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283287 Los(e)/Seite
Los 365
Mrs Walkeroil on canvasPortrait of Viscount Westport, when a boy aged 6inscribed and dated 'M… de Burgh/Viscount Westport/aged 6/1904/by Mrs Walker,50.75 x 38.75cmCONDITION: Oil on original canvas in honest untouched condition, glass very dirty particularly on the inside, paint is also thought to be a little dirty with a fine but stable craquelure running through most of the background paint, inscribed lower right, housed in the original gesso frame which has a dull bronze finish, framers label for Chapman Brothers of Chelsea verso.
Los 1315
JENNY MARGUERITE VALENTINE ZILLHARDT (1857-1939) PORTRAIT STUDY OF JOCELYN ANTROBUS, AGED 18 Signed and dated 1894, pencil and coloured chalks on buff paper 40.5 x 28.5cm. Provenance: By descent in the family of the sitter. Mr Antrobus later went into the Church and became a vicar in Hatfield. He wrote `Hatfield: Some Memories of Bishop's Hatfield And Its Past` in 1912 ++ Good condition
Los 1325
ENGLISH/SCOTTISH SCHOOL, Circa 1850 PORTRAIT OF A CHILD WITH A DOG The child in a plaid and lace dress and a feathered hat, pastels and charcoal, oval 70 x 52.5cm. Provenance: By descent in the family of the Dukes of Abercorn (formerly thought to be a portrait of Lord Claud John Hamilton, 1843-1925, and by Landseer) ++ Generally good condition; in an associated carved wood frame, with pierced- and leafy scroll decoration, regilded in 1997
Los 1369
FLORENTINE SCHOOL, 19th CENTURY PORTRAIT OF DANTE ALIGHIERI (after GIOTTO); A BENEDICTINE MONK Two, oil on board, oval, in similar `Florentine` frames 13.5 x 10cm. and 13 x 9.5cm.; with a small oil of a bearded man, style of Christian Wilhelm Ernst Dietrich, 9 x 7cm. (3) ++ Each in good condition
Los 1382
SIR JOHNSTONE FORBES-ROBERTSON (1853-1937) PORTRAIT OF CONNIE GILCHRIST Signed and inscribed and dated April 1873 on the stretcher, oil on canvas 42 x 32.5cm. * The sitter (1865-1946) was a child actress, dancer and artist's model who married Edmond Walter Fitzmaurice in 1892 and thus became the 7th Countess of Orkney Provenance: George Arliss (1868-1946), actor, dramatist and filmmaker ++ Small damage at sitter's left shoulder; needs a clean
Los 1401
AFTER ELISABETH VIGEE LE BRUN (1755-1842) SELF PORTRAIT AT AN EASEL; SELF PORTRAIT Two, oil on canvas, in `Florentine` frames Each 33 x 25cm. (2) * After the prime versions in the Uffizi, Florence and the Accademia di San Luca, Rome, c.1789-1790 ++ Each needs a clean; the latter with small damage at the sitter's right shoulder
Los 1406
FOLLOWER OF JONATHAN RICHARDSON (1667-1745) PORTRAIT OF A GENTLEMAN Quarter length, wearing a long grey wig, red mantle and white neck cloth, within a painted oval, oil on canvas, 19th Century gilt frame with leafy scroll corners and centres with trailing floral details, fluted hollows 74 x 61cm. ++ Replaced stretchers; relined; associated retouching
Los 1407
FOLLOWER OF JACOB HUYSMANS (c.1633-1696) PORTRAIT OF A LADY, PROBABLY CATHERINE OF BRAGANZA, QUEEN CONSORT OF KING CHARLES II (1638-1705) Half length wearing a a silver-grey dress with cut blue sleeves, pearl jewellery, oil on canvas, within a Lely frame 73.5 x 59.5cm. Exhibited: Bradford, Corporation Art Gallery, Cartwright Memorial Hall or Tong Hall (label on frame) ++ Lined; associated retouching; some surface abrasion
Los 1408
FOLLOWER OF FRANCIS HAYMAN , RA (1778-1776) PORTRAIT OF A GIRL Half length, wearing a blue dress with lace bodice and sleeves, holding a basket of roses, oil on canvas, within a painted oval, oil on canvas, carved wood gilt frame 74.5 x 61.5cm. ++ Lined (in 1959); some retouching; flaked losses upper right
Los 1409
