JOHN COOKE (IRISH, FL. C. 1778-1805)Portrait miniature of a gentleman in a blue coaton ivory (ref. A4VW8BAZ)7cm highin a gilt metal frame with a lock of hair (to the reverse)ProvenanceSotheby’s, London, 13 October 1975, lot 136;Private collection, UKFootnoteA signed portrait miniature of an officer by John Cooke is inthe Victoria & Albert Collection, inv. no. P. 24-1949.Condition reportPlease check our website again as originally this had the wrong image. It now has the correct image.Some surface dirt.A few very small minor black spots mot his collar.Possibly a little retouching to upper right background where blue meets his hair, the blue appears to be a slightly different shade in a very small area, but difficult to tell whether this is retouching or not.Generally, overall looks good.Under glass and not examined out of frame.
283287 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
283287 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
283287 Los(e)/Seite
DANIEL SAINT (FRENCH, 1778-1847)Portrait miniature of a lady in a white dress and fur lined coaton ivory (ref. RL8T1RNQ)7cm highin a gilt metal frameProvenanceSotheby’s, London, 29 March 1976, lot 108;Private collection, UKCondition reportDark patch to her hair in photo is just a shadow, it is not on the work itself.There appears to be a small line above her hair to the right in the brown background, where the brown background appears slightly paler to the left and darker to the right of it.A line visible upper right background, another line centre right to background and the collar of her coat. A small dark mark in the same area.Dark paint to the left, along where her face and body meet the background, this might be original to the work however.Overall appearance is generally good.
ISAAC WANE SLATER (BRITISH, 1784/85-1836)Portrait miniature of Mrs Taylor in a black dress, white fichu and bonnetsigned, dated and inscribed ‘Mrs Taylor / I W Slater pinxt / 70 Newman St / 1822 / London’ (to the reverse)on ivory (ref. 3S814ZVS)8.5cm highin a gilt metal frameProvenanceSotheby’s, London, 28 July 1975, lot 68;Private collection, UK
RICHARD CROSSE (BRITISH, 1742-1810)Portrait miniature of Edward Kingsmill Esq. in a white coat and waistcoat, brother of Sir Robert Kingsmillon ivory (ref. QGYQNRLF)3cm highin a rectangular papier-mâché frameProvenanceSotheby’s, London 20 December 1974, lot 138;Private collection, UKCondition reportA few small spots with a yellow/orange/white appearance to upper left quarter, including to face, hair and background. These could be in the surface of the painting or the underside of the glass, it is difficult to tell which.Some surface dirt.Otherwise appears generally good.Under glass and not examined out of frame.
THOMAS RICHMOND (BRITISH, 1771-1837)Portrait miniature of a lady in a white dress, wearing a head scarfon ivory (ref. FE9VZGK1)6.5cm highin a gilt metal frameProvenanceSotheby’s, London, 2 June 1975, lot 85;Private collection, UKCondition reportPossibly a little discolouration to background lower right.Surface dirt.Appears generally good.Under glass and not examined out of frame.
GEORGE ENGLEHEART (BRITISH, 1750-1829)Portrait miniature of a lady in a black lace fichu and white bonnet, thought to be Mrs Weltonon ivory (ref. 7E1AMCL5)4.2cm highProvenanceSotheby’s, London, 10 March 1975, lot 87;Private collection, UKCondition reportUneven surface with indentations, most obvious to lower right and lower left.Under glass and not examined out of frame.
