2003 Famous World Silver Coin Collection consisting of: USA, 2003 silver dollar. 1 troy oz. .999 silver. Obv: Walking figure of Liberty. Rev: Bald eagle with heraldic shield. KM. 273. Brilliant Uncirculated. Australia, 2003 silver dollar. 1 troy oz. .999 silver. Obv: Fourth portrait of Elizabeth II right, IRB below truncation for engraver Ian Rank-Broadley. Rev: Kangaroo with aboriginal design. KM. 798. Brilliant Uncirculated. China, 2003 silver ten yuan. 1 troy oz. .999 silver. Obv: Temple of Heaven. Rev: Panda eating bamboo. KM. 1466. Brilliant Uncirculated. Canada, 2003 silver five dollars. 1 troy oz. .999 silver. Obv: Third portrait of Elizabeth II right, by engraver Raphael Maklouf. Rev: Maple leaf. KM. 187. Brilliant Uncirculated. Encapsulated in Westminster presentation case with certificate of authenticity.
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283284 Los(e)/Seite
Great Britain, 100 x 1981 - 1984 One Pounds, D. H. F. Somerset signature, ascending serial numbers: CX13 863042 - CX13 683141. Deep green on a multicolour underprint. Obv: Portrait of Elizabeth II in court robes to right. Rev: Sir Isaac Newton to centre right. P. 377b. First note with a small mark to left of obverse, otherwise all Uncirculated, with original red bank band.
Great Britain, 100 x 1981 - 1984 One Pounds, D. H. F. Somerset signature, ascending serial numbers: CX12 863141 - CX12 863240. Deep green on a multicolour underprint. Obv: Portrait of Elizabeth II in court robes to right. Rev: Sir Isaac Newton to centre right. P. 377b. All Uncirculated, with original red bank band.
Great Britain, 100 x 1981 - 1984 One Pounds, D. H. F. Somerset signature, ascending serial numbers: CX13 863242 - CX13 863341. Deep green on a multicolour underprint. Obv: Portrait of Elizabeth II in court robes to right. Rev: Sir Isaac Newton to centre right. P. 377b. First and last notes About Uncirculated, the rest Uncirculated, with original red bank band.
Great Britain, 100 x 1981 - 1984 One Pounds, D. H. F. Somerset signature, ascending serial numbers: CX11 863441 - CX11 863500, CX12 863001 - CX12 863040. Deep green on a multicolour underprint. Obv: Portrait of Elizabeth II in court robes to right. Rev: Sir Isaac Newton to centre right. P. 377b. Last note with small corner fold otherwise all Uncirculated, with original red bank band.
Great Britain, 100 x 1981 - 1984 One Pounds, D. H. F. Somerset signature, ascending serial numbers: CX12 863341 - CX12 863398, CX12 863400 - CX12 863441. Deep green on a multicolour underprint. Obv: Portrait of Elizabeth II in court robes to right. Rev: Sir Isaac Newton to centre right. P. 377b. All Uncirculated, with original red bank band.
A Miscellany of 10 x British Uncirculated Notes which is comprised of: 5 x 10 Shillings. 1961 - 1970. Brown on multi colour underprint. Obv: Crowned portrait of Elizabeth II to right. Rev: Britannia with shield in circle at centre right. J.S. Fforde signature. P. 373c. Extremely Fine (1), Uncirculated (4). 5 x One Pound. 1961 - 1970. Deep green on multi colour underprint. Obv: Crowned portrait of Elizabeth II to right. Rev: Britannia with shield in circle at centre right. L.K. O'Brien signature (1) P. 374a, J.B. Page signature (4). P. 374g. Uncirculated.
2 x Great Britain Uncirculated Notes consisting of: 10 Shilling Note. 1948 - 1960. Brown -deep brown on multicolour underprint. Obv: Seated Britianna at upper left, mark of value to right. Rev: Foliate pattern. P.S. Beale signature. P. 368b. Uncirculated. £10 Note. 1964 - 1975. Crowned portrait of Elizabeth II to right. Rev: Stylised lion. J.S. Fforde signature. P. 376b. Uncirculated.
