gentleman, almost certainly a member of the Banting Family, half length in white stock and black coat, oil on canvas, 74 x 61cm Restored and re-lined, varnish dirty, on later stretchers, in what is probably the original Victorian shell cornered frame, with loss
Los 489
A Wedgwood creamware portrait medallion, 1776-1780, modelled with a bas relief profile of Mark Antony, 8.1 x 6.2cm, indistinct pencilled manuscript inscriptions to verso: *** E* DARWIN *** Surface abrasions and deposits, with slight loss to detail of one hair curl. Flat surface chipping across the edge, recto and verso.
Los 235
English School early 19th century Portrait of a Man, bust length in a blue coat with a black collar and white stock, ivory, oval 78mm gold frame engraved 'Remembrance Dear' and inset with hair tied by seed pearls Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: 7G589RZP possible localised restoration (on coat) but in apparently good condition
Los 1111
Sir William Nicholson RP (1872-1949) - Study for Portrait, possibly Colonel Sir Robert Williams, Bt head and shoulders, oil on canvas laid on board, 27 x 24cm, unframed Provenance: David Bruxner, London Illustrated: "Country Life" letters page, June 17th, 1982 Sold with a letter from Lillian Browse to David Bruxner, 30 March 1982 "I feel quite sure that your painting [on the basis of a photograph] is by William Nicholson and I believe it to have been painted about the early '20s...", envelope, and copy of a note from Patricia Reed, May 1920, confirming the identity of the sitter. Nicholson's portrait of Colonel Sir Robert Williams was commissioned by the Court of Assistants of the Goldsmiths Company on May 8, 1929 [Browse, Catalogue, No 421] Colonel Sir Robert Williams, 1st Bt of Bridehead (1848-1943), Dorchester was educated at Eton and Oxford. He was subsequently employed by the Waihi Gold Mining Company Ltd Good original condition
Los 1097
Victor Scharf (1872-1943), Portrait of Frederick James McGarvey, signed upper right (Scharf Wien), oil on panel, 79cm x 63.5cm Provenance: By descent in the family of the sitter to the present vendor Frederick "Fred" James McGarvey (1873-1963) was the second son of the multi-millionaire William Henry McGarvey (1843-1914), Canadian petroleum magnate and politician. In 1879, he met John Simeon Bergheim, of Belsize Court, who had travelled to Petrolia, McGarvey's oil field in South Western Ontario. They established the Bergheim & McGarvey Company in 1883, to explore and subsequently exploit the Galician and Romanian oil bases, using Canadian drillers and the latest technology. Frederick McGarvey (who was later to marry Margaret Fanny Salome Bergheim in July 1901) - (see lot 1096), and his two surviving siblings (one of who was to marry a nephew of Count Ferdinand von Zeppelin), were raised in a house that McGarvey had built for himself and his wife, Helena, a Polish emigre, at Mariampol Galicia. The children were educated in Austria and Germany. The loss of his wife, murder of a brother, and his being eventually placed under house arrest culminated with his death shortly after the outbreak of the First World War, events which were to destroy his company and fortune. Good condition, panel with two old horizontal battens on the rasp, but not cracked or repaired, in the original ornate 18th c style gilt frame, small loss
Los 1098
John St Helier Lander - Portrait of John Simeon Bergheim (1842-1912) of Belsize Court, bust length in a black coat, signed and dated 1909, oil on canvas, 67.5 x 54.5cm Provenance: The sitter John Simeon Bergheim; thence by descent to the present vendor Illustrated: Shenai (M) - Finding the Bergheims of Belsize Court, p.37 J S Bergheim amassed a fortune from oil wells in Eastern Europe. He later formed a partnership with the Canadian William Henry McGarvey, whose son Frederick married Bergheim's niece, Margaret Lined and re-touched. Medium unstable, localised flaking, in the original ornate 18th c style gilt frame with loss
Los 652
British School, early 19th century - Portrait Miniature of a Young Woman, bust length in a green dress, landscape beyond, ivory, oval, 74mm, papier mache frame with grapes hanger Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: 33XPNDME some possible localised restoration behind the sitter; unexamined as a frame
![Antiquarian Book. Bunyan (John), Choice Works. [Including] The Pilgrim's Progress [...], London: Cassell, Petter, Galpin &](https://cdn.globalauctionplatform.com/1f016535-4db4-45d5-bf20-b181011266ae/a6eb7138-b76f-45d0-acf0-b18400b8cf05/468x382.jpg)