FOLLOWER OF GEORGE ROMNEY (1734-1802) PORTRAIT OF A GENTLEMAN, IDENTIFIED AS THOMAS FITZHERBERT (c.1746-1822) Half length, in profile, wearing a red coat and waistcoat, white neckcloth, holding a sealed letter, oil on canvas, mounted oval 74 x 60.5cm. * After an early career as a merchant, Fitzherbert won the corrupt seat of Arundel in 1780. Despite returning unopposed in 1784, he was a squabblesome backbencher and did not seek re-election in 1790. Initially living at Stubbington Lodge, Portsea, he settled at Pitt Place, Epsom. ++ Lined; retouching; some craquelure; some grazes; needs a light clean
Los 1415
ENGLISH SCHOOL, Circa 1820 PORTRAIT OF LIEUTENANT KIRK Quarter length, wearing a red tunic and the sash of the 27th Regiment of Foot, oil on panel 19 x 13.5cm. * `A Poem on Visiting the Grave of Lieut. Kirk in Nepal`, six verses printed on silk, is affixed to the backboard Provenance: Collection of Peter Kirk Matthew (1810-1875) ++ Noticeable wrinkling of the paint; some craquelure; some retouching
Los 1426
JOSEPH TONNEAU (1831-1891) PORTRAIT OF A LADY Half length wearing a black dress with lace decoration, jewellery and holding a fan, signed and dated 1870, oil on canvas, oval, unframed 91 x 70cm. * Probably Annie Waylett, whose husband, Richard (d.c.1897), was a London diamond merchant. ++ Lined; the surface wrinkled and pitted, with much retouching
Los 1456
GEORGE HENRY BOUGHTON (1833-1905) THE PORCELAIN FIGURINE Oil on canvas 49.5 x 59.5cm.; with an etching on silk of Lobster Fishermen by Colin Hunter, signed and dedicated to Boughton 33 x 58.5cm. (2) * Possibly a portrait of Miss Esme Robb ++ Lined; some associated retouching; the print stained
Los 1457
JOHN PETTIE, RA (1839-1893) PORTRAIT IN THE COSTUME OF THE SIXTEENTH CENTURY Signed twice and dated 1875, oil on canvas 75 x 59.5cm. Exhibited: London, The Royal Academy, 1875, no.318, identified as a portrait of `Mr [George Henry] Boughton`. Boughton evidently returned the compliment: his portrait of `Master Graham Pettie: costume of the seventeenth century` was shown at the RA in 1876, no.34 ++ Lined; some associated retouching; bitumen damage and craquelure
Los 1534
•TOM PHILLIPS, CBE, RA (b.1937) UNTITLED: PORTRAIT HEAD Signed and dated VII/LX.,oil on canvas 50.5 x 76cm.; with a preparatory study for the picture, initialled and dated, pencil 34.5 x 25.5cm.; and a frame of eight ink `Ex Libris` designs, signed on the mount (3) * The signature on the oil has been confirmed by Tom Phillips's studio ++ The oil needs a light clean; the drawing slightly light-stained; the frame of eight in generally good condition
Los 1691
AN UNUSUAL PORTRAIT FIGURE OF A MAN, with naturalistically painted composition head and hands, the figure looking upwards with mouth open, wearing a leather jerkin and green shirt, with fabric breeches, on a wooden base, 19th century, 56cm overall, beneath a glass dome, 61cm maximum height.
Los 1
A Collection of Silver and Silver Plate, including a silver table-bell, by George Unite, Birmingham, 1895, one foot lacking; a silver 'Howitt Lighter', with engine-turned decoration; a silver cylinder and associated cover; a silver napkin-ring, engraved Harry; a silver and turned wood toddy-ladle, maker's mark FW only, probably for Fuller White, probably re shaped; a silver plate cream-jug; a silver plate mounted glass cruet bottle; a chromium plated flask; two portrait miniatures, depicting children, possibly brother and sister, the silver frames Birmingham, 1898 and a bridge suit marker (one tray)
Los 307
A tray of assorted items including, various mainly antique steel keys including Georgian examples, treen boot shaped pin cushion, various carved bone apple corers, miniature cloisonne teapot and two miniature paintings on easel stands including one on tin depicting a portrait inscribed Charles Tabourne 1795 (one tray)
Los 397
Continental porcelain comprising a slender covered vase with twin ring and goats mask handles, decorated with a vignette portrait bust 33cm, a hexagonal jar and cover decorated with birds and insects on a gilt feather ground, 21cm and a Rosenthal vase, 24cm (3). Rosenthal vase with a filled rim chip. Tall Bavarian vase with some gilt wear. No other damage or repair.