Great Britain, 8 x 1988 - 1991 Fifty Pounds, G.M. Gill signature, ascending serial numbers: C25 826920 - C25 826927. Olive green and brown on a multicolour underprint. Obv: Portrait of Elizabeth II in court robes to right. Rev: View and plan of St. Paul's Cathedral to right. Sir Christopher Wren to right. P. 381b. Usual ''crimping'' above security strip, 6 x Uncirculated, 2 x About Uncirculated.
Great Britain, 8 x 1988 - 1991 Fifty Pounds, G.M. Gill signature, ascending serial numbers: C25 826929 - C25 826936. Olive green and brown on a multicolour underprint. Obv: Portrait of Elizabeth II in court robes to right. Rev: View and plan of St. Paul's Cathedral to right. Sir Christopher Wren to right. P. 381b. Usual ''crimping'' above security strip, 4 x Uncirculated, 4 x About Uncirculated.
Great Britain, 8 x 1988 - 1991 Fifty Pounds, G.M. Gill signature, ascending serial numbers: C25 826937 - C25 826944. Olive green and brown on a multicolour underprint. Obv: Portrait of Elizabeth II in court robes to right. Rev: View and plan of St. Paul's Cathedral to right. Sir Christopher Wren to right. P. 381b. Usual ''crimping'' above security strip, all Uncirculated.
Great Britain, 6 x 1988 - 1991 Fifty Pounds, G.M. Gill signature, ascending serial numbers: C25 826945 - C25 826950. Olive green and brown on a multicolour underprint. Obv: Portrait of Elizabeth II in court robes to right. Rev: View and plan of St. Paul's Cathedral to right. Sir Christopher Wren to right. P. 381b. Usual ''crimping'' above security strip, all Uncirculated. 5 x Uncirculated, 1 x About Uncirculated.
Argentina, 2 x Uncirculated 1884 Bank Notes consisting of: 1884 10 Centavos, Serial number: 775205. Black on green underprint. Obv: Portrait of Domingo Sarmiento to left, arms to right Rev: Gaucho on horseback. P. 6. Uncirculated. 1884 5 Centavos, Serial number: 618762. Black on brown and yellow underprint. Obv: Portrait of Avellaneda to left, arms to right Rev: Helmeted head of Athena to centre. P. 5. Uncirculated.
Third Reich Portrait of Adolf Hitler, an official NSDAP party image of Adolf Hitler produced in oleograph form. The image is the official painting produced by the NSDAP and would have hung in a official building or institution. The painting shows the German leader in his NSDAP uniform. The picture has been cleaned and mounted in a new non-period frame. The frame measures 53 x 63cms. Oleographs were produced as a cost effective measure to produce pictures to look like original canvas paintings for official buildings.