Los 957
Antiquarian Book. Bunyan (John), Choice Works. [Including] The Pilgrim's Progress [...], London: Cassell, Petter, Galpin & Co., n.d. [c. 1850-60], double-column, chromolithographed frontispiece, title-page and plates, b/w in-text illustrations, original publisher's decorative gilt-metal mounted black leather over boards, blocked in gilt with a portrait of the author, all edges gilt, chased clasps, 4to
Los 657
English School, early 19th century - Portrait Miniature of a Young Woman, ivory, oval 55mm, a silhouette of the Reverend Richard Aylott, dated 1778, cut paper and watercolour, and three printed miniatures (5) Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: 49PVQJTL Some faults
Los 1126
June Ryan (1925-2006) - Portrait of the Prima Ballerina Svetlana Beriosova, head and shoulders, signed and dated 1954, pencil, 28.5 x 21.5cm and Portrait of a Ballerina, signed, pastel, 55 x 40.5cm (2) The first in good condition with, on the backboard, photographs of the reverse of the drawing showing inscriptions
Los 653
Attributed to Lt. Rice RN (1788-1858) - Portrait Miniature of a man called Henry Clayton, bust length in a black coat and white stock, ivory, 70mm x 58mm, papier mache frame with acorn hanger Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: 41BEQU95 support split frame slightly chipped
Los 656
English School, 19th century - Portrait Miniature of a Young Man, in 'romantic' costume, ivory, 94mm, ebonised frame Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: ZV7X62PB Apparently good condition, unexamined out of the recently re-backed frame
Los 1112
Attributed to Lemuel Francis Abbott (1761-1803) - Portrait of George Seddon, half length, oil on canvas, 23 x 61cm According to an old label on the frame, the sitter has been traditionally identified as George Seddon (1727-1801) founder of the London cabinet makers of Aldersgate St (Fl. 1783-1815) https://bifmo.furniturehistorysociety.org/entry/seddon-george-1753-1868 Restored in the 19th c and subsequently and now ready to hang. Retouched blistered paint on the darkest passages, lined perhaps in the early 20th c and placed onto the present stretchers. In pieced giltwood frame, frame re-gilt with small losses
Los 683
English School, early 19th c - Portrait Miniature of a Young Woman, possibly an actress, in brown dress and red cloak, ivory, 95 x 71mm Provenance: anon sale, Christie's, Edinburgh, 12 July 1995, lot 237 Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: 9VSQ6CF8 Slight scratches and loss of medium
Los 235A
English School late 18th century Portrait Miniature of a Man, bust length in a blue coat, and white stock with hair lightly powdered, ivory, oval 75mm gilt metal frame, a blue and opalescent glass inset back with pearl initials ND Please note Mellors & Kirk have applied for an exemption licence for the ivory in this lot. Ref: EUF8MZLP miniature slightly rubbed, pearls dislodged beneath the glass
Los 1014
A collection of approx. 30 Old Master and later prints, including Stefano della Bella (1610-1664) - Agnus Dei, s.l. [Paris]: Pierre Mariette I, n.d. [1640], etching, trimmed and retaining some margin outside the platemark, foxed portions, 17.5 X 13cm; Dutch School, first-half 17th c - Portrait of a Gentleman, s.l., s.n., n.d., engraving, 23 x 19.5cm, trimmed to within the platemark and re-margined; further 18th c and later portrait engravings, principally British, etc; further ephemera, including a newspaper, The London Gazette, Number 18608, Friday, September 4, 1829, folio; 29 Vatican City stamps, mint and uncirculated in a souvenir folder, the cover printed with a portrait of Pope Pius XII; USA, an envelope of uncirculated American stamps; an art book, Roessler (Arthur), Egon Schiele, Wien & Leipzig: Carl Konegen, 1922, original publisher's boards, perished paper spine, 8vo
Los 1096
John St. Helier Lander ROI (1868-1944) - Portrait of Margaret Fanny Salome McGarvey, bust length wearing a ruby ring, signed and dated 1907, oil on canvas, oval, 73.5cm Provenance: By decent in the family of the sitter to the present vendor Margaret "Madge" Fanny Salome McGarvey nee Bergheim (1877-1952) daughter of Peter Bergheim (1844-1885) and Martha Sophia Lindsay (1844-1888), married Frederick James McGarvey on July 10th 1901 at St Peter's Church Belsize Park (see lot 1097) Good original unlined condition, ready to hang, in the original but somewhat distressed contemporary giltwood and composition panel frame
Los 512
