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Preisdatenbank abonnierenA rectangular citrine set single stone brooch, a rose diamond set brooch with a border of seed pearls, a ruby and diamond set stick pin, the terminal designed as a horseshoe, an opal set stick pin, another two stick pins, a gem set pendant cross with a neckchain and a cornelian set oval seal, carved as the portrait of a classical gentleman.
An oval shell cameo brooch, carved as the portrait of a lady, a Victorian oval brooch glazed at the centre with a carved bone standing stag, within a beaded and looped surround, the back glazed with a feathered hair locket compartment, two further brooches and an ivory pendant, the applied mounts with engraved decoration.
A 9ct gold ring, mounted with a central circular cut sapphire between pear shaped diamond set single stone shoulders, a 9ct gold, sapphire and colourless gem set seven stone half hoop ring, a 9ct gold, ruby and diamond set seven stone half hoop ring, four further 9ct gold and gem set rings, an 18ct gold ring mount, a 9ct gold gate charm and a 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady.
A group of jewellery, comprising; an 18ct gold wedding ring, London, 1974, a 9ct gold mounted oval shell cameo brooch, carved as the portrait of a lady, Birmingham 1984, an 18ct gold earclip, detailed 750 and mostly costume jewellery, comprising; four brooches, a silver pendant cross, three pairs of earrings and one earclip, contained in a red jewellery case.
A SUNDERLAND LUSTRE PEDESTAL BOWL, c.1830`s, of plain circular form on a low foot, the interior painted in underglaze black with the "Mariners` Arms" and verse "The Sailors Tear", the exterior with a ship`s portrait and a further verse "The Loss of gold is great ...", with pink lustre borders, 8" diameter, 4 1/2" high
ENGLISH SCHOOL (19th Century), Portrait of a Victorian Gentleman and His Wife, full length, she seated and wearing a white satin dress, oil on canvas, unsigned, 88" x 62 1/2", gilt frame (Illustrated) Provenance: The vendor is a direct descendant of the Plowden family of Plowden Hall in Shropshire
An Edwardian silver gilt and enamel box, by James Samuel Bell & Louis Willmott, London 1904, of bombé form, resting on four scroll feet, the cover inset with a portrait miniature of Edward VII surrounded by pink guilloché enamelling, the body applied with flowers and ribbons. Inscribed to reverse of lid ‘Given by H.M. King Edward VII to Admiral of the Fleet Sir John Fisher, O.M., G.C.B., A.d C., on the occasion of the Review of the Home Fleet, August 3 1907’, 11.5 cm wide 8.5cm deep 4cm high. Sir John Fisher (1841-1920) is remembered as one of the great reformers in the history of the British navy. He was born in Ceylon and his naval career started with his nomination from Sir William Parker. He entered the navy on 13 July 1854 as a cadet aboard HMS Victory and rapidly rose through the ranks, becoming a captain in 1874. During this time, he excelled in the field of navigation and championed the use of torpedoes in the navy, recognising their potential early on. Whilst aboard HMS Inflexible in 1852, Fisher came to the notice of the royal family for the first time and this connection was to follow him throughout his career. He continued to prosper being made Director of Naval Ordnance in 1886 and admiral in 1890. He obtained the position of First Sea Lord in 1904 and remained in this post until 1910. During this time, he tirelessly sought improvement, revolutionising the navy in preparation for World War I. Amongst his initiatives were the construction of HMS Dreadnought, leading to a new era in battleships, and the development of submarines. He retired in 1911 on his 70th birthday, being recalled briefly as First Sea Lord in 1914/15 before resigning over the Gallipoli campaign. He died in 1920 and is buried at Kilverstone, Thetford.
Jean Auguste Edouard Lienard (French, 1779-1848) Elliptical portrait miniature of an inquisitive gentleman dressed in fashionable black bow-tied cravat, frock coat and low cut lavender vest, oil on porcelain, signed `L. Lienard` lower right, annotated verso in the same hand `Ribouet, 7 rue de la Paix, Paris` in gilt metal frame, second quarter 19th Century, 13 cm x 10.5 cm
A watercolour and gouache portrait miniature of a lady in profile, her hair worn in an elaborate Psyche knot and parted ringlets, circa 1820, framed under glass, 9 cm x 6.5 cm, together with two associated silhouettes, one of Thomas Knight of Colchester and the other his daughter Sarah aged 7 years, each framed under glass, second quarter 19th Century
Early 19th Century Head and shoulders portrait miniature of a lady in Grecian inspired evening dress and jewellery, head tilted to one side with a mass of dark curls only just contained by a diadem, her sapphire eyes accentuated by an adornment of baubles, in gilt frame, 8 cm, early 19th Century
Francis BACON (1909-1992) Portrait de Peter Beard, 1976 Eau-forte et aquatinte, épreuve signée et numérotée 74/100.Frontispice de l`ouvrage La Mysticité charnelle de René Crevel, texte d`Eddy Batache, édité en 1976 par les Editions Georges Visat et Cie, Paris 38 x 28 cm (la planche), 26,4 x 22,4 cm (l`image) Provenance : Sims Reed Gallery, Londres Collection particulière, Paris Bibliographie : Bruno Sabatier, Francis Bacon, Oeuvre graphique - Catalogue raisonné, JSC Modern Art Gallery, 2012, reproduit page 35
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