![* Davey (Wiliam Turner). The Pytchley Hunt, The Crick Meet, Henry Barraud,1852, [but later 20th-century impression], hand col](https://cdn.globalauctionplatform.com/2206a016-3da5-4a0b-9e5e-acbe010b0ffe/6a666153-05b3-4163-a61d-acc400e1068e/468x382.jpg)
* Davey (Wiliam Turner). The Pytchley Hunt, The Crick Meet, Henry Barraud,1852, [but later 20th-century impression], hand coloured mixed method engraving after W. & H. Barraud, 510 x 790 mm, framed and glazed, together with Sealy (Allen C.). A Meet of Lord Rothchild's Staghounds, circa 1890, uncoloured photogravure, margins and the title 'masked' with later white paper, title printed on paper below image, image size 440 x 810 mm, mounted, framed and glazed, with a separately framed and glazed key plate, with McLean (Thomas, publisher). A Key to the Northampton Grand Steeple Chase. Dedicated to the Gentlemen of the Pytchley Hunt races..., circa 1830, aquatint by James Pyall after James Pollard, contemporary hand colouring, 260 x 340 mm, framed and glazed, plus Ferneley (J.). Portrait of Samuel Dumbleton in his 85th year. Twenty years Whipper-in to the earl of Spencer's hounds under the two Richard Knights..., J. Ferneley, Melton Mowbray, 1834, hand-coloured lithograph, 355 x 400 mm, mounted, framed and glazed, with another 12 engravings, gravures and prints of portraits of fox hunters and similar, various sizes and conditionQty: (16)
* English School. Portrait of an Arab soldier, 1857, pencil on card, heightened with white chalk, half-length portrait, half-profile to left, of a bearded gentleman in flowing embroidered robes and headdress, a dagger in his hands, and a temple and figures in the background, indistinctly signed lower right 'M. Deare'(?) and dated June 9th 1857, toned and a few fox spots, sheet size 44.1 x 27.6cm (17.5 x 11ins)Qty: (1)
* Faber (John, circa 1684-1756). Edmond Halley, 1722, mezzotint on laid paper of the astronomer Edmond Halley, bust-length by John Faber after Thomas Murray (1663-1735), published by John Bowles at the Black Horse in Cornhill, the third state with Bowles' address, 1722, with printed title to lower margin 'Edmondus Halleius, Astronomus Regius et Geometriae Professor Savilianus, trimmed to plate mark, sheet size 355 x 255 mm, together with: Vertue (George, 1684-1756). The Hon. Robert Boyle, 1740, engraving on laid paper by George Vertue, after Johann Kersevoom, printed by J. & P. Knapton, trimmed to plate mark, sheet size 365 x 237 mm, plus: Stewart (Robert). James Ferguson F:R:S:, 1776, mezzotint portrait on laid paper of the astronomer James Ferguson by Robert Stewart after John Townsend, published by Robert Stewart, December 7th 1776, some marks and surface soiling, trimmed near or to the plate mark, minor loss to extreme upper right corner, sheet size 368 x 265 mm, and two other similar 18th century mezzotint portraits: His Royal highnes The Prince of Orange, circa 1677-89, mezzotint portrait on laid paper, some light soiling, trimmed near plate mark (lower margin trimmed inside plate mark, but retaining the engraver's name), sheet size 247 x 194 mm, and John Smith (circa 1652-1742), Self-Portrait, 1716, mezzotint portrait by John Smith after his own self-portrait by Godfrey Kneller, lower right corner torn and repaired without loss, trimmed to plate mark, sheet size 344 x 260 mmQty: (5)NOTESHalley: Chaloner Smith, British Mezzotinto Portraits 173.
![* Gould (J. & Richter H. C.). Somateria Molissima, Falco Lannarus & Milvus Govinda, [1862 - 73], together three litho](https://cdn.globalauctionplatform.com/2206a016-3da5-4a0b-9e5e-acbe010b0ffe/dec6ddd7-c4b4-4565-a488-acc400e10f35/468x382.jpg)