3¼in sq Magic Lantern Slides, photographic slides, probably from 1950s lecture series - including copies of Edward Steichen (1879-1973) - 'The Thinker', 1902, 'Self-Portrait', 1901, 'Self-Portrait', circa 1929 and 'Maurice Chevalier', 1929 (4); with Dufaycolor (?) of "Rosemary" by M F Harker (Margaret Harker 1920-1913, photographer and pioneer UK photographic educator, former president of the RPS), and another from same sitting (2), colour still life of candles (1), 'modernist' images of sitters, including dodged images (11), portraits (8), still life (5) and architectural (9) (40)
Los 295
Sir Lawrence Gowing CBE RA, British 1918-1991 - Wood: Blue and Yellow Analysis, 1962; oil on board, 50.9 x 76.3 cm (ARR) Provenance: with Marlborough Fine Art Ltd., London, no.LOL4972 (according to the label attached to the reverse of the frame); private collection Note: Gowing was a pupil of William Coldstream and protégé of Bloomsbury art critic Clive Bell. As a portrait artist his sitters include Lord Attlee and Lord Halifax. As with Victor Pasmore, another artist involved with the Euston Road School, Gowing developed an abstract language in the late 1950s and 60s, as seen in the present work. A painting of a similar theme is now in the Tate Collection, 'Wood: Parabolic Perspective, 1963'. 1963He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.
Los 27
Harold Knight RA, British 1874-1961 - Portrait of a Girl; oil on canvas, signed lower left 'Harold Knight', 60.5 x 55.8 cm (ARR)Provenance:Christie's, London, 20th Century British Art, 4th March 1998, lot 7; private collection, purchased from the above Note: Knight is perhaps best known for his portraits of women in interiors and here he creates a highly modern composition by setting his subject against the plain ruby-red background. While the subject's presence is greatly felt, by depicting her in three-quarter profile, Knight retains a sense of enigma about her, her inner thoughts kept to herself. Knight's portraits are now in all major UK public collections, including similar works such as 'Laura Johnson, 1891' (Royal Academy of Arts), 'A Student' (Tate Gallery) and 'The Mantilla' (Russell-Cotes Art Gallery & Museum, Bournemouth). In the early 20th century, Knight formed part of an important group of British artists who lived and worked in Newlyn, Cornwall, that included his wife Dame Laura Knight, Dod Proctor and Stanhope Forbes, influenced by their experience of studying in Paris and in particular the Barbizon school. Knight had joint exhibitions at the illustrious Leicester Galleries in 1906, 1907 and 1912, Carnegie Institute, Pittsburgh in 1914, Laing Art Gallery in 1933, Nottingham Castle Museum in 1934 and Upper Grosvenor Galleries in 1967, all alongside Dame Laura Knight.
Los 125
George Lambourn, British 1900-1977 - 4 Mac. Section A Corbridge, 1941; watercolour and pencil on paper, signed and dated lower left and titled lower right, 29 x 38 cm: together with 5 other World War II works on paper by the same artist (mounted/unframed) (6) (ARR) Note: the artist studied at the Royal Academy Schools in London and became friendly with both Augustus and Gwen John in the early 1920s, painting a portrait of the former in 1932. He exhibited with the New Arts Centre and at Newlyn Art Gallery, and had a solo show in 1950 at the City Art Gallery museum in Plymouth. Works by the artist are in public collections, including the Tate and the Imperial War Museum.
Los 104
Clifford Hall ROI NS, British 1904-1973 - Portrait of a woman with short blonde hair, 1951; pastel on paper, signed and dated lower right 'Clifford Hall 19.11.51', 22.5 x 30.5 cm (ARR) Provenance: with The Alton Gallery, London (according to the label attached to the reverse of the frame); the Collection of Paul Clarke and thence by descent Note: the subject of this work is one of the Antwerp girls and she appears in a number of works. The artist created a number of similar scenes of Antwerp, from his first trip in 1950. With thanks to the Clifford Hall Estate for their assistance with the cataloguing of this work.
Los 72
Dame Ethel Walker DBE ARA, British 1861-1951 - Portrait of a man with a blue tie; oil on canvas, 50 x 40 cm Note:with partial label attached to the reverse 'Dame Ethel Walker'Note:the artist exhibited widely in the UK during her lifetime and was the subject of a major retrospective at the Tate in 1951, alongside her contemporaries Gwen John and Frances Hodgkins and organised by John Rothenstein. More recently, her work was central to Tate Britain's 'Queer British Art 1861-1967' in 2017. She is currently the subject of a Spotlight exhibition at Tate Britain.
