Follower of John Linnell (19th century) Portrait of Joseph Hodgson (1788-1869) seated in a red chair holding a document, a quill ink well and other objects on a desk nearby, oil on board, with arched top corners, 25 x 20 cm **Joseph Hodgson was the son of a Birmingham merchant, he went to King Edward VI school and later became a doctor attending Sir Robert Peel in his last illness. **See Journal of the American Medical Association Vol 19, November 27th 1967 **The work also bears ' Hodgson's signature on an old label together with a wax seal, initials, J.H
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English School (19th century ) Portrait of Mrs Mary Parr (nee Eyre) wearing a blue dress, lace trimmed bonnet and red sash, indistinctly inscribed on an old label verso, oil on canvas, 76 x 63.5 cm, **Mary Parr was the second wife of Doctor Samuel Parr, who enjoyed considerable notoriety during his life and is well chronicled on the internet. They were married in December '1816, Mary died at Kenilworth in 1848. oil on canvas, 76.5 x 63.5 cm
Late 19th Century Continental School, Portrait of a middle-aged gentleman, grey black coat and white stock, watercolour on ivory , 6.8cm x 5cms, in an elaborate gilt metal slip and ebonised frame. 15cms high overall And a 19th Century British portrait miniature of Alice Croyor, Watercolour on ivory, indistinctly inscribed to the reverse and dated 1844, 6 by 4.4cms. In gilt metal slip and ebonised frame 12cms high (2)
Late 18th/early 19th century English School, circle of John Smart (1712-1811) British, Portrait miniature of William, Duke of Clarence (1765-1837) subsequently HM King William IV, wearing the breast-star of the Order of The Garter, watercolour on ivory, 5.5cms x 4.5cms. Footnote; This depiction of William, Duke of Clarence would seem to be unique. Research of the National Portrait Gallery and The Royal Collections has so far shown that it differs from the existing well known images painted by Thomas Gainsborough, Charles Jagger and Henry Dawe.
George Hayter (1792-1871) British. Portrait miniature of Georgiana Henrietta Marcia Lascelles Iremonger as a child, watercolour on ivory, incised signature GH, two sets of pen and ink inscriptions to the reverse, 7.7cms x 6cms, in an ebonised frame. 14.5cms high overall Together with another miniature portrait of Miss Iremonger as a child by Stephen Taylor (Fl. 1806-1812), Watercolour on ivory, inscribed to the reverse "painted at Andover by Stephen Taylor 1807", 6.5 by 5cms. In an ebonised frame, 9.5cms high overall (2) Footnote. Georgiana Iremonger was first married to Sir William Chatterton Bart. and subsequently to E H Derring Esq of the Coldstream Guards June 1st 1859
MS Late 19th/early 20th Century British School, Portrait of a lady, titian red hair in plaited bun, white lace collar and shawl with black and gold brooch worn at neck, watercolour on ivory, 6cms x 4.7cms, in a gilt metal slip and ebonised strut back frame by Walter Jones, Sloane Street. 12.5cms high overall.
An 18ct gold, ruby and diamond set ring, mounted with three cushion shaped rubies, with pairs of small diamonds at intervals, Birmingham 1900, a gold and mauve gem set ring, a 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady and a silver and marcasite set brooch, designed as a Naval crown.
"LOUISA SMITH (fl. mid 19th century)The Ponte Vecchio, Florencewatercolour heightened with white, unframed10 1/4 x 14 in (26.1 x 35.6cm); Sold with a further unframed watercolour by the same artist depicting ‘a view of the Pic du Midi taken from Pau’ ; and a folio of watercolours by various artists, including an unframed watercolour depicting ‘a Portrait of William Leinthall’ ,attributed to George Perfect Harding; and a scene ‘outside the doors of Lincoln Cathedral ‘ by Fred Lawson; (qty)"
"A Collection of approx 1450 photographic glass Plates and celluloid negatives c1910-1930’s, portrait and topographical etc, in wooden and card boxes, approx 500 lantern slides in wooden boxes (7) topographical etc, (16), plus a Houghton-Butcher Cameo plate camera and accessories (cased), a Kershaw Eight-20 Penguin folding camera (cased) a Kodak folding camera (cased) and some darkroom equipment"
MARC GRIMSHAW (b.1957) ARTIST SIGNED LIMITED EDITION PRINT FROM A PENCIL DRAWING Canal at Worsley (133/350) 14" x 24" (35.6cm x 61cm) JAMES LACEY (twentieth century) ARTIST SIGNED LIMITED EDITION PRINT FROM A PENCIL DRAWING Portrait of a cat (131/250) oval mounted 11 1/2" x 15" (29.2cm x 38.1cm) ERNST FUCHS (b.1930) ARTIST SIGNED LIMITED EDITION PRINT 'Mohna' female portrait (136/250) 11 1/2" x 10 1/4" (29.2cm x 26cm) and a COLOUR PRINT OF A SQUIRREL (4)
An oil painting on canvas board showing a desert scene with heavily laden camel and male figure, inscribed bottom right Gallery Rubens, 50 x 63 cm in simple wooden frame together with a further oil painting on canvas, shoulder length portrait of an Arab bearded male character, 36 x 28 cm (unframed)
An interesting collection of early 20th century photographic portraits relating to Edward (Ned) Schefer and including sporting team photographs inscribed Notman, Boston and Cambridge 1924, one photograph inscribed verso Harvard, also together with a shoulder length charcoal and chalk portrait and a pen and wash silhouette full length portrait of the same subject, various further family photographs, etc
Six portrait miniatures, 19th Century Comprising an oval study of a gentleman, approx 7.5cm, another study of a gentleman, the verso with platted hair, approx 3.5x3cm, an over painted photographic study of a woman with hair band, approx 5x4cm, an over painted study of an older lady wearing a bonnet, approx 4.5x3.5cm, a painted circular study of a queen, inset gilt metal mount inscribed 'The loyal independent Victoria lodge of Oldfellows', approx 4cm diameter, and a painted circular symbolic study featuring mounted figures and hounds beneath a tree and a male head and crown hiding within the tree, approx 4cm diameter. (6)

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