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283287 Los(e)/Seite
Los 483
NEWPORT COUNTY Seven B/W photos, one of which is a reprinted team group from August 1957. The others are original including training, officials at the signing of a player in 1957, Cecil Dixon portrait and in training, Darlington and Newport trainers at Somerton Park 10th July 1957 and Keith Tennant in training 22/8/1957. Generally good
Los 887
AUTOGRAPHS A collection of autographs to include Fulham v Chelsea programme 1979/80 fully signed by mostly Fulham players, a team photo of Bolton Wanderers FA Cup winners 1958 signed by Nat Lofthouse and 5 front page copies of Goal Magazine from the 1960's signed by the front page portrait Peter Osgood , Peter Bonetti ( Chelsea), Ron Davies ( Southampton ), Peter Shilton ( Leicester City ), Wyn Davies ( Newcastle United ) and Alan Ball ( Everton ). Generally good
Los 459
A Chinese black and white photographic portrait of a dignitary in a carved frame, dated 1901 -- Description: Photo: 13,9 x 9,8 cmÊ Frame: 24,8 x 18,7 cmÊÊ Ê Provenance: Jean Jadot ('Souvenir affectuant ˆ Mr et Me Jadot, Shanghaï, 4 mars 1901').Ê The person depicted is the adviser to the Director of the Chinese Railway Company, who was, together with Jean Jadot, in charge of the development of the railway (see: G. Kurgan, Jean Jadot, architect of the Belgian expansion in China, Academie royal of overseas sciences, Brussels, 1965).
Los 769
Dutch school, attributed to Gerard van Honthorst (1592-1656): Portrait of a nobleman in armor, oil on panel, 17th C. -- Description: Work: 74 x 59,5 cmÊ Frame: 95 x 80,3 cmÊ Ê Several parallels can be drawn with a portrait of a nobleman, half-length, in armor with a white lace collar and an orange sash, in a painted oval by Gerard van Honthorst, sold at Christie's Amsterdam in 2013 (Sale 3040, 20-21 November, Lot 72; link) or with several portraits of Friedrich zu Dohna (1621-1688) after Van Honthorst and by his workshop (link).Ê Ê Provenance: with an old inventory number '36' on the reverse.
Los 133
Nash (John).- Spenser (Edmund) The Shepheardes Calender, number 47 of 350 copies on hand-made paper, additional pochoir illustrated title and pochoir illustrations by John Nash, original vellum-backed cream silk, t.e.g., others uncut, dust-jacket, spine a little soiled and with small tear, slight wear to upper outer edge of front panel, board slip-case (rubbed), Cresset Press, 1930 § Greenwood (Jeremy) The Wood Engravings of John Nash: a Catalogue..., one of 750 copies, tipped-in portrait frontispiece, illustrations, original cloth-backed patterned-paper boards, Liverpool, Wood Lea Press, 1987, small folio (2)
![NO RESERVE Rabelais (François) Gargantua, [one of 395 copies but without limitation leaf], dry-point portrait and 14 hand-co](https://cdn.globalauctionplatform.com/c80d5540-6644-4de5-a369-ac2400b1ba5c/9271581e-c608-4cbe-a910-ac2400b347f5/468x382.jpg)
Los 158
NO RESERVE Rabelais (François) Gargantua, [one of 395 copies but without limitation leaf], dry-point portrait and 14 hand-coloured plates by Gaston Barret, one double-page, with additional suite of plates with remarques on chine and another of 4 unused plates, loose as issued in original red wrappers, uncut, lacking folder and slip-case, Paris, Éditions d'Art Eryx, 1956 § Tolstoy (Leo) Le Bonheur Conjugal [&] La Sonate a Kreutzer, 2 vol., limited edition, hand-coloured dry-points by Gaston Barret, original printed wrappers, uncut, light spotting, board folders and slip-case, a little rubbed and spotted, Paris, 1952 § Giraudoux (Jean) Hélène & Touglas ou Les Joies de Paris, number 193 of 100 copies on vergé de Hollande, from an edition limited to 1220, engraved plates by Laboureur, original printed wrappers, uncut, spine faded, 1925, 4to & 8vo (3)
Los 180
NO RESERVE American Modernism.- Tchelitchew (Pavel, 1898-1957) Portrait of Jane Heap (1883-1964), the American publisher and proponent of literary modernism, pencil on cream wove paper without watermark, signed lower right, sheet 150 x 100 mm (5 7/8 x 4 in), tipped at upper edge onto paper support, some light rubbing, unframed, [circa 1930s]
Los 30
Haggard (H. Rider) Allan Quatermain, number 19 of 112 large paper copies, engraved portrait frontispiece and 19 plates by J. Cooper after drawings by C. H. M. Kerr, frontispiece tissue-guard foxed and torn with minimal loss, some spotting, original morocco-backed boards, lower cover lightly marked, joints and spine ends very lightly rubbed, else a very clean, tight copy, 4to, 1887.
Los 45
NO RESERVE James (M. R.).- Strang (William), after. Montague Rhodes James, Provost of Eton, colour printed facsimile after the original chalk drawing now held in the Fitzwilliam museum, image approx. 275 x 175 mm (10 3/4 x 6 7/8 in), under glass, framed, [circa 1909 but later]; together with a facsimile portrait of Campbell Dodgson after Randolph Schwabe's 1932 chalk drawing, framed (2)
Los 61
Photography.- Arnold (Eve) The Unretouched Woman, 1976 § Edelstein (Jillian) Truth & Lies, 1964 § McGhee (Fi) Photographers and their Images, 1988 § Herrmann (Frank) Portrait Photography, 1988, presentation inscriptions to Sally Soames from the author, illustrations, original wrappers or boards, the last two with dust-jackets, the last with very light surface soiling; and 29 others, photography, many with ownership inscriptions by or with inscription to Sally Soames from the authors, v.s. (33)⁂ Sally Soames (1937 - 2019) was a British photographer known for her black and white portraits and photo-journalist coverage of the Yom Kippur War of 1973. Celebrated for her ability to disarm her portrait sitters with her warm and exuberant personality, she was able to capture some of the most memorable photographs of the 20th century of people such as Margaret Thatcher, Orson Welles, and Rudolf Nureyev.
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283287 Los(e)/Seite