* Gould (J. & Richter H. C.). Somateria Molissima, Falco Lannarus & Milvus Govinda, [1862 - 73], together three lithographs with contemporary hand colouring, The Black Kite and the Lanner Falcon faded and with slight spotting and staining, each approximately 350 x 515 mm, framed and glazed, together with Lorenz (Theodor). Die Birkhühner Russlands deren Rastarde Ausartungen und Varietäten, 1910, portrait photograph and twenty-two gravure plates of various Black Grouse, finished by hand, each approximately 340 x 410 mm, all contained in a contemporary cloth portfolio with colour printed decorative title to upper cover, presentation inscription in biro (dated 1959) to the inside cover, overall size 540 x 430, folio, with Edwards (George). Three bird engravings, from the Dr Seligmann edition, [1771 - 76], three engravings with contemporary hand colouring, some spotting, each approximately 285 x 210 mm, uniformly mounted, framed and glazedQty: (7)
Kegan Paul, Trench, Trübner & Co. Ltd (publishers). British Empire Series [comprising India; British Africa; British America; Australasia; General], 5 volumes, mixed editions, London: Kegan Paul, Trench, Trübner & Co. Ltd, 1900-6, volume I with 2 maps and 1 table, II with 4 maps (all loose but remaining attached to single stub), III with 2 maps and table (one map and the table loose), IV with 2 maps and 1 table, V with 2 maps (all maps and tables folding), some volumes partly unopened, bookplates of Sir Charles Cayzer, 1st Baronet (1843-1916), original red cloth, 8vo, together with: Lloyd (W. W.). P & O Pencillings, 1st edition, London: for the Peninsular and Oriental Steam Navigation Company by Day & Son, [1891], 24 mounted chromolithographs including frontispiece and title-page, map, spotting to mounts, gilt edges, original green cloth over bevelled boards, gilt title and coloured flag vignette to front board, oblong folio, Burton (Edward Francis). Trouting in Norway, 1st edition, Carlisle: Chas. Thurnham & Sons, 1897, 8 photographic plates, original cloth, small mark to front board, 8vo, Malleson (G. B.). Ambushes and Surprises: being a description of some of the most famous instances of the leading into ambush and the surprise of armies, from the time of Hannibal to the period of the Indian Mutiny, 1st edition, London: W. H. Allen & Co., 1885, woodburytype portrait frontispiece (mounted), folding map, original cloth, spine rolled, 8vo, and 7 others, travel in the original cloth, including Darwin, Journal of Researches, 1913; Nansen, Sporting Days in Wild Norway, 1st edition, 1925; Swinburne, A Holiday in the Happy Valley, 1st edition, 1907; and othersQty: (14)
* Royalty. A framed montage relating to Princess Beatrice (1857-1944), with a plaque inscribed 'Presented to the Author of "Shakespeare's True Life" by her Royal Highness the Princess Henry of Battenburg', comprising a letter inscribed in ink on Osborne House headed notepaper dated 7 January 1896, a black and white photograph of the Princesses children Victoria Eugenie of Battenburg (Ena), Prince Leopold, Duke of Albany and Alexander Mountbatten, 1st Marquess of Carisbrooke (inscribed with names beneath the photograph), plus a large black and white portrait photograph of the Princess in later life, 20 x 15cm (8 x 6ins), beautifully presented in a period gilt gesso moulded frame with gold card mounts, within in a stained pine frame, glazed, 42.5 x 61.5cm (16.5 x 24.25ins)Qty: (1)NOTESShakespeare's True Life was written by James Walter in 1890, the letter included in the lot refers to Walter and reads 'Princess Henry of Battenburg has often had the opportunity of admiring Major Walter's interesting 'True Life of Shakespeare" as it is one of the books on the table in the Queen's Drawing Room at Osborne'. Princess Beatrice (1857-1944) also known later as Princess Henry of Battenberg was the fifth daughter and youngest child of Queen Victoria and Prince Albert.