MARIA TUKE (BRITISH, 1861-1947)Portrait of Geoffrey Sainsbury, son of the artistsigned with initials and dated 'M.T.S. 1902' (upper right)watercolour18 x 13.5cmProvenanceB.D. Price;Private Collection, UKExhibitedPenlee House, Penzance, Women Artists in Cornwall 1880-1940, 16th March - 27th April 2002, no.78The present work will be on view at Cromwell Place, SW7 2JE, 21 & 22 March, 11am-5pm
HENRY PIERCE BONE (BRITISH, 1779-1855)Portrait miniature of the artist's father, Henry Bone R. A. (1755-1834)inscribed ‘Henry Bone R.A. / Enamel Painter to George 3rd, / George 4th & William 4th. / London March 1845. Painted by his / son Henry Pierce Bone Enamel / Painter to Her Majesty & H.R.H. Prince / Albert, the Queen Dowager & HRH. / the Duchess of Kent. From an / Oil Picture painted by him (Henry / Pierce Bone) in 1805. / Born Feb. 6th 1755. Died Dec. 17th 1834.’ (on the counter-enamel)enamel on copperoctagonal, 14 x 11.5cmin a rectangular gilt-metal mount within velvet-lined box frameProvenanceThe artist Henry Pierce Bone;By descent to his son George Bone;By descent to his daughters Georgina, aka Gina and Alice Bone;Gifted to Richard Henry Egerton Russell by his Aunt and Godmother Phyllis Rosalind Leigh Hunt;Thence by family descentFootnoteThe sitter was a Cornishman, born in Truro in 1775. As a teenager he went to Plymouth to paint on china at the Cookworthy factory and later went on to paint watch cases, shirt buttons, brooches and pins for Messers Randle, Jackson and White in Paternoster Row, London. In 1781 he exhibited an enamel portrait of his wife at the Royal Academy and, two years later, a self-portrait. He continued to work for London jewellers and painted during his spare time, working mainly on his Royal Academy diploma piece ‘Nymph and Cupid’ which caught the eye of the Prince of Wales. By 1801, his success as an enamel painter was made official with his appointment to Enamel Painter to the Prince of Wales, and to George III. He was elected a Royal Academician in 1811. Henry Pierce Bone was the eldest son and pupil of the enamel painter Henry Bone, R.A. (1755-1834) and his wife Eliabeth, née Van der Meulen (d. c. 1830). After some initial training in the art of painting in oil and enamels by his father, he entered the Royal Academy School at the age of sixteen. After his father’s death in 1834, he concentrated on oil painting and the production of enamels and he began to produce copies of works by Old Masters and of portraits of the Spencer family, some of which were painted ad vivum. He followed in his father’s footsteps as enamel painter to Queen Adelaide, to Victoria, Duchess of Kent, and to Queen Victoria and Prince Albert, however he was never admitted to the Royal Academy. On 14 October 1805 he married Anna Maria Long, the daughter of a Clerkenwell watchmaker. They had four sons and three daughters. Henry Pierce Bone died on 21 October 1855 and the following year 172 of his enamels were sold at Christie’s.Condition reportTwo faint horizontal scratches upper left and another scratch lower left (please see additional photos online).Possible bloom, or uneven varnish or surface dirt resulting in dull pale grey spots visible in various places, mostly to upper area above head, left and right background and lower jacket area.The present work will be on view at Cromwell Place, SW7 2JE, 21 & 22 March, 11am-5pm
NICHOLAS DIXON (BRITISH, 1660-1708)Portrait miniature of a gentleman in armour and a long curling wigsigned with monogram ‘ND’ (lower left)on vellumoval, 76mm highin a silver-gilt frame with spiral surmountProvenanceFischer Galleries, Lucerne, 27 June 1957, lot 828;Christie’s, London, 21 April 1998, lot 14;Private collection, UKExhibitedSidney Hand Ltd Galleries, Signed Miniatures, 1925, case 5.Condition reportHorizontal crack to bottom.Surface abrasion to lower left, next to initials.Some other minor marks in places.Under glass and not examined out of frame.Areas on the face fluorescing under uv light.
THOMAS HAZLEHURST (BRITISH, 1740-1821)Portrait miniature of a gentleman in a green coatsigned with initials ‘T. H’ (lower right)on ivory (ref. PUHTGSHK)7.5cm highin a gilt metal frameCondition reportA little discolouring with some yellow marks/spots to areas of background.A small bit of what might be plastic looks to be on the surface lower centre, possibly resting on the surface, under the glass.Under glass and unexamined out of frame.
CHARLES DIXON (BRITISH, FL. 1748-1798)Portrait miniature of a gentlemansigned with initials 'C D' (centre right)on ivory (ref. ZSPLNQD9)3.5cm highin a gilt metal mountProvenanceSotheby’s, London, 28 February 1977, lot 104;Private collection, UKCondition reportA few small dark spots/marks to centre left edge.What appears to be small watermark to lower left edge but hard to be certain as under the glass.Otherwise appears generally good.Under glass and unexamined out of frame.