Los 1092
Evans (20th century) Still life of carnations in a blue lustre vase Signed and dated 1964 oil on board, together with a further oil on canvas still life of an assortment of flowers by the same hand, two pencil portrait studies, a further still life of flowers signed A Jowit(?) and an indistinctly signed oil on canvas of figures in a summer landscape, a print after William Hunter 'blue and gold' and a relief the 'Cottars, Saturday night' 49cm by 39cm and various other sizes (quantity) Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 1095
Philip Naviasky (1894-1983) Portrait of Milly, head and shoulders Inscribed 'to George' from Philip 'and Milly' oil on canvas, unstretched, together with a further mixed media work by the same hand 'Grassington York' 50cm by 40cm and 28.5cm by 40cm respectively (2) unframed Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business
Los 1097
Tom Keating (1917-1984) After Renoir, portrait of a lady Pastel, 49cm by 39cm Provenance Christie's sale 10-09-1984 £2200 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Slight cockling to paper. Otherwise good overall condition. Not examined out of the frame.
Los 1098
Tom Keating (1917-1984) After Rembrandt, self portrait of the artist Signed, oil on canvas, 49cm by 39.5cm Provenance Christie's sale 12-12-1983, lot 64, sold for, £320 Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business Some light surface dirt, otherwise ok.
Los 1133
Taxidermy Art: A Quantity of Original Art Work by Graham Teasdale, Taxidermist, Rotherham, South Yorkshire, framed art work comprising - a pencil drawing of a Male Lion, a watercolour painting of a pair of Passenger Pigeons, a watercolour painting of a Great Auk egg, a print of a Chimpanzee, a print of Great Auk, an oil painting of a Red-tailed Hawk, an oil painting of a Rabbit, a self portrait in pencil within his Blacksmith's shop, a watercolour and pencil picture of a Peregrine Falcon, a book ''Taxidermy & Animla Anatomy for Artists, author Graham Teasdale, all pictures framed and signed by the artist (10)
Los 1138
A 19th century oil on oval panel, titled portrait of Jane Shore in later frame, 31cm by 23cm, together with four 18th century coloured engravings titled False Love, True Love, a Hint to Husbands and a Hint to Bachelors, two Chinese paintings on leaves in faux bamboo gilt frames, watercolour of a Venetian scene and three other framed works (15)
Los 1
Colonial School. Mexico or Peru. 17th - 18th century."True portrait of Our Lady of the Estrella of Enciso"Oil on canvas. 142 x 103 cm. There is a handwritten inscription in the lower margin: "La Milagrosa imagen de Nª Sª de la Estrella de la Vª Dencisso"On the back is a sketch of a figure on horseback. In a carved, gilded and silvered period wooden frame. The Church of Our Lady of Enciso is located in la Rioja, Spain. In its main altarpiece, which was built between 1647 and 1652, there is the image of Our Lady of the Star, in late 15th century Hispanic Flemish style. The image of Nuestra Señora de la Estrella de Enciso (Our Lady of the Star of Enciso) became widespread due to the engraving of it which was created by the Flemish printmaker Ana Heylan in the mid 17th century. One of these prints is kept at the National Library in Madrid (Biblioteca Nacional de Madrid). As Antonio Moreno Garrido explains in his writing "La iconografía de la virgen de la antigua en el grabado granadino del siglo XVII: una plancha inédita de Ana Heylan":"In the 17th century, single prints and especially those for worship came from European workshops, except for those with very local themes. These, of course, were made by engravers working in Spain. Carrete Parrondo writes: "The sanctuaries, convents and chapels with the most popular or prestigious advocations of Mary commissioned the most outstanding engravers to reproduce the images that were worshiped. The same occurred in small towns, where they turned to the printmakers from large cities. The town of Enciso commissioned Ana Heylan, a Flemish engraver established in Granada, to make the print of their patron, the Virgen de la Estrella"Bibliography: Antonio Moreno Garrido. "La iconografía de la virgen de la antigua en el grabado granadino del siglo XVII: una plancha inédita de Ana Heylan": Pages. 207 and 209 Fig II.