Barletius (Marinus). Vita et res præclare gestæ ... Georgii Castrioti, Epirotarum principis, Scander-Beg cognominatus, Zagreb: Joannis Baptistae Weitz, 1743, woodcut portrait frontispiece, title in red & black, few worm & trails holes to initial leaves, light toning, armorial bookplate of Lieut. Com. Edward Scott Williams R.N. (Retd.) to upper pastedown, endpapers wormed, contemporary sheep, blind decorated spine, loss at head & foot of spine, upper joint split, worn with few worm trails, 4toQty: (1)
Binding. The Birth and Triumph of Love. A Poem, by James Bland Burges, London: printed by C. Roworth for T. Egerton, 1796, engraved portrait frontispiece with gilt line borders, 25 engraved plates including dedication, blind stamp of Salford Borough Royal Museum & Library at foot of frontispiece and lower outer corners of some plates and text, manuscript 'XI' at foot of title, some spotting, marks and finger soiling mostly to margins, pale blue moire silk doublure endpapers with decorative gilt borders & dentelles (free endpapers slightly frayed to edges), bookplate and shelf label of Salford Borough Royal Museum & Library to upper pastedown, all edges gilt, contemporary maroon morocco possibly by Christian Samuel Kalthoeber (fl. 1775-1817, unsigned/unmarked), elaborate gilt decoration, rebacked preserving original gilt decorated spine, extremities rubbed, board corners worn & showing, 4to, together with: Taylor (Charles, Engraver), The Cabinet of Genius Containing Frontispieces and Characters adapted to the most Popular Poems..., vol. 1 only (of 2), London: C. Taylor, 1787, engraved title, 52 engraved plates (of 58?), strong white adhesive tape at gutter & adjoining to front blank and also to gutter margin of B1 and facing plate (with consequent adhesive show-through), occasional offsetting and some light dampstaining to margins, initial leaves loose, contemporary half sheep, upper board near detached, lower joint split, worn, small 4toQty: (2)
Butler (Samuel). Hudibras. A Poem Written in the Time of the Civil Wars, 3 volumes, London, 1757, titles & text in English & French, 15 engraved plates (including portrait & 3 folding), bookplates of Lytton Stachey (1880-1932), Fletcher of Ashford?, Michael Tomkinson of Franche Hall, Worcestershire, and the Brother Julian Collection, to front endpapers, all edges gilt, contemporary calf, gilt decorated spines without labels, joints cracked and some wear to extremities, 12mo, together with: ibid., Hudibras, the Third and last Part, written by the author of the first and second parts, 1st edition, London: for Simon Miller, 1678, title with early ink manuscript signature, generally toned, front endpapers with early ink manuscript inscriptions and pen trials, also armorial bookplate of Ralph Bates Esqr. 6th Dragoons 1787, rear free endpaper with early ink manuscript pen trials, contemporary mottled calf, worn, rear cover nearly detached, front cover and first 2 gatherings detached, with remnants of old repairs to spine area, 8vo, plus: ibid., Hudibras, in three parts, written in the time of the late wars, 3 parts in 2, Glasgow: Foulis, 1774, 2nd volume with front free endpapers detached and with bookplate of the Brother Julian Collection, contemporary calf, worn, first volume lacking front cover, remaining covers loose, 12mo, and: ibid., The Genuine Remains in Verse and Prose of Mr. Samuel Butler, author of Hudibras ..., with notes by R. Thyer, 2 volumes, 1st edition, London: for J. and R. Tonson, 1759, subscribers list, volume 1 title with closed tear at gutter, each volume with bookplate of the Brother Julian Collection, volume 1 with engraved and ink manuscript armorial presentation label from Trinity College Dublin, dated 1779, contemporary calf gilt, worn, front and rear covers with gilt-stamped arms of Trinity College Dublin, volume 1 front cover detached (with title attached), rear joint cracked, volume 2 with clear adhesive tape over cracked spine, 8vo, with 4 other 12mo antiquarian (some defective)Qty: (12)
Cicero (Marcus Tullius). Opera Omnia ex recensione Io. Augusti Ernesti cum eiusdem notis et Clave Ciceroniana, Halis Saxonum: in Orphanotropheo, 1774, 73-77, engraved portrait frontispiece to volume 1, armorial bookplate of Thomas Law Hodges to upper pastedowns, contemporary calf, gilt decorated spines, morocco labels (some lacking), joints split and some wear, 8voQty: (8)
![[Douglas, Robert]. The Form and Order of the Coronation of Charles the Second; King of Scotland, England, France and Ireland:](https://cdn.globalauctionplatform.com/2206a016-3da5-4a0b-9e5e-acbe010b0ffe/ab9d7f57-b4b4-44e4-835d-acc400e131bd/468x382.jpg)
[Douglas, Robert]. The Form and Order of the Coronation of Charles the Second; King of Scotland, England, France and Ireland: as it was acted and done at Scoone, the first day of Ianuarie, 1651, Aberdene [sic]: Imprinted by James Brown, 1651, lacking final leaf N2 and also without portrait plate, some leaves mostly towards rear of volume torn and frayed to upper outer corner (particularly M2 & N1), soiled and dampstained, (Wing D2026, ESTC R25004), bound with at front an incomplete edition of The Saints Recreation by William Geddes, 1683, dampstaining and soiling, early 19th century half sheep, worn 4to, together with, Butler (Samuel), The Third and Last Volume of Posthumous Works, 3rd edition, corrected, London: Sam. Briscoe, 1719, contemporary calf, extremities rubbed, 12moQty: (2)NOTESSold with all faults, not subject to return.