JOHN COMERFORD (IRISH, 1770-1832)Portrait miniature of a lady in a white dress wearing a headscarfon ivory (ref. 2FGH3ZBK)6cm highin gilt metal frameProvenanceSotheby’s, London, 13 October 1975, lot 113;Private collection, UKCondition reportA few slightly yellow marks to background lower right but very minor.A little surface dirt.Generally good condition.Under glass and not examined out of frame.The horizontal marks across the centre that can be seen in the photo online are reflection on the glass, not on the work itself.
NATHANIEL HONE (IRISH, 1718-1784)Portrait miniature of a gentleman called Sir William Hamilton, wearing a purple coatsigned with initials and dated 'NH 1762' (centre right)on ivory (ref. V8A5NDCL)3.2cm highin a gilt metal frameProvenanceSotheby’s, London, 28 February 1977, lot 111;Private collection, UK
RICHARD CROSSE (BRITISH, 1742-1810)Portrait miniature of a lady in a white dress, wearing a portrait miniature around her neck, the reverse with a memorial plaqueon ivory (ref LNZ6998W)oval, 91 mm highin a later gilt-metal frameProvenanceSotheby’s, London, 15 November 1951, lot 35;Sotheby’s, London, 6 June 1996, lot 49;Private collection, UKCondition reportSome surface dirt and some very small minor marks in places.Possibly a little discoloured in places.Otherwise appears generally good.Under glass and not examined out of frame.
Elizabeth I (1558-1603), Fine Sovereign of 30 shillings, Queen seated on ornamental throne holding orb and sceptre, portcullis below, rev. shield on Tudor rose, mm. tun, 14.92g, (N.2003, S.2529). Portrait a little soft but an honest and problem free example of the type, good fine, better in places.
Charles I (1625-1649), Unite, Tower mint, group A, first bust left in coronation robes, wider single arched crown, mark of value behind, rev. square topped shield with plain garnishing, mm. lis, 8.97g, (N.2147, S.2686, Brooker -). Attractive portrait, very fine or better, the dies not represented in Brooker.
Henry I (1100-1135), Penny, type XV, quatrefoil on cross fleury type, London, moneyer Godric, crowned bust facing three-quarters left, holding a sceptre, +HEN[RICVS REX], rev. quatrefoil with lis at each angle over cross fleury, [+]G[ODRIC] ON LVN, 1.37g, (N.871, S.1276). Weak in parts otherwise superb portrait, very finePrimprez hoard was deposited c.1140 and consisted of 569 silver coins and 12 silver ingots. The hoard was discovered by chance in 2002. .Provenance: Purchased Mike VosperEx. Primprez hoard, Spink 10th June 2004, lot 218Spink Numismatic Circular 1/05
Burgred (852-874), Penny, BURGRED REX, diademed bust right breaking inner circle, rev. type A, lunettes closed, moneyer Hvgere, HVGERE MONETA, in three lines, 1.17g, (N.423, S.942B). Fully centred strike on a round flan, legends clear both sides, all the main lines of the portrait visible, very fine. .Provenance:Purchased Mike Vosper
Charles I (1625-1649), Shilling, Tower mint under Parliament, group G, seventh narrow crowned bust left, mark of value behind, rev. square-topped shield over cross moline, mm. sceptre, 5.86g, (S.2802, N.2233). A couple of annealing marks but probably much as struck with a sharp portrait and superb fields, struck on a smaller flan typical of the type, about extremely fine.