Los 7
Arnold Henry Mason RA, British 1885-1963 - Portrait of an Old Woman, 1921; oil on panel, signed and dated lower right 'A. H. Mason 1921', 35.4 x 27.3 cm (ARR) Provenance: the Descendants of Sidney and Stella Churchill (1862-1921 and 1883-1954) and Ruth Plant (1912-1988) Note: please note the 'A' of the signature is very faint.
Los 80
Alfred Horace Gerrard, British 1899-1998 - Self-portrait study; oil on board, 24.3 x 17.6 cm (unframed) (ARR) Provenance: the Estate of Katharine Leigh-Pemberton and A. H. Gerrard Note: this lot is accompanied by a copy of 'A. H. Gerrard: His Life and Work' by K. L. Gerrard, 2019. Gerrard was a highly influential artist and teacher, mainly at the Slade where he became Head of Sculpture from 1948-68, and his pupils included Karin Jonzen, Eduardo Paolozzi and F. E. McWilliam who would later write on his work. Gerrard had an exhibition at Colnaghi's alongside his wife Katharine Leigh-Pemberton in 1931 as well as a retrospective at the South London Gallery in 1978. His works are found in public spaces including 'Development of Man' at Bridge Street, Hemel Hempstead, 'The North Wind' at St. James's Park Underground (alongside works by Eric Gill, Henry Moore and Jacob Epstein) and at St. Anselm's Church in Kennington. Works are also in public collections including the Imperial War Museum and Leeds Art Gallery.
Los 35
Erna Hoppe-Kinross, British 1875-1964 - Self portrait; plaster, H44 x W16.5 x D25 cm: together with a bronze bust of the artist's husband, H58 x W25.5 x D36 cm (including base) and , plaster bust of the artist's son, H20 x W12.5 x D12 cm (3) (ARR)Provenance:the Family of the Artists Grace English and Erna Hoppe-Kinross
Los 100
Eve Disher, British 1894-1991 - Portrait of a young man; gouache on paper, signed lower right 'Eve Disher', 50 x 38 cm (ARR) Note: Disher was associated with the Bloomsbury group and shared a studio with Vera Cunningham. Her portrait of Gerald Reitinger is in the Ashmolean Museum, Oxford and other works are held at Clevedon Court.
Los 39
Grace English, British 1891-1956 - Portrait of Patience Kinross (nee English); oil on canvas, signed lower right GEnglish', titled and dated to label on the reverse, 45 x 34.5 cm (ARR) Provenance: the Family of the Artists Grace English and Erna Hoppe-KinrossExhibited:London Portrait Society, London, 'Grace English Memorial Exhibition', 1939 (according to the label attached to the frame) Note: Patience Kinross (nee English) was the artist's niece and the artist Erna Hope Kinross' daughter in law. English studied at the Slade from 1912-14. She was close friends with Ethel Walker (1861-1951) and would go on to write a biography on Walker which was never published. Her works are in public collections including UCL Culture and Kensington Central Library.
Los 132
Sir Francis Rose, British 1909-1979 - Cupid & Psyche, 1939; gouache on paper, signed and dated lower left 'Francis Rose 39' and titled lower right 'Cupid & Psyche' with further inscriptions on the reverse, 17.6 x 25.5 cm: with 2 other theatre and ballet designs by the same artist, of a similar size and medium 'La Peri: Monte Carlo ballets, 1948' and 'La Peri, 1946' (unframed) (3) (ARR) Provenance: with Gimpel Fils, London, GF17918 (according to the label attached to the plastic folder) Note: according to the inscription on the reverse the 1st work is a set design for Sadlers Wells Ballet with music by Lord Berners. This was choreographed by Frederick Ashton and first performed on the 27th April 1939. Rose began his career as a set designer for Diaghilev's Ballets Russes, sometimes collaborating with his friend Christopher Wood. He was a friend of Gertrude Stein, who owned many of his works and of whom he made a portrait.
Los 115
Lilian Adelaide Lancaster, British 1887–1973 - Portrait of Eleanor Finlayson, 191-; oil on canvas, signed and dated lower left 'Lancaster 191?', 77 x 51 cm (ARR)Note:Lancaster first studied under Henry Tonks and Fred Brown at the Slade School of Fine Art from 1906–10, and then under Walter Sickert at the Royal Academy Schools which she attended from 1910–14.
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283284 Los(e)/Seite