![[Dugdale, William]. A Short View of the Late Troubles in England; Briefly setting forth, their rise, growth and tragical conc](https://cdn.globalauctionplatform.com/2206a016-3da5-4a0b-9e5e-acbe010b0ffe/ffee71bb-f46f-4613-9855-acc400e132f0/468x382.jpg)
[Dugdale, William]. A Short View of the Late Troubles in England; Briefly setting forth, their rise, growth and tragical conclusion. As also, some parallel thereof with the Barons-Wars in the time of King Henry III. But chiefly with that in France, called the Holy League, in the Reign of Henry III. and Henry IV. late Kings of that Realm. To which is added a perfect narrative of the Treaty at Uxbridge in an. 1644, 1st edition, Oxford: at the Theater for Moses Pitt, 1681, 2 parts in one, title with engraved vignette of the Sheldonian Theatre, Oxford, lacking the portrait frontispiece of King Charles I, Bedfordshire General Library ink stamps (1830) to title and a few margins, manuscript shelf number at head of title, one or two small marginal holes, occasional minor soiling, later calf-backed boards by Blair Jeary, red label to spine, folioQty: (1)NOTESESTC R18097; Wing D2492.
Farquhar (George). The Works, 3 volumes, Dublin: Thomas Ewing, 1775, engraved title to each, armorial bookplate of John Molesworth to upper pastedowns, contemporary calf, two title labels lacking, joints cracked, slight wear, 16mo in 8s, together with: Lee (Nathaniel), Plays, 3 volumes, London: Printed for M.P. and sold by A. Bettesworth & F. Clay, 1722, contemporary panelled calf, gilt decorated spines, lacking title labels, joints cracked and upper board of volume 1 detached, spines worn, 12mo, [Thom, Walter], Pedestrianism; or, An Account of the Performances of celebrated Pedestrians during the last and present century; with a full narrative of Captain Barclay's public and private matches; and an essay on training. By the author of the History of Aberdeen, Aberdeen: A. Brown & F. Frost, 1813, light dust-soiling, monochrome postcard portrait of Captain Barclay to upper pastedown and newspaper cuttings to rear endpaper, contemporary half calf, lower joint cracked, upper board detached, 8vo, and four others including The Practical Gardener, and Modern Horticulturist, by Charles McIntosh, 2 volumes, London: Thomas Kelly, 1830, contemporary reversed calf, upper board of volume 1 lacking upper board and lower board detached, 8voQty: (11)
Grose (Francis). A Classical Dictionary of the Vulgar Tongue, 2nd edition, corrected and enlarged, printed for S. Hooper, 1788, title and final leaf lightly browned, occasional light spotting, modern antique-style half calf gilt, 8vo, together with: [Collier, Jane]. An Essay on the Art of Ingeniously Tormenting; with proper rules for the Exercise of that Pleasant Art. Humbly addressed, in the first part, to the master, husband, &c., in the second part to the wife, friend, &c., with some general instructions for plaguing all your acquaintance, 2nd edition, corrected, printed for A. Millar, 1757, engraved frontispiece by William Hogarth, contemporary ownership signature of Frances Ackland to title, contemporary calf, with modern antique-style reback, 8vo, plus: Herbert (George). A Priest to the Temple. Or, The Country Parson His Character, and Rule of Holy Life, 2nd edition, with a new preface by B.O., printed by T. Roycroft, for Benj. Tooke, 1671, imprimatur leaf (A1) before title, single-page advertisement leaf (O7) at rear, without final blank (O8), 17th century ink manuscript list of book titles to the lower portion of a title leaf from a1641 English bible