Buddy Holly LPs / Box Sets, approximately forty albums and three Box Sets including Picture Discs and with titles including Buddy Holly, Showcase, The Buddy Holly Story, The Buddy Holly Story II, That'll Be The Day, Reminiscing, Words Of Love, Peggy Sue, The Complete Buddy Holly Story, The Unforgettable Buddy Holly, Giant, Portrait In Music, Legend, For The First Time Anywhere, Rock On With Buddy and more - various conditions but largely Excellent or better
Eddie Cochran LPs, thirteen albums comprising My Way, Memorial Album, Singin to my Baby, Eddie Cochran (Pic Disc), The EP Collection, Portrait of a Legend, The Hollywood Sessions, Tenth Anniversary album, Fifteenth anniversary album, Singles Album, 16 Great Tracks, The Best Of and 25th anniversary album - mix of originals and reissues - mainly all in Excellent to EX+ condition
Progressive Rock LPs, eleven albums of mainly Progressive Rock comprising Highwind - Same, Greenslade - Time and Tide, Ekseption - Beggar Julia's Time Trip, Tom Newman - Fine Old Tom, David Bedford - The Rime of the Ancient Mariner, Paul Bley - Scorpio, Harris Chalkitis - Same, Rick Wakeman - Gole!, Matthew Fisher - I'll Be There, Julian Brook - Portrait and Revelation Orchestra - The New Messiah - various years and conditions and sold with two additional Greenslade LPs without sleeves (Cactus Choir and Bedside Manners are Extra)
Goldfinger / Dr No Film Poster, a quad sized (portrait aspect) Poster for the 1966 re-release of the two Bond Classics - 'Adult Entertainment' snipe bottom centre - on card, rolled and measures 40" by 30" - light creasing, 2" tear top edge centre and a few light tape residue marks on the edges, otherwise in good condition
Early to mid 20th century carved oak profile bust portrait in high relief mounted on rectangular maple plinth back with walnut frame, 38cm x 24cm. Inscribed verso "Carved by Foxfield, Cumberland, England"; also another carved oak plaque depicting the Madonna and Child, signed with monogram G. A., 29cm x 25cm.
Antique Italian Maiolica blue and white large tin glaze pottery jar of globular form with circular portrait panel of a bearded man flanked by three stars, and further floral and scrolled foliate decoration in three panels, 34cm high.Condition:As images. Rim chips, glaze defects and glaze impurities. Large firing crack to interior (not visible from exterior). Reasonable condition for age overall.
Paragon China commemorative plate for the University of Aberdeen extension of University buildings opened by King Edward VII 1906 with portrait and architectural vignettes in sepia transfer with overpainted crests. Transfer mark "Designed and produced for J. W. Baker, China Merchant By Appointment to His Majesty, 136 and 138 Union Street, Aberdeen", no. 6, 24cm diam.
Willplus Empress Starless 21st Century Nymphomaniacs Mamiya Marie 1/6 scale painted figure, Excellent, Complete, within Fair opened packaging. Kaitendoh Walkure Romanze Celia Cumani Aintree 1/8 scale figure, Mint within Near Mint sealed packaging. Excellent Model Limited Portrait of Pirates One Piece Limited Edition Nami Ver.BB 1/8 scale figure, Near Mint to Mint, within Good opened packaging. Wave Corporation Beach Queens Treasure Figure Collection Super Sonico, 1/10 scale figure, Mint, within Good Plus opened packaging. Craneking Banpresto One Peg Jeans Freak figures x 2 includes 03 Nico Robin and 09 Vivi, within Excellent to Near Mint sealed packaging. (6)
A late 18th century gold brooch mounted portrait miniature painted on ivory, the oval miniature painted to depict a young lady wearing a pink dress over a white chemise, within seed pearl border, with small pendant loop, circa 1790, length 3.5cmIvory exemption reference FPVJ5EDCCondition Report: Gross weight 8.95g.Later replaced fittings. Some repairs noted. Some minor crazing to cover noted under magnification.
Marjorie Cox (1915-2003)/Wong/portrait of a dog/signed lower left/titled and dated lower right October 1961/watercolour, 29cm x 24.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
After Allan Ramsay/Portrait of the Artist's Wife/half-length/watercolour, 49cm x 33.5cm and/after Vermeer/Girl with a Pearl Earring/Medici Society print, 46cm x 39.5cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Brother Gilbert Taylor (1916-2004)/Portrait of St John Roberts, martyr, 1577-1610/signed/watercolour, 53cm x 36cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Loading...-
283287 Los(e)/Seite