Los 276
PIERRE PAUL DE POMMAYRAC 1807-1880 Ritratto di fanciulla Olio su tela. 90 x 73 cm Firmato a metà a sinistra, entro elaborata cornice dorata coeva. - Portrait of a young girl Oil on canvas. 35.43 x 28.74 in. Signed halfway on the left, within an elaborate contemporary gilt frame.TAGS: - Dipinti - Paintings Dipinti e disegni - Paintings and drawings
Los 396
CESARE DELL’ACQUA 1821-1905 Ritratto di bambina Olio su cartone. 36 x 32 cm Firmato al recto a mezza altezza sulla destra. - Portrait of little girl Oil on cardboard. 14.17 x 12.60 in. Signed half-height on the right recto.Bibliografia/Literature Firmiani e Tossi, Il pittore Cesare Dell'Acqua, Trieste, 1992, numero 46, pagina 52. TAGS: - Dipinti - Paintings Dipinti e disegni - Paintings and drawings
Los 314
Country of origin, US Three-Sheet poster for Roman Polanski's occult horror "Rosemary's Baby" (1968). Designed by creative agency Bemis Balkind, this eye-catching design is considered the best image from the film with Mia Farrow's profile looming over the horizon as if it were a setting sun, in contrast to which the silhouetted pram which looks insubstantial and vulnerable. Perfectly suited to this portrait format. (Provenance: The Personal Collection of Bryan Fuller)41" x 81" (104 x 206 cm)Additional Information: NSS #68/208Condition: Very GoodUnrestored, folded (as issued) in 2 x Sections as issued to cinemas. Both sections present well with minor handling, fold line and age wear with a small number of scattered pinholes and a Dutch censor stamp.Artist: Bemis Balkind£150 - 250VAT Status: Ω
Los 327
"Godzilla" was released in Japanese cinemas on November 3, 1954, and quickly became a blockbuster phenomenom drawing the attention of the American studios resulting in a 1956 heavily re-edited 'Americanized' version, titled "Godzilla, King of the Monsters" and starring Raymond Burr being released in the United States. Gaining a cult status, the film spawned a multimedia franchise, being recognized by Guinness World Records as the longest running film franchise in history with the giant dinosaur Godzilla becoming an international pop culture icon. It is from the first US release that we are offering this Style B US Three-Sheet which is (with its large portrait format) the best way to showcase the 'King of Monsters'. All original 1950s paper for this title is incredibly scarce and this is the first time we have ever offered a Three-Sheet for auction and it certainly would be the ultimate poster for a fan of this movie series to have on their wall or in their collection. (Provenance: The Personal Collection of Bryan Fuller)41" x 81" (104 x 206 cm)Additional Information: NSS #56/214Condition: Very GoodUnrestored, folded (as issued) in 2 x Sections as issued to cinemas. Both sections present very well with minor handling, fold line and age wear with a number of crossfold separations (no serious paperloss) and a clean tear (3") to right upper edge.Artist: Unknown Artist£2000 - 3000VAT Status: Ω
Los 347
A marvellous evocative Japanese Tatekan (STB) with fantastic Liza Minnelli imagery unique to the Japanese release for Bob Fosse’s Oscar® winning masterpiece “Cabaret” (1972) and perfectly suited to the elongated portrait format of the Tatekan. Much more than a musical and more of a political statement, “Cabaret” has established itself as one of the greatest choreographed musicals of all time with Liza Minnelli’s portrayal of nightclub singer Sally Bowles winning her the Best Actress Oscar®. One of 8 Academy Awards® scooped by the film. (Provenance: The Personal Collection of Bryan Fuller)20" x 57" (51 x 145 cm)Condition: Very GoodUnrestored, rolled (as issued). Presented in 2 x sections as issued to cinemas. Both sections display to very good effect with minimal handling and age wear. 1/2" clean tear (no paperloss) to left bottom edge and top right edge.Artist: Unknown Artist£100 - 200VAT Status: Ω
Los 371
