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283284 Los(e)/Seite
Los 135
Silhouettes: a large head and shoulder "Portrait of a Gentleman, facing left, approx. 9cms (3 1/2"), in black and brass rimmed frame; and a small similar ditto, "Head and shoulders Portrait of Gentleman with bow tie," gilt highlights, approx. 9cms (3 1/2"), in brass rimmed frame (lacking black frame), a pair. ( 2 )
Los 535
An attractive carved and turned oak English Arts & Crafts period Sideboard, possibly by Morris & Co., the shaped turned rail back, inset with mirror and two blue and white porcelain portrait tiles, over two centre doors, flanked either side by open shelves, and two small drawers, on plinth base, with decorated brass hinges and handles 152cms wide x 145cms high (60" x 57"). (1)
Los 711
19th Century Cork School - O'DriscollWatercolour etc: An extremely rare set of six, silhouette Portrait Pictures, all of Cork interest:1. "Boiled Water for Cork"2. "Stop & Read,"3. "St. Patrick's Day, Mayor Cork,"4. "New Light - Old Light,"5. "Gold Medal, Health Exhibition, 1884,"6. "Throwing Away the Crown,"each approx. 30cms x 23cms (12" x 9"), in hogarth frames. (6)
![Wm. Dack [19]23"Portrait of a Horse standing by a gate in a Stable Yard," O.O.C., 43cms x 56cms (17" x 22") signed and dated,](https://cdn.globalauctionplatform.com/a74eb749-ebe8-4855-835f-a714010af691/13345241-7316-4be6-81d0-a71c00ee3f4a/468x382.jpg)
Los 856
A Unique Suite of 17th Century Life-Size PortraitsAttributed to Justus Sustermans, Flemish (1597 - 1681) and also toThe Studio of Federico Zuccaro, Italian (c. 1543-1609)A.Full length "Portrait of Man in black by a window, holding the hand of a child standing beside him," O.O.C., approx.. 196cms x 114cms (78" x 45").B.Full length "Portrait of Lady wearing embroidered brown gown with reticella lace ruff and holding lace trimmed handkerchief, a dog at her feet," O.O.C., approx.. 196cms x 114cms (78" x 45").C.Full length "Portrait of Man in black standing by a table, and holding an object in his right hand, possibly a seal of office," O.O.C., approx.. 196cms x 114cms (78" x 45").D.Full length "Portrait of Lady wearing elaborate red gown, with open reticella lace ruff and holding gloves in her left hand," O.O>C., approx.. 196cms x 114cms (78" x 45").The suite of four in original attractive gilt frames.Provenance: Purchased by the late Judge James Murnaghan in the late 1950's, from whence they remained, and now by descent through the family, to the present owner. (4)
Los 866
Attributed to George Clint"Vice Admiral, William Lukin Windham," three-quarter length portrait, standing with sword in hand and in naval attire, O.O.C., 100cms x 87cms (43 1/2" x 34 1/2") in gilt frame. (1)Provenance: Falmore Hall, Dundalk, Co. Louth, and then by descent to the present owner.Note: William Lukin (1768-1833) was a native of Felbrigg in Norfolk. Thanks largely to the patronage of the local squire William Windham, who was also his step-uncle, he obtained a commission in the Royal Navy and rose rapidly to the rank of captain. He performed with distinction in the Napoleonic Wars, especially during a naval action off Rochefort in the Bayof Biscay in which he captured two French Frigates. He retired in 1814 as Vice-Admiral of the Blue.In 1824 he inherited Felbrigg Hall on the death of the widow of his benefactor, and assumed the additional surname of Windham. He employed the architect W.J. Donthorne to remodel, extend and alter the house and stable block. George Clint (1770-1854) was a talented and prolific portrait painter and engraver, best known for his many theatrical subjects. His portrait of the Vice-Admiral, of which this is a version, hangs at Felbrigg Hall (now a National Trust property). Two of the Vice- Admiral's daughters married members of the Hare family, and the younger - Maria Augusta, later Countess of Listowel - is also the subject of a fine portrait by Clint.
Los 421
EIGHTEENTH-CENTURY MAHOGANY AND UPHOLSTERED GAINSBOROUGH CHAIR, CIRCA 1760 the square upholstered back, between sabre front padded arms and a stuff-over seat, raised on acanthus leaf carved cabriole legs to the fore, terminating on claw feet 96 cm. high; 70 cm. wide; 70 cm. deepThe etymological origins of the Gainsborough chair are to be found in the paintings of Thomas Gainsborough (1727 – 1788), an English portrait and landscape painter. The chair is named after him after a similar chair that appears in several of his paintings. Many discerning collectors of period pieces regard the Gainsborough chair as exemplifying the very best in English furniture.Visiting dignitaries to the White House are regularly seen together with the United States President seated in a pair of Gainsborough chairs or perhaps more correctly a pair of Martha Washington chairs as is their American name.Gainsborough chairs are characterised as being wide with a high back, open sides, and short arms set well back from the seat to which they are connected by a concave curving support. The legs may be fluted or carved. Here, the stuff-over seat is raised on scallop shell-headed cabriole legs that terminate on hairy lion paw feet to the fore while the back legs are carved with acanthus leaves. The chair bears an inventory number (7645) and is dated as being circa 1740 – 1760.
Los 406
GROUP OF FIVE FAMILY PORTRAIT MINIATURES Maker's mark on gilded frame: George Elisha Sumner (G.E.S.) 1897-1916 The Bowen family, Kilnacourt House, Portarlington, Co. Laois. Mrs Bowen and her two daughters, Mrs Bowen, Great Aunt of Elizabeth O'Keilly, wearing a diamond brooch (see Lot 67 in this sale). Provenance: Property of the late Elizabeth O'Kelly, formerly of The Dower House, Emo Court 7 cm. high (5)
Los 306
RICHARD ROTHWELL (IRISH, 1800-1868) Three quarter length portrait of James Wandesford Butler, 1st Marquess of Ormonde and 19th Earl of Ormonde (1774-1838) wearing the star and ribbon of the Order of St. Patrick Oil on canvas 150 x 115 cm.A Painter of portraits and genre scenes Richard Rothwell was born in Athlone. He entered the Dublin Society's school aged 14 where he was awarded a silver medal in 1820. He exhibited at the Royal Hibernian Academy between 1826 and 1829 having been elected an Associate of the RHA in 1823 and admission to full membership the following year. In 1829 he travelled to London and entered the studio of Sir Thomas Lawrence PRA (1769-1830). Laurence was the leading portrait painter of the age and upon his death, Rothwell was seen as his successor. Instead, 1831 he left for Italy to study the works of the Italian Masters remaining there until 1834.Upon his return to London he concentrated on genre scenes and exhibited these works at the Royal Academy. By 1847 he was back in Ireland and living in Rathfarnham. In 1854 he travelled to America but did not remain there long, returning to work in England. In 1862 he visited Paris, Brussels and Rome, where he exhibited his works with great success. He died in Rome in 1868 and is buried there in a grave beside the English Romantic poet John Keats. Throughout his life Richard Rothwell exhibited regularly at both the RA and at the RHA. Sir Edwin Landseer (1802-1873) commented to a friend ‘An artist has come from Dublin who paints flesh as well as the Old Masters’.
Los 50A
A late Victorian gold and citrine graduated riviere necklace, with a series of graduated oval mixed cut citrines, each citrine rub set in a plain collet, with a twisted wire border, and joined by pairs of jump rings in portrait positives to a concealed box clasp. Tested as approximately 9ct gold. 60.08g. 404mm long
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283284 Los(e)/Seite