loosely inserted at rear, 20th century bookplate of Reverend Douglas G. Matthews, Southover Rectory, Lewes, Sussex to front pastedown, contemporary panelled calf, 20th century reback with outer corners repaired, small 8vo, and: Waller (Edmond). Poems, &c. written upon several Occasions, and to several Persons, seventh edition, with several additions, never before printed, printed by T. W. for the Assignes of H.H. and sold by J. Thonson, 1705, engraved portrait frontispiece of the author by P. Vanderbank, 20th century light brown half calf, 8voQty: (4)
Handel (George Frideric). The Beauties of Handel, in three volumes, consisting of upwards of one hundred & fifty of his most favorite Songs, Duetts & Trios, selected from the various works of this great Master, arranged with a separate accompaniment for the Piano Forte and figured from the M.S. scores of the author by Jos. Corfe, Gentleman of his Majesty's Chapels Royal & Organist of the Cathedral Salisbury, 3 volumes, London: printed & sold by Preston, circa 1825, engraved portrait frontispiece to volume 1, engraved titles 'Dedicated by permission to His Majesty', engraved music throughout, occasional spotting mostly to margins, contemporary half calf, marbled sides, black leather label 'Miss Pinnell' to upper board, marbled paper to upper board of vol. 2 neatly repaired to lower right corner, recent rebacks, some corners repaired, slim oblong folioQty: (3)
Johnson (Samuel). The Works of Samuel Johnson. A New Edition. With an Essay on his Life and Genius, by Arthur Murphy, 12 volumes, London: for NIchols and Son [and others], 1816, together with: Boswell (James). The Life of Samuel Johnson, 4 volumes, 8th edition ('revised and augmented'), London: for T. Cadell, 1816, engraved portrait frontispiece to volume 1 of each work, both works in uniform contemporary calf with twin red morocco labels, Boswell volume 1 front board detached, 8vo (21.4 x 12.8 cm),Qty: (12)NOTESProvenance: David Talbot Rice (1903-1972), English archaeologist and historian, with his bookplates; thence by descent.
Locke (John). An Essay Concerning Human Understanding, Eighth Edition, with large Additions, 2 volumes, printed for A. Churchill and A. Manship, 1721, engraved portrait frontispiece by Vertue after Kneller, title to first volume with contemporary ownership inscription to upper blank margin 'Sum e libris Johan: Feaver', occasional minor marks and minor spotting and edge-browning to first and last few leaves, contemporary full calf, rubbed and some wear, with partial loss to spine of first volume, together with another edition of Locke's Essay Concerning Human Understanding, 2 volumes, 16th edition, 1768, with engraved portrait to first volume, bound in contemporary sprinkled full calf, rubbed and some wear to joints and head and foot of spines, and outer corners, 8voQty: (4)NOTESESTC T63926 for the 8th edition.
Miniature books. Approximately 40 miniature books & small format publications, mostly 19th century, including: The Shipwreck; by William Falconer, London: Jones & Co., 1826, engraved frontispiece, additional engraved title, contemporary calf, gilt decorated spine, 32mo in 8s (90 x 54 mm); The Seasons by James Thomson, London: Jones & Co., 1823, engraved portrait frontispiece and additional title, endpapers stained, original cloth, 32mo in 8s (85 x 50 mm); Quintus Horatius Flaccus, London: William Pickering, 1824, engraved frontispiece, original cloth, 32mo in 8s (87 x 50 mm), and others similarQty: (approx. 40)
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283284 Los(e)/Seite