The Style A US Insert poster with Roger Kastel artwork for "Star Wars: Episode V - The Empire Strikes Back" (1980) is more affectionately referred to as the "Gone With the Wind" style because Harrison Ford is cradling Carrie Fisher in his arms similar to how Clark Gable held Vivien Leigh in the romantic drama "Gone With the Wind". The poster is an NSS style and is presented in exceptional high grade flat/unfolded (as issued) condition with an illustration that is particularly attractive in this elongated portrait format. (Provenance: The Personal Collection of Bryan Fuller)14" x 36" (36 x 91 cm)Additional Information: NSS #800001Condition: Very Good to ExcellentUnrestored, flat/unfolded, rolled (as issued). Minimal handling wear. Artist: Roger Kastel£300 - 500VAT Status: Ω
Los 1
"If you're gonna build a time machine into a car, why not do it with some style?" Country of origin US One-Sheet (NSS Style) poster for the 1985 Robert Zemeckis sci-fi time travel romp as Marty McFly goes "Back To The Future". This poster displays artwork by Drew Struzan for one of the most recognisable images of the 80s and one of the most collectable 'modern' movie posters available. Totally original and unrestored, this portrait format example presents and displays very well, with minimal handling wear.27" x 41" (69 x 104 cm)Additional Information: NSS #850064Condition: Good to Very GoodUnrestored, folded (as issued) with light foldline wear.Artist: Drew Struzan£300 - 500VAT Status: M
Los 229
A pair of first release Japanese posters for Sean Connery's final official appearance as James Bond in "Diamonds Are Forever" (1971). Both feature the distinctive artwork of Robert McGinnis with the B3 (the smaller of the two) being double-sided with full-colour poster artwork to the front and a combination of photographs and text to the reverse in black and white. The second poster is the rarely seen offered Seldom King Soundtrack poster, printed in the portrait format and comprising of the familiar McGinnis illustration with the addition of a large 007 logo and photograph of Shirley Bassey, the singer of the smash hit title track.23.75" x 35.5" (60 x 90 cm) - 14.5" x 20" (37 x 51 cm)Condition: Very Good to ExcellentUnrestored, folded (as issued). Both present very well with minor handling, fold line or age wear.Artist: Robert McGinnis£150 - 250VAT Status: M
Los 232
A fine group of smaller format James Bond film posters from Roger Moore's first two appearances as 007 and featuring the artistic talent of Robert McGinnis. From "Live and Let Die" (1973) we have a portrait-style Belgian Affiche and a Japanese landscape format B3, and from "Man With The Golden Gun" (1974) is another Belgian Affiche. All three are present very well and are offered in original unrestored condition with minimal handling wear.14.25" x 20.25" (36 x 51 cm) and 14" x 21.5" (36 x 55 cm)Condition: Very Good to ExcellentUnrestored, Belgian posters are flat/unfolded and B3 has single vertical fold line (as issued) - All present very well with minor handling and age wear.Artist: Robert McGinnis£100 - 200VAT Status: M
Los 249
The Belgian Affiche is one of only a handful of original first year of release posters for "From Russia With Love (1963) to reproduce the Eddie Paul (designed) and Renato Fratini (finished artwork) design of the iconic British Quad in a portrait style format. The original colour illustrations have been reworked to accommodate the format and includes Connery, Daniela Bianchi (Tatiana Romanova) and Lisa Guiraut who played the exotic belly dancer, Leila. An impressive looking poster that's rarely seen unrestored and untrimmed as offered here and is certainly one of the few 007 bilingual posters printed in both French and Flemish.14" x 25.5" (36 x 65 cm)Additional Information: IMPRIME EN BELGIQUE - IMP. J. LICHERT & FILS - BRUXELLESCondition: Good to Very GoodUnrestored, folded (as issued). Some minor wear to the fold lines and pinholes to corners with remnants of a snipe (typical of Belgian posters) to the top border. Artist: Eddie Paul, Renato Fratini£200 - 300VAT Status: M
Los 21
A George V silver souvenir teaspoon, the terminal enameled with Winchester Castle Ship portrait, 11.5 cm long (slight chipping to enamelling) a George V silver and enamelled orient line SS Romonde souvenir teaspoon and a continental gilt metal and enamelled souvenir teaspoon with Viking long boat terminal
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283287 Los